I've decided to launch a column to supplement the String Sorcery lesson series
. Here, I'd like to go into various topics that aren't particularly lessons but are still useful. These could be about different aspects of guitar playing, sharing experiences with certain books, tools, etc., or (in the case of this entry) addressing things that I may have left out of the lessons themselves. Today's topic is the importance of chromatic exercises. A reader kindly pointed out that I didn't explain their importance very much, so I'll do that now:
A sizable portion of people who pick up a guitar utilize chromatic exercises, but many of these individuals stop using them altogether as they advance. Although it is certainly important to learn and practice new things, the basics are always the foundation. To illustrate this, let's say you're building a house. Before you do anything else, you lay the foundation. From there, you can build a strong and sturdy house. Now, let's say that you want to expand your dwelling (perhaps by adding another floor). If you don't upgrade and reinforce the foundation to handle the extra stress, your house may possibly collapse. How does this analogy compare to guitar playing?
Most of the guitarists that I know started out with the same simple chromatic exercises, and it helped them build a decent technical foundation. The simplicity was also the reason for which they abandoned their usage; believing that there was nothing more to gain. From my own experience, I can say that the opposite is true.
Because those common chromatic exercises are so simple (as far as fingerings go), they aid us in maintaining and improving our raw picking speed and base finger dexterity. In general, it makes other things a bit easier to master. Now, I'm not suggesting that you spend months and months on chromatics while practicing nothing else. Instead, I'd suggest that you get a few of them down to a point in which you can play them at a decent speed (like 16th notes at 60 Beats per minute) and then use them as warmups for every practice session. Not only will you be able to warm up, but you'll also be improving at the same time. In "String Sorcery: The Wizard's Tower Pt.2 - Picking And Chromatic Exercises
", there are a few that I personally use each day.
Now on to utilizing the chromatic scale in music: It's fairly rare to see people composing music entirely out of the chromatic scale. Nikolai Rimsky-Korsakov
and Arnold Schoenberg
are two examples of people who did. The rest of us generally utilize the chromatic scale to add a few extra "colors" to a piece of music. There are a few more elaborate ways to do this (such as Schoenberg's 12-Tone System
), but most musicians would opt for simple experimentation.
String Sorcery News Update:
The Wizard's Tower
portion of the series is very much based on exercises and technical improvement. I'd like for this series to be as all inclusive and informative as possible, so I'm currently working on coming up with lessons in various other categories (particularly in the "For Beginners
" section. Also, coming soon in the "Correct Practice
" section... String Sorcery: Challenges
! This is where I'll pick little things that seem to get ignored and challenge readers to improve on those areas.
Until next time, keep it rockin'!