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Understanding Amplifier Classes, date: august 19, 2009
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Understanding Amplifier Classes

author: Kevy Absolution date: 08/19/2009 category: the guide to
rating: 8.6 / votes: 15 
POSTED: 08/19/2009 - 07:47 am
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 17 
 comments posted
Redxrock :
very helpful, though some of it went right over my head.
POSTED: 08/19/2009 - 09:03 am / quote |
Dream Floyd :
same redxrock
POSTED: 08/19/2009 - 09:41 am / quote |
rhoadsfan92 :
i strongly approve. i only knew about class a, class b, and class ab. and honestly, i thought b was ab, and had no clue what ab was...
POSTED: 08/19/2009 - 09:58 am / quote |
wesselbindt :
I'm going to do an essay on this(for school, not for ug), and this is pretty helpful, thanks!
POSTED: 08/19/2009 - 01:29 pm / quote |
Oosh. :
Very helpful, it has cleared up the whole class thing up for me!
POSTED: 08/19/2009 - 04:02 pm / quote |
strat0blaster :
Helpful, but kinda overly complex IMO.

Still, if you sit and wrap your head around it, it's very helpful.

POSTED: 08/19/2009 - 06:02 pm / quote |
jean_genie :
Here's an easier way to understand A vs. A/B:

Think of a sine wave. Class A amplifies the entire waveform. This type of amp tends to get overworked, which results in easily overdriving.

Class A/B amps split the waveform before processing. Half the tubes take the positive side of the waveform, have take the negative side. Because of the shared duty, these amps have more clean headroom before they go into overdrive. Because they have a cleaner signal, they're also much better for extremely high-gain playing, as they don't tend to muddy up as much.

Extremely simplified, but explains the basics without any enginerring understanding. I usually tell my customers that it they want really clean or REALLY distorted, they want a Class A/B amp. If they want something in the middle, they want a Class A amp.

Obviously I encourage all my customers to play any amp of any class in any price range that interests them, but 90% of the time my explanation holds true. Even after an hour of trying half a dozen amps, my customers generally agree with where I've pointed them.

And yes, I always encourage them to try different amps, in case they disagree with me

POSTED: 08/19/2009 - 07:51 pm / quote |
Vabolo :
Interesting, I've never heard of the energy efficiency side of amp classes that much. There is now an inner battle in me, musician vs environmentaslist, althouugh I doubt an amp driven by hydroelectricity will really make such a big impact on the environment, wether it's a class A, B or AB.

Anyhow, good job on the article!

POSTED: 08/19/2009 - 08:03 pm / quote |
animesh_joshi :
That is a very well written article. Gives one a great understanding. A few examples would have been good.
POSTED: 08/19/2009 - 11:43 pm / quote |
Kevy Absolution :
animesh_joshi wrote:

That is a very well written article. Gives one a great understanding. A few examples would have been good.


Examples of what?

POSTED: 08/19/2009 - 11:58 pm / quote |
Halakar :
Thanks, I learned something today.
POSTED: 08/20/2009 - 02:40 am / quote |
the*matt :
Kevy Absolution wrote:

animesh_joshi wrote:

That is a very well written article. Gives one a great understanding. A few examples would have been good.

Examples of what?


Maybe a few brands and models that the average player might be familiar with?

POSTED: 08/20/2009 - 06:59 am / quote |
alecs90 :
This really cleared out many things!
POSTED: 08/20/2009 - 04:50 pm / quote |
PussyPunk182 :
Awesome, thanks. I too thought that the classes were grades on somethign to do with warmth or how good the tubes that are used were. haha. Thanks alot, although alot of the numbers confused me, I got the jist
POSTED: 08/20/2009 - 05:30 pm / quote |
lumpy.gravy :
Cool now i know what the hell im buyin, nice
POSTED: 08/21/2009 - 07:08 pm / quote |
RSmarties :
A good start but just a few comments and details:

Class A, B, AB, C (and I suppose D) can all be single-ended or push-pull. Single-ended class B, AB, C and D are not really suited for general audio applications of any power rating (even low power) because of their tuned/resonant nature for full cycle reproduction, or bad fidelity without tuned/resonant load circuits. Single-ended class C is often used with resonant(tank) circuits in radio amplifiers.

Valve amplifiers are easily operated in single-ended class A as long as the output transformer is suitably designed and rated. The high voltage / lower bias current and impedance transformation of the output transformer makes it practical and an attractive option. Single-ended solid state amplifiers are another story where the minimum bias currents are essentially half that of the maximum load current required. this makes for a heater that also does some amplification See the Zen amplifier at passdiy.com for an example of such an amplifier with 4% (yes four percent) efficiency. Almost all solid state power amplifiers would be push-pull types, and most likely some variation of class AB.

Class D amplifiers have switching output devices and are typically configured to control the output signal using PWM (Pulse Width Modulation). The switching behaviour results in very high efficiencies, but requires high operating frequencies (100's of kHz) and very good output filters to remove those high frequencies.

Class D amplifiers are often used in power and space critical applications (like PC Notebook audio amplifiers), or in very high power applications where inefficiencies (heat) along with size (heatsinks and power supply) and weight (especially the PSU transformer) must be minimised. A 1kW class AB amplifier with, say, 75% efficiency would dissipate up to 300W in heat, where a 90% efficient class D would only dissipate just over 100W of heat. Such amplifiers are usually the preserve of solid state electronics because of the switching speeds involved.

Clipping is a result of the one of the amplifier stages (usually the final/output stage) saturating i.e. the voltage swings to one of the supply rails (less the output device's saturation voltage). Where clipping occurs "softly" (in MOSFET and valve amplifiers the peaks of the waveform are rounded rather than squared-off) primarily even-harmonics (think octaves) are generated which are less objectionable and a part of the desired valve sound. Where the clipping is "hard" then odd-harmonic rich distortion is created, that undesired, harsh character of bipolar (NPN/PNP transistor) amplifiers.

Crossover distortion is a result of imperfect and mismatched switching between the upper and lower half devices. Crossover distortion is minimised by biasing an amplifier in Class AB, but never eliminated completely.

Push-pull stages need not be complementary - in the case of valves they use centre-tapped transformers and identical devices on each end. Often for reasons of cost, simplicity and efficiency only N-Channel/NPN devices are used in solid-state amplifiers almost always resulting in degraded audio quality.

POSTED: 08/23/2009 - 03:58 am / quote |
FretKiller :
Wow I only kknew about A,B and AB class...Great article dude!
POSTED: 08/23/2009 - 07:05 am / quote |
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