lesson: bass soloing


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4-string-4-eva
01-07-2005, 06:15 PM
BASS SOLOING

In this lesson I will show you the techniques I use for playing bass solo?s to hopefully help you write your own. So here goes?

Starting from the start you need some knowledge of scales. The most simple types of scale are major and minor and are played as follows: major is c to c with no sharps or flats (c,d,e,f,g,a,b,c or tone, tone, tone, semi-tone, tone, tone, tone, semi-tone). Minor is a to a with no sharps or flats (a,b,c,d,e,f,g,a or tone, tone, semi-tone, tone, tone, semi-tone, tone, tone). Here are some examples of major and minor scales:
C MAJOR:

G|--------0-2-3-5-
D|--0-2-3---------
A|3---------------
E|----------------

E MAJOR:

G|-----------------
D|-------------1-2-
A|-------0-2-4-----
E|-0-2-4-----------

F MAJOR:

G|----------------
D|----------0-2-3-
A|----0-1-3-------
E|1-3-------------

C MINOR

G|--------0-1-3-5-
D|--0-1-3---------
A|3---------------
E|----------------

E MINOR

G|----------------
D|------------0-2-
A|------0-2-3-----
E|0-2-3-----------

F MINOR

G|----------------
D|------------1-3-
A|------1-3-4-----
E|1-3-4-----------

The usual technique for playing solos is to find out what key your song is in and then improvise or write notes from that scale over the backing music. When you play over chords you will need to know what chords are being played, and then play the notes in that chord. So if you are playing over a chord of c major then the notes in that chord are the ones, which will sound the best (c, e and g). You can still use other notes in the scale, but they will not sound as appealing as the chord notes.

SLAP SOLO?S

Nearly all of the bass solo?s I?ve heard have included some slap in them. In case you?re new to bass, slap is where you make a fist and hit the string with your thumb. There are a few ways to incorporate scales into a slap solo. One, which is the most obvious, is to play a normal solo but slap it. A few others include left hand taps (not actually plucking the note but bringing your finger down and making a sound) and index finger/ thumb pops (pulling the string up and letting go creating a twanging sound). These techniques will make the solo sound faster, but will require more skill to make them sound good. Below is an example of a slap, pop, tap solo in e minor:

G|-------------------------------
D|-------------2-----2-2---------
A|---------3P2---3P2-------------
E|-0-0-2-2---------------X-3-0__-
S S S S P P T P P S P P

Another way to play a slap solo is to play the notes in a scale but slap another note in between them. This ?offbeat? note can be in the scale or not. An example is shown below (this is in a minor)

G|--------------------------------------------------
D|----------------------------2---------------------
A|--0---2---3---2---0---2---3-----0---2---3p2p0-----
E|0---0---0---0---0---0---0-----0---0---0-------0__-
S P S P S P S P S P S P S P P S P S P S P S

With the last technique you can change the Es or whatever note you?re using for a dead note and it will sound just as good.

TREMOLO SLAP

This next technique I don?t know the name for, when I thought it up I didn?t know of anyone else who did it so I named it myself as tremolo slap. It is a slap technique but it gives the impression of a tremolo pick on guitar. What you do is play the normal slap note, and then on the way back slap again with your fourth finger. If you can get this fast it will sound amazing with a minimal amount of effort. I suggest practising scales, but doing them with this technique to build up your speed.

MOVING SCALES AROUND

The scales I gave as examples don?t have to be played like I?ve shown them. These are just the basic majors and minors of notes. You can play around with these scales, try flattening the seventh of a minor scale for a bluesy sound, or flatten the seventh of a major scale for an even brighter sound. The possibility?s are only as limited as your imagination!! Also, the scales don?t need to stay within these boundaries, you can move them up and down the fretboard as long as you stay within the notes of the scale. You can add accidentals to the solo but don?t add too many as this will make it sound sloppy and in some cases may even put it in a different key!!

Well that?s all, I hope this inspires you to create better solo?s and helps you in the process as well. Thanks for giving it a read!!!

rhcpcure2826
01-24-2005, 06:57 PM
A. There's no Bb in the C Major Scale
B. You should never encourage a beginner bassist to slap, that will just throw them out of sync and mess up his or her priorities
C. Slapping was invented so as to substitute for a percussion instrument of some sort, but you included nothing about muting.
D. You included NOTHING about the ACTUAL NOTES being played. You can NOT just play in a scale and hope it comes out right.

Based on this lesson, here's what the average beginner bassist can do:

1. Make himself/herself look like a total idiot struggling to throw his or her hand against the strings (you didn't even mention WHERE to slap)
2. Learn how to play one position of a scale, not knowing what notes are being played, not knowing why they occasionally work, not knowing how to make them always work
3. Develop horrible technique and an equal understanding of soloing with some meaningless concepts thrown in

slash_620
01-25-2005, 06:58 AM
^i thought you left.....(im just wondering have u ever heard of deathball.net?)

as for the lesson,i agree with rchpcure.

Zabka
02-16-2005, 05:37 PM
Originally posted by rhcpcure2826
A. There's no Bb in the C Major Scale
B. You should never encourage a beginner bassist to slap, that will just throw them out of sync and mess up his or her priorities
C. Slapping was invented so as to substitute for a percussion instrument of some sort, but you included nothing about muting.
D. You included NOTHING about the ACTUAL NOTES being played. You can NOT just play in a scale and hope it comes out right.

Based on this lesson, here's what the average beginner bassist can do:

1. Make himself/herself look like a total idiot struggling to throw his or her hand against the strings (you didn't even mention WHERE to slap)
2. Learn how to play one position of a scale, not knowing what notes are being played, not knowing why they occasionally work, not knowing how to make them always work
3. Develop horrible technique and an equal understanding of soloing with some meaningless concepts thrown in

:cheers: