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Showing results 1 to 30 of 500
Search took 1.34 seconds. Search: Posts Made By: deHufter |
Forum: Musician Talk
05-17-2013, 09:59 AM
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Replies: 6
Views: 168
Posted By
deHufter
The second one has 2 cadences IMO.
The V - vi is...
The second one has 2 cadences IMO. The V - vi is a deceptive one. The vi functions as a tonic substitute only differing from the tonic by the A instead of G. The IV at the end probably leads back... |
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Forum: Musician Talk
05-14-2013, 12:01 PM
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Replies: 23
Views: 684
Posted By
deHufter
And IMO it does. To me, if I play a high F#m (for...
And IMO it does. To me, if I play a high F#m (for example barred at the 9th fret), it doesn't feel like the end station, but it wants to go to E > D#dim > C#m, and we're home. But please don't try... |
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Forum: Musician Talk
05-13-2013, 02:29 PM
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Replies: 23
Views: 684
Posted By
deHufter
Funny, cause to me it sounds definitely in C#...
Funny, cause to me it sounds definitely in C# minor. Especially if I play: A5 - C#5 - B5 - F#5 - C#5 (drone) But music is open for interpretation. If i was the composer I'd notate it in C# minor... |
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Forum: Musician Talk
05-12-2013, 11:39 AM
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Replies: 23
Views: 684
Posted By
deHufter
It doesn't sound quite sad to me as well.
In...
It doesn't sound quite sad to me as well. In general minor thirds are be considerered to evoke sad emotions because of the more dissonant interval than major thirds. But songs with m3's can sound... |
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Forum: Musician Talk
05-11-2013, 11:45 PM
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Replies: 19
Views: 718
Posted By
deHufter
Nick Drake - Day is done
Led Zeppelin - Babe I'm...
Nick Drake - Day is done Led Zeppelin - Babe I'm gonna leave you Gabriel Rios - Broad daylight Portishead - Glory box Radiohead - Exit music (for a film) |
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Forum: Musician Talk
03-28-2013, 04:50 PM
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Replies: 76
Views: 1,210
Posted By
deHufter
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Forum: Musician Talk
03-28-2013, 04:46 PM
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Replies: 110
Views: 5,696
Posted By
deHufter
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Forum: Musician Talk
03-26-2013, 05:24 PM
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Replies: 76
Views: 1,210
Posted By
deHufter
:confused:
So you're saying that tonal music...
:confused: So you're saying that tonal music doesn't have a strong predominant - dominant - tonica relationship? Interesting, you're not confused with modal music are you? Modes belong in a... |
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Forum: Musician Talk
03-26-2013, 01:26 PM
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Replies: 76
Views: 1,210
Posted By
deHufter
You're right, but there isnt a rule either that...
You're right, but there isnt a rule either that says you cant use accidentals at all when playing in a modal context. That was my point. |
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Forum: Musician Talk
03-26-2013, 01:59 AM
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Replies: 76
Views: 1,210
Posted By
deHufter
Because YOU say so? Leading tones are often...
Because YOU say so? Leading tones are often sharpened, even in a modal context. In pieces with no flat (for example D dorian) the Bb may used to avoid a tritone interval. In pieces with one flat (Bb)... |
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Forum: Musician Talk
03-26-2013, 01:15 AM
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Replies: 35
Views: 733
Posted By
deHufter
The context is a final vertical cadence. Of...
The context is a final vertical cadence. Of course there's a minor 7th as passing tone in the melody or to make a F major sonority. |
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Forum: Musician Talk
03-25-2013, 04:42 PM
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Replies: 76
Views: 1,210
Posted By
deHufter
So what's the difference between E ionian and E...
So what's the difference between E ionian and E major? Also, you misnamed at least 1 of the 3 chords. The other one is arbitrary. And why can't i have a piece 'in' C mixolydian while playing a B once... |
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Forum: Musician Talk
03-25-2013, 02:46 PM
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Replies: 35
Views: 733
Posted By
deHufter
Use counterpoint and harmonize horizontally. You...
Use counterpoint and harmonize horizontally. You can produce rather complex modal pieces with this method. C lydian is not only droning a C and play a C scale with a F# in it. You should know that... |
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Forum: Musician Talk
03-25-2013, 02:24 PM
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Replies: 76
Views: 1,210
Posted By
deHufter
Why on earth would you play A dorian over a G...
Why on earth would you play A dorian over a G major progression? It would sound EXACTLY like G major... |
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Forum: Musician Talk
03-25-2013, 02:55 AM
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Replies: 26
Views: 729
Posted By
deHufter
A as a pivot works fine. There tons of other...
A as a pivot works fine. There tons of other options if your teacher doesn't like it, but first i would ask him WHY he doesn't like it. You could use some kind of augmented 6th to modulate. Bb D E... |
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Forum: Musician Talk
03-18-2013, 02:22 AM
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Replies: 6
Views: 266
Posted By
deHufter
^ this
Eb7 = bV7/V in D
So he briefly tonicizes...
^ this Eb7 = bV7/V in D So he briefly tonicizes the Dm7 which is v of the following Gmaj which in turn is the V of of the tonic Cmaj. A circle progression which gives a nice descending chromatic... |
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Forum: Musician Talk
03-10-2013, 08:26 AM
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Replies: 19
Views: 366
Posted By
deHufter
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Forum: Musician Talk
03-10-2013, 08:23 AM
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Replies: 110
Views: 5,696
Posted By
deHufter
Yeah, first I didn't have that little run toward...
Yeah, first I didn't have that little run toward A minor, but decided to put it in there. The countersubject I had in mind started on the C. Thought I could bypass this problem cause the highest... |
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Forum: Musician Talk
03-09-2013, 04:22 AM
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Replies: 14
Views: 238
Posted By
deHufter
You don't want to argue, but you want us to make...
You don't want to argue, but you want us to make a progression for you? So you'd take every progression we come up with for granted? I can understand the reply of 20 tigers. You boldly state that... |
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Forum: Musician Talk
03-08-2013, 11:23 AM
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Replies: 5,627
Sticky: NAME THAT CHORD III
Views: 226,716
Posted By
deHufter
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Forum: Musician Talk
03-08-2013, 08:49 AM
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Replies: 5,627
Sticky: NAME THAT CHORD III
Views: 226,716
Posted By
deHufter
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Forum: Musician Talk
03-08-2013, 08:46 AM
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Replies: 19
Views: 366
Posted By
deHufter
As for learning your fretboard:
1) Practice...
As for learning your fretboard: 1) Practice scales 2) Practice scales 3) Practice scales Also think in advance, so how the note you're about to play will sound. As for music theory. Don't know what... |
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Forum: Musician Talk
03-08-2013, 07:32 AM
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Replies: 2
Views: 213
Posted By
deHufter
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Forum: Musician Talk
03-07-2013, 07:07 AM
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Replies: 110
Views: 5,696
Posted By
deHufter
Hey Xiaoxi. Could you look at my fugue If you...
Hey Xiaoxi. Could you look at my fugue If you find the time? It's my first one so be gentle :) Subject is based on some guy's lesson on the internet. It starts of in Dm, modulating to dominant, back... |
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Forum: Musician Talk
01-11-2013, 04:52 PM
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Replies: 5,627
Sticky: NAME THAT CHORD III
Views: 226,716
Posted By
deHufter
Was wondering how you would name a major7th chord...
Was wondering how you would name a major7th chord with a dominant 7th in it like for example: e|--3--| B|--2--| G|--1--| D|--2--| A|--0--| E|-----| Sounds really sweet. |
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Forum: Musician Talk
09-26-2012, 03:53 AM
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Replies: 8
Views: 311
Posted By
deHufter
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Forum: Musician Talk
09-25-2012, 12:31 AM
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Replies: 51
Views: 1,087
Posted By
deHufter
Cause a diminished second is the enharmonical...
Cause a diminished second is the enharmonical equivalant of a unisone. B to Cb is a diminished second. |
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Forum: Musician Talk
09-07-2012, 03:28 PM
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Replies: 52
Views: 1,415
Posted By
deHufter
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Forum: Musician Talk
09-07-2012, 01:17 PM
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Replies: 52
Views: 1,415
Posted By
deHufter
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Forum: Musician Talk
09-06-2012, 12:33 PM
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Replies: 11
Views: 498
Posted By
deHufter
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| Showing results 1 to 30 of 500 |
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