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Old 11-24-2012, 10:22 PM   #21
mdc
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Quote:
Originally Posted by martinman777
im struming a E before this chord which compliments it quite nicely

In that context, Cm/G with B and E upper pedals (the open strings)
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Old 11-24-2012, 10:41 PM   #22
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Quote:
Originally Posted by Artemis Entreri
I lean toward Cmaj7 with an augmented 9th as well. The G in the bass wouldn't be uncommon.

Except for the fact that the D# (Eb) is lower than the E. It gives stability to a C minor sound.


i was also thinking it was some wierd variation of cmaj7 but wasnt sure exactly what
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Old 11-24-2012, 10:43 PM   #23
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Quote:
Originally Posted by martinman777
i was also thinking it was some wierd variation of cmaj7 but wasnt sure exactly what
Quote:
Originally Posted by mdc
Cmaj7/G

The D# is decoration, and would typically resolve upwards by a half step.


Example,

Code:
-0-0-0 -0-0-0 -1-0-0 -2-1/2 -2-3-3 -0-3-3

Last edited by mdc : 11-24-2012 at 10:55 PM.
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Old 11-25-2012, 12:02 AM   #24
KG6_Steven
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Quote:
Originally Posted by mdc
A polychord.

Em
_

Cm



Leave it to a pianist to think of that. Oh wait... I are one, too.
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Old 11-25-2012, 12:25 AM   #25
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this is a satanic chord and you all fell for this by playing it now you're summoning lucifer into this world because you all played it to check the chord and he got u all good

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Old 11-25-2012, 12:49 AM   #26
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oh snap i love satan
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Old 11-25-2012, 08:53 AM   #27
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you're my new favorite
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Old 11-25-2012, 08:59 AM   #28
MaggaraMarine
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Did you notice that TS had it first wrong and now has edited his first post?

----0----
----0----
----0----
----2----
----3----
----3----

And this is clearly Cmaj7/G.
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Old 11-25-2012, 12:48 PM   #29
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Quote:
Originally Posted by MaggaraMarine
Did you notice that TS had it first wrong and now has edited his first post?

----0----
----0----
----0----
----2----
----3----
----3----

And this is clearly Cmaj7/G.


thanks for the help
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Old 11-25-2012, 06:44 PM   #30
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^ D'you want a tip? (rhetorical question).

Learn some theory.
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