09-04-2007, 10:32 PM
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#21 | |
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Defensive Specialist
Join Date: Feb 2004
Location: Rhode Island
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Quote:
I dunno if tritone sub is the right word, but I think it's the idea. You still get the B -> C and F -> E resolutions, and G resolves to F#, perhaps. I guess it could be thought of as an incomplete C(maj)13 #11 or something, but it's called F#m7b5 because it's functioning as a ii in a minor ii-V-i. That's me guess.
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(Slightly outdated) Electronic and classical compositions by m'self: Check 'em out 
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09-07-2007, 07:25 AM
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#22 |
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UG Monkey
Join Date: Jun 2005
Location: The Netherlands
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That's about it yeah. Multiple explanations for it, but F#m7b5 (sub for C) is a good one, plus the standard resolution for a chord etc.
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The "Popped Collar" Award(Sexiest) Elvenkindje The "Rest In Real Life" Award(Best Past MT Mod) Elvenkindje |
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09-07-2007, 10:03 AM
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#23 |
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Registered User
Join Date: Sep 2007
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i like dis song...tn 4 the tips on what scales to use over the song..nyc for improv...
...do u guys think this ong is better suited for classical guitar or a electric jazz?..or doesnt it matter...  |
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09-07-2007, 02:36 PM
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#24 | |
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let's be friends.
Join Date: Jul 2006
Location: the shed.
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Rofl at how complex this song can be, haha.
When I learned it in Guitar class at school, it was 90% open chords, with just a few maj7ths here and there. Good song though.
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Get baked, study theory. Quote:
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09-07-2007, 06:41 PM
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#25 | ||
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UG Mulder
Join Date: Jul 2006
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Quote:
But did you improvised on this?
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