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Old 02-09-2013, 05:43 PM   #61
Sleepy__Head
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Wait, there's an ignore list?
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Quote:
Originally Posted by Hail
oh shut up with that /mu/ bullshit. fidget house shouldn't even be a genre, why in the world would it deserve its own subgenres you twat
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Old 02-09-2013, 05:44 PM   #62
Sleepy__Head
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Hello?
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Originally Posted by Hail
oh shut up with that /mu/ bullshit. fidget house shouldn't even be a genre, why in the world would it deserve its own subgenres you twat
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Old 02-09-2013, 05:50 PM   #63
Hail
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Originally Posted by Sleepy__Head
Bollocks to the lot of yer. I'm taking my intervals home.

*huffy*

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Old 02-09-2013, 06:37 PM   #64
Captaincranky
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Quote:
Originally Posted by Sleepy__Head
Bollocks to the lot of yer. I'm taking my intervals home.

*huffy*
Just be careful you don't get them caught in your zipper on the way.
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Old 02-09-2013, 08:09 PM   #65
mdc
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Originally Posted by jazz_rock_feel
God bless the ignore list.

+1
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Old 02-09-2013, 09:40 PM   #66
rockxwl
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It's just a matter of tone. Just playing the root and the 5th and leaving out the octave makes your tone a little darker.

The same works for where you play a chord on the neck too. For example, you might see a lot of metal bands play a C# power chord on the 9th fret of the 6th string instead of the 4th fret on the A string. They are they exactly the same notes but the low E-based chords often sound a bit darker which some bands prefer. Others go for the brighter tones so they might prefer adding the octave/
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Old 02-11-2013, 02:56 AM   #67
91RG350
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Quote:
Originally Posted by Hail

An underrated Disney movie, that one....massively underrated...ignore the chessy opening musical number...then sit back for a way cool movie....

"Or...to save on postage...I could poison him with THIS!"
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It's the same as all other harmony. Surround yourself with skulls and candles if it helps.
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Old 02-11-2013, 05:36 PM   #68
Spaztikko
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Originally Posted by 91RG350
"Or...to save on postage...I could poison him with THIS!"


It was so well written!

Quote:
Originally Posted by Hail
show


Now I feel inferior with my RG.

Oh god and there's an 87 S540 used here.

OMG. I hate you bro.

I'm going to have all these cool guitars and play them through my mg. because of you.

OT: Listen to the mods.
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Old 02-13-2013, 06:00 PM   #69
LiquidSkies
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Personally, I play three-voiced powerchords with the root on the E-string, two-voiced with the root on the A-string and sometimes I add the low fifth to the A-string-voicing...
I just evade using my *flatwound* strings (GBE) for powerchord fundaments because the difference in brightness between a powerchord that uses the G and higher strings to one that does not is pretty...noticeable actually.
In other words, powerchords keep confined to the low three strings and fill them out
Fun thing is that you get a little bit of voice leading done by switching inbetween different shapes instead of going parallel movement all the time...

Though in riffs, always 2-voiced because it's much easier to change frets quickly.

...so yeah, it's all preference and situationalism.
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