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Old 07-08-2014, 07:37 PM   #17221
jazz_rock_feel
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Old 07-08-2014, 07:40 PM   #17222
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d# isn't music
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Old 07-08-2014, 07:40 PM   #17223
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ya damn right

F# is tho
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Old 07-08-2014, 08:50 PM   #17224
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I'm bummed out the thread was closed. I never got to clarify what I was saying. Plus the 4'33 stuff was getting good.

@ jazz rock.

The "duped" thing was supposed to be a joke. It was just a reason to post Calvin & Hobbes because all the avant garde stuff made me think about his snow art. You can't be duped by art for a variety of reasons but I don't feel like writing a big ass post as to why.
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Old 07-13-2014, 04:30 PM   #17225
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Quote:
Originally Posted by Life Is Brutal
Yus.

What you're doing there is essentially the inversion of the interval, and an easy way to remember that is that is that the interval names add up to nine, and Major/Minor qualities switch, as do Diminished and Augmented. Perfect intervals remain perfect when inverted. E.G;

Major Second inversion is Minor Seventh.

Minor Third inversion is Major Sixth.

Diminished Fifth inversion is Augmented Fourth.

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Old 07-13-2014, 06:17 PM   #17226
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Originally Posted by DiminishedFifth
You rang?


damn bro u stalkin hard

lol jk

Can anyone help me make a 12 tone row that's made entirely out of 3 seventh chords? Trying to find a way to make this work while attempting to avoid dominant 7th chords for this particular scenario.
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Old 07-13-2014, 08:56 PM   #17227
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Old 07-16-2014, 01:32 PM   #17228
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Quote:
Originally Posted by Life Is Brutal
damn bro u stalkin hard

lol jk

Can anyone help me make a 12 tone row that's made entirely out of 3 seventh chords? Trying to find a way to make this work while attempting to avoid dominant 7th chords for this particular scenario.

Am7, D#m7, Dm7b5 I think works. Any inversion and moving it around should, as well.

A c e g
D# f# a# c#
D f Ab/G# Cb/B

A A# B/Cb C C# D D# E F F# G G#/Ab

^
I love that Tim Minchin song
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Last edited by DiminishedFifth : 07-16-2014 at 01:35 PM.
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Old 07-18-2014, 05:27 PM   #17229
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Originally Posted by DiminishedFifth
Am7, D#m7, Dm7b5 I think works. Any inversion and moving it around should, as well.


Rofl, that's the exact same progression that JazzRockFeel found for me when I made a thread on it, although his was Gmin7, C#min7, D# Fully Diminished.

I just realized however that I can probably use it to switch "tonalities" by using variations on the progression leading into a different set of the same chord types; Like transposing it essentially except that its a 12 tone row.

Man, this is cool.
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Old 07-18-2014, 05:47 PM   #17230
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It could be that that's the only combination of chords that works.
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Old 07-18-2014, 09:08 PM   #17231
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Originally Posted by jazz_rock_feel
It could be that that's the only combination of chords that works.


Yeah, it could be. If so, that's really weird.
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Old 07-22-2014, 12:04 PM   #17232
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Why Will's threads get closed? They're good reads.
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Old 07-22-2014, 12:05 PM   #17233
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they're trying to silence the revolution man

but don't worry it will roll
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Old 07-22-2014, 12:39 PM   #17234
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Quote:
Originally Posted by Duaneclapdrix
Why Will's threads get closed? They're good reads.

Yeah this.
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