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Old 02-16-2013, 12:29 PM   #601
jazz_rock_feel
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Varese and me are bros.
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Old 02-21-2013, 03:01 PM   #602
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Quote:
Originally Posted by jazz_rock_feel
Varese and me are bros.


Nice. Do you like Frank Zappa? Varese was a big influence on him. I sang Dinah Moe Hum at Kareoke and managed to draw some surprises from the crowd.
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Old 02-21-2013, 03:18 PM   #603
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I've never listened to a ton of Zappa. I've listened to some and I've never really gotten the Varese connection, to be honest.

In other news:
The Borodin quartet plays this a tad slow for me, but still a great piece.


Here's the whole thing.
http://www.youtube.com/watch?v=_3IC...re=results_main
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Old 03-05-2013, 02:12 AM   #604
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I figured I would ask this question here since it seems that I would probably find the answer here. Anyways does anyone have a good definition of sonata allegro form? From what I gather it is ABA form but what else does that entail? Does it have repeats after certain sections or any other little details such as A should end with a perfect cadence or something? Is the form even ABA or am I wrong? Any help is appreciated, thank you.
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Old 03-05-2013, 04:01 AM   #605
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what do you guys think!!!
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Old 03-05-2013, 07:59 AM   #606
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The two instruments don't necessarily blend well together on their own. The first video was the worst offender to my ears, the second two where the keyboardist was playing the bass part with his left hand as well worked a bit better.
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Old 03-05-2013, 09:05 AM   #607
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Originally Posted by frog_friend
I figured I would ask this question here since it seems that I would probably find the answer here. Anyways does anyone have a good definition of sonata allegro form? From what I gather it is ABA form but what else does that entail? Does it have repeats after certain sections or any other little details such as A should end with a perfect cadence or something? Is the form even ABA or am I wrong? Any help is appreciated, thank you.

Sonata allegro == sonata form. It's vaguely ABA, although it's really more like AA'A". Look at Xiaoxi's Brahm's thread, he analyzed a sonata form in there.

http://en.wikipedia.org/wiki/Sonata_form
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Old 03-05-2013, 03:24 PM   #608
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Originally Posted by Nietsche
The two instruments don't necessarily blend well together on their own. The first video was the worst offender to my ears, the second two where the keyboardist was playing the bass part with his left hand as well worked a bit better.


I was thinking of doing this


just need guitar to complete the trio that guys not around, wouldnt ppl enjoy that?
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Old 03-06-2013, 01:47 PM   #609
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The more I analyze the Symphonie Fantastique the bigger my throbbing erection for chromatic harmony gets, and the more my brain explodes


Goddamn I love this piece
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Old 03-11-2013, 12:39 PM   #610
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Proof that not all instrument and tape pieces are awful:

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Old 03-11-2013, 09:16 PM   #611
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Wait, why is this not stickied?
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Old 03-11-2013, 09:27 PM   #612
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It's stickied for me!

And just to perpetuate my role of posting kick ass music:

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Old 04-09-2013, 09:35 PM   #613
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2 new uploads



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Old 04-10-2013, 02:46 PM   #614
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I am very happy to see this classical-only thread! I compose classical music (in addition to my popular-music band "The HK Alliance") so it is nice to see other composers and fans of classical.

My favorite era is undoubtedly the early 20th Century with its whirlwind of radical compositional changes (which, of course started much earlier with folks like Faure and Wagner). My favorite composers are Bela Bartok, Maurice Ravel, and Alban Berg, but I like pieces from nearly every composer of the 1890-1935 time period.

Why I enjoy it so much compared to more modern classical and older classical is the extreme stretching of chromatic harmony but without the 100% complete loss of a referential tonal center (not necessarily a dominant-tonic relationship). Bartok does this most masterfully in my view with his ridiculously creative compositional style based on what we now call "Musical Set Theory".
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Old 04-13-2013, 09:27 PM   #615
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Old 04-15-2013, 08:24 PM   #616
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Y'all are fucking welcome.
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Old 05-09-2013, 04:15 AM   #617
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Old 05-14-2013, 02:12 PM   #618
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Old 05-18-2013, 11:12 AM   #619
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Quote:
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dis.
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Mario 'Big Dawg' Williams: "I come to you, venerable master, in order to be introduced to the rules and principles of music"

Barbeesha Latoya Jackson: "Awh hell naw mutha fuka, u wanna learn da art of composition all up in here?

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Old 06-13-2013, 09:14 AM   #620
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Mario 'Big Dawg' Williams: "I come to you, venerable master, in order to be introduced to the rules and principles of music"

Barbeesha Latoya Jackson: "Awh hell naw mutha fuka, u wanna learn da art of composition all up in here?

Last edited by griffRG7321 : 06-13-2013 at 09:15 AM.
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