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#21 |
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One among the fence.
Join Date: Nov 2009
Location: Southern California, USA
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Different pickups, especially drastic differences like an active vs a passive will always be a much larger difference than something like scale length. Not that it's not important, but you have to look at your order of effect.
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In your mind, you can fly. This isn't 1968. Use the volume knob. Main Rig Ibanez | S420 | LTD | EC-1000 | Peavey | 6505 | MS412 | Boss | TU-3 | CS-3 | GT-10 | SD-1 | NS-2 | |
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#22 | ||
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Moderator (Ninja)
Join Date: Nov 2005
Location: Madison, Wisconsin
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Quote:
It's 25.5" on a strat, and that's a pretty significant different in the world of scale. Again, if you have the chance to try a short-scale strat or a long-scale Les Paul, I bet you'll hear the same things I do. It's pretty neat to hear how much of the strat/tele twang comes from just the scale length. For even more extreme references, notice how the tones from, say, a Rickenbacker (super short scale) or a Soloway (super long scale) coincide with the more subtle changes in measurement of the standard Fender/Gibson scales. Quote:
Didn't say it has to. I just disagreed with your claim that scale length has "nothing to do with tone." It does, so it's probably a contributing factor here.
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Hi, I'm Colin. |
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#23 | |
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Ka-chow!
Join Date: Dec 2007
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thank you. in the time it took me to shake my head clear you posted. |
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#24 | |
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Plays a Fake
Join Date: Jun 2007
Location: UK
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![]() EMGs. 24.75 12-60 Drop Ab Tight as a gnats arse.
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2012 Suhr Modern
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#25 |
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UG Freak
Join Date: Jun 2008
Location: Texas
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My 7 string is 24.75" and I play it in Drop A with 10-58 and I still get a pretty tight low end.
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#26 | |
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Registered User
Join Date: Apr 2012
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This, i use 13's in B standard on VGS Eruption (Les paul body shape and scale) and its perfectly fine. |
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#27 |
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Registered User Error
Join Date: Aug 2006
Location: Hereford, UK
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you get more clarity from the lower notes with a longer scale length. this is the reason why bass guitars have a longer scale length, and why grand pianos are shaped the way they are, among other things.
i think it's quite possible that you just might not like the drop tuned tones you can get out of a 24.75" scale guitar, in which case, it doesn't make a difference how many people tell you 'i tune 6 string bass tuning on my 20.5" scale guitar with 8-38 gauge strings and i don't have any problems'. still, like others have suggested, try getting some thicker strings and see if that works for you, before deciding whether you need a new guitar or not, as that can help tighten up the low end a bit, too.
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Only play as loud as you need to to get the desired level of power-tube distortion from your 100 watt tube amp. |
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#28 | |
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Registered User
Join Date: Feb 2011
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Haha, I figured as much. I've been around UG long enough to know that if I posted an idea such as the one in this thread I'd receive dozens of responses to the contrary. Though I had hoped to hear from some folks who run 25.5" scales or larger. I've even entertained the idea of getting a baritone guitar but I've heard their necks are kind of thick. I played a Gibson Les Paul Bari once and I played it fine though...
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#29 |
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Registered User
Join Date: Dec 2008
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I DO have some longer-scale guitars. I was just answering the question asked- 24.75 can handle (some) low tunings just fine, if set up to do so with the right strings.
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#30 |
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Registered User
Join Date: Jun 2006
Location: Brisbane, Australia
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Some people use them. Some people like them. However, some don't. Maybe you're one of them? I think one of the guys from Nile use a 24.75" for A, and it works for them. Works for them; I would never use their tone.
It could be any number of things. You don't have the right effects to get the tone you want; not the right EQ; perhaps your amp cannot handle it well; maybe your pickups are working against you; maybe your strings aren't the right tension for your preference. And the big one. Maybe you have the right tension... but you don't like the thickness of the strings. This is where it all comes down to scale length. If you had a longer scale, you could use thinner strings. You would have far less fundamental (i.e. mud) in your tone and more high-end. When you go shorter and use thicker strings for equivalent tension, the string starts to become less flexible and behaves more like a rod than a string. This is where the fundamental plays more of a part to the sound, and where the overtones become less apparent. Perhaps you simply don't like that aspect. Since my guitar's an eight-string, it has a scale length of 27". But it's an Ibanez, so it's neck is very thin (and I think it's extremely comfortable). Having fooled around with many strings and tunings on this guitar and a 25.5", I can confidently say that I prefer the tone on my 27". Comparing gauge of string to tension, I could only go as low as C on my 25.5" before I felt the tone was really lacking. But that's just me; I prefer less fundamental, and clearer overtones. That's something I couldn't get on my 25.5" to my satisfaction.
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#31 | |
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Moderator (Ninja)
Join Date: Nov 2005
Location: Madison, Wisconsin
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Quote:
Then why did you ask a question that ruled out that kind of response? Your question was specifically directed towards 24.75 guitars. It also didn't make sense to mention it because as you said, we all know it works fine with longer scale lengths.
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Hi, I'm Colin. |
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#32 |
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Registered User
Join Date: Feb 2011
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^^Well, really I'm talking about all scale lengths; maybe my original question wasn't clear enough. I'm going to get a new guitar regardless, but the responses I'm getting will help me to rule out certain models.
So far, most people have stated that shorter scale guitars with the proper strings are okay for tight, clear, low-tuned metal. So now I'll consider some 24.75" scale guitars again -- I had thought that only a 25.5" or longer would do...
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#33 |
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Jackson Fanboy!
Join Date: Apr 2011
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If scale length has nothing to do with tone, tell me why they make multi-scale guitars?
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#34 |
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One among the fence.
Join Date: Nov 2009
Location: Southern California, USA
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^ To be pedantic, I'd argue that it plays a more immediate role in feel, and of course in needing or not needing small or thick strings. If you're tuning to A standard, its just more economical to get a 27" and 11s or 12s than to use a 24.75" with 14's or 15's.
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#35 | |
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The Lovable Rascal
Join Date: Mar 2007
Location: Poland - Warsaw
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http://novaxguitars.com/info/technical.html
I think this article might clear up some misconceptions, and is overall an interesting read about how Scale Length is relevant to tone and string tension. Of course don't treat it as gospel, but more as a guideline - after all personal preference is the most important thing ![]() Quote:
From one of the interviews i heard that they use 0.080" for the A string. It's quite thick (in fact as thick as your average A string on a bass guitar), so i suppose it has some decent tension on it. But i agree, what works for them, might not work for anyone else. Last edited by El_Bozo : 07-03-2012 at 09:32 AM. |
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#36 | |
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tune up turn on rock out
Join Date: Sep 2009
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24.75" Scale guitars aren't worth considering for anything. You should only use 30" short scale basses strung up with guitar strings for drop tuning.
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#37 | |
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Jackson Fanboy!
Join Date: Apr 2011
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Quote:
Meshuggah?
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#38 | |
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Registered User
Join Date: Dec 2011
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Quote:
You got it there. It's either your pickup or your amps. Do not turn that gain knob on your amp all the way up. |
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#39 |
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Ka-chow!
Join Date: Dec 2007
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just because something is possible, doesn't always make it optimal.
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#40 |
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Registered User
Join Date: Feb 2011
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^^(@ Sethis) Thanks for the suggestion, but I moved beyond the teenage "gain to 11" stage fifteen years ago.
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