mdc

That's right, but what m.. scales are those chords coming from?

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Sweet

griffRG7321

None.

V/V Vb vb IVb ivb ic V.

The V/V isn't 'coming from the lydian mode'.

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Hail

minor, lydian, and mixolydian, but who cares what the name is. there's an accidental. we know what it does and can hear the chord in a progression and know the difference, so at what point do we have to know what scale something is borrowed from?

it's not like there's a different "flavor" for each different scale, and each usage of the series of intervals is based on the context. please tell me we're not back on suggesting that

e: nvm griff got it without having to humor the mode names

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Xiaoxi

Chords don't come from scales

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Modes and scales are dumb and useless. Stop learning them. No, seriously.

Analyzing Brahms: Insights to Help Us Improve Our Music

Nelsean attempting to pronounce my name lol

I got Last.fm. Don't know why...

mdc

From a listener's point of view, they couldn't care less I'm sure. But for the composer, if one scale is all they have for their chordal and melodic palette, their missing out on quite a lot of possibilities.

So...

... of course they have different flavors, cuz they generate different chords.

I just want to clear one thing up in general, I'm not talking about modulation here.

If you're going back to Renaissance and medieval periods. Can we please keep this confined to the Common Practice Period.

E: The point I'm making, is that modal interchange does exist. What 20T wrote about parallel scales and modes is 100% valid.

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Sweet

griffRG7321

The 'mode' in modal interchange refers to a major or minor key, not the greek modes.

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Hail

^
also


hahahaha what you can use more than 7 notes at a time

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Xiaoxi

I never even had anything else in mind...

Sure, it exists if that's how you want to perceive it. It exists for me too...as a giant prohibition and waste of time.

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Modes and scales are dumb and useless. Stop learning them. No, seriously.

Analyzing Brahms: Insights to Help Us Improve Our Music

Nelsean attempting to pronounce my name lol

I got Last.fm. Don't know why...

griffRG7321

Composers don't think in terms of 20 different scales though, they understand that a dissonance can be resolved to a consonance by step, much simpler, and not at all limiting like the scale method.

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mdc

Cuz the chords are borrowed from the parallel, so regardless of what chord from which mode you choose, it will have some sense of resolving to the tonal centre. They can be mixed and matched, within the confines of good taste.

You can use all 12 if you want.

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Sweet

:-D

holy ****

is this going to occur again

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mdc

Fixed

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Sweet

jazz_rock_feel

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An Afternoon with Stravinsky: Analysis and Observations of the Symphony of Psalms

I finally updated my SoundCloud with more recent pieces. Check it.

Hail

i honestly don't know what you're disagreeing with then nigga

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griffRG7321

This is my wife, you liek?

http://www.youtube.com/watch?v=nMej...ture=plpp_video

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Hail

i remember learning to string skip on a d major 9 arpeggio


nostalgia

e: why the heck is she using the trem arm for all her vibrato, what in the world

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Xiaoxi

That ain't yo wife. Bitch. Keep dreaming.

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Modes and scales are dumb and useless. Stop learning them. No, seriously.

Analyzing Brahms: Insights to Help Us Improve Our Music

Nelsean attempting to pronounce my name lol

I got Last.fm. Don't know why...

:-D

maj7 chords are the greatest things ever

if you don't think so, prepare for me to jump through your screen and curbstomp you at the nearest street corner

you've been warned

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Hydra150

m7 4 lyf yo

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Blinded by your cyber-love