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Old 12-12-2012, 04:39 PM   #21
z4twenny
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Quote:
Originally Posted by CarsonStevens
Because there's a fine line between "creative" and "pretentious".


Dude lol, this describes perfectly a conversation I had with a musician last night that I still don't quite get.
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Old 12-12-2012, 05:20 PM   #22
CarsonStevens
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Quote:
Originally Posted by macashmack
Carson, i disagree.
Q Hexalydian is one of the most beautiful scales in all of music. Are you telling TS NOT to make his music beautiful? Tsk tsk. And i thought we were supposed to be HELPING people.


Dude, get with it. Everybody and their brother uses Q Hexalydian. It's so mainstream it hurts.

That's why all of my most recent stuff is in flatted Serbian.
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Old 12-12-2012, 10:57 PM   #23
macashmack
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Quote:
Originally Posted by CarsonStevens
Dude, get with it. Everybody and their brother uses Q Hexalydian. It's so mainstream it hurts.

That's why all of my most recent stuff is in flatted Serbian.


I can't say I'm too familiar with flattened serbian... What are the intervals? Is it anything like its cousin augmented serbian?
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Old 12-13-2012, 02:19 AM   #24
LightEyes
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You can think in a different way by listening different kinds of genres and languages if you have focused on one theme.
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Old 12-13-2012, 02:21 AM   #25
CarsonStevens
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Quote:
Originally Posted by macashmack
I can't say I'm too familiar with flattened serbian... What are the intervals? Is it anything like its cousin augmented serbian?


Flattened Serbian is awesome, dude. There's so many accidentals it's pretty much impossible to play a wrong note. And since nobody plays it but me, I'm guaranteed to have the bestest and most original music EVER.

Sure, it sounds like somebody strangling a platypus, but that just means it's atonal and edgy and a few other buzzwords I feel like using.
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