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#1 |
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Registered User
Join Date: Jan 2007
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Identifying 4th and 5th harmonic intervals
I'm using an app exercise to practice distinguishing between perfect 4th and 5th harmonic intervals. I successfully made it through the harmonic 2nds and 3rds, however I am now stuck. I've spent hours upon hours creating all sorts of theories and methods for differentiating the two, and none of them work flawlessly.
Does anyone have a suggestion? I know the major 2nd and minor 3rd like the back of my hand, however most other intervals are difficult to distinguish by ear. I don't want to continue practicing if I'm not making any progress or I'm learning the wrong way. Any help is appreciated. |
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#2 |
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Registered User
Join Date: Oct 2008
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Perfect 4ths sound more "resolved" than perfect 5ths.
In other words, If you are familiar with solfege (do re mi...), perfect 4ths sound like 'sol' (5th scale degree) to 'do' (tonic) and perfect 5ths sound like 'do' to sol'. Hope this helps. I'll elaborate more if I need to. |
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#3 |
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Micropolyphoner
Join Date: Jun 2006
Location: Winnipeg, Canada
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^You have it backwards (although the solfege bit is right).
It's just practice. Don't try and find tricks or anything like that, just keep listening. |
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#4 |
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is not a duck
Join Date: Oct 2007
Location: Australia
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I just have a list of easily recognisable notes that I use as an identifier for intervals, so in the case of a 4th I use the first couple of notes of the mexican hat dance. "I dance, I dance, I dance" is all 1-P4 1-P4 1-P4.
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#5 | |
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Registered User
Join Date: Oct 2008
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Quote:
I'm sorry, I meant that perfect 4th sound more resolved melodically (as opposed to harmonically) then perfect 5ths. |
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#6 | |
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Micropolyphoner
Join Date: Jun 2006
Location: Winnipeg, Canada
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^What does that mean? A descending 5th is the most "resolved" melodic interval, followed by an ascending fourth.
Quote:
He's talking about harmonic intervals, not melodic.
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An Afternoon with Stravinsky: Analysis and Observations of the Symphony of Psalms I finally updated my SoundCloud with more recent pieces. Check it. Last edited by jazz_rock_feel : 11-23-2012 at 08:27 PM. |
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#7 | |
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is not a duck
Join Date: Oct 2007
Location: Australia
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Quote:
I fail to see how they apply differently. |
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#8 | |
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Registered User
Join Date: Oct 2008
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Quote:
Apologies again. I should be more clear with my answers. I was talking about ascending intervals, hence why I said perfect 4ths sound like 'sol' to 'do' and perfect 5ths sound like 'do' to 'sol'. Not that it matters anyways because apparenty TS was talking about intervals played harmonically. Sorry about that. |
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#9 | |
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User Registered
Join Date: May 2007
Location: PA
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Quote:
^This.
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Yeah I'm that guy who says I'm right but more than likely is wrong It happens doesn't it? |
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#10 | |
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User Registered
Join Date: May 2007
Location: PA
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Quote:
Melodic intervals are played separately, as if it was a melody. Harmonic intervals are played at the same time, as if it the note on top was a harmony to the note on the bottom. sorry for double post.
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Yeah I'm that guy who says I'm right but more than likely is wrong It happens doesn't it? |
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#11 | |
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is not a duck
Join Date: Oct 2007
Location: Australia
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Quote:
I understand what a harmonic interval is, I just dont see how the same principals for identifying them dont apply. Maybe its just a natural thing for me to go from one to the other... |
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#12 | |
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Micropolyphoner
Join Date: Jun 2006
Location: Winnipeg, Canada
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Quote:
With melodic intervals it's easy to have little tricks like you mentioned, but that's a lot more difficult to do with harmonic intervals. The best way to go about it is to not try and separate the notes to hear them melodically, but just intuitively know what a perfect 4th/5th sounds like. |
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#13 | |
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UG's Mr Chord Man
Join Date: Feb 2008
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Quote:
When you hear a harmonic interval, train your ear on splitting them, so that you can pick out the high and low notes. Once you've identified the two by their sound, (not by the actual note name, cuz that'd be impossible unless you had perfect pitch, or an instrument in hand to figure them out), it's just a case of now hearing them as melodic intervals, so you can work out the distance. Eventually, you won't have to split them. The sound of the double stop will be instantly recognizable. Takes time, dude,
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Sweet |
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#14 |
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Registered User
Join Date: Jan 2007
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Excellent replies. Thank you!
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#15 |
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Registered User
Join Date: Jul 2011
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I was going to comment but then MDC nailed it.
You separate them until you don't have to any more. |
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#16 |
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Micropolyphoner
Join Date: Jun 2006
Location: Winnipeg, Canada
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Ehhh, I don't like the idea of separating them. It seems like more work than just learning to recognize, but everyone learns differently. For me it was way harder to try and separate and hear them melodically than just get the sound of the intervals into my ears.
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#17 |
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Larmarky Remark
Join Date: Nov 2006
Location: Rainy Northwest
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If you go the splitting route, a good way to remember 5ths and 4ths are:
Perfect 5th: Star Wars (First measure after pick-up) Perfect 4th: Bridal Chorus http://en.wikipedia.org/wiki/Bridal_March
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^^The above is a Cryptic Metaphor^^
"To know the truth of history is to realize its ultimate myth and its inevitable ambiguity."
MUSIC THEORY LINK SteamID: CarrionComfort Last edited by rockingamer2 : 11-23-2012 at 09:38 PM. |
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#18 |
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Registered User
Join Date: Feb 2008
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Some more advice.
In Isolation a perfect 4th falls naturally down a semitone to a major 3rd. If you can hear the sequence of Root - 4th -3rd in your mind's ear then you should be able to work out the 4th. for the 5th i tend to sing a major arpeggio. Root -3rd - 5th and this gives me a good idea of which interval i am trying to work out. So when faced with whether an interval is a perfect 4th or 5th. you can start by singing a major arpeggio. the 4th falls to the 3rd, and the 3 rises comfortably to the 5th.
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excellent open source music notation program www.lilypond.org http://www.facebook.com/guitarlessonsinbromley http://psychobabblers.freeforums.org/ |
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#19 |
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UG's Jester
Join Date: May 2011
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Solfeggio, glooper, solfeggio.
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