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#21 | ||
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Registered User
Join Date: Dec 2008
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well i was pretty offended by that. All i was trying to do was to help someone. i gave my suggestion of increasing the note length be 50% and getting rid of the triplet problem that meant he could not complete a bar (i effectively put it into compound time). and then you came in all insults flying left right and center. when i said identical, i did not mean the notation, i meant the sound coming when you played it. you just started guessing things about me; I have played in 11/8, i figured this out on software and i gave a </thread> because i was damn sure that i had it sussed. to be fair, it is not an easy rhythm and i am not sure that TS had it right (he was probably going for what you said), but i answered the question of how to write the rhythm GIVEN easily. i don't want to get into any pointless flame wars over the internet so i will not reply unless you say something too stupid. sorry for the wall of text, buthurtedness happened.
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#22 | |
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Registered User
Join Date: Jan 2008
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This. People could actually count this.
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Tablature: The Legend of Zelda: TP - Hyrule Field The Legend of Zelda - Lost Woods |
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#23 | |||
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Tonal Vigilante
Join Date: Jul 2009
Location: New York City
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...to be fair, it's an extremely common rhythm (so common that i've heard it a million times but never considered the proper way to notate it), and regardless of how sure you were, you were incorrect. Quote:
yeah, TS, if you ever make your way back to this thread, this is definitely the best and clearest way to notate it. i hadn't considered metric division when i gave you my example earlier. it sounds the same, but to give it to a performer, this version is definitely better.
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#24 | |
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Registered User
Join Date: Dec 2009
Location: Kentucky
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Oh, ok! Yes, I see what you guys mean about being easier to count. Thanks for your guy's help!
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