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#1 |
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Please, call me Pig.
Join Date: May 2010
Location: USA
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Cheapest studio monitors that will get the job done?
Basically, what would you recommend for someone who just wants to do some decent mixing on a tight budget?
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#2 |
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Resu Deretsiger
Join Date: Feb 2009
Location: Oklahoma
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How tight?
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Gear: Peavey Grind 5 string ESP LTD AW-7 Schecter Loomis NT Peavey 5150 212 ProTone DeadHorse OD |
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#3 | |
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Please, call me Pig.
Join Date: May 2010
Location: USA
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Quote:
hmmm...not sure. I can save towards a goal, but right now I just wanna know what are the cheapest monitors on the market that will get the job done. Does that make any sense? |
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#4 |
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Looking for a band
Join Date: Nov 2001
Location: Trow Vegas
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It's generally agreed that to get something usable as proper monitors you have to spend a few hundred dollars. If you're on a tight budget, you should consider using headphones - Sennheiser make some good ones at a low price.
You'd still need a way to play your mix out loud for comparison, but that can be done using a standard set of decent PC speakers or even by plugging into the aux input of a stereo system. It's not the same as proper monitors, but it gets the job done for people on a budget.
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Gibson LP Studio / Gretsch Projet
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#5 | |
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UG's only guitarist
Join Date: Mar 2007
Location: New Zealand, Auckland
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I use audioengine a5+. These are awesome speakers for the price. Not exactly studio monitors but very good quality and has a flat EQ I believe. Look at the reviews of them. Don't know if this is of any help, but then again it might be. They serve me very well
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#6 |
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Resu Deretsiger
Join Date: Feb 2009
Location: Oklahoma
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Headphones - ATH-M50 $110 - $160
I have no experience with speakers.
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Gear: Peavey Grind 5 string ESP LTD AW-7 Schecter Loomis NT Peavey 5150 212 ProTone DeadHorse OD |
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#7 | |
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Please, call me Pig.
Join Date: May 2010
Location: USA
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I have a set of Shure SRH440 headphones. They are pretty awesome, but I'm not fond of using headphones, and I've read that headphones aren't ideal for mixing.
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Thanks, I'll give that a look. |
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#8 | ||
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Pulling straws at random
Join Date: May 2008
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ESI Near05's. My prefered model is out of production, but the newer ones are slightly better. Best clarity I've heard from monitors, surprisingly smooth EQ, but with less bass response at higher volumes.
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#9 |
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Registered User
Join Date: Oct 2012
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I am also looking for a cheap monitor which I can use with my interface around 100$ - 200$.
I have good Sennheiser headphones but I also want to play without headphones sometimes ![]() |
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#10 |
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Purveyor Of Fine Riffs
Join Date: Aug 2010
Location: Melbourne, Australia
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At a low budget, the best advice I have is to buy an audio switcher and get some decent headphones (I use Sennheiser HD201's), some cheap hi-fi speakers, as well as iPod earbuds and simply listen to your mix through each source and get it to sound good through all three.
The problem with cheaper monitors, particularly if you're new to mixing, is that you often end up mixing to your monitors, which not everyone is going to be listening through. Your best goal is to get the mix to sound good through a decent pair of monitors, some basic speakers, and iPod earbuds (if they sound good through these, then you've got half of your audience covered); this way, the mix should be relatively balanced and sound good through most systems. I often take around my latest mix and play in every sound system I have, including my car. Of course, you'll never be able to get a perfect mix across wildly varying systems, but get close, then tweak it with a pair of monitors. This is just one school of thought, the other option is to get good monitors and become familiar with how they sound, so that you can tell what your mix actually sounds like, but this takes experience and half-decent equipment. Good luck! |
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#11 | |
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Please, call me Pig.
Join Date: May 2010
Location: USA
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Quote:
I'm not good with this sort of stuff, but what are hi-fi speakers? Are those monitors? I can do what you say, I have some expensive headphones and ear buds, and I good car stereo. I just need some better monitors than the $30 PC speakers I currently use. Do you have any recommendations? |
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#12 | ||
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Awwww.... NOW what?!
Join Date: Aug 2006
Location: Hamilton, Ontario, Canada
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F**k me. Is this advice from experience, or from mere conjecture combined with a loosely applied platitude? W4RP1G - hi-fi speakers are what you would normally connect to your stereo. They are generally tailored to "bring out" features of your music. You know, the "thumping bass" and the "searing and sparkling highs." The problem is, in order to achieve that, they must be, by definition, inaccurate. Monitors are designed to be as flat as possible. Most consumers don't want this, because they describe how they make their music "bland" or "uninteresting" or even "dull." But consider the analogy I always use for this. You've got a pair of those funky shades with the yellow lenses that makes everything look like a bright sunny day - even when it isn't. Wear those glasses and go outside and paint a picture of a landscape - the trees, the water, the sky, etc. Looks fantastic, right? Now take the shades off. Looks pretty f**king hilarious, actually, doesn't it? Those blue trees and the green sky and the whatever-colour-that-is water. Well, is it any wonder? How can you choose colours when you can't see them accurately? That is like mixing on stereo "hi fi" speakers. Now, just because your headphones are expensive doesn't mean they're any good for mixing. Sure, those $300 Beats by Dre headphones sound really kick@ss when you're listening to hip-hop. You know why? Because they boost the sh!t outta the bass to give you that "slammin' bass" and then they peak the highs to give you those "sparkling highs." Sound familiar? You betcha. Want some yellow shades to go with those? Probably the cheapest monitors I would look at would be the Behringer Truth series. By all accounts, they're really pretty decent, as long as you get them with 6" or better drivers. You certainly won't get better for the price, I don't figure. Yeah, you're not going to walk out for less than about $400 for the pair. But seriously, spending any less than that is like spending $100 on a mountain bike and expecting to actually go mountain biking. Oh, sure, it *looks* like a mountain bike, but aside from that, good luck with that. CT
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Could I get some more talent in the monitors, please? I know it sounds crazy, but try to learn to inhale your voice. www.thebelcantotechnique.com Quote:
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#13 | |
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Recording's AdBot/Dick
Join Date: Jun 2007
Location: Lynnwood, WA
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I will second the Behringer Truth line. Despite their reputation, they got these right. I have the B3031As and they're worth every penny
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Derpy Derp Derp Herp Derp |
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#14 |
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Registered User
Join Date: Dec 2005
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Listen to axemanchris. Jacques-Henri clearly doesn't know what he's talking about! I was going to respond in a fit of rage before chris summed it up.
I wouldn't buy Alesis M1s (they haven't been mentioned yet, but they are cheap and you'll probably stumble across them) - I have them, they sound fine, but have had a couple of faults that were a bit annoying to sort out and still haven't been entirely fixed. |
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#15 |
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Recordings Mod
Join Date: Dec 2008
Location: Birmingham, UK
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The axeman strikes again with his real-world analogies
![]() Seriously though, what Chris says is the truth (or should that be Truth (c) Behringer 2012? ) and if you mix on earbuds you fully deserve the mix to sound like turd, flying from your speakers and slapping you round the face for making such a poor decision.
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#16 | |
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Registered User
Join Date: May 2011
Location: Perth, Western Australia
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That said, checking a mix that's nearing completion on them can be a good idea. I've heard some mixes that sound great on monitors but the second they're anywhere else I want to poke holes in my speakers/headphones/earbuds/etc. |
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#17 | |
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Recordings Mod
Join Date: Dec 2008
Location: Birmingham, UK
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Translation issues are worth checking, yes, but depending on the genre I certainly wouldn't make or break the decision to bounce a project based on translation to earbuds (particularly for something like classical music or jazz, where the majority of the audience demographic are likely to be more audiophile in nature, and listen on something of higher sonic quality).
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#18 |
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Registered User
Join Date: Sep 2012
Location: Finland
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Another vote for Behringer Truth serie. Particularly B2030A that I own. Behringer may have bad reputation but these things are dead FLAT, detailed nearfield monitors with no obvious coloration. Propably because they are clones (surprise surprise) of some old Genelec model that I do not remember. Anyway they have been very favourably reviewed several times in magazines and my ear agrees, they do their job as monitors as they should.
Only their bass extension is left to be desired, it rolls off fast after 60hz so subwoofer support is recommended. B2031 model apparently has more bass but I heard it has too much of it. Cant really say because I havent heard it.
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Guitars: ESP LTD F-50 Cort EVL-Z4 Amps: Peavey Envoy 110 Peavey Valveking 100 Marshall Valvestate 8100 JCA12S cab Vox Pathfinder 10 Pedals Behringer HM300 Digitech Bad Monkey Last edited by MaaZeus : 11-08-2012 at 04:21 PM. |
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#19 | |
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Recording's AdBot/Dick
Join Date: Jun 2007
Location: Lynnwood, WA
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I've got the B3031A's (the most expensive they've got), the bass starts rolling off around just under 50hz
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Derpy Derp Derp Herp Derp |
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#20 | |
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Registered User
Join Date: Sep 2012
Location: Finland
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Different speaker from B2031A. Extension may not differ, but I remember people saying it has strong midbass bump and therefore preferring the B2030A which is flatter.
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Guitars: ESP LTD F-50 Cort EVL-Z4 Amps: Peavey Envoy 110 Peavey Valveking 100 Marshall Valvestate 8100 JCA12S cab Vox Pathfinder 10 Pedals Behringer HM300 Digitech Bad Monkey |
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