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#1 |
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Registered User
Join Date: Nov 2012
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Emulating a Mardhall MG100DFX through JH-1 Jackhammer distortion pedal?
Hi,
I'm fairly new in this forum, but I have one small question. I play through a ESP Eclipse 1 CTM FR (standard series) plugged in a Marshall MG100DFX combo. I play mostly metal and hard rock. Up to now, my amplifier's distortion is my choice in playing, although I also own a Boss Metal Zone pedal. In the studio, we want to emulate that distortion sound (of the MG100DFX). I think it's a fairly simple thing to do, since we're talking about a very cheap amp (no tubes, the combo cost around $500 6 years ago). However our pedals don't do a very convincing job. Should I go for the JH-1 Jackhammer pedal? It has the same controls as the amplifier's distortion pedal.... They claim it's a Marshall distortion "on the go". Is this really the case? Thanks in advance, and please pardon my grammar errors, English is not my first language. |
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#2 |
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Call me Laurens. =)
Join Date: Jul 2008
Location: Belgium
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First of all I have no clue why you would want to emulate the sound of an MG100, but if that's your thing, that's your choice.
Second of all, why don't you bring your amplifier in to record?
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Gibson SG Standard Ibanez RG7321 (modified) Mesa Boogie Lone Star Orange TH30 And some pedals. |
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#3 |
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Registered User
Join Date: Nov 2012
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You are right, MG100 is a crappy amplifier compared to more expensive models, however the question should be more like "can I emulate this kind of distortion with the JH-1 pedal?". I mentioned the MG100, since I don't have the experience to say if that's the classic Marshall distorted sound....
Also, I don't really want to carry a 50kg amplifier with me every time I jam with the guys.... JH-1 could be a life saver in this regard :-) |
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#4 |
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Registered User
Join Date: May 2011
Location: Perth, Western Australia
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When they claim it's Marshall distortion it is unlikely to be Marshall MG distortion, as that's generally not considered to be a good amp. I would just mic the amp if you can, otherwise just run the emulated line out into your interface (using a cab impulse if necessary).
Also fair warning you'll probably get shit for having an MG on this forum, if you're happy with it just ignore them and they'll go away. |
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#5 | ||
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not really a seagull
Join Date: Oct 2006
Location: Southport, UK
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You'll struggle to get anything usable soundwise by trying to run a pedal direct into a mixing desk - that's not what they're for.
If you want to record you either need an amplifier or a decent direct recording interface that does at the very least cab emulation but amp emulation would be nice to., the pedal on it's own won't do the job. The Jackhammer is a decent enough pedal though, you'd get a better live sound running that into the clean channel of the MG.
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Actually called Mark! Quote:
...it's a seagull ![]() Quote:
stuffmycatswatchontv.tumblr.com |
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#6 |
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Registered User
Join Date: Nov 2012
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Thanks, I will not use it for recording, just jamming in a very small studio with inexpensive equipment....
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#7 |
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Registered User
Join Date: May 2011
Location: Perth, Western Australia
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ahh, when you said "in the studio" I think we all thought recording studio.
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#8 |
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Don't judge us fat girls
Join Date: Jan 2011
Location: Being painted like one of your French girls
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A pedal on it's own can't make a sound. You'd need some sort of power amp and speaker setup. Even then, it would sound horrible, because that's not really how pedals work. They only sound good when run through a guitar amp.
IMO, these are your options: 1) Lug the amp to the practice studio 2) Sell your current amplifier and get something lighter, with a similar sound 3) Sell your current amplifier and get something lighter and run a distortion pedal through it 4) Save up and buy another amp you can leave at the studio 5) Save up, sell your current amp and get something better and lighter None of which are particularly practical. Although it depends somewhat on your financial situation.
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See the pimp feeding a dog ice cream.
Oh how the mighty have fallen. |
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#9 | |||
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not really a seagull
Join Date: Oct 2006
Location: Southport, UK
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Quote:
Then what's making the sound if you're not taking your amp ![]()
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Actually called Mark! Quote:
...it's a seagull ![]() Quote:
stuffmycatswatchontv.tumblr.com |
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#10 |
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Grumpy Old Tech
Join Date: Oct 2009
Location: Australia
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Repeatedly hit a cat with it.
Or if that offends, put it in a blender.
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Gilchrist custom guitar Yamaha SBG500 Telecaster Ibanez Iceman Roland GP-8 Quadraverb Abbey Harmonic II Marshall JTM45 clone Marshall JCM900 4102 (modded) Marshall 18W clone Fender 5F1 Champ clone Marshall 1960A Cathbard Amplification |
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#11 | |
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The Name's Devon! ;)
Join Date: Sep 2007
Location: Marrietta, Ohio, USA
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Quote:
+1 If you can buy a Jackhammer, just sell your MG100DFX and use the money you were going to use for the Jackhammer and buy a better amp. You could probably get $250-$300 for the MG and the Jackhammer is around $100, so let's say you have a budget of $300 - $400 Jet City JCA22H along with JCA12XS JCA2212C Peavey Vypyr Tube 60 (This is a good deal, as it comes with the Sanpera II footpedal, which opens up worlds of awesome with those amps) Those are all great starts. If you really want a list of good options, though, fill out the information here: http://www.ultimate-guitar.com/foru...d.php?t=1387138 and we can get you set on the road to a better amp to suit your situation. Trust us, that's what you need. You'll get a better sound, you can get a lighter setup, and it's always fun to get a new toy to play with ![]()
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My Rig: Moser Bastard V - Pups: Bridge Epi Les Paul Standard - Pups: Bridge Neck Egnater Vengeance - JCA24S w/WGS Retro 30s - ZW-45 Crybaby - MXR 10-Band EQ - ISP Decimator (^Those are links^ )
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#12 | ||
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G G & A - B A B Y
Join Date: Mar 2008
Location: Offline
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Quote:
This is the best advice
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![]() Splawn Quick Rod Splawn 212 - Vypyr 60 - Blackheart Fender Strat. Schecter C1+ ![]() Cool lookup site Join AA here Quote:
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#13 |
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Registered User
Join Date: Jul 2012
Location: New Zealand
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^ I second that.
Or if you want something really light and easy to carry, sell your MG and get a Sansamp GT-2 or Line 6 Pod.
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EGC Custom Baritone | ESP M-I NTB w/ Lace Deathbucker Fender American Standard Telecaster | Ibanez Apex 2 w/ Bareknuckle Warpig Engl E530 + Mesa Boogie 2:90 | Krank Rev Jr | Holden 50 | Orange PPC412 w/ Greenback's |
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#14 |
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Registered User
Join Date: Nov 2012
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thank you all for your replies, I was thinking sometime in the future to invest in a Line 6 pod hd500, so I guess maybe that was the best solution all along. Thanks for all the advice guys
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#15 | |
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beginner
Join Date: Oct 2007
Location: on the road... again
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Quote:
is there any reason you couldn't just get an microphone in throw it in front of the cabinet? i try not to judge for preferred tone, but a 100 usd SM57 doesn't seem too outlandish if you like your amp.
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"A perfection of means, and confusion of aims, seems to be our main problem." -ae |
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