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#21 | |
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beginner
Join Date: Oct 2007
Location: on the road... again
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**** 'em. let them get upset. i don't see anything you said that people should get that bent outta shape about. for the music i play, standard is the right fit. i played in drop D for a while, def has a different feel and i have a couple pieces on my profile that reflect that. drop C is what other people use, it is their right fit. too much gain doesn't fit my style right now, other people like over-the-top gain ![]()
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"A perfection of means, and confusion of aims, seems to be our main problem." -ae Last edited by gumbilicious : 12-03-2012 at 11:30 PM. |
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#22 | |
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Bay Area Thrash
Join Date: Nov 2011
Location: San Jose, CA
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EVERY metal band i play shows with has their gain maxed out. Most of them have a ts-9 or some type of over drive on top of that. All i hear is a wall of hiss and mud when they play, and when you try to tell them otherwise you get shit for it.
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Addonexus |
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#23 |
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Grumpy Old Tech
Join Date: Oct 2009
Location: Australia
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There are a shitload of songs played in drop D that are not metal. It's not about having extra bass, it's about riffage. Monkey Wrench is in drop D and that's hardly metal. I always had a guitar tuned into drop D on stage with me when I was playing grunge and it was surprising how many times it got used.
Hell, the bottom two strings are tuned down a full step when playing in open G too. Bad to The Bone is metal?
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Gilchrist custom guitar Yamaha SBG500 Telecaster Ibanez Iceman Roland GP-8 Quadraverb Abbey Harmonic II Marshall JTM45 clone Marshall JCM900 4102 (modded) Marshall 18W clone Fender 5F1 Champ clone Marshall 1960A Cathbard Amplification |
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#24 |
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UG's Michael Westen
Join Date: Aug 2011
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^ Doesn't get much more metal than brass instruments. Much more metal than wooden guitars.
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Sometimes the truth hurts. In these situations, I recommend lying. -Michael Westen My Ebay stuff for sale |
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#25 |
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Let's a go Mario!
Join Date: Feb 2009
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I play a shit ton of acoustic songs with heavy arpeggios on drop d. Drop D is not a metal tuning. Now, I can riff the shit out of some metal on drop D. But tunings are not limited to a certain type of music.
Alter Bridge uses Korn tunings occasionally like drop A and theyre more rock than anything. |
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#26 | |
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Grumpy Old Tech
Join Date: Oct 2009
Location: Australia
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Quote:
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Gilchrist custom guitar Yamaha SBG500 Telecaster Ibanez Iceman Roland GP-8 Quadraverb Abbey Harmonic II Marshall JTM45 clone Marshall JCM900 4102 (modded) Marshall 18W clone Fender 5F1 Champ clone Marshall 1960A Cathbard Amplification |
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#27 |
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UG's Michael Westen
Join Date: Aug 2011
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A dobro...? OH those things with a car rim in the middle.
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Sometimes the truth hurts. In these situations, I recommend lying. -Michael Westen My Ebay stuff for sale |
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#28 |
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Grumpy Old Tech
Join Date: Oct 2009
Location: Australia
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Yeah.
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Gilchrist custom guitar Yamaha SBG500 Telecaster Ibanez Iceman Roland GP-8 Quadraverb Abbey Harmonic II Marshall JTM45 clone Marshall JCM900 4102 (modded) Marshall 18W clone Fender 5F1 Champ clone Marshall 1960A Cathbard Amplification |
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#29 |
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Addicted to FR
Join Date: Feb 2008
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I have my acoustic set up with some thick strings tuned down a whole step. It sounds great
![]() Doesn't get much more metal than an acoustic. |
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#30 | |
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Billycore enthusiast
Join Date: Feb 2010
Location: Raleigh/Durham, NC
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I'd do it. As far as using too much gain, I don't know, it really depends. A 6505 does get really fizzy, so probably not on that, but I think some amps sound wicked with the gain floored. A lot of Mesas sound brutal as shit all the way up on the distortion. Its all about context. A good death metal tone ( an actual good one, not just a good shitty tone) can have a lot of distortion and sound great, but you have to use it right, thick, juicy chords that just slam you in the gut, rather than something super noodly.
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WOLFPACK! My name is Jon |
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#31 | ||||
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That one annoying furfag
Join Date: Feb 2011
Location: VA
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Generally if you encounter younger metal players they max out gain on EVERYTHING and always scoop their mids. The lack of maturity and over self-absorbedness and are too afraid to turn down the distortion with the fear that their mistakes would be exposed to the max. Quote:
The reason I've found myself using it often is because it unlocks unique chord shapes as well as changing the way the rest of the strings react to the first 3. As in you can arpeggiate certain things better with the open 4 strings. It's hard to explain in words, I'll see if I can find an example or record something when I'm done with classes. If you listen to quite a bit of Dream Theater or Mastadon you hear them make a good bit. EDIT: Here's what I'm talking about:
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Last edited by Ian_the_fox : 12-04-2012 at 10:33 AM. |
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#32 |
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Grumpy Old Tech
Join Date: Oct 2009
Location: Australia
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It's not cheating, it allows you to do hammer ons of chords on all three bass strings. I don't give a crap how good you are, how can you do those hammer ons in standard tuning? It's no more cheating than using open tuning to play slide.
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Gilchrist custom guitar Yamaha SBG500 Telecaster Ibanez Iceman Roland GP-8 Quadraverb Abbey Harmonic II Marshall JTM45 clone Marshall JCM900 4102 (modded) Marshall 18W clone Fender 5F1 Champ clone Marshall 1960A Cathbard Amplification |
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#33 |
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Don't judge us fat girls
Join Date: Jan 2011
Location: Being painted like one of your French girls
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I don't really see how making something easier is cheating. And like Cathbard said, you can't really do those hammer-on chords shenanigans in standard.
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See the pimp feeding a dog ice cream.
Oh how the mighty have fallen. |
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#34 |
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Billycore enthusiast
Join Date: Feb 2010
Location: Raleigh/Durham, NC
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Blues in drop A is amazing.
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WOLFPACK! My name is Jon |
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#35 |
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Don't judge us fat girls
Join Date: Jan 2011
Location: Being painted like one of your French girls
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I like down-tunings. I don't play metal, but I like the sounds and tones you can get from them. Same with open tunings, which tend to have dropped strings in them.
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See the pimp feeding a dog ice cream.
Oh how the mighty have fallen. |
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#36 |
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Grim and Frostbitten
Join Date: Sep 2005
Location: Perth, Western Australia
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My Megalith Beta's "clean" channel just so happens to sound fucking amazing when you crank all the dials on it. Glorious amounts of crunch. Similarly, the lead channel sounds tits when you max out the gain dial running on the 'low gain' voicing mode. Super tight, modern sound that is perfect for recording.
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#37 |
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UG's Michael Westen
Join Date: Aug 2011
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I suppose capos are cheating?
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Sometimes the truth hurts. In these situations, I recommend lying. -Michael Westen My Ebay stuff for sale |
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#38 |
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Registered User
Join Date: Nov 2012
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lol @ all the phaggots getting mad about drop tunings
i have one guitar in e standard, one in c standard my next guitar i plan to put in drop B umad? Last edited by BoneAndDream : 12-04-2012 at 05:34 PM. |
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#39 |
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Slowest Metal Guitarist
Join Date: Feb 2012
Location: Lethbridge, AB
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this thread sucks.
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LTDs: V-401FM [EMG 85B/81N] Viper-401FM [EMG 85B/81N] AX-350 [EMG 85B/60N] Peaveys: JSX (XSr) Triple XXX Etcetera: :95Q:Polytune:Decimator:Harmonist:CarbonCopy: :RelayG50:CarnageStrain2x12:Krankenstein4x12: Band: Caste of Shadows |
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#40 | |
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Registered User
Join Date: Nov 2012
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Quote:
then why did it get all these replies m8? |
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