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#1 | |
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Amnesia!
Join Date: May 2011
Location: SLC, Utah
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I saw the term 'Chromatic Harmony' a few days ago, and it got me thinking; what exactly is chromatic harmony, and how does it differ from diatonic harmony? Is it just chords played chromatically, or does it have it's own system?
Also, any examples of it played would be great. Thanks you all.
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#2 | |
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Rustler of Jimmies
Join Date: Sep 2007
Location: Darkplace Hospital
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Chromatic harmony at a basic level refers to use of diminished 7ths, neapolitan 6ths and augmented 6ths.
As a whole it refers to any use of chromaticism, secondary dominants, altered chords, borrowed chords etc etc
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#3 |
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sup
Join Date: Nov 2007
Location: Boston, MA (in spirit)
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Chromatic harmony is just harmony that contain notes outside of the 7 diatonic tones. So for example, D7 (as a V/V) in the key of C major is considered chromatic harmony because it has an F# as a leading tone to G (root of V).
So in practice, a lot of music has chromatic harmony, ranging from simple secondary dominants or a minor iv in a major key in pop music...to this:
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#4 |
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Conspiracy Music Theorist
Join Date: Mar 2004
Location: LOLville, KY
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#5 | |||
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Amnesia!
Join Date: May 2011
Location: SLC, Utah
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Oh, okay. That makes a lot more sense now. Thank you much kind sir! Quote:
Oooh, that sounds really cool. Makes the spine tingle a lot bit. So, going from that definition, parts of this piece would be chromatic harmony because a lot of the chords are not diatonic, yah?
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Last edited by Mister A.J. : 01-03-2013 at 11:42 PM. |
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#6 |
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UG's Jester
Join Date: May 2011
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I like using the II or a bvii in an major key because then i can hit the augmented fourth and the minor seventh which are my favorite when mixed into a major key
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#7 | |
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sup
Join Date: Nov 2007
Location: Boston, MA (in spirit)
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Most classical music have very high degree of chromatic harmony. But it's not like a thing where a composer goes "ooh now I'm gonna break out the chromatic harmony w0oo0o0o000ooo0o0oo0o." It's just inherent in the voiceleading and counterpoint language.
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Modes and scales are dumb and useless. Stop learning them. No, seriously. Analyzing Brahms: Insights to Help Us Improve Our Music Nelsean attempting to pronounce my name lol I got Last.fm. Don't know why... |
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#8 | |||
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Amnesia!
Join Date: May 2011
Location: SLC, Utah
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Sounds pretty tasty. By 'pretty tasty,' I of course mean delicious. :P Quote:
Just for safety reasons, I'm going to make the assumption at least one person has broken out the 'w0oo0o0o000ooo0o0oo0o, chromatic harmony! ' card at some point or another in history.Thanks for your help once again!
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Last edited by Mister A.J. : 01-04-2013 at 12:02 AM. |
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#9 | ||
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Tonal Vigilante
Join Date: Jul 2009
Location: New York City
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here i am! ![]()
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#10 | |
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obama 2016
Join Date: Jan 2010
Location: Dallas
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chromatic harmony is what turns a snoop wolf into a snoop lion in the big city
roar, nigga
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