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#21 | |
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Registered User
Join Date: Jul 2009
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Nope, it's a #4. These things matter. |
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#22 |
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UG's Jester
Join Date: May 2011
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Lol xiaoxi don't have the feel for that bebop. Saying there's no bebop scale
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![]() Modes and scales are intelligent and useful. Start learning them. Seriously. |
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#23 | |
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Registered User
Join Date: Jul 2011
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WHich doesn't solve the bigger problem of you feeling like this resolves to D. ![]() |
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#24 |
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So's Your Face
Join Date: Mar 2008
Location: UK
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Right, I think I see where I've been mistaken on the idea of resolution; it's not necessarily the chord you finish/start on as much as it is the chord the progression is most 'comfortable' on? Or am I still way off?
Am I to take the power chords as their root notes (ignore the fifths/take them as accidentals) and view it as C major?
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#26 |
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Bassist
Join Date: Jun 2007
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Really any word like "comfortable" or "safe" or "good" should never be used to describe resolution within a key. An unresolved note or chord could be any of those things as well.
You should definitely study some functional harmony. musictheory.net has some great lessons on this kind of thing. And please don't take that advice as me avoiding the question. I could go into it, but I would probably end up typing for at least an hour. Run through some of those lessons and learn some music, and try to figure out how the theory is applied in that music.
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Only play what you hear. If you don’t hear anything, don’t play anything. -Chick Corea Last edited by food1010 : 01-10-2013 at 03:08 AM. |
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#27 | ||
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Is SouTaicho Yamamoto-san
Join Date: Oct 2007
Location: Regina, Saskatchewan, Canada
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Oops. My bad ![]()
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#28 | |
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So's Your Face
Join Date: Mar 2008
Location: UK
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You can call me Jack |
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