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#41 | |
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Rock Guitar Instrumentals
Join Date: Jan 2013
Location: Washington DC USA
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Exactly! No musician would refer to an A# scale, the same way they wouldn't refer to the note F as E# or a B as Cb (but they would be enharmonically equivalent - the same pitch).
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Drew A - Rock Guitar Instrumentals |
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#42 | |
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Registered User
Join Date: Feb 2007
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I totally use E# or Cb, depending on the key I'm in... ![]() |
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#43 | ||
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A cornucopia of trivia
Join Date: Jul 2011
Location: Butt****, SY
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Quote:
Uh, except for the keys of C# major & A# minor (7 sharps), and the keys of Cb major and Ab minor (7 flats).
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#44 | |
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obama 2016
Join Date: Jan 2010
Location: Dallas
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no musician would refer to a scale at all unless they're talking about their instruments
right: "i prefer a 35" for a taut butt end but it's ultimately limiting, hence why i'm looking into the dingwall combustions so i can get the fat ass of a black girl on the same neck as the sweet, innocent face of a 14 year old taiwanese boy" wrong: "haha faggt its the sublocrian scale not superlocrian wat r u retrded"
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#45 | |
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Rock Guitar Instrumentals
Join Date: Jan 2013
Location: Washington DC USA
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I get what your'e saying - but we're trying to keep it simple to get the concept across :)
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Drew A - Rock Guitar Instrumentals |
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#46 | |
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Rock Guitar Instrumentals
Join Date: Jan 2013
Location: Washington DC USA
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Do you mean Db major (5 flats) and B major (5 sharps) :)?
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Drew A - Rock Guitar Instrumentals |
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#47 |
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Micropolyphoner
Join Date: Jun 2006
Location: Winnipeg, Canada
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This thread is still here? What the hell?
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#48 | ||
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A cornucopia of trivia
Join Date: Jul 2011
Location: Butt****, SY
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No, I mean C# Major and Cb Major.
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#49 |
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Rock Guitar Instrumentals
Join Date: Jan 2013
Location: Washington DC USA
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Spend a lot of time playing in Cb major, do you?
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Drew A - Rock Guitar Instrumentals |
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#50 | ||
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A cornucopia of trivia
Join Date: Jul 2011
Location: Butt****, SY
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Yes. All the time. In fact tonight I'm going to play scales and modes in Cb major, C# major, Ab minor, A# minor just to piss both you and Hail off. And once I'm done with that I'm going to play entirely in double-sharps. Ha. Victory is mine.
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#51 | |
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Rock Guitar Instrumentals
Join Date: Jan 2013
Location: Washington DC USA
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All right, you win! Enjoy playing in E## Locrian flat 4 or whatever tonight :)
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Drew A - Rock Guitar Instrumentals |
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#52 | ||
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A cornucopia of trivia
Join Date: Jul 2011
Location: Butt****, SY
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I'm doing it now. A# minor all the way, dude. btw the symbol for double-sharp is a kind of 'x', so that would be Ex Locrian Flat 4. Although now I come to think of it isn't a flat 4 a kind of engine?
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#53 | |
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obama 2016
Join Date: Jan 2010
Location: Dallas
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the only reason i haven't been banned is cause alan and 20t love to watch me explode and threaten people over semantics
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#54 | |
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A cornucopia of trivia
Join Date: Jul 2011
Location: Butt****, SY
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Suck on my Fb.
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#55 | |
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Slapping the bass.
Join Date: Oct 2009
Location: Finland
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What about F# or Gb major? They both have 6 sharps/6 flats. F# major has an E#, not an F. And Gb major has a Cb, not a B. Also E# does appear in C# major chord (that is the V chord of F# minor - key with only three sharps). But I'm not referring to F as E#. I'm referring to E# as E#.
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My motto: Play what the song needs you to play! Gear: Charvel So Cal (MIJ) ![]() Digitech RP355 ![]() MXR Micro Chorus ![]() Laney VC30 ![]() Tokai TB48
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#56 | |
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Rock Guitar Instrumentals
Join Date: Jan 2013
Location: Washington DC USA
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I know what you're saying. We were just trying to help someone out, not confuse them with semantics. I see that G♭major is G♭, A♭, B♭, C♭, D♭, E♭, and F, and F♯ major is F♯, G♯, A♯, B, C♯, D♯, and E♯. Knowing this does not help the original poster out much, but it is accurate.
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Drew A - Rock Guitar Instrumentals Last edited by Drew-A : 01-21-2013 at 05:49 PM. |
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#57 |
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Registered User
Join Date: Jan 2013
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Scales will not make you a better player. Technique will make you a better player. What I imagine you want to be is a better musician. The secret to being a good musician is to develop an intuitive sense of music and how a given note will interact with other notes and chord progressions.
__________ My Blog |
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#58 | |
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A cornucopia of trivia
Join Date: Jul 2011
Location: Butt****, SY
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I question the focus of that statement. Personally I would say that scales form part of the musical landscape, just not a very large part. Technique also forms a larger part of that landscape but it's not the whole landscape either. You can have brilliant technique and are boring as hell to listen to. Musicality is also part of the landscape, but not the whole thing - there are people who are very musical players but are limited by their technique.
What makes you a better player is looking at landscape as a whole, getting a general idea of it, and gradually filling in the details rather than filling in the details hoping to get a general idea of the lie of the land.
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