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#1 | |
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UG's Clueless Guitarist
Join Date: May 2009
Location: Recreational Meth Vehicle
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How to solo when there is no key?
Ok so I was jamming with a friend and he said he wasn't very good at soloing. He said he liked how I did and asked for some help with a song he was working on. He is in a metal band and all I heard was
--2----1------ 0---1---4-2-3 on his 7 string (not exactly accurate but you get the point) and where he wanted to solo was just some "Djent" breakdown 00-000-00-0000-0- I didn't know what to do. No chords to follow, no real lead melody, and no vocal melody to go off of? what do you do? Just up for grabs?
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7 STRING LEGION Watch Breaking Bad? Come share your crazy ass theories Quote:
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#2 |
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Registered User
Join Date: Dec 2008
Location: Nederlands, Amsterdam
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inb4 play locrian
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#3 |
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Registered User
Join Date: Dec 2004
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whatever that 0 is (b on the 7th string or e on the 6th) I'd do some crazy runs with a couple of perfectly timed sweeps based off of that one note. Really, if there are no chords at all, and you can't seem to find the tonal center from listening, then it shouldn't matter too much what you solo with.
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Awesome Guitar Faces |
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#4 |
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i <3 you
Join Date: Mar 2006
Location: in a lonely place
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Whatever you hear in your head, whatever you think the solo should sound like, just play that.
Having just one chord to go off of (and a power chord at that) can give a lot of freedom if you know what you're doing.
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#5 |
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UG Member
Join Date: Jul 2010
Location: laconia NH
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well im pretty sure the key would be whatever obsurdly tuned (wrong spelling) string he was playing is. you could pretty much do slayer soling. ya know, wherer you play random shit with terrible tone and act like a god after
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#6 |
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Join the pack.
Join Date: Oct 2008
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If he is just chugging away on that one note then that is the tonic and you've basically got the chromatic scale to choose notes from! You can decide to make it major, or minor, or diminished etc.
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Those Amongst Us Are Wolves - post rock from the Midlands, UK Listen to our debut EP:Chaotic Love Stories and Irrational Behaviour |
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#7 | ||
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UG's Clueless Guitarist
Join Date: May 2009
Location: Recreational Meth Vehicle
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Quote:
yeah this is what i was wondering, thanks alot!
__________________
7 STRING LEGION Watch Breaking Bad? Come share your crazy ass theories Quote:
Tribal Purple Agile 727 Interceptor pro ![]() Ibanez RG370DX Fender Squier Strat
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#8 |
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Registered User
Join Date: Apr 2012
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Metal riffs tend to lend themselves to modal playing. This riff looks pretty chromatic, you could try to follow the notes as if they were tonal centres but that could be really tough at high tempos. Alternatively, take a symmetrical scale like the diminished or wholetone, and take a more abstract approach. The continuity comes from the scales symmetry. Hopefully that makes sense
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#9 | ||
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obama 2016
Join Date: Jan 2010
Location: Dallas
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fuck off
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#10 |
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Godin's Resident Groupie
Join Date: Aug 2008
Location: Canberra, Australia
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It's probably in B minor.
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And no, Guitar Hero will not help. Even on expert. Really. |
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#11 | |
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Bassist
Join Date: Jun 2007
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Quote:
1) Solo in B minor 2) Use accidentals, specifically a b2, b5, and others.
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Only play what you hear. If you don’t hear anything, don’t play anything. -Chick Corea |
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#12 | |
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I think, therefore, I am.
Join Date: Aug 2004
Location: Charlotte, NC
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You do have a good point. Especially if there is only a "chug" on the tonic chord, modal improvisation is handy for creating different sounds, depend on the vibe you want.
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2010 Gibson SG Honeyburst I'm a musician, a composer, and a theory nut. Pleased to meet you! Check out my websites and drop me a line. "The essence of all beautiful art, all great art, is gratitude. " ~ Freidrich Nietzche My Website |
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#13 | |
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Registered User
Join Date: Apr 2012
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Exactly! Chug rhythms on an open powerchord can be thought of as a static chord progression, so you'd improvise using a mode (probably dorian) and add tension by suggesting the V chord in strategic places. ![]()
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#14 |
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Unregistered User
Join Date: Feb 2008
Location: Norway
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Dude it's all about the phrygian supersubdominant mode. **** dorian.
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#15 |
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I think, therefore, I am.
Join Date: Aug 2004
Location: Charlotte, NC
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What scale is that from? Major, minor, diminished, or demolished?
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2010 Gibson SG Honeyburst I'm a musician, a composer, and a theory nut. Pleased to meet you! Check out my websites and drop me a line. "The essence of all beautiful art, all great art, is gratitude. " ~ Freidrich Nietzche My Website |
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#16 |
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Unregistered User
Join Date: Feb 2008
Location: Norway
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Demolished with a raised 8th iirc
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#17 | |
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Godin's Resident Groupie
Join Date: Aug 2008
Location: Canberra, Australia
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Quote:
But by suggesting a V you'll make it a major or minor song. Major and minor tend to be dirty words with metalheads so I'd recommend you chug on the lowest note available and nothing else.
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#18 | ||
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Tonal Vigilante
Join Date: Jul 2009
Location: New York City
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B minor.
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extreme overcomplication, and the first sentence alone shows me that there's a lot you don't know about something you profess to teach. i can see you know your scales but there's far more to music than that -- simple things that you're not even alluding to here.
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#19 |
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I think, therefore, I am.
Join Date: Aug 2004
Location: Charlotte, NC
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Bondmorkret did answer the question, though. The TS wanted to know different way to approach soloing over a harmony part that does not designate a key. Modes are a good way to create the sound you want in that situation.
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2010 Gibson SG Honeyburst I'm a musician, a composer, and a theory nut. Pleased to meet you! Check out my websites and drop me a line. "The essence of all beautiful art, all great art, is gratitude. " ~ Freidrich Nietzche My Website |
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#20 | |
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UG's Mr Chord Man
Join Date: Feb 2008
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Quote:
1:44 - 2:44 Use what you like. It's an E tonality... open to interpretation. ![]()
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Sweet |
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