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#1 |
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MWAHAHAHAHA!
Join Date: Oct 2009
Location: The Frozen North! (read: Northern Wisconsin)
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Thicker Strings
I'm considering putting some heavier strings on my bass (4-string) to get a thicker tone. I'm considering getting some GHS Progressives (45-105s). I understand I'll probably need to adjust the truss rod and such.
I guess I'm wondering if anyone has any other string suggestions. Telling me why you like them would be good too. Thanks. Oh, and I will be using my bass to mainly play Metal and Hard Rock. Think anything from songs like Led Zeppelin's "Achilles' Last Stand" to Black Metal or Doom Metal.
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I am on break from recording until I buy a new computer in June. Look at the bandcamp page to see the track list for upcoming EP "Discarnate". Terry Prachett is funnier than you! Discworld Last edited by crazysam23_Atax : 01-30-2013 at 03:34 PM. |
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#2 |
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Join Date: Mar 2011
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Have you tried flats?
Tabdog |
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#3 | |
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MWAHAHAHAHA!
Join Date: Oct 2009
Location: The Frozen North! (read: Northern Wisconsin)
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Quote:
No, what are the advatange of those? I'm fairly new to bass, as I bought a bass a month ago because I didn't want to use a robot for my DIY recording. Edit: Just looked up some GHS Flats. I'm thinking Brite Flats may serve my purpose. Although, before I go out and buy some, I wouldn't mind knowing what the advantage of those are please.
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I am on break from recording until I buy a new computer in June. Look at the bandcamp page to see the track list for upcoming EP "Discarnate". Terry Prachett is funnier than you! Discworld Last edited by crazysam23_Atax : 01-30-2013 at 04:33 PM. |
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#4 |
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Registered User
Join Date: Jan 2011
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Flats generally feel tenser and smoother than rounds. For standard tuned (or drop D) metal I'd go with http://ukstore.rotosound.com/p/rs-6...oundwound-heavy.
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#5 |
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MWAHAHAHAHA!
Join Date: Oct 2009
Location: The Frozen North! (read: Northern Wisconsin)
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^
Ok, so why would I pick those over Flats for standard tuned Metal (which is what I'll be playing, since I dislike down-tuning on my FR-equipped guitar)? Honestly, guys, the longer of an explanation you give the better. Feel free to bombard me with a wall of text. I won't give a shit. ![]() |
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#6 |
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WAHAHA~!
Join Date: Jan 2008
Location: Biloxi, Mississippi
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flats don't feel smoother, ignore that. they tend to be harder on the fingers. the grooves in roundwound strings allow the strings to slide over your finger, flatwounds are like running racing slicks on your car in that they have a lot more traction against your fingers.
the only real advantage to flats is that they can last 20-30 years if you take care of them and they'll still sound the same as the day you installed them flats vs rounds is really mostly about tone more than anything else, for flats think Steve Harris, for rounds think Lemmy Kilmister or David Ellefson
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1978 Peavey T-40 -> Ampeg Micro-VR - > Ampeg SVT210AV + Ampeg SVT-15E |
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#7 |
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I bad writing
Join Date: May 2008
Location: London; UK
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flats tend to be more dull - or less bright if you prefer - sounding than roundwound strings. according to a quick google, flats often cost more and are also harder to bend
![]() apparently roundwound strings lend themselves to fret wear, though i've never had a problem with this personally. |
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#8 | |
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WAHAHA~!
Join Date: Jan 2008
Location: Biloxi, Mississippi
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that's only an issue with steel roundwounds
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1978 Peavey T-40 -> Ampeg Micro-VR - > Ampeg SVT210AV + Ampeg SVT-15E |
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#9 |
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I bad writing
Join Date: May 2008
Location: London; UK
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all i use
my frets seem pretty good :S |
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#10 |
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WAHAHA~!
Join Date: Jan 2008
Location: Biloxi, Mississippi
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what strings do you use?
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1978 Peavey T-40 -> Ampeg Micro-VR - > Ampeg SVT210AV + Ampeg SVT-15E |
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#11 |
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I bad writing
Join Date: May 2008
Location: London; UK
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rotosound swing 66
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#13 | |
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Registered User
Join Date: May 2004
Location: Sheffield England
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Quote:
6 years is that all, Flats don't wear frets as much as rounds and are definitely easier on the fingers but you have to sacrifice tone. Fret wear is usually associated with constant use in a particular part of the finger board etc.
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G&L L2500 Squier Affinity Jazz Bass 5 Ashdown RPM pre-amp Ashdown Little Giant 1000 300 watt 15" powered cab 450 watt 15" powered sub bass cab 2x10 + horn 1x15x10 + horn |
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#14 | |
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Registered User
Join Date: May 2004
Location: Sheffield England
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Quote:
__________________
G&L L2500 Squier Affinity Jazz Bass 5 Ashdown RPM pre-amp Ashdown Little Giant 1000 300 watt 15" powered cab 450 watt 15" powered sub bass cab 2x10 + horn 1x15x10 + horn |
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#15 | |
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WAHAHA~!
Join Date: Jan 2008
Location: Biloxi, Mississippi
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you might have stainless steel frets or something, those are notoriously bad about wearing down frets. I've got an old Dyna Bass that's about 1/10th of an inch from being fretless that's been strung with roto 66s for 25 years or so, and had a complete refret about 10 years ago
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1978 Peavey T-40 -> Ampeg Micro-VR - > Ampeg SVT210AV + Ampeg SVT-15E |
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#16 | |
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WAHAHA~!
Join Date: Jan 2008
Location: Biloxi, Mississippi
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You're not sacrificing tone by using flats, you're sacrificing brightness. I, along with many other people, prefer the sound of flatwounds.
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1978 Peavey T-40 -> Ampeg Micro-VR - > Ampeg SVT210AV + Ampeg SVT-15E |
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#17 | |
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Registered User
Join Date: May 2004
Location: Sheffield England
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Surely you haven't got uniform fret wear all over the fingerboard. My 65 Fender Jazz that I bought new in 1966 had been in constant for 39 years when I sold it in 2005 had been stoned just twice in that time, last year I spoke to the guy who I sold it too and it was still playing fine.
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G&L L2500 Squier Affinity Jazz Bass 5 Ashdown RPM pre-amp Ashdown Little Giant 1000 300 watt 15" powered cab 450 watt 15" powered sub bass cab 2x10 + horn 1x15x10 + horn |
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#18 | |
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Registered User
Join Date: May 2004
Location: Sheffield England
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Quote:
The brightness is part of the tone, whilst most music stores usually stock a selection of round wounds, flat wounds are a different story, the selection is often quite limited, a much better compromise is half rounds. It was the likes of Jon Entwistle and to a lesser degree Jack Bruce in the 60s who initiated the popularity of rounds in the UK on songs such as 'My Generation' where for the first time the bass became a lead instrument.
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G&L L2500 Squier Affinity Jazz Bass 5 Ashdown RPM pre-amp Ashdown Little Giant 1000 300 watt 15" powered cab 450 watt 15" powered sub bass cab 2x10 + horn 1x15x10 + horn |
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#19 | |
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WAHAHA~!
Join Date: Jan 2008
Location: Biloxi, Mississippi
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Quote:
it's been leveled and recrowned 4 times since I last refretted it. it's obviously not perfectly even, but it's not far from it
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1978 Peavey T-40 -> Ampeg Micro-VR - > Ampeg SVT210AV + Ampeg SVT-15E |
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#20 | |
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Registered User
Join Date: May 2004
Location: Sheffield England
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Quote:
__________________
G&L L2500 Squier Affinity Jazz Bass 5 Ashdown RPM pre-amp Ashdown Little Giant 1000 300 watt 15" powered cab 450 watt 15" powered sub bass cab 2x10 + horn 1x15x10 + horn |
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