|
|
#42 | |
|
Registered User
Join Date: Sep 2011
|
Quote:
![]() |
|
|
|
|
|
|
#44 | |
|
Registered User
Join Date: Sep 2011
|
Quote:
Anyway, I'll show you my logic and you can decide.The chord as written, lacks an "A". "A", is the 3rd of F major, so you can't establish it as an F chord, without another instrument playing. Here are the notes of the chord: e-1 @0 = E < The 3rd of C major B-2 @0 = B < The major 7th of C major G-3 @0 = G < The 5th of C major D-4 @2 = E < another 3rd of C major A-5 @3 =C < The root of C major E-6 @1 =F < If no 3rd or 7th was present, this would be Csus4 (C, F, G) However, when a 7th is present, the 4th and 7th are summed, and you get an "11th" chord. "C11" would be a b7 (Bb), or a dominant 7th, if you prefer. When you consider that the "B" is a B natural, that defines the key, or scale, (with a fair amount of certainty), as C major, and not F. Someone else might call it something different, depending on key or mode, buy my grasp of chord construction makes it out to be Cmaj11. Last edited by Captaincranky : 02-05-2013 at 04:02 PM. |
|
|
|
|
|
|
#45 | |
|
Master of Modulation
Join Date: Jun 2008
Location: The Omnivium
|
Quote:
Whats funny is that could be almost serious. ![]() |
|
|
|
|
|
|
#46 | |
|
UG's Mr Chord Man
Join Date: Feb 2008
|
Quote:
Learn some fucking theory mate.
__________________
Sweet |
|
|
|
|
|
|
#47 |
|
Registered User
Join Date: Oct 2012
|
The angus young chord
-7- -15- -1- -22- -5- -8-
__________________
My apologies if I offend |
|
|
|
|
|
#48 | ||
|
obama 2016
Join Date: Jan 2010
Location: Dallas
|
Quote:
![]()
__________________
Quote:
|
||
|
|
|
|
|
#49 | ||
|
Tonal Vigilante
Join Date: Jul 2009
Location: New York City
|
Quote:
__________________
Quote:
| Facebook (personal) | Facebook (music) | SoundCloud | Instagram | |
||
|
|
|
![]() |
| Thread Tools | Rate This Thread | |
|
|