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#21 | |
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Banned
Join Date: Feb 2013
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Actually, that's exactly what I was going for. I came up with the progression for another piece that I'm composing. It's prog rock fusion. Sort of a cross between medieval chant and 80s synth rock with some Hendrixian chord comping during the bridge. It's a really a great sound. I'll post it when I get a chance. |
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#22 | |
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Banned
Join Date: Feb 2013
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Not trolling. Just looking for ideas. Is it normal to pick on the new guy around here? |
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#23 |
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Larmarky Remark
Join Date: Nov 2006
Location: Rainy Northwest
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No one has ever come here with such dismal understanding of theory. We think it's a parody rather than an actual question. It's that bad. No other way around it.
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^^The above is a Cryptic Metaphor^^
"To know the truth of history is to realize its ultimate myth and its inevitable ambiguity."
MUSIC THEORY LINK SteamID: CarrionComfort |
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#24 |
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sup
Join Date: Nov 2007
Location: Boston, MA (in spirit)
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Oh....he was serious...wow.....
TS, your understanding of theory is extremely mangled. Reset and start fresh.
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Modes and scales are dumb and useless. Stop learning them. No, seriously. Analyzing Brahms: Insights to Help Us Improve Our Music Nelsean attempting to pronounce my name lol I got Last.fm. Don't know why... |
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#26 |
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Christian Bassist
Join Date: Oct 2010
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It would make sense that this is a multi but then again...we may never know.
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For how can I give the King his place of worth above all else when I spend my time striving to place the crown upon myself? |
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#27 | |
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Registered User
Join Date: Apr 2007
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It's clear TS is still trolling us despite him insisiting he isn't. Bbb diminished? |
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#28 | ||
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Master of Modulation
Join Date: Jun 2008
Location: The Omnivium
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I would much more easily say that you're playing in A Minor and are attempting to resolve upon the viio or use it as a pedal chord. If it makes you feel better at theory I'll even let you say you're in A Harmonic Minor. Quote:
Enharmonic tones technically, but they're useful in showing how the chords are constructed through proper note names. B(bb) Diminished would be B(bb)-D(bb)-F(bb) for instance. But once you get into that many double flats you can probably adjust to an easier key to express it. A Diminished is enharmonic to the B(bb) Diminished, and A-C-Eb would work much easier with only a single accidental required. If you're in Bb Major or G Minor, you don't even need accidentals.
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|GP5 Compositions| V Classical and Jazz centric Tech Death V
Last edited by Life Is Brutal : 02-05-2013 at 02:11 AM. |
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#29 | |
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Registered User
Join Date: Aug 2011
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I made a similar piece, except it had a sick bass drop and a 12 minute tuba solo. We should collaborate. |
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#30 | |
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Registered User
Join Date: Apr 2007
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That's what I was trying to insinuate, the point was that TS was trying to over complicate what is actually very simple.Last edited by GoldenGuitar : 02-05-2013 at 02:31 AM. |
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#31 | |
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obama 2016
Join Date: Jan 2010
Location: Dallas
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this guy makes the rest of this forum look like amateurs, jesus
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#32 | ||
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hi
Join Date: Dec 2007
Location: Earth
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pretty sure the "not trolling" routine is simply further trolling
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#33 | |
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Registered User
Join Date: Jul 2011
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I think you're probably trolling. But you know, there's a small chance you're not, in which case I'll say two things: a) try it and see b) don't compose academically. Compose musically. Think of the sound you want to hear and play it. If it happens to be in the mixotrollian mode, knock yourself out, nobody cares. On the other hand, if you ask if going from scale X to scale Y will sound good, we can't possibly tell you because it's not about the scales, it's about the music. Pick any two scales and there's a way to go from one to the other that sounds good, and a way that sounds bad. |
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#34 | |
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Unregistered User
Join Date: Feb 2008
Location: Norway
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#35 | |
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Master of Modulation
Join Date: Jun 2008
Location: The Omnivium
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I fucking died. ![]() |
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#36 | |
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Banned
Join Date: Feb 2013
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Wow. That sounds great. I'd love to work with you. Funny that you should mention the tuba. Another piece that I am working on is a Middle Eastern/New Orleans jazz fusion piece for a quintet comprised of Tuba, 8-string guitar, sitar, trombone and contrabassoon. It's sort of like a Dixieland meets Arabia kind of thing. In the piece, I use the Arabian, Mohammedan and Hindu scales. Although, it's mainly a vamp in Fb Mohammedan. It's a really exotic sound. I'm calling it "Ragtime for Ragheads." It you want to get in touch, hit me up at inspiredmucisian69@yahoo.com |
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#37 |
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Registered User
Join Date: May 2008
Location: los angeles
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Fb....sorry I have to write this out: F flat...with all the useless double flats you have above..it makes sense....you must mean E..
but why try to make the simple almost impossible...Bbb..? why not just simple A...D# why not plain vanilla Eb... what the hell is this..(key of Gb diminished in a joint modulation with a tertiary modulation to Bbb diminished.) Diminished is not a key its a chord quality...Gb/F# is the same dim chord as Bbb/Adim...there is no joint or tertiary much less a modulation..its the same chord harmonic minor be dammed... but...can you do it your way...of course...just don't pass me a copy of this work...I have sight reading standards... wolf |
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#38 | ||
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obama 2016
Join Date: Jan 2010
Location: Dallas
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Quote:
my stomach's hurting oh my god
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#39 |
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Registered User
Join Date: Feb 2012
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I just threw myself off 14 different cliffs
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Check out my band Socrates and the Lava Gods
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#40 |
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Larmarky Remark
Join Date: Nov 2006
Location: Rainy Northwest
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Troll.
__________________
^^The above is a Cryptic Metaphor^^
"To know the truth of history is to realize its ultimate myth and its inevitable ambiguity."
MUSIC THEORY LINK SteamID: CarrionComfort |
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