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Old 02-06-2013, 04:27 PM   #21
chronowarp
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Quote:
Originally Posted by Volcz
Yeah I understand that much, but when do I hit the Ebmaj7. Cause if you look before theres a rest for 3 measures. If 3 measures is 3 bars, then do I just hit Ebmaj7 on the 1?

You hit it whereever there is a written rhythm or bars indicating that you freely comp.
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Old 02-06-2013, 04:30 PM   #22
chronowarp
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Originally Posted by mdc
Here's your chords for the C Section, buddy.

Code:
---10-8-6- -9-8--8-7- -8-8--8-5- -8----7--- ---------- ----------


if you want more voicings for the rest of the piece then just say...

dont worry bro i already got him.

But if he wanted to be cool, he'd combine both of the voicing we gave him for variations between the hits! then he'd be the coolest cat in town!
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Last edited by chronowarp : 02-06-2013 at 04:31 PM.
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Old 02-06-2013, 04:50 PM   #23
mdc
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Ah sorry bud, admittedly I did only skim the thread. Nice one!
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Old 02-06-2013, 05:00 PM   #24
Volcz
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Oh so I'm playing the rhythm to how the notation is written out? Right!
So down below it has Gm7 for quite a while and there's just four lines in each bar, does that mean play every beat?

I really, really appreciate all your help guys. You've been freakin legends

Cheers
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Last edited by Volcz : 02-06-2013 at 05:01 PM.
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Old 02-06-2013, 05:45 PM   #25
mdc
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when you see hash marks like that on a chart, it means the guitarist is free to play any voicing of the chord asked for, and any rhythm that feels right in the overall groove.

so those last 16 bars are down to your chordal and rhythmic interpretation.
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Old 02-07-2013, 12:26 AM   #26
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Yeah whenever there are rhythms written in slash notation (measures 33, 37, etc.) you play the chord with that rhythm. Whenever there are slashes written without rhythm (the end of the tune), you have to listen to what the drummer is doing and come up with a rhythm to fit that.
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