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#1 |
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Registered User
Join Date: Jan 2013
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arpeggios
I have been learning arpeggios using CAGED shapes they are like scale anyway my question is do arpeggios have to start on a root note?
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#2 |
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Sauron Hates EMG's......
Join Date: Feb 2013
Location: Garland, Texas
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To be tonaly correct i would say so.
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The Rig of Joy: Stiff Amplification Dirthead 20w Bugera 2x12 Cab Fender Partscaster Korean Made Epiphone Prophecy Washburn Southern Cross 34 of 100 Ibanez TS9,AD9,GCB95, Multi Chorus and TU2 |
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#4 | |
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Sauron Hates EMG's......
Join Date: Feb 2013
Location: Garland, Texas
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Quote:
Ok i stand corrected . ( I thought were you started was called the root note. But then again i dont know theory or scales at that. I just play!)
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The Rig of Joy: Stiff Amplification Dirthead 20w Bugera 2x12 Cab Fender Partscaster Korean Made Epiphone Prophecy Washburn Southern Cross 34 of 100 Ibanez TS9,AD9,GCB95, Multi Chorus and TU2 |
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#5 |
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Registered User
Join Date: Jun 2012
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Absolutely not. Learn your arpeggios across all six strings whatever the arpeggio.
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Professional Guitarist and Guitar Educator Website: www.StuartBahn.com Facebook: https://www.facebook.com/StuartBahn Twitter: https://twitter.com/stuartbahn Join my mailing list to receive a free eBook on creating an effective practice regime. |
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#6 | |
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Registered User
Join Date: Aug 2009
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nope if it starts on another note that isnt the root note its an inversion
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a youtube link? maybe you should click on it http://www.youtube.com/user/supersac69 Quote:
my bands soundcloud http://soundcloud.com/thenativetongues |
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#7 |
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Registered User
Join Date: Jan 2013
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My other question is do i need to Sweep pick arpeggos ? I have only been learning my arpeggos with Alternate Picking .
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#8 | |||
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Registered User
Join Date: Jan 2011
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Quote:
No..
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#9 |
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Registered User
Join Date: Jun 2012
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If you are a rock player, probably more immediately useful is to learn the diagonal arpeggios shapes, ie the three octave ones that go up the neck as well as across the strings. What is nice about these is that they are patterns that repeat every two strings. Much like pentatonic shapes, this makes it (relatively) easy for most people to improvise with them compared to the CAGED shapes.
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Professional Guitarist and Guitar Educator Website: www.StuartBahn.com Facebook: https://www.facebook.com/StuartBahn Twitter: https://twitter.com/stuartbahn Join my mailing list to receive a free eBook on creating an effective practice regime. |
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#10 | |
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Registered User
Join Date: Feb 2007
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Quote:
+1 Paul Gilbert has a few lessons on youtube going over this and other ways to arpeggiate chords, you should check them out. I found his string skipping ones to be especially useful, even if I can't come close to playing them at the speed he does ![]() |
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#11 | |||
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UG Fanatic
Join Date: Dec 2008
Location: New York
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Quote:
can you link me?
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#12 |
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Registered User
Join Date: Oct 2011
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is it this one |
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#13 |
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Sauron Hates EMG's......
Join Date: Feb 2013
Location: Garland, Texas
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to paul gilbert i pray for forgiveness.......amen!
Never got to arpeggios myself. I find them super confusing sounding and i just never sat down and tried to learn them. I guess thats my next quest. Onwward!
__________________
The Rig of Joy: Stiff Amplification Dirthead 20w Bugera 2x12 Cab Fender Partscaster Korean Made Epiphone Prophecy Washburn Southern Cross 34 of 100 Ibanez TS9,AD9,GCB95, Multi Chorus and TU2 |
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#14 | |
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Registered User
Join Date: Oct 2011
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Yea go for it,, and a little tip from someone else who is also now learning arpeggios dont follow patterns from books or tabs find the notes you want for major minor diminished etc print out some blank neck diagrams and write out the notes and find your own arpeggios.. |
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#15 |
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Registered User
Join Date: Sep 2012
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Paul Gilbert is like a guitar prophet. I have heard so much from this guy, not just on how to play, but just general knowledge in Music and Guitar.
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#16 |
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Registered User
Join Date: Jun 2012
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I agree, Paul is excellent in front of the camera. He's also pretty straight up about learning, which is quite refreshing.
__________________
Professional Guitarist and Guitar Educator Website: www.StuartBahn.com Facebook: https://www.facebook.com/StuartBahn Twitter: https://twitter.com/stuartbahn Join my mailing list to receive a free eBook on creating an effective practice regime. |
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#17 |
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Sauron Hates EMG's......
Join Date: Feb 2013
Location: Garland, Texas
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Know see i dont know scales from adam so this will be new for me. I just been augmenting the penatonic scale for 11 years.
__________________
The Rig of Joy: Stiff Amplification Dirthead 20w Bugera 2x12 Cab Fender Partscaster Korean Made Epiphone Prophecy Washburn Southern Cross 34 of 100 Ibanez TS9,AD9,GCB95, Multi Chorus and TU2 |
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#18 | |
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v It's Back! :D
Join Date: Feb 2004
Location: Dublin
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One of my teaching heroes, I would love to be as insightful and funny as Paul. ![]() |
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#19 |
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I like Dream Theater
Join Date: Aug 2012
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stop learning everything by frets. l
earn the notes on the fretboard eveywhere. when you play something you should be able to recall every note you just played, if not you're doing it wrong. Learn what notes make certain triads and once you know the notes on the fretboard you can map out your own arpepggios, for example, i know that an Em triad root consist of playing the notes in this order E, G, B. Now i can find all the E, G, B on the fretboard and make awesome shit, just out of a single triad. Now add the possiblity of inversions, sequencing, 7th arpeggios, suspended arpeggios, and 7 different triads within whatever key you are in. endless. learn your notes.
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I still like Dream Theater |
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#20 | |
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Registered User
Join Date: Jun 2012
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A completely valid approach ... I don't know if Jeff Beck knows what he's doing yet (I would guess not) but it's doesn't stop him playing like an angel. You might want to get into the theory side though, it can only enrich your playing further.
__________________
Professional Guitarist and Guitar Educator Website: www.StuartBahn.com Facebook: https://www.facebook.com/StuartBahn Twitter: https://twitter.com/stuartbahn Join my mailing list to receive a free eBook on creating an effective practice regime. |
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