|
|
#21 | |
|
MWAHAHAHAHA!
Join Date: Oct 2009
Location: The Frozen North! (read: Northern Wisconsin)
|
Quote:
No, think about it this way. The key signature of Emajor contains the notes E, F#, G#, A, B, C#, D#. The key signature is not the key though. You're not limited to those 7 notes. For instance, the chords people commonly assign to the key of E are: Emaj, F#min, G#min, Amaj, Bmaj, C#maj, D#dim. Because of chromatics, we literally can NEVER got out of key. That's why it's perfectly legal to play E7#9 (which contains E, G#, B, & G) in the key of E, for instance. Note that the G note in E7#9 is not in the key signature of E. So, you can pick notes that fit the song rather than be limited to a scale. Make sense?
__________________
I am on break from recording until I buy a new computer in June. Look at the bandcamp page to see the track list for upcoming EP "Discarnate". Terry Prachett is funnier than you! Discworld Last edited by crazysam23_Atax : 03-08-2013 at 01:35 PM. |
|
|
|
|
|
|
#22 | |
|
UG's Trollhorn
Join Date: Jul 2011
|
Quote:
The third in D#dim is F#, not F. And the reason D#dim is commonly used in the first place is because all the notes do fit into the key. Just like all the other ones. |
|
|
|
|
|
|
#23 | |
|
MWAHAHAHAHA!
Join Date: Oct 2009
Location: The Frozen North! (read: Northern Wisconsin)
|
Quote:
Fuck...you're right. But anyway, the point about chromatics is correct. Let me edit the D#dim thing out. Sorry. Edit: Ok, I edited it so that it's using E7#9 as a chord example (which is a better example anyway). I don't know how I screwed up the D#dim example. My bad.
__________________
I am on break from recording until I buy a new computer in June. Look at the bandcamp page to see the track list for upcoming EP "Discarnate". Terry Prachett is funnier than you! Discworld Last edited by crazysam23_Atax : 03-08-2013 at 01:36 PM. |
|
|
|
|
|
|
#24 | ||
|
obama 2016
Join Date: Jan 2010
Location: Dallas
|
Quote:
the key of e resolves to e. the scale is made to optimize the relationship to the tonic, but you can do literally anything once that tonic is solidified - even if you specifically had to write in a specific key, it would simply be a matter of making sure there's a subdominant->dominant->tonic relationship wherein E (major, i'm assuming) is the basis.
__________________
Quote:
|
||
|
|
|
|
|
#25 | |
|
I play guitar n stuff
Join Date: May 2007
Location: on your back
|
Quote:
I don't know about you, but Im an individual not part of some community of guitarists. I say take the approach you want, make the music you want to make, and stop thinking you know how everyone else should learn, teach or play....that's their choice to make. Last edited by GuitarMunky : 03-08-2013 at 02:00 PM. |
|
|
|
|
|
|
#26 | |
|
UG's Trollhorn
Join Date: Jul 2011
|
Quote:
wegotabadass.jpg If you don't want to learn to improve your musicianship, what are you doing in MT? |
|
|
|
|
|
|
#27 | |
|
I play guitar n stuff
Join Date: May 2007
Location: on your back
|
Quote:
sharing my opinion, and don't be presumptuous..... the reason I posted is because I feel the attitude quoted was detrimental to improving ones musicianship. Last edited by GuitarMunky : 03-08-2013 at 02:06 PM. |
|
|
|
|
|
|
#28 | |
|
Still Learning
Join Date: Feb 2009
|
Quote:
Never thought I would ever quote Hail, but this is what it is all about. Having fun may be playing chords off a chart during a drunken sing-a-long at 3am or playing your latest rhapsody to a group of strangers. Lighten up people you are all taking this way too seriously.
__________________
If I miss one day of practice, I notice it.
If I miss two days, the critics notice it. If I miss three days, the audience notices it. Ingacy Jan Paderewski (1860 - 1941) |
|
|
|
|
|
|
#29 | ||
|
UG's Trollhorn
Join Date: Jul 2011
|
Quote:
You can do that without being a dick to someone who's trying to help other people. Quote:
The attitude quoted is to improve one's musicianship. How is improving one's musicianship detrimental to improving one's musicianship? |
||
|
|
|
|
|
#30 | ||
|
I play guitar n stuff
Join Date: May 2007
Location: on your back
|
Quote:
Apparently if you disagree with someone, you're being a dick, so no I can't. Quote:
I disagree that it will, sorry. |
||
|
|
|
|
|
#31 | |
|
MWAHAHAHAHA!
Join Date: Oct 2009
Location: The Frozen North! (read: Northern Wisconsin)
|
Quote:
So, you disagree that learning music theory will improve one's musicianship? Ok, then... Basically, I'm advocating improving one's knowledge of music theory (which includes learning some of the things I posted in the OP, such as: very basic counterpoint, harmony, chord construction, cadences, etc.), because all of that increases one's understanding of music theory (which directly lends it self to using keys rather than using scales or modes or sticking strictly to the notes of the key signature). Note: music theory acknowledges scales/modes, as most of you know, but the concepts are generally taught within the context of a key, not within the context of a scale. You don't learn about harmony, for instance, in terms of scales. No one says, "This scale and that scale harmonize well together", because we're concerned with keys and harmony with a key, not causing 2 scales to harmonize. But if you find the idea of learning music theory detrimental to improving one's musicianship, then whatever. I don't quite see how that works, but you're entitled to your opinion, I suppose. ![]()
__________________
I am on break from recording until I buy a new computer in June. Look at the bandcamp page to see the track list for upcoming EP "Discarnate". Terry Prachett is funnier than you! Discworld Last edited by crazysam23_Atax : 03-08-2013 at 03:25 PM. |
|
|
|
|
|
|
#32 | |
|
obama 2016
Join Date: Jan 2010
Location: Dallas
|
you guys act like guitarmunky hasn't been around MT for years
i disagree with him on a lot of things but get off his dick over trivial things, i don't see how anybody on MT would ever put up my personality and not his cause i'm far more abrasive and dickish about what i say. it takes conviction to be that direct and sure of yourself not that he said anything weird or bad here anyway, he was just disagreeing with a blanket statement from somebody who's using anti-mode/keys as a buzz term to condescend to everybody (though to be fair GM probably thinks that of me too but still lol)
__________________
Quote:
Last edited by Hail : 03-08-2013 at 03:27 PM. |
|
|
|
|
|
|
#33 |
|
MWAHAHAHAHA!
Join Date: Oct 2009
Location: The Frozen North! (read: Northern Wisconsin)
|
To be fair, if I properly understand what guitarmunky is saying, it makes no sense. He may have a great deal of knowledge (I'm unable to judge that because I'm an infrequent user of MT), but he's stating his point in a way that leads me to believe that he doesn't advocate music theory. I'd be willing to grant that he may not be trying to say that, but that what it sounds like to me.
Edit: guitarmunky, it may help me understand your viewpoint better if you stated why you think my attitude is detrimental to improving one's musicianship. Or is it just my perceived condescending tone* that is bothering you? *I'm not trying to be condescending, btw.
__________________
I am on break from recording until I buy a new computer in June. Look at the bandcamp page to see the track list for upcoming EP "Discarnate". Terry Prachett is funnier than you! Discworld Last edited by crazysam23_Atax : 03-08-2013 at 03:31 PM. |
|
|
|
|
|
#34 | |
|
Rustler of Jimmies
Join Date: Sep 2007
Location: Darkplace Hospital
|
Modes and scales are not the be all and end all of music, statements such as 'ignore modes and scales' however are also detrimental.
It's funny how people with a beginner to intermediate understanding of music hear an advanced poster say a phrase and take it entirely out of context. Resulting in idiotic statements such as 'Scales and modes are useless, don't learn them'.
__________________
Quote:
|
|
|
|
|
|
|
#35 | |
|
I play guitar n stuff
Join Date: May 2007
Location: on your back
|
Quote:
I think you're better off focusing on your own approach to guitar, and not trying to determine a path for the guitar"community" as a whole. It's simply more sane and actually attainable. What's so hard to understand about that? Last edited by GuitarMunky : 03-08-2013 at 03:41 PM. |
|
|
|
|
|
|
#36 | ||
|
MWAHAHAHAHA!
Join Date: Oct 2009
Location: The Frozen North! (read: Northern Wisconsin)
|
Quote:
Oh, ok. Whatever. Quote:
Scales and modes are inferior in comparison to keys, when it comes to composing. I sort of thought that was clear in the OP, since I talked about how we have guitar players who compose using Xscale or Ymode.
__________________
I am on break from recording until I buy a new computer in June. Look at the bandcamp page to see the track list for upcoming EP "Discarnate". Terry Prachett is funnier than you! Discworld Last edited by crazysam23_Atax : 03-08-2013 at 03:46 PM. |
||
|
|
|
|
|
#37 | |
|
I play guitar n stuff
Join Date: May 2007
Location: on your back
|
Quote:
Musicians have done that for centuries, and not just guitarists. Something you'll have to accept eventually. |
|
|
|
|
|
|
#38 |
|
UG's Jester
Join Date: May 2011
|
The way I see it my nigs, just learning how all the notes sound in relation to each other is the best theory that there is.
As a matter of fact, I would say that anyone who takes a different approach is wrong and inferior. Contrary to what you're saying guitarmunky, somethings that work for some people are not as good as the "textbook" way of doing it. I learned this when I was on my middle school basketball team (anecdote coming): There was this kid who was pretty good at shooting, better than most of us, but the way he shot was weird. He would pull his right arm back behind his head and a parallel to his ear, and fling it in a similar fashion to the way a catapult flings a projectile. The coach taught us the correct way to shoot, and had us run it, but the kid refused to do it because he couldn't do it as well. The rest of us practiced the way our coach told us. We all got progressively better at shooting, the kid who shot weirdly included. But but the middle of the year, something happened; We were all able to shoot off of a dribble and we were able to shoot without being muffed, while the weird kid could not shoot without getting stuffed half the time. The nature of the way he shot, even though it was good for him, was inferior to the correct way of shooting, which he could have easily mastered had he put his pride and ego aside and just worked at it the right way. Needless to say, he ended up getting benched for most of the season. I don't see why it would be different with music, or anything in life for that matter. Learning how keys work, learning how all the values of notes sound in a key, and learning functional harmony is simply superior over learning a bunch of scales and modes, and thinking that you need to learn a new one every times you find that you have hit a plateau (in a tonal setting). I think it works like that in everything in life; I truly believe that you can find a correct way to do something. Yes it might be tweaked a little bit depending on the individual, but this might be more of a tweak in the way that it is taught, rather than the values/concepts that are taught. Get at me.
__________________
show
![]() Modes and scales are intelligent and useful. Start learning them. Seriously. |
|
|
|
|
|
#39 |
|
Micropolyphoner
Join Date: Jun 2006
Location: Winnipeg, Canada
|
lol keys.
|
|
|
|
|
|
#40 | |
|
MWAHAHAHAHA!
Join Date: Oct 2009
Location: The Frozen North! (read: Northern Wisconsin)
|
Quote:
Exactly. |
|
|
|
|
![]() |
| Thread Tools | Rate This Thread | |
|
|