05-09-2005, 06:00 PM
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#1 |
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Banned
Join Date: Dec 2004
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"Name That": With a Vengeance
Welcome to the "Name that/fill in that arpeggio/key/scale/lick/chord/song" thread ressurected!
If anyone can go through dozens of pages to find the possibly dead original thread, be my guest, but I think it's time that it be renewed. Same rules as last time. However, I feel it necessary to bump the original "5 tone chord limit" up to seven to suit the purposes of 13th chords. However, keep them within reason. We don't need too many extensions. It doesn't make the chord harder to do nor is it necessarily more beneficial to one's knowledge to include an overdose of extensions-- it just takes longer to work out. So, 24 hour limit on this. If he/she who gets the question right does not go, then he/she will either defer to anyone else or let 24 hours pass by, and in doing so, the turn will be up for grabs. I'll have the first honor: Code:
Name the chord and the best resolution.  Last edited by WindJammer : 05-19-2005 at 06:29 PM. |
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05-09-2005, 06:07 PM
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#2 |
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UG God
Join Date: Jul 2003
Location: Michigan
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E7b9.
A major, perhaps in this voicing: Code:
-SD  |
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05-09-2005, 06:08 PM
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#3 |
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Banned
Join Date: Dec 2004
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^Well, I would opt for an Am, but go ahead.
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05-09-2005, 06:14 PM
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#4 |
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UG God
Join Date: Jul 2003
Location: Michigan
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I chose A major because it resolves a half step with the D to C#.
 An easy one: All four names for this chord! Code:
I'm glad this thread is back?  -SD |
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05-09-2005, 06:18 PM
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#5 |
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Banned
Join Date: Dec 2004
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oo, this one might teach a few people some things. I'll let people catch this thread and have a go before blurting it out.
Remember, everyone, in a... cough*dim7*cough chord, each note is a b3 away from the last. Stacked minor thirds yield...? |
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05-09-2005, 07:01 PM
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#6 |
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UG God
Join Date: Jul 2003
Location: Michigan
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Dufus? you gave it away
 I'm now subscribing to this thread. -SD |
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05-09-2005, 09:19 PM
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#7 |
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Banned
Join Date: Dec 2004
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Meh-- slow start. I'll give this thread a few boosts as it starts out.
Dim7, G#dim7, Bdim7, Fdim7 See everyone? It's like a synthetic chord-- each note is the same distance from the next one as the last one. In other words, D is to G# as G# is to B as B is to F as F is to D-- they're all a minor third away from eachother. |
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05-09-2005, 09:25 PM
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#8 |
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UG God
Join Date: Jul 2003
Location: Michigan
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I would have liked Ab°7 and Cb°7 instead? _but yeah. That's right. Go for it, and thanks for explaining.
-SD |
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05-09-2005, 09:32 PM
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#9 |
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Banned
Join Date: Dec 2004
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Ah alright, in the interest of maintainging this thread in its early days, it is up for grabs. Anyone who wants to post a scale or arpeggio ro anythign of that nature for everyone else to guess is free to do so.
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05-09-2005, 11:22 PM
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#10 |
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THE TREND IS OVER
Join Date: Feb 2004
Location: Funkytown
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I'm not sure if I need to know the chord name or not, because I don't quite know what to call this one, but I'll let you all debate it and if this is illegal just disqualify me.
Code:
It's a grim sounding chord to be sure.
__________________
THE TREND IS OVER YOU WON'T NEED THAT ANYMORE ITS ON SALE AT THE ****ING DOLLAR STORE |
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05-10-2005, 03:47 AM
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#11 |
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I Set Fires
Join Date: Apr 2004
Location: Brisbane, Australia
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Is it not windjammers turn now?
__________________
Keen On Disco |
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05-10-2005, 07:52 AM
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#12 | |
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.........................
Join Date: Apr 2004
Location: Riding on the divine wings of tragedy
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Quote:
4 0 4 0 4 0 G# A F# G D# E E G# D# F# G A 1 3 7 9 b10 11 Emaj11(b10) and yes, b10's do exist. it would be hard to arrange the note names enharmonically so no scale degrees are doubled. it would probably involve double flats and sharps, but its easier (i think) to just have a b10. i have seen b10's in many lead sheets. .........and this chord (or at least the voicing) sounds absolutely horrible. |
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05-10-2005, 02:51 PM
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#13 |
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I'm baaaaaack
Join Date: Oct 2004
Location: Learning to Live in Canada
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Hah... Em/maj11/Ab, or Emaj11#9/Ab.
b10 = b3 |
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05-10-2005, 03:25 PM
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#14 | |
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Banned
Join Date: Dec 2004
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Quote:
You can't have a 3 and a b3. That's why we have the term "#9," we can't have a b3 and a 3. However, we can't have a 3, 2, AND #9, so it's a b10. |
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05-10-2005, 03:39 PM
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#15 |
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Lover of colors
Join Date: Oct 2004
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^to Slash_pwns
don't you have to indicate that there is no fith, somehow? |
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05-10-2005, 03:48 PM
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#16 |
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Banned
Join Date: Dec 2004
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Nah^. The most common voicing for 13th chords invovles only four notes (of the seven notes included in a dom13 chord), but who wants to say "G13 (no 5th, no 9th, no 11th): to play something like this:
Code:
When "G13" works fine . |
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05-10-2005, 03:50 PM
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#17 |
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UG God
Join Date: Jul 2003
Location: Michigan
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^ You could if you wanted, but it's not entirely necessary. I'd name it as Em/M11/Ab myself, to avoid the b10/#9 issue.
Whose turn? -SD |
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05-10-2005, 03:55 PM
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#18 |
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Banned
Join Date: Dec 2004
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I think that slsh_pwns should go.
EDIT: Yeah, both SD and slsh had the same chord, but slsh got it first. Go ahead. |
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05-10-2005, 04:10 PM
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#19 |
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Lover of colors
Join Date: Oct 2004
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uh ... of course x_x
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05-10-2005, 04:12 PM
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#20 |
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lightspeed champion
Join Date: Sep 2004
Location: england
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Code:
__________________
Ibanez RG1570 Prestige Laney VC15 Boss DS-1 Jim Dunlop Crybaby |
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