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Old 05-10-2005, 08:15 PM   #41
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A guess"

Code:
e|------4-------------| B|--6---6---5---5---4-| G|--4---4---6---3---3-| D|--6---6---4---5---5-| A|--5---4---4---4---4-| E|--------------------| Abdim7, Dd7, Gb7, Bbdim7, Eb7


Maybe my Eb7 voicing was a little iffy.

Last edited by WindJammer : 05-10-2005 at 08:30 PM.
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Old 05-11-2005, 04:24 PM   #42
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Waiting for an answer, SD...
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Old 05-11-2005, 05:16 PM   #43
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Sorry, I have school and stuff. Adim7 is the original chord. Yes I know mine breaks the rules, that's why I gave it to you, and told you that it broke the rules.

WJ, you're pretty close, but you neglected to follow the voicing rules. You can only alter ONE note of the original chord (Adim7) by ONE semitone.

I thought I made this clear enough

Yes you must alter the Adim7.

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Old 05-11-2005, 06:09 PM   #44
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Oh! I thought that you meant that we may alter only one note by a semitone the subsequent chord of the chord that you're playing! Whoops.... I'll try again. Also, I didn't know that you meant by voicing (if not by voicing, then the rule would serve no purpose whoops)

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Old 05-11-2005, 06:32 PM   #45
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^ Yeah, it would be impossible to follow the idea of secondary dominants if you could only alter the preceding chord by a semitone.

Sorry that the rules were so hard to follow? hopefully I'll see an answer from WJ (or anyone else) soon! Cas will probably know what I'm thinking, he explained the whole idea to me a while back.

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Old 05-12-2005, 07:48 AM   #46
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Mkk I think I got the first chord! Woo!

No for the other two
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Old 05-12-2005, 07:53 AM   #47
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Code:
Ab7 Db7 Gb7 B7 Adim7 e|--8---4-------7---8--| B|--7---6---5---7---7--| G|--8---4---6---8---8--| D|--6---6---4---7---7--| A|------4---4----------| E|---------------------|


How about this?
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Old 05-12-2005, 08:01 AM   #48
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Quote:
Originally posted by SilentDeftone
Cas will probably know what I'm thinking, he explained the whole idea to me a while back.


yah lol, hence why I'm not answering. it'd be a little cheap if I answered it since I related the concept to you


Quote:
Originally posted by slash_pwns
Code:
Ab7 Db7 Gb7 B7 Adim7 e|--8---4-------7---8--| B|--7---6---5---7---7--| G|--8---4---6---8---8--| D|--6---6---4---7---7--| A|------4---4----------| E|---------------------|


How about this?


I know it's def's thing and he said any chord you want, but I'd rethink that last chord if I were you lol.... doesn't really resolve. I believe he was saying "any kind of E based chord or valid substitute".... since B resolves most strongly to E (i.e. up a fourth)

otherwise, you got what he was looking for

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Old 05-12-2005, 02:55 PM   #49
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^ Yep, well done. The last chord doesn't really resolve, as Cas said, but I said it could be any chord.

For a minute I thought it would take a long time?

Slash's go.

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Old 05-12-2005, 03:53 PM   #50
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Heh, I didnt think I'd get this one. I think i was going to have Ebm7 as the last chord, but I wasnt sure.

Code:
-4- -0- -3- -0- -2- ---


Shazam! Its a chord...
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Last edited by slash_pwns : 05-12-2005 at 03:57 PM.
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Old 05-12-2005, 03:59 PM   #51
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Bm(maj7)#6
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Last edited by fendermalmsteen : 05-12-2005 at 04:02 PM.
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Old 05-12-2005, 04:01 PM   #52
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Not what I'm looking for... But your'e like a second away from it. And its not an add chord... It has 1 good name.

EDIT: I didnt create with a "6"
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Old 05-12-2005, 04:04 PM   #53
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G#dim(9)?

Edit: No response yet, but I've gotta run. Someone else pick it up if I'm right.
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Old 05-12-2005, 04:06 PM   #54
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^Root note is B, or Cb.

EDIT: G#dim(9) works... I think fendermalmsteen should go if Corwinoid isnt going to. He was pretty close.

I was looking for Bm/maj13!
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Old 05-12-2005, 04:24 PM   #55
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What the hell, I'll do something different.

Code:
e|--------------|-------------|---0-----------|-----0-------| B|o-------3-0---|-------3-0---|-3---3-1---1---|-3-3---1----o| G|------0-------|-----0-------|---------2-----|---------2---| D|----2---------|---2---------|---------------|-------------| A|o-------------|-------------|---------------|------------o| E|--------------|-------------|---------------|-------------|


The time is 4/4, show me the ideal chord progression for this riff. Two chords per measure.

If this is a dumb idea, let me know and I'll do something else.
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Old 05-12-2005, 04:30 PM   #56
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|Em Bm |Em Bm |Dsus2 Am |Dsus2 Am|

?

edited.
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Last edited by slash_pwns : 05-12-2005 at 04:34 PM.
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Old 05-12-2005, 04:36 PM   #57
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^^^Think extentions. And a quick look into jazz improvision would help. (improvision over chord changes)

Also, disragard the "two chords per measure rule, it's too limiting of what chord to use... if you are thinking the same as me.

Not to late for me to change the question though...
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Last edited by fendermalmsteen : 05-12-2005 at 04:39 PM.
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Old 05-12-2005, 04:39 PM   #58
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2 tones arent enough to get a chord, other than the ones I've given, I think...

Euhhh... I vote for a change!
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Old 05-12-2005, 04:41 PM   #59
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^^^Let's do one chord per measure, then you'll get more possible tones.
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Old 05-12-2005, 04:42 PM   #60
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ooook!

|Em7 |Em7 |D7sus2 |D7sus2 |
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