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Old 04-27-2003, 04:06 PM   #21
casualty01
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Quote:
Originally posted by beatallica_fan
Id call that G6/sus2. Heres another for Cas to nail in a matter of seconds

Code:
E----- B--5-- G--4-- D--7-- A--6-- E-----


B7 add11/D#

Code:
E----- B--3-- G--4-- D--3-- A--x-- E--5---


Cas-
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Last edited by casualty01 : 04-27-2003 at 04:18 PM.
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Old 04-27-2003, 04:22 PM   #22
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3rd inversion of Bmin7b5

e----x
B----3
G----3
D----4
A----x
E----6
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Old 04-27-2003, 04:25 PM   #23
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Quote:
Originally posted by dmal
3rd inversion of Bmin7b5

e----x
B----3
G----3
D----4
A----x
E----6


Bb augmented , D augmented, or F# augmented

Code:
E-9-- B-X-- G-8-- D-4-- A-X-- E-7--


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Old 04-27-2003, 04:42 PM   #24
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Badd9...dang


E-7-
B-5-
G-5-
D-x-
A-7-
E-0-


Heh heh,
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Old 04-27-2003, 04:47 PM   #25
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Quote:
Originally posted by benjmc
Badd9...dang


E-7-
B-5-
G-5-
D-x-
A-7-
E-0-


Heh heh,


Cmaj7 add2/E

Cas-

Code:
E---- B--9- G--7- D--7- A--9- E----


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Old 04-27-2003, 05:02 PM   #26
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Thats Dadd#4/F#

Heres mine, the names bond, james bond!

Code:
e--- b-7- g-8- d-9- a-10- e-0-
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Old 04-27-2003, 05:18 PM   #27
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Quote:
Originally posted by beatallica_fan
Thats Dadd#4/F#

Heres mine, the names bond, james bond!

Code:
e--- b-7- g-8- d-9- a-10- e-0-


well, could be several things...... cause there's several triads in there.

if looking at it as E being the root. then its an
Emin/maj9 thats it's strongest tonality, so i'd call it that.
coming from the 4th mode of Hamonic Major (aka. melodic minor #4)

but, if you looked at it as B being the root. it would be a
Bmaj add4/b6 ........ comes from 1st mode of Harmonic Major. nice chord

but, you could also view it as an augmented, since there's a Gaug triad in there. in that case, it would be a G+maj7 add6 (or you could call it Gmaj7#5 add6 ) .......... but most people would take that to incinuate that there's a natural 5th in there. which there isn't.

so the strongest one is the first one. the Emin/maj9.



Code:
E--4-- B--4-- G--6-- D--7-- A--0-- E--7--



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Old 04-27-2003, 09:28 PM   #28
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Quote:
Originally posted by casualty01
well, could be several things...... cause there's several triads in there.

if looking at it as E being the root. then its an
Emin/maj9 thats it's strongest tonality, so i'd call it that.
coming from the 4th mode of Hamonic Major (aka. melodic minor #4)

but, if you looked at it as B being the root. it would be a
Bmaj add4/b6 ........ comes from 1st mode of Harmonic Major. nice chord

but, you could also view it as an augmented, since there's a Gaug triad in there. in that case, it would be a G+maj7 add6 (or you could call it Gmaj7#5 add6 ) .......... but most people would take that to incinuate that there's a natural 5th in there. which there isn't.

so the strongest one is the first one. the Emin/maj9.



Code:
E--4-- B--4-- G--6-- D--7-- A--0-- E--7--



Cas-


A7aug/B

Code:
e--x-- B--7-- G--6-- D--5-- A--0-- E--x--
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Old 04-28-2003, 01:15 AM   #29
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Quote:
Originally posted by dmal
A7aug/B

Code:
e--x-- B--7-- G--6-- D--5-- A--0-- E--x--


sorry, wrong answer. but your chord is an A7 add13

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Old 04-28-2003, 02:41 PM   #30
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the correct answer is B9add13
(with assistance )

cas, you need to post a chord, since you answered last

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Old 04-28-2003, 03:03 PM   #31
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will do.


ok, first, a little explenation. as chords arent always root position (functioning as chords where the bass note sets the quality) , or sometimes don't even include the root, it's good to know what chords can be substituted for other chords. for example, if a progression calls for an A-7. you don't have to play an A-7, you can just as well play a Cmaj triad, because the bass is gonna be handling that Amin bass line. if you combine an Amin chord (A-C-E) with a Cmaj triad (C-E-G) you get an Amin7 (A-C-E-G). SO, THINK SUBSTITUTION. and pay attention to the bassline im gonna post.

repeating bassline. 1/4 notes.
Code:
G|o-------------------------o| D|-------9-------------------| A|----11---11--9--7----------| E|o-9----------------7--8---o|


Voicing.
Code:
E----- B--7-- G--8-- D--9-- A--7-- E-----


ok, so, knowing that my chord is a substitution, and taking into consideration the bassline underneath the chord.

name that chord......

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Old 04-28-2003, 03:59 PM   #32
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Its E6/9 I believe.

Try this one, its a tricky one!
e|-4-|
B|-4-|
G|-6-|
D|-7-|
A|-7-|
E|-5-|
(The 5 on the E is optional, as you have to use your thumb to play it, but it gives the chord a better sound if you play it....now that's a hard one there!)
The bassline would sound something like this-

G|----------6--------|
D|------7----7------|
A|-6--7--6----7-6-|
E|---5-----5--------|

Last edited by Berlioz96 : 04-28-2003 at 04:04 PM.
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Old 04-28-2003, 04:02 PM   #33
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Quote:
Originally posted by Berlioz96
Its E6/9 I believe.


Try this one, its a tricky one!
e|-4-|
B|-4-|
G|-6-|
D|-7-|
A|-7-|
E|-5-|
(The 5 on the E is optional, as you have to use your thumb to play it, but it gives the chord a better sound if you play it....now that's a hard one there!)


G#/E
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Old 04-28-2003, 04:05 PM   #34
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Quote:
Originally posted by dmal
G#/E
Nope. Guess again.
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Old 04-28-2003, 04:10 PM   #35
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[QUOTE]Originally posted by Berlioz96
[B]Its E6/9 I believe.

I believe that it would be C#min13

read cas's post. The Bassline is used in the chord.

If I'm wrong, someone please correct me.

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Old 04-28-2003, 04:12 PM   #36
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Quote:
Originally posted by Berlioz96
Nope. Guess again.


oops, haha

G#/A
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Old 04-28-2003, 04:14 PM   #37
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Quote:
Originally posted by Berlioz96
Its E6/9 I believe.

Try this one, its a tricky one!
e|-4-|
B|-4-|
G|-6-|
D|-7-|
A|-7-|
E|-5-|
(The 5 on the E is optional, as you have to use your thumb to play it, but it gives the chord a better sound if you play it....now that's a hard one there!)


A E C# D# G#....A7 +b12...something like that.
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Last edited by benjmc : 04-28-2003 at 04:18 PM.
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Old 04-28-2003, 04:18 PM   #38
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Quote:
Originally posted by benjmc
A E C# D# G#....A7 flat5...something like that.

Okay, enough mindless guessing, I'll tell u guys-

Eb13b9b5
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Old 04-28-2003, 04:22 PM   #39
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Quote:
Originally posted by Berlioz96
Okay, enough mindless guessing, I'll tell u guys-

Eb13b9b5



I changed my 'guess' now cos the D# is in a higher octave...

Now...are you high?
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Old 04-28-2003, 04:29 PM   #40
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that's what i would say

A7b12

Sorry about the wrong answers earlier, I looked at it at a glance.
I gotta slow down.


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