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Old 04-17-2007, 03:54 PM   #61
fenderfrk10
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how did i disobey the rules?
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Old 04-17-2007, 03:56 PM   #62
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^Haha, not you. Some guy posted a chord inbetween us and must have deleted his post.
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Old 04-17-2007, 04:31 PM   #63
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As if guys get the chance to delete their posts when teh mods are around.

Random guess: D7#11?
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Old 04-17-2007, 04:41 PM   #64
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^D7#11 omgz u r n00b. Nah, not D lyd dom. All the chords in the 2nd bar are from one scale, and all of them imply the same tonality. I'm just looking for the shorthand name for any chord that might imply that tonality.
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Old 04-17-2007, 04:44 PM   #65
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Who are you calling noob? I didn't even look at the sheet, just followed your regular thought pattern..

SORRY
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Old 04-17-2007, 06:12 PM   #66
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Am7 - D7b9 - Gsus
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Old 04-17-2007, 06:15 PM   #67
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^Finally. The bar completely defines H/W dim harmony. _7b9 is shorthand for any chord built from the H/W scale. Like I've said, notation usually just implies a tonality and scale, not a specific voicing, one of the voicings in the second bar is Daddb9, but you'd just call it D7b9, because that's the tonality it implies.

Go Karim.

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Originally Posted by elvenkindje
...just followed your regular thought pattern..

SORRY


Pity you didn't do that when I was calling you down with quads.

Last edited by Johnljones7443 : 04-17-2007 at 06:18 PM.
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Old 04-17-2007, 06:22 PM   #68
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Name what mode those chords go with!

_6/9
_m7b9
_7
_13#11
_maj11
_m7b5
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Old 04-17-2007, 06:27 PM   #69
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Just a guess...

1. Ionian
2. Phrygian
3. Mixolydian
4. Lydian Dominant
5. Ionian
6. Locrian

but I'm not sure if you're looking for the specific mode associated with each chord. If so, then I have no idea (except for a few)
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Old 04-17-2007, 06:45 PM   #70
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^ That's good!
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Old 04-17-2007, 06:51 PM   #71
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someone can have my go.

i have a research paper to do
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Old 04-17-2007, 06:53 PM   #72
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ill go. just give me a minute





name of the 4 chords. Classical names including inversion etc. and cadence

all in key of c
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Old 04-18-2007, 01:23 PM   #73
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Sorry to go off topic here, but oh well. Do we have the old NAME THAT CHORD thread around? Coz' perhaps move it in the Archieved Threads forum, seeing as it was so good.
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Old 04-18-2007, 01:31 PM   #74
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Fr+6 *stumped* I64 V I

Perfect Authentic Cadence.

Your second chord looks pretty odd.... D Ab Db F#. No idea, I'm afraid.
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Old 04-18-2007, 07:51 PM   #75
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D Ab Db F# - Dmaj7b5?
D (1) F#(3) G# (b5) C# (7)
Thats just from what psychodelia said the notes are, I cant remember how to read bass cleff lol.
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Old 04-18-2007, 08:01 PM   #76
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^G# would be the #4, not b5. You'd name it as DΔ#11, or D Lydian, never Dmaj7b5.
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Old 04-18-2007, 10:30 PM   #77
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Quote:
Originally Posted by psychodelia
Fr+6 *stumped* I64 V I

Perfect Authentic Cadence.

Your second chord looks pretty odd.... D Ab Db F#. No idea, I'm afraid.

oops i forgot to put a a natural sign on the second F. But ill give it to you. but it seems Jones got the obscure misprinted chord lol

The second chord was supposed to be the second inversion of a Db major. so in this case Neopalatin 6th/ b II chord
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Last edited by mexican_shred : 04-18-2007 at 10:33 PM.
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Old 04-18-2007, 10:40 PM   #78
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Yeah sorry guys about getting the right chord and then not coming on for a while. It was kind of dumb, but I'm glad I got the chord right cuz it means I'm getting better! Hooray for me! And hurry up with the next chord!
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Old 04-19-2007, 08:13 AM   #79
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Quote:
Originally Posted by mexican_shred
The second chord was supposed to be the second inversion of a Db major. so in this case Neopalatin 6th/ b II chord


The second inversion would be N6/4, not N6. 6 is used to notate first inversion, and is the inversion the N chord is usually played in.
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Old 04-19-2007, 12:10 PM   #80
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I'll pass to john, since I have class and can't think of anything particularly interesting at the moment.
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