jof1029

Well folks, it appears to be that time again. What time is that? Time for a new settings thread of course! We are going to keep the rules the same, and they are pretty simple. Basically:

Include the following:
Gain:
Bass:
Mids:
Treble:
Effects (if needed):
Other Info:

numbers for settings should be numeric values out of 10, not clock positions. Let’s keep this standard to avoid confusion.

Now, if you have a request that is not covered in the first few posts, feel free to ask. If a setting is given to the request, feel free to PM myself of another GG&A mod to add it to the list. This way we can keep the settings in one easy to find place. If you just have a setting you would like to be added to the list, also feel free to PM it to one of us.

REMINDER:
Not all amps are created equal, so keep this in mind when using these settings. Don’t look at them as a definite answer; look at them as a place to start. Some amps may have more mids inherent to the amp, so you may have to adjust accordingly. Same for other settings, make sure you adjust as it suits your amp. So now we can have some fun with settings and help one another out!

A huge thanks goes out to which ones pink and WlCmToTheJungle


XIFR'S GUIDE ON HOW TO EQ AND FIND YOUR OWN TONE

Amps generally have a three band eq, meaning bass, mid and treble. They sometimes have a fourth band, presence, which control frequencies above the treble range.

When you're eqing, start with all controls at noon, or 5. This is a point of no boost or cutting of the frequencies. Play it a bit and get used to the sound of the amp and see what needs to be added or taken away. It is best to do this listening (and this applies to listening in all further stages of this guide) in a band setting, because your sound changes drastically when you have other instruments. This is because you have to find your 'place'. Listen to 'Sweet Child of Mine' by Guns n Roses - when Slash comes in by himself at the start it sounds trebly and horrible, but then when the band comes in it fits the mix perfectly and has people all over the world trying to get this tone.

So anyway, you've got an idea now of what your amp sounds like, time to make some adjustments. Cut treble if there's too much, or cut bass if it's too boomy (don't be scared to cut heaps of bass, honestly, guitar requires pretty much no bass, even when you're playing rhythm - listen to some Van Halen to see what I mean. Ever wondered why the bridge pickup was so popular for rock?

This would probably be a good time to add in some 'mids'. The midrange is a frequency range roughly between 500 and 1000 hz. Remember when I talked before about finding your spot in the mix? This is the knob that does it. The guys who makes amps and speakers know this, and usually speakers are voiced with a mid 'hump' - that is, a boost in the midrange frequencies. This is how you not only get yourself heard without having to turn up too much, but without drowning out the other instruments too. Mess with this knob while you're jamming with your band to find the right balance between 'cutting through' and sounding too boxy or honky, or like an old transistor radio.

So there you have it, that should have you well on your way to getting a good tone. Use the below settings as a guide to get particular sounds, but remember that your gear is different and thus, they should be used more as a rough guide that a hard and fast way to get that particular tone.


EQ AT DIFFERENT VOLUMES (a bit of audio theory, don't read if you don't like complex stuff)

Take a look at this graph



What is it? It is an equal loudness contour. Our ear hears different frequencies differently. Each line is what spl level (loudness) is needed at each frequency to get an equal or flat frequency response in our ears. As you can see, it is extremely hard to reproduce lower frequencies (hence why bassists all have rigs of doom) and extremely easy to reproduce midrange/upper midrange frequencies.

However, if you look at the graph, you'll notice that as we get louder, the frequency response of the ear gets flatter.

What does this mean? As you turn up your amp to get the same tone as when it is quiet you'll have to compensate by turning up your mids and possibly treble. This makes the mid scoop a really bad idea.




NOTE: this is the thread for settings. any other threads asking about/for settings will be closed and the threadstarter directed here. thanks for your cooperation.

__________________

I have donated 3920 grains of rice!

jof1029

 
Jimi Hendrix of Jimi Hendrix Experience
Gain - 4
Treble - 5
Mid - 5
Bass - 8
Reverb - 5

John Petrucci of Dream Theatre
1)Clean Channel:
Preamp Mode: Rhythm 1 Yellow
Gain: 6
Treble: 6.5
Middle: 3.5
Bass: 3
Lead 1 Drive: 0
Lead 2 Drive: 0
Master: 5.5
Presence: 8
Dynamic Voice: 7
Power Amps set on Deep And Modern

2)Main Distortion Channel:
Preamp Mode: Lead 1 Red
Gain: 6
Treble: 6
Middle: 6
Bass: 4.5
Lead 1 Drive: 4.5
Lead 2 Drive: 0
Master: 4
Presence: 6.5
Dynamic Voice: 6.5
Power Amps set on Deep And Modern

3)Lead Channel:
Preamp Mode: Lead 2 Yellow (MarkII Lead Sound)
Gain: 7.5
Treble: 4.5
Middle: 4
Bass: 5.5
Lead 1 Drive: 0
Lead 2 Drive: 6.5 Master: 6
Presence: 0
Dynamic Voice: 3

4)EFFECTS CHAIN:
Clean Sound - basic chorus sound
Lead Sound - 602 and 460 millisecond delay with 3 repeats
Crunch - 26 milliseconds delay

Tom Morello of Audioslave/Rage Against the Machine
Gain - 7
Treble - 10
Mid - 4
Bass - 4
Reverb - 0

Eric Clapton of Eric Clapton
Gain - 7
Teble - 5
Mid - 7
Bass - 7
Presence - 8

Mick Thompson of Slipknot
Gain - 9-10
Treble - 8
Mid - 7
Bass - 8
Reverb - 2
Note tuning of B F B E Gsharp Csharp (low to high)

Jimmy Page of Led Zeppelin
Gain - 4
Treble - 8
Mid - 3
Bass - 7
Reverb - 2

Kurt Cobain of Nirvana
Gain - 7
Treble - 7
Mid - 4
Bass - 3
Reverb - 2

Eddie Van Halen of Van Halen
Gain - 6
Treble - 4
Mid - 3
Bass- 9
Reverb - 4

John Frusciante of Red Hot Chili Peppers
Gain - 4
Treble - 8
Mid - 2
Bass - 6
Reverb - 7

Kirk Hammet of Metallica
Gain - 7
Treble - 7
Mid - 2
Bass - 7
Reverb - 2

Keith Richards of Rolling Stones
Gain - 4.5
Treble - 4.5
Mid - 6.5
Bass - 5.5
Reverb - 1.5
Note use of open G tuning, D G D G B D (low to high)

The Edge of U2
Gain - 1.5
Treble - 7
Mid - 5
Bass - 3
Reverb - 8.5

Brian May of Queen
Gain - 8.5
Treble - 4
Mid - 9
Bass - 5.5
Reverb - 4
Note Brian famously uses old sixpences to pick the strings of his guitar.

Jack White of The White Stripes
Gain - 8
Treble - 7
Mid - 5
Bass - 8
Prescence - 8

Slash of Guns N' Roses
Gain - 6.5
Treble - 4.5
Mid - 7
Bass - 7
Presence ? 8

Justin Hawkins of The Darkness
bass- 6
treble-8
mid-8
gain-7
reverb-5

Dimebag Darrel of Pantera
Gain - 7
Treble - 10
Mid - 4
Bass - 9
Reverb ? 0

Billie Joe Armstrong (newer) of Green Day
Drive - 6
Treble - 10
Mid - 8
Bass - 5
Reverb ? 3

Billie Joe Armstrong (older) of Green Day
Gain:9
Treble:10
Mid:8
Bass:5
Reverb:3

Dave Murray of Iron Maiden
Drive - 7
Treble - 9
Mid - 7
Bass - 4
Reverb - 0
Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially


Gary Moore of Thin Lizzy
Bass 7
Treble 7
Mids 8-10
Gain 5-7 depends on song
Coutour at 3-4 not so high to suck the mids but not os low to sound crappy
maybe a splash of reverb
Neck pickup

Dave Grohl of Foo Fighters
Distortion:8
Treble:7
Middle:5
Bass:3
Reverb:3 (room)

Joe Walsh of Eagles
Treble: 7
Bass:3
Mid: 4
Master:3
Reverb:2
Presence:3

Billy Corgan of Smashing Pumpkins
For songs like 1979:

Bass: 8
Mid: 7
High/Treble: 6
Pickup Position: 2 or 4 (Strat)

For heavier songs like Zero or Jellybelly:

Bass: 10
Mid: 4
High/Treble: 8

Use a thick heavy distortion with medium tone and a lot of sustain.

Angus Young of AC/DC
Gain - 5
Treble - 10
Mid - 10
Bass - 5

Gary Rossington of Lynyrd Skynyrd
Treble - 5
Mid - 10
Bass - 5
Gain - 2-3

Mark Tremonti of Creed/Alter Bridge
Gain:10
Treb.:6
Mid.:3 or 4
Bass:7
Presence:6

Mike McCready of Pearl Jam
Treble: 7
Mid: 7
Low: 5

Daron Malakian of System of a Down
Amp Used: Crate VFX5212
Gain: 8
Treble: 6-7
Mids: 3-5
Bass: 10
Presence: 8
Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb)

Tony Iommi of Black Sabbath

Gain - 7 or 8
Bass - 6
Middle - 6
Treble - 6
Channel - Overdrive

Mick Mars of Motley Crue
Gain - 3
Bass - 2-3
Contour - 2-3
Treble - 10
Channel - Overdrive

Kurt Cobain - Chorus Effect bits of Nirvana
Effects/Other - Ibanez CF-7 Pedal
Speed- 10
Depth- 5
Delay Time- 0 or 1.5
Regen- 3

Mick Thompson of Slipknot

Gain - 9-10
Treble - 8
Mid - 7
Bass - 8
Reverb - 2
Effects/Other - Tuning of B F B E G# C# (low to high)
Channel - Distortion

Noel Gallagher of Oasis

Gain- 5.5
Volume- 10
Treble- 7
Middle- 5.5
Bass- 4.5

Ray Davies of The Kinks

Gain- 7.5
Volume- 10
Treble- 10
Middle- 6
Bass- 4

Steve Jones of Sex Pistols

Gain- 7
Volume- 10
Treble- 8.5
Middle- 6
Bass- 4

Alex Laiho of Children of Bodom
Treble: 9
Mid: 4
Bass: 7
Gain: 8
Reverb: 4
(on guitar)
Tone: 10
Pickup: Bridge

David Gilmour of Pink Floyd
Bass: 10
Middle: 6.5
Treble: 10
Gain: 1.5

or

Gain-2-3
Treble- 7-8
Mids- 9-10
Bass- 5-6
Reverb- 60-70%

Mark Tremonti of Creed/Alter Bridge
Gain: 7
Bass: 6
Mids: 4
treble: 7.5
Reverb: 1-2

Carlos Santana of Carlos Santana
gain 7
treble 10
mid 6
bass 5
reverb 2

Jerry Cantrell of Alice in Chains
Gain 6-7
Treble 6-7
Mids 5-6
Bass 5-6
Reverb 3

Joe Perry of Aerosmith
Gain: 5.5
Treble: 2
Mid: 7
Bass: 2
Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture)

Pete Willis of Def Leppard
Gain- 4
Bass-4
Mid- 5
Treble-7
Reverb-4

Billy Gibbons of ZZ Top
Treble: 3
Middle: 10
Bass: 10
Prescense: 10
Gain: about 5 (crunchy type of sound)
Use a Les Paul guitar with not to much output in the pups and select both!

Buckethead of Buckethead
Bass: 5-6
Mids: 5-7
Treble: 7-8
Presence: 6

Boost clean channel with an OD
Tone: 5-6
Volume: 5-8 (have it boost the volume of the amp a little)
Distortion: 0

Randy Rhoads of Ozzy Osbourne
Gain 7
Bass 7
Mids 7
Treble 10
Reverb 0


Stevie Ray Vaughan of Stevie Ray Vaughan
Low 10 (full)
Mid 7.5
High 5

Steve Vai
Clean:
Treble: 8
Mid: 5
Bass: 4

Lead:
Presence: 6
Treble: 6
Mid: 7
Bass: 7
Gain: 8

Sublime
General
Treble 9-10
mid:0
bass: 7
with a hint of chorus...on clean

Slayer
Gain: 7
Treble: 7
Mid: 2
Bass: 9

Kerry King
Gain - 9-10
Treble - 10
Mid - 4
Bass - 6-7
Reverb – 3

Opeth
Amp EQ settings:
Mids: 4:30 o' clock
High:10:30 o'clock
Low: 7 (barely above 0)
Presence: 0
Resonance: 8(barely above 0)

Drapery Falls Intro Tone(for Boss GT-6):
Only things that are on are:
-Reverb(set to 75)
-Overdrive/Distortion(Metal>Heavy Metal Preset)
-Overdrive/Distortion Drive and Level set to 100
-Equalizer:
Low EQ +1 dB
Lo-Mid f 500Hz
Lo-Mid Q 2
Lo-Mid EQ +2 dB
Hi-Mid f 4.00 kHz
Hi-Mid Q 2
Hi-Mid EQ +2 dB
High EQ +2 dB
Level +2 dB
-Pedal Assign: Exp Pedal ON, Foot vol min 0

Opeth Distortion:
Only things switched on are:
-Overdrive/Distortion TYPE: Metal>Heavy Metal(type variation)
-Overdrive/Distortion Drive and Level: 100
-Reverb: 25
-Pedal Assign: Exp Pedal ON, Foot vol min 0
-MAKE SURE YOU USE RHYTHM PICKUP FOR THIS DISTORTION

Graham Coxon of Blur
Gain 7
Treble 7
Mid 6
Bass 5
Reverb 0

Atreyu
Gain - 8
Bass -8
Mid - 2 - 3
Tremble – 9

Nickelback
Gain 9
Bass 8.5
Mid 1
Treble 5.5

Rage Against The Machine
Drive: 6
Treble: 8
Middle: 0
Bass: 6
Reverb: 2 (Distortion)

Rush
Gain - 6
Bass - 8
Mid - 6
Treble – 4

Neil Young
Bass: 5
Middle: 10
Treble: 10
Presence: 10
Gain: 5

__________________

I have donated 3920 grains of rice!

jof1029

Steve Vai

Clean Channel Settings #1
Reverb 0
Treble 9
Mid 5
Bass 3

Clean Channel Settings #2
Reverb 0
Treble 8
Mid 4 ½
Bass 4

Lead Channel Settings #1
Presence 6
Treble 6
Mid 8
Bass 7 ½
Drive 9

Lead Channel Settings #2
Presence 6 ½
Treble 6 ½
Mid 6
Bass 7 ½
Drive 8

Lead Channel Settings #3
Presence 6
Treble 6
Mid 6
Bass 7
Drive 8

Lead Channel Settings #4
Presence 6
Treble 6
Mid 7
Bass 7 ½
Drive 8

Adam Gontier/Barry Stock of Three Days Grace
Gain: 7
Treble: 10
Middle: 2
Bass: 2
Reverb: 6
Channel: Overdrive

Joe Satriani
1.) Gain 7
Treble 6
Mid 10
Bass 6
Reverb 1

2.) gain: 7
Treble: 6
Middle: 3
Bass: 6
Reverb: 0 (Distortion)

3.) Gain: 6
Treble: 7
Bass: 9
Mids:0

Bullet for my valentine
High-Gain amp Model.
Bass-6
Mid-5
Treble-8

Wolfmother
Gain: 7
Bass: 6
Mid: 6
Treble: 4
Reverb: 2

Megadeth
Gain 10
Bass 4
Contour 10
Treble 10

AFI
General
Early AFI
Treble: 9
mid: 7
bass: 5
gain: 10.

Middle AFI
Treble: 8
middle: 5
bass: 7
gain: half

New AFI
Treble: 7.5
middle: 6
bass: 6
Gain: just before half

The Strokes
Gain 4
Treble 8
Mid 4-6
Bass 6
USing the bridge pickup when using dist and neck pickup when clean

Jerkyll and hyde ultimate overdrive settings
Drive full, turn down for softer songs l
tone full
volume set to desire

Distortion
Drive 3 oclock for songs like juicebox, heavy songs ect turned down for softer songs
tone 10 - 11 o'clock
EQ 7 - 8 o'clock
volume set to desire

Rhcp- under the bridge tone
Black 2x12
Gain- 9 o'clock
Volume- max
Treble- max
Middle- 3/4 o'clock
Bass- 9/10 o'clock
Use compressor effect as well

Classic rock ie. led zepplin
AC30TB setting
Gain- 2 o'clock
Volume- max
Treble- 3 o'clock
Middle- 1 o'clock
Bass- 10/11 o'clock
Reverb obviously works well too.

Kinks tone
UK 70's setting
Gain- 4 o'clock
Volume- max
Treble- max
Middle- 2 o'clock
Bass- 10/11 o'clock

Sex pistols tone
AC30TB setting
Gain- 2/3 o'clock
Volume- max
Treble- 4/5 o'clock
Middle- 2/3 o'clock
Bass- 10 o'clock

New indie type tone e.g. futureheads, bloc party, razorlight
AC30TB setting
Gain- 10/11 o'clock (mess around with this to get the right amount for a particular band
Volume- max
Treble- max
Middle- 3 o'clock
Bass- 9 o'clock

Lake Bodom - CHildren of Bodom
Treble: 9
Mid: 4
Bass: 7
Gain: 8
Reverb: 4
(on guitar)
Tone: 10
Pickup: Bridge


Pink Floyd-Comfortably Numb
BASS: 10
MIDDLE: 6.5
TREBLE: 10
GAIN: 1.5


Greg Ginn from Black Flag (not o'clocks)
Gain:10
Bass:10
Middle:10
Treble:5
Contour(if applicable):8
Effects:none
Reverb: 0
Channel: Overdrive

David Gilmour- Dark Side of the Moon
Gain-2-3
Volume-10
Treble- 7-8
Mids- 9-10
Bass- 5-6
Reverb- 60-70%
Fuzz- 100%
Phaser- 40%
Delay- about 310ms


Adam Jones-Laterlarus
Gain- 5
Volume- 10
Treble- 8
Mids- 5-6
Bass- 7
Reverb -variable, usually below 40%

Offspring-Come Out and Play
Treble: 8
Mids: 3
Bass: 5
Reverb: 3
Dist: 10

Matt Heafy from Trivium
Treble- 8.5
Mid-6.5
Bass-6
Gain-7.5
Reverb-none

Avenged Sevenfold
Low - 7
Mid - 6
High - 8
Drive - 10 (on a Boss DS-1)
Reverb - 2 or 3

Daron Malakian of System Of A Down (newer)
Pre-Amp: 7
Gain: 5
Trebble: 8
Mid:9
Bass: 7.5
Presence: 9


Sum 41- Fat lip
Scooped Mids
Gain 6-10
Bass 5-8
Mids 0-2
Treble8-10

Killswitch Engage
Reverb:4
Bass:6
Mid:6
Treble:4 or 7 depending on song.
Gain:8

Random Speed/Power metal settings
Gain: 4
Bass: 4
Mid: 8
Treble: 4
Reverb: 3

Gain: 7
Bass: 8
Mid: 3
Treble: 7
Reverb: 3


Hank Marvin of The Shadows
Gain - 2
Treble - 6
Mid - 9
Bass - 9
Reverb - 10

MORE Metallica (Hetfield and Hammet, with specific amps, effects, and years)
James Hetfield

Mesa/Boogie Triaxis

Late 90's

Program/Channel- Main Crunch
Gain- 7
Bass- 4.5
Middle- 0
Treble- 6.5
Drive 1- 0
Drive 2- 6.5
Master- 5
Presence- 6.5
Dynamic Voice- 0
Mode- LD2 Yellow

Program/Channel- Clean
Gain- 2
Bass- 4
Middle- 2
Treble- 5
Drive 1- 0
Drive 2- 0
Master- 5.5
Presence- 5.5
Dynamic Voice- 0
Mode- Rhy 1 Yellow

2003

Program/Channel- Frantic
Gain- 8
Bass- 5
Middle- 3
Treble- 6
Drive 1- 0
Drive 2- 6
Master- 6
Presence- 5
Dynamic Voice- 0
Mode- LD2 Yellow

Diezel VH-4

Gain- 6
Volume- 8
Bass- 9
Middle- 3
Treble- 8
Volume- 6
EFX Mix- 5
Presence- 6
Deep- 5

Gain- 8
Volume- 8
Bass- 10
Middle- 4
Treble- 8.5
Volume- 6
EFX Mix- 5
Presence- 6
Deep- 5

Triple Rectifier

Clean

Master- 2
Presence- 8
Bass- 5
Mid- 6
Treble- 6
Gain- 2

Dirty

Master- 5
Presence- 6
Bass- 5
Mid- 4.5
Treble- 6
Gain- 5

Kirk Hammett:

Triaxis

Clean
Gain- 1
Bass- 1
Middle- 5
Treble- 4
Lead 1- 0
Lead 2- 0
Master- 10
Presence- 6
Dynamic Voice- 6.5
Mode- Rhy. Green

Solo
Gain- 9
Bass- 5
Middle- 7
Treble- 3
Lead 1- 0
Lead 2- 1
Master- 2
Presence- 2
Dynamic Voice- 8
Mode- Ld.2 Green

Garage Inc. 1
Gain- 10
Bass- 10
Middle- 7
Treble- 5
Lead 1- 0
Lead 2- 0
Master- 10
Presence- 6
Dynamic Voice- 6.5

Garage Inc. 2
Gain- 4
Bass- 8
Middle- 4
Treble- 5
Lead 1- 0
Lead 2- 0
Master- 10
Presence- 6
Dynamic Voice- 4.5

Dual Rectifier

Clean
Presence- 7
Bass- 7.5
Middle- 1.5
Treble- 8.5
Gain- 5

Dirty
Master- 4
Presence- 2
Bass- 5
Middle- 3.5
Treble- 5.5
Gain- 5-7

TS-9 Tube Screamer
Drive- 1 o'clock
Level- 12 o'clock
Tone- 1 o'clock

Pete Townshend of The Who
Gain: 5
Treble: 10
Middle: 10
Bass: 10
Reverb: 3

Cradle Of Filth
Gain: 10
Bass: 10
Mids: 1
Treble: 10
Volume: 10

Boston settings
Gain - 5
Treble - 5
Mid - 10
Bass - 3
Reverb - 0


Rammstein
Bass: 9-10
Mids: 4-5
Treble: 9-10
Gain: 10

Phish- Chalkdust torture
Gain:6
Bass:8
Mid:7
treble:4
reverb:3

Dez Cadena of The Misfits
Gain: 9
Bass: 9.5
Mid: 6
Treble: 5
Post gain: 5

Zakk Wylde of Black Label Society
Preamp: 10
Volume: 4-6
Bass: 10
Middle: 4-6
Treble: 4-6
Presence: 2

John Squire of The Stone Roses
Gain 7
Bass 7
Mids 7
Treble 3
Reverb 5

Andy Summers of The Police
Gain 5
Bass 7
Mids 5
Treble 5
Reverb 5

Paul Weller
Gain 7
Bass 10
Mids 10
Treble 10
Reverb 3

Strapping Young Lad
Gain 7
Bass 8
Mids 6
Treble 7
Reverb 0

Darkest Hour
Gain-6
Bass-7-8
Middle-7
Treble-5
Presence-7

Allan Holdswoth
Gain: 2 o'clock
Treble: 2 o'clock
Middle: 2 o'clock
Bass: 0
Presence: 10 o'clock

Dethklok
Gain- 8-9
Treb-5-6
Mid-6
Bass-8

10 Years
Gain:8
Treble:6
Bass:7
Mids:5
Reverb:2

Jeff Beck
Gain - 10
Bass - 6
Mid - 5
Treble - 7
Reverb - 4

Tool
Bass: 4
Mid: 4
Treble: 8
Gain: 7.5

Testament
Bass- 6-7
Mids- 2-3
Treble- 4
Presence- 7-8
Gain- 5-7

John 5
Gain- 3-5
Bass-10
Mids-4
Treble- 8

Savatage
Gain 9
Treb 6
Mid 2
Bass 5
Presence 6

Thurston Moore of Sonic Youth
Gain 6
Treble 8
Mid 3-4
Bass 6

Radiohead - My Iron Lung
Drive: 10
Treble: 6
Middle: 7
Bass: 6
Reverb: 3

Herman Li of Dragonforce
gain- 10
bass- 8
mid- 5
treble 7

Nevermore
Pre Gain- 6-9
Low- 4-7
Mid- 5-7.
High- 5-7
Post Gain- 7-10.
Presence- 5-7

Yngwie Malmsteen
Bass 5-7
Mid 2-5
Treble 6-8
Presence 4-6
Volume 10

Paul Gilbert of Racer-X
Gain 7
Bass 7
Mid 5
Treble 7

Misery Signals
Distortion channel
gain-5
bass-6
mid-5
treble-6
resonance-5
presence-6

clean
gain-2 or 3
bass-8
mid-5
treble-4
resonance-8
presence-3

Norma Jean
gain:7-8
bass:7
mid:4
treble:6

Queens Of The Stone Age
Gain: 7
Treble: 3
Mid: 8
Bass: 6
Reverb: 0

Linkin Park (older)
Bass = 2-3 o clock
Treble - 1-2 o clock
Mid - 10.5-11 o clock
Gain - 3-4

George Thorogood
Drive: 6.5
Bass: 2.5
Mids: 7
Treble: 8
Chan. Vol.: 7.5

Slash of Velvet Revolver
Gain: 5-7
Treble: 4-6
Mid: 7-8
Bass: 6-8

Parkway Drive
bass 10
treble 9
gain 8
high 9
low 10
mid 9
mid frequency 6

Mattias Eklundh of Freak Kitchen:
Drive 7
Gain 7
Bass 10
Middle 4.5
Treble 4.5
Reverb 0
Presence 4

Tom Morello's exact amp setting on his Marschall JCM 800 2205:

Master section:
Presence: 7
Volume: 9
Reverb: 0

Boost section:
Bass: 9
Middle: 6
Treble: 1
Volume: 8
Gain: 9

Normal section:
Bass: 10
Treble: 10
Volume: 10

Meshuggah
Amp : Mesa Single Recto
Channel : Vintage
Gain : 2 o'clock
Treble : 3 o'clock
Mid : 9 o'clock at the most
Bass : 2:30-3 o'clock

Amon Amarth
(On a Peavey 6505+)
Gain - 4
Bass - 4.5
Middle - 4
Treble - 6
Resonance - 10 (7 on lead channel)
Presence - 0 (7 on lead channel)

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jof1029

Reserved if needed

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I have donated 3920 grains of rice!

jof1029

Reserved if needed

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I have donated 3920 grains of rice!

jof1029

Reserved if needed

__________________

I have donated 3920 grains of rice!

jof1029

Alrighty folks, the new settings thread is open for business! its not completly finished yet, so if anyone wants to help figure out what is repeated and possibly put things in alphabetical order then help away! ill stick this when it is completly done. enjoy

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Gabel

Well, I did the Neil Young and Pete Townshend setting.

The Pete Townshend is very old and sounds better if you have the mids on about 7 and presence and treble on 8 instead, bass is still on 5. For gain it varies what era you want, for early stuff, pretty low about 2-3, but for the Tommy and Who's Next era era it's somewhere between 4-6 (basically when you dig in it should be dirty, but when you play soft and roll back the volume it should be clean)

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18watter video demo

My band

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muffinman123192

Nice work.

All the Slash settings work nicely and Angus Young is pretty good.

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Ben

My funk band

guitarcrazy1991

I think this deserves a sticky.

muffinman123192

^ He said it'd be stuck once it's cleaned up a little.

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Ben

My funk band

Def

?i dont see how this can work. amps have very different frequency responses, and the tone control circuits will be different from amp to amp.

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muffinman123192

It's a starting point. None of the settings are set in stone, but they serve as a guideline.

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Ben

My funk band

which ones pink

Looks good, I like the idea of reserving extra posts, that'll help tons.

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Floyd Rose! | Ibanez trems suck, but that can be remedied... | Technique | Theory

guitarcrazy1991

Well, it's a rough guideline. People should tweak the settings a bit to make it sound right with their amp.

Jinskee

First page.

*edit*

By the way, does anyone have any good Paul Gilbert settings? (Either from Racer X or his "Get ouf ot my yard" album)

Thanks.

*edit 2x*

Oh wow, you have racer x, nice!

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MetalheadA7X

1st Page :O

Good list you got there!
The Killswitch one works a treat i tried it just now.

I'm hoping i can find a Necrophagist one in this thread

*edit*

Oh yes
Darkest Hour Setting

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DaddyTwoFoot

Yay for Killswitch tone.

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Metalheads are the worst thing that ever happened to metal.

The red Strat.

could somebody post a chuck berry and mark knopfler setting please

oh and 1st page