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NAME THAT CHORD III

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11-28-2007, 10:33 PM

#81

hurlyz

My name is Karim

Join Date: Feb 2007

Location: Montreal, Canada

Could the 2nd chord be F#11b13 ??

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11-29-2007, 12:33 AM	#82
Stash Jam Registered User Join Date: Mar 2007	Nah, think of it as being closely related to the first chord....

11-29-2007, 04:18 AM

#83

branny1982

UG Monkey

Join Date: Jan 2007

Location: Preston, UK

Quote:

Originally Posted by hurlyz

Can someone explain me why the Bb trumpet's G sounds like an F??

I guessed it would be an A because Bb's sixth is G and C's sixth is A... and a piano is tuned in C!

Hurlz, a colleague of mine plays the trumpet, this is the only reason i know, but it would seem that Brass instruments (or just trumpet?) are most commonly of the Bb variety.
This means that if you play a C then the actual note in concert pitch is a whole tone lower. Hence "Bb trumpet" which is relative to concert C.

I think the sheet music is usually written to compensate for this.

Trumpet.... now thats heavy metal

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11-29-2007, 11:13 AM	#84
TheNthDimension Bored Join Date: Feb 2005	I never got why they do that, until just now (and only shakily). Am I right in thinking of it as a guitarist playing in an alternative tuning (D, here), so that if you play a C note/chord shape as it would be in E standard, it comes out as the new tone (Bb) instead?

11-29-2007, 04:13 PM	#85
branny1982 UG Monkey Join Date: Jan 2007 Location: Preston, UK	a Bb trumpet is tuned to Bb forever, it is not an alternate tuning... anyway. if we are naming the 2nd chord close to the 1st, then i will say C#m6/b9 i dont know if that exists though. __________________ Listen to these - Piece#2 Piece#4 Piece#7 Piece#9 Piece#10 Piece#11

11-29-2007, 04:19 PM	#86
Stash Jam Registered User Join Date: Mar 2007	Yep, that's what I wanted

11-29-2007, 05:56 PM	#87
branny1982 UG Monkey Join Date: Jan 2007 Location: Preston, UK	name this person who cameos on my jam 3 entry- __________________ Listen to these - Piece#2 Piece#4 Piece#7 Piece#9 Piece#10 Piece#11

11-29-2007, 08:27 PM	#88
GuitarMunky I play guitar n stuff Join Date: May 2007 Location: on your back	Its Keith Emerson of ELP

11-30-2007, 03:40 AM	#89
branny1982 UG Monkey Join Date: Jan 2007 Location: Preston, UK	yup. __________________ Listen to these - Piece#2 Piece#4 Piece#7 Piece#9 Piece#10 Piece#11

12-01-2007, 08:34 PM	#90
TheNthDimension Bored Join Date: Feb 2005	New chord?

12-02-2007, 11:03 AM	#91
branny1982 UG Monkey Join Date: Jan 2007 Location: Preston, UK	yes please. __________________ Listen to these - Piece#2 Piece#4 Piece#7 Piece#9 Piece#10 Piece#11

12-03-2007, 05:56 AM	#92
haley57 Registered User Join Date: Dec 2007	Sorry, but I'm only really just learning advanced stuff but must you use the lowest note as the chord. E.g with the last set of chords could it actually be A#dim+11 and A#dim+b11

12-03-2007, 11:11 AM	#93
branny1982 UG Monkey Join Date: Jan 2007 Location: Preston, UK	you dont always have to use the lowest tone, but in a situation like that i dont see any reason not to. Inversions will mainly be implied within a melodic progression, whereas in the situation where we are just naming chords for the fun of it, there is nothing to imply that the chord is, in this case, diminished. It is more often than not at the discretion of the poster. Anyways, on with the game- Code: ----------4---6-- --4---6---6---6-- --6---6---4---6-- --4---6---6---8-- --6---8---4---6-- --4---6---------- __________________ Listen to these - Piece#2 Piece#4 Piece#7 Piece#9 Piece#10 Piece#11

12-03-2007, 03:18 PM	#94
bigmanwithanaxe Registered User Join Date: Feb 2006 Location: England	Absus, Bb-7, Db7, Bbsus4?

12-03-2007, 04:46 PM

#95

Tsunoyukami

Registered User

Join Date: Mar 2006

Location: Ontario

Quote:

Originally Posted by branny1982

you dont always have to use the lowest tone, but in a situation like that i dont see any reason not to.
Inversions will mainly be implied within a melodic progression, whereas in the situation where we are just naming chords for the fun of it, there is nothing to imply that the chord is, in this case, diminished.
It is more often than not at the discretion of the poster.

Anyways, on with the game-

Code:


----------4---6--
--4---6---6---6--
--6---6---4---6--
--4---6---6---8--
--6---8---4---6--
--4---6----------

Ab7sus4 (Absus)
Bbm7 (Bb-7)
Db7
Bbm add11/Eb

Wouldn't Bbsus4 be comprised of Bb, Eb and Db? The last chord has Eb, Bb, Db and F, unless I'm totally incorrect.

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Last edited by Tsunoyukami : 12-03-2007 at 04:50 PM.

12-03-2007, 06:07 PM	#96
branny1982 UG Monkey Join Date: Jan 2007 Location: Preston, UK	i was looking for a different 4th chord. they are all taken in root position. __________________ Listen to these - Piece#2 Piece#4 Piece#7 Piece#9 Piece#10 Piece#11

12-04-2007, 03:54 AM

#97

bigmanwithanaxe

Registered User

Join Date: Feb 2006

Location: England

Urm. Eb7sus2?

Quote:

Originally Posted by Tsunoyukami

Ab7sus4 (Absus)
Wouldn't Bbsus4 be comprised of Bb, Eb and Db? The last chord has Eb, Bb, Db and F, unless I'm totally incorrect.

I don't think i was thinking when I wrote it. I should have said Bbmin add11.

Bbsus4 would be:
1 4 5 = Bb Eb F. The Db would be the minor third.

12-04-2007, 04:32 AM	#98
branny1982 UG Monkey Join Date: Jan 2007 Location: Preston, UK	yeah, i guess thats right. i was looking for Eb9, but the lack of third obviously makes it more ambiguous than i appreciated. sorry about that. I was trying to show how common barre shapes create different chords with the root on the 6th and 5th string respectively... ideally, i should have made it diatonic, but it didnt seem feasible. Bigmans up __________________ Listen to these - Piece#2 Piece#4 Piece#7 Piece#9 Piece#10 Piece#11

12-04-2007, 11:39 AM	#99
bigmanwithanaxe Registered User Join Date: Feb 2006 Location: England	I'm buried in coursework at the moment so i haven't really the time. Sorry guys. It's anyone's go.

12-04-2007, 07:51 PM

#100

Peanut1614

UG Board King

Join Date: Oct 2005

Location: Newcastle Upon Tyne, England

Quote:

Originally Posted by bigmanwithanaxe

I'm buried in coursework at the moment so i haven't really the time. Sorry guys.
It's anyone's go.

Yeh i here you

A levels suck...

Code:

And the last chord is a nice rootless one

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Quote:

Originally Posted by cakemonster91

*chuckle* A peanut. With a face.

Quote:

Go to your staff paper and re-write this song a half step down so on the paper it'll be like you have a "C" just move it down to a "B#"

Quote:

Know your theory, then play like you don't.

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