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Old 11-21-2007, 01:10 AM   #1
Johnljones7443
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NAME THAT CHORD III

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Originally Posted by VR2005
Now letís get down to business, no spamming or flaming.

No POSTING OUT OF TURN, this will result in a warning/ban depending on your warnings situation. We will really be cracking down on this, so hopefully everybody will take the time to read the rules.

Also, if the person who named the chord correctly does not post a question within 24 hours then it's up for grabs to anyone.

Any question pertaining to music theory or naming chords is welcome.

Finally, welcome and have fun. Letís get this started with an easy one.


Lets go.

Code:
|-6-| |-5-| |-5-| |-4-| |---| |---|
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Old 11-21-2007, 01:17 AM   #2
hippieboy444
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C7b5
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Old 11-21-2007, 01:21 AM   #3
Spl!nTeRgu!tAr
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anyone with PowerTab can do this in 10 seconds
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Old 11-21-2007, 01:21 AM   #4
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I had F#7#11 or C7#11 in mind, but sure - you're up hippie.
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Old 11-21-2007, 01:22 AM   #5
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The trick is to not do it with powertab. The key is to either do it in your head or write the notes out and do it like that. And besides, if you use powertab for lots of the tough ones, you will get some far out crazy answers that arent even close.
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Old 11-22-2007, 09:36 AM   #6
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Been 24 hrs..

Code:
|-5-| |-7-| |-5-| |-6-| |-5-| |---|


Two names.
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Old 11-22-2007, 09:57 AM   #7
branny1982
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were posts deleted from here???

Aminmaj13?

Unlikely, but could be taken from A melodic minor.


ed- oops, i will try for another name now
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Old 11-22-2007, 10:00 AM   #8
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It is indeed taken from A melodic minor. One name is from the lowest voice, the other is of the same quality.

All relevant notes are present.. so no need to worry about anything rootless or otherwise.
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Old 11-22-2007, 10:06 AM   #9
branny1982
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ok, D7#11

and one of the same 'quality'?
another dominant or another #11? or both?


another dominant is G#7 b5b9
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Old 11-22-2007, 10:10 AM   #10
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D7#11 and G#7b5b9 or G#alt is spot on. (D Lydian dominant and G# altered from A melodic minor)

And yeah, by quality I meant another dominant chord.
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Old 11-22-2007, 10:32 AM   #11
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Code:
------8---- --7-------- --8---8---- --7---7---- --9---9---- --8---7----

chords, or scale and cadence.
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Old 11-22-2007, 10:36 AM   #12
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D#į7 - B7b9. Scale is E harmonic minor. I believe that would be called a half cadence. (vii - V).
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Old 11-22-2007, 10:40 AM   #13
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i was intending it to be a full cadence and the 2nd chord is correct.
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Old 11-22-2007, 11:50 AM   #14
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F#į7 - B7b9? This would still be a half cadence.
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Old 11-22-2007, 12:02 PM   #15
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would it?

in B phrygian dominant?

if so, then yes, sorry about that
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Old 11-22-2007, 12:08 PM   #16
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Right. I get you - I just don't see B7b9 as a place of rest, so figured you were in E harmonic minor and that was part of some progression, not a resolution to B7b9. S'all good.

Code:
|-6-| |-x-| |-7-| |-5-| |-6-| |-7-|


Name & scale.
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Old 11-22-2007, 12:42 PM   #17
branny1982
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Ebmaj7b13

scale- dont know
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Old 11-22-2007, 03:20 PM   #18
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Yep. Eb harmonic major. Go.
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Old 11-22-2007, 06:55 PM   #19
branny1982
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harmonic major?? a scale with only a b6?? never heard of it

somebody else can have a turn.

OPEN FORUM - GO!
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Old 11-23-2007, 04:16 AM   #20
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okay, since you opened it up, lets mix it up a bit. this one is in new standard tuning. for those who dont know ill lay it out....

G -----3--------------
E -----4--------------
A -----4--------------
D -----3--------------
G -----0--------------
C ---------------------

work it out, its an odd voicing.
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