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Major And Minor ChordsI’ll start with a little bit of theory. A triad is a 3 note chord. This chord is made of the 1st, 3rd and 5th of the scale tones. So basically, a C Major Triad would be - C E G. I hope that makes sense. If you don’t understand it, look at some of the lessons on basic chord construction. Anyway, enough theory. I’ll show you the basic shapes.
Major Triad Shapes
C D E F G A B
e |----------------------|
B |----------------------|
G |-0--2--4--6-----------|
D |-2--4--6--8---0--2--4-|
A |-3--5--7--9---2--4--6-|
E |--------------3--5--7-|
Minor Triad Shapes
Cm Dm Em Fm Gm Am Bm
e |---------------------------|
B |---------------------------|
G |-0---2---4---6-------------|
D |-1---3---5---7---0---2---4-|
A |-3---5---7---9---1---3---5-|
E |-----------------3---5---7-|The main trick with these chords is that you have to make sure you only play the strings which you have fingers on, or which are meant to be played open. Otherwise it can sound pretty bad. Here’s a little picking tab using these chords:
Bm G Em A
e |--------------------------------------------------|
B |--------------------------------------------------|
G |------------------------------4-----4-------------|
D |-----4-----4-----0-----0----5-----5-------2-----2-|
A |---5-----5-----2-----2----7-----7-------4-----4---|
E |-7-----7-----3-----3------------------5-----5-----|Combined with power chords, these chords can make your playing sound a lot fuller. 1st Inversions: Major And Minor TriadsAn inverted chord is where the root note of the chord is played somewhere else in the chord (i.e. instead of C E G, the chord would be played E G C [1st Inversion] or G E C [2nd Inversion]). For now I’ve only done the 1st inversions, but I’m thinking/planning on making another lesson with more inversions/string sets and crap like that.
Major Triad Shapes (1st Inversion):
C D E F G A B
e |----------------------|
B |-1--3--5--7-----------|
G |-0--2--4--6---0--2--4-|
D |-2--4--6--8---0--2--4-|
A |--------------2--4--6-|
E |----------------------|
Minor Triad Shapes (1st Inversion)
Cm Dm Em Fm Gm Am Bm
e |---------------------------|
B |-1---3---5---7-------------|
G |-0---2---4---6---1---3---5-|
D |-1---3---5---7---0---2---4-|
A |-----------------1---3---5-|
E |---------------------------|Alright, now I get a little more complicated. If you are into music styles which use more complicated chords than majors or minors. Augmented And Diminished ChordsAugmented triads are pretty easy to play. All the notes are close together on the fret-board.
Augmented Triad Shapes
C+ D+ E+ F+ G+ A+ B+
e |---------------------------|
B |---------------------------|
G |-1---3---5---7-------------|
D |-2---4---6---8---1---3---5-|
A |-3---5---7---9---2---4---6-|
E |-----------------3---5---7-|Diminished Chords make for a bit of stretch, but it’s possible.
Diminished Triad Shapes
D° E° F° G° A° B° C°
e |----------------------------|
B |----------------------------|
G |-1---3---5---7--------------|
D |-3---5---7---9----1---3---5-|
A |-5---7---9---11---3---5---7-|
E |------------------5---7---9-|
| POSTED: 06/09/2006 - 08:41 am |
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hobo467
: Nice job; I never knew what these chords were called but I do use them quite a bit.POSTED: 06/09/2006 - 02:00 pm / quote |
TyphoidSpider
: You should have explained how to use triads and still play in key. Powerchords, being neither major nor minor can be used on every scale degree.
Triads however are more complicated, The major progression goes I ii iii IV V vi vii* (upper case means major, lower case means minor and * means diminished). The notes in the key of C major are C D E F G A B. If you combine the two you see that in C major, if the root note of your triad is a G (V), you should play a major triad. But if the root note is a D (ii) you should use a minor triad.
Anyone confused by this should read slash_pwns' article 'Learning Music Theory: The Beginning' and SilentDeftone's lesson 'What Chords Are In What Key, And Why?'. They are long (especially the former, i suggest you print it and keep it for reference, I do) but they are essential if you are thinking of writing your own music, or even if you want to understand the music you are learning.
This is a good article, yes, another lesson with all the inversions would be good, and make sure to indicate the root note on the tabs. Again, good work!POSTED: 06/10/2006 - 01:02 am / quote |
PLUCK
: graet lesson,got me thinkin alot POSTED: 07/09/2006 - 11:00 am / quote |
guizard
: hi i'm really new to guitar and its notations...so what does the |-x-| stand for in the notations?? i know the numbers ,i.e., |-2-| etc represent the fret no.... but what does the 'x' mean?POSTED: 07/13/2006 - 01:15 pm / quote |
Mahavishnu80
: TyphoidSpider wrote:
You should have explained how to use triads and still play in key. Powerchords, being neither major nor minor can be used on every scale degree.
Not all powerchords-eg in C major key a tritone would have to be played instead of B5.
Triads however are more complicated, The major progression goes I ii iii IV V vi vii* (upper case means major, lower case means minor and * means diminished). The notes in the key of C major are C D E F G A B. If you combine the two you see that in C major, if the root note of your triad is a G (V), you should play a major triad. But if the root note is a D (ii) you should use a minor triad.
Anyone confused by this should read slash_pwns' article 'Learning Music Theory: The Beginning' and SilentDeftone's lesson 'What Chords Are In What Key, And Why?'. They are long (especially the former, i suggest you print it and keep it for reference, I do) but they are essential if you are thinking of writing your own music, or even if you want to understand the music you are learning.
This is a good article, yes, another lesson with all the inversions would be good, and make sure to indicate the root note on the tabs. Again, good work! | POSTED: 07/31/2006 - 07:54 pm / quote |
Nor'Easterbass
: hobo467 wrote:
Nice job; I never knew what these chords were called but I do use them quite a bit. |
ditto.POSTED: 08/05/2006 - 06:40 pm / quote |
westo
: finally! i never knew what chords those stupid triads were and now i may use them freeelllyyyyy!
thank you.
will u be my lover?POSTED: 08/07/2006 - 10:50 pm / quote |
berteth
: ill be your lover...POSTED: 08/24/2006 - 08:07 pm / quote |
danaanthegreat
: yeah...diminished was a stretch. Thanks, though. Triads are a handy little tool.POSTED: 09/17/2006 - 01:23 pm / quote |
MomisDeRavus
: Yeah pretty cool, been using these ages but never actually knew what they were hahaPOSTED: 10/28/2006 - 08:21 am / quote |
bama
: the -x- means mute or dont playPOSTED: 11/15/2006 - 02:52 am / quote |
RKK29573
: never knew I could read a lesson at 11:33 pm and say ".....wooow, never knew that!"
thanks this helpsPOSTED: 01/01/2007 - 11:34 pm / quote |
SGstriker
: awesome. This helped alotPOSTED: 04/29/2007 - 12:52 am / quote |
minichibi
: TyphoidSpider wrote:
You should have explained how to use triads and still play in key. Powerchords, being neither major nor minor can be used on every scale degree.
Triads however are more complicated, The major progression goes I ii iii IV V vi vii* (upper case means major, lower case means minor and * means diminished). The notes in the key of C major are C D E F G A B. If you combine the two you see that in C major, if the root note of your triad is a G (V), you should play a major triad. But if the root note is a D (ii) you should use a minor triad.
Anyone confused by this should read slash_pwns' article 'Learning Music Theory: The Beginning' and SilentDeftone's lesson 'What Chords Are In What Key, And Why?'. They are long (especially the former, i suggest you print it and keep it for reference, I do) but they are essential if you are thinking of writing your own music, or even if you want to understand the music you are learning.
This is a good article, yes, another lesson with all the inversions would be good, and make sure to indicate the root note on the tabs. Again, good work! |
Any chance I could get links? I searched them and couldnt find either of them.... I found other lessons that I read but they were all short and sort of shallow.POSTED: 07/13/2007 - 10:39 am / quote |
cameraeye2112
: Cool lesson, put it in language I can understand!
I'll work on it. Thanks.POSTED: 07/28/2007 - 07:32 am / quote |
stm22
: I have a question, isnt this one F# instead? Its got F#, C# and A# so that really confused me when you said its an F.
e |-----
B |-7---
G |-6---
D |-8---
A |-----
E |-----POSTED: 08/20/2007 - 07:56 am / quote |
4-string-4-eva
: TyphoidSpider wrote:
You should have explained how to use triads and still play in key. Powerchords, being neither major nor minor can be used on every scale degree.
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no they cant, the leading chord of any key has a flat 5th and so you cant play a powerchord on the 7th degree. POSTED: 10/18/2007 - 05:49 pm / quote |
nativedweller
: cool thanks, certainly made my life a bit easier:o)POSTED: 11/08/2007 - 08:33 am / quote |
stratkat
: Bm G Em A
e |-----|
B |-----|
G |-----4-----4-----|
D |-----4-----4-----0-----0----5-----5-----2-----2-|
A |---5-----5-----2-----2----7-----7-----4-----4---|
Isn't E and Am at the end? cuz teh E has all major notes, and the A has a flat?
E |-7-----7-----3-----3-----5-----5-----| | POSTED: 11/30/2007 - 03:14 pm / quote |
stratkat
: my coment got messed up, but isn't it supposed to be E and Am at the end of the third tab, since E has no flats, but A does.POSTED: 11/30/2007 - 03:15 pm / quote |
joshtheshredder
: listing the chord progression horizontally would have been nice, but good articlePOSTED: 01/23/2008 - 09:08 am / quote |
aerosmithfan95
: Great lesson, I didn't know the augmented and diminished triads.POSTED: 12/27/2008 - 10:46 pm / quote |
morffius2u
: Are you freaken kidding me ?
This may as well be written in ****ing chinese !POSTED: 08/28/2009 - 01:00 pm / quote |
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