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3-Note Sequence Ideas, date: august 12, 2009
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3-Note Sequence Ideas

author: Paul Tauterouff date: 08/12/2009 category: guitar techniques
rating: 7.5 / votes: 34 
POSTED: 08/12/2009 - 07:28 am
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More Paul Tauterouff's lessons:
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 29 
 comments posted
Aneoclassicguy :
you didnt sayd anythin. The only thing here were licks from the pentantonic scale
POSTED: 08/12/2009 - 09:02 am / quote |
Paul Tauterouff :
You couldn't see the value in turning around that three-note sequence to come up with new licks? It's not about the lick, it's about the concept. Apply it to all of the pentatonic and other scake patterns and mix it up and you have endless ideas.
POSTED: 08/12/2009 - 10:04 am / quote |
wesselbindt :
Aneoclassicguy wrote:

you didnt sayd anythin. The only thing here were licks from the pentantonic scale

Well he pointed out that you can do sequences in 3-note patterns too. But that's quite obvious.

POSTED: 08/12/2009 - 10:08 am / quote |
Paul Tauterouff :
It's about the reverse patterns. Please read the entire article and then pick up the guitar and play the last patterns under "Turning It Around". They are not all that commonly used and are also great to help with picking accuracy due to the string skips.
POSTED: 08/12/2009 - 10:36 am / quote |
 
 m 
  :
Personally I found this brief but worthwhile.
POSTED: 08/12/2009 - 12:29 pm / quote |
Paul Tauterouff :
Thanks Colohue!
POSTED: 08/12/2009 - 01:04 pm / quote |
Ribcage :
As long as the guest column is not Fiction, I like it.
POSTED: 08/12/2009 - 01:36 pm / quote |
chaos13 :
Yeah you definitely have to play this to get the full value of it, but once you do, its great. Nice job
POSTED: 08/12/2009 - 03:47 pm / quote |
Paul Tauterouff :
Thank you chaos. I am glad that you found vaklue in it.
POSTED: 08/12/2009 - 04:05 pm / quote |
MetalBucket :
You have to read the whole article, play and experiment with it before saying something... Great Article!
POSTED: 08/12/2009 - 04:52 pm / quote |
 
 m 
  :
MetalBucket wrote:

You have to read the whole article, play and experiment with it before saying something... Great Article!


Exactly. Anybody who doesn't see the benefit of this likely hasn't really tried.

POSTED: 08/12/2009 - 05:00 pm / quote |
vIsIbleNoIsE :
Ribcage wrote:

As long as the guest column is not Fiction, I like it.


too much fiction around here now

POSTED: 08/12/2009 - 06:09 pm / quote |
Mr. Smiley :
I can definitely see myself using this. I also think it's a good way to practice scales.
POSTED: 08/12/2009 - 07:43 pm / quote |
ikedawg :
Its a good starting point. Do 4 note patterns, and then you'll all kinds of possibilities.
POSTED: 08/12/2009 - 07:52 pm / quote |
huevos :
ikedawg wrote:

Its a good starting point. Do 4 note patterns, and then you'll all kinds of possibilities.
You could go with sixteenth notes, quintuplets, sextuplets, and so on (is it hepta or septalets?).
Then you could use it in modular playing, harmonize it, with the possiblities going through the roof.

I like this article; it reminds me that there's no limit to music, but constraints are good sometimes.

POSTED: 08/12/2009 - 09:15 pm / quote |
Paul Tauterouff :
Great suggestions on how to expand on the idea! I am glad you guys are enjoying. There will be a follow up to it in the future.
POSTED: 08/12/2009 - 10:25 pm / quote |
justinb904 :
simple idea but it holds it's own, especially when you apply it to other scales/modes and such
POSTED: 08/12/2009 - 11:05 pm / quote |
ajreciever14 :
wow, this is the only article on the front page that isnt fiction. kudos to you keepin it real. (im so lame)
POSTED: 08/13/2009 - 04:27 am / quote |
NemX162 :
No seriously, I'm tired of fiction too. Good article.
POSTED: 08/13/2009 - 09:13 am / quote |
IvanGroznij :
very cool Paul, nice job!
POSTED: 08/13/2009 - 10:24 am / quote |
Paul Tauterouff :
Thanks Ivan (and everyone).
POSTED: 08/13/2009 - 11:28 am / quote |
farlige-john1 :
i like this, 9/10
POSTED: 08/13/2009 - 12:36 pm / quote |
myusic909head :
I've been playing the regular 3 note sequence for a year now and its been great to me. I CAN'T WAIT to try out the descending sequence while going UP the scale. Brilliant. Thanx bro
POSTED: 08/13/2009 - 03:24 pm / quote |
libertines4ever :
it's all about turning round that's matters

and of course the triplets they're important to bring the soloing to a new level

love the turning round bit

I just think you could've pointed out a bit more what
is new (for some people who rate it bad cause they only see old pentatonics)
and that you've got to play it to understand it fully (ok you did that but maybe emphasize it - bold, big letters so that people can't over-read it)

otherwise great lesson, just a shame that some don't read every part of it

nice and refreshing

POSTED: 08/13/2009 - 06:16 pm / quote |
Clabbe :
damn isn't it anyone who read notes around here ? i only see tab's
POSTED: 08/13/2009 - 07:05 pm / quote |
jetwash69 :
Clabbe wrote:

damn isn't it anyone who read notes around here ? i only see tab's


If you post just notes and not tabs, then there's lots of places all over the neck where each note could be played--tabs let you know which place the author intended each one to be played. This is especially important with chords, which can be voiced in so many different ways for each chord.

POSTED: 08/13/2009 - 11:01 pm / quote |
Nick Layton :
Way to go Paul...nice one!
POSTED: 08/18/2009 - 12:58 pm / quote |
Paul Tauterouff :
Thanks Nick!
POSTED: 08/18/2009 - 08:06 pm / quote |
Guy Onraet :
Great lesson Paul. It is a powerful concept.
POSTED: 08/19/2009 - 03:14 pm / quote |
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