Tapping

author: ThrashnBurn1 date: 05/14/2012 category: guitar techniques
rating: 4.7 / votes: 3 

Tapping on the guitar is really not too difficult when done correctly. One of the things that goes through my head when tapping is how can I minimize my hand movement on the fretboard. A lot of tapping patterns are just scale runs, more or less, with a higher note picked on the fretboard for a unique sound. Through this lesson I will go through step by step how I would create a riff, I am winging it but it will sound like a riff. My guitar is in D# and I am just using a D Phrygian scale. Play this pattern slowly or accelerated. I wrote it to be a fast tapping part.

Step 1: Get A Basic Melodic Line Or Passage Flowing

-------------------------------------------------
-------------------------------------------------
-------------------------------------------------
-------------------------------------------13---- riff x2
--------15-4-6-8-13-4--------15-4-6-8-13-4-------
-8-9-11---------------8-9-11---------------------

Now what a lot of artists will do is just move the riff up a string. The same melodic line, and almost the same exact movements. So:

-------------------------------------------------
-------------------------------------------------
-------------------------------------------13---- riff x2
--------15-4-6-8-13-4--------15-4-6-8-13-4-------
-8-9-11---------------8-9-11---------------------
-------------------------------------------------

Okay so basically I would play the first riff over again after the second tapping part. Then the second part one time through. Usually I would then end it with a different tapping part such as:

-------------------------------------------------
-------------------------------------------------
-------------------------------------------------
-13-8-4-8-15-8-4-8-16-8-9-11---------------------
-----------------------------16------------------
-----------------------------14------------------

Now to conclude the lesson, these tapping positions can be used on numerous places on the fretboard, there are no limitations. I seriously wrote this riff as I was writing this lesson, so take it as you will, but I am just giving basic knowledge that I have learned and hoping that it helps you guys out.

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