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Ultimate Lessons: DADGAD. Part I, date: january 08, 2009
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Ultimate Lessons: DADGAD. Part I

author: jasonmetal love date: 01/08/2009 category: music styles
rating: 8.3 / votes: 17 
POSTED: 01/08/2009 - 03:41 am
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 comments posted
Blas3 :
Nice idea, I'll definiately look for the following parts of these!
POSTED: 01/08/2009 - 04:37 am / quote |
Gabysguitar :
Good, but not explaining how to do lead guitar and scales with this tuning and rare chords.
POSTED: 01/08/2009 - 12:17 pm / quote |
Dahby :
Great start, I look forward to learning more in the coming additions.
POSTED: 01/08/2009 - 01:37 pm / quote |
jasonmetal love :
Gabysguitar wrote:

Good, but not explaining how to do lead guitar and scales with this tuning and rare chords.


This will come in following parts

POSTED: 01/08/2009 - 02:08 pm / quote |
TieMyRope669 :
yeah... i don't relly see the point, but whatever works i guess
POSTED: 01/08/2009 - 11:29 pm / quote |
\m/~(^.^)~\m/ :
jasonmetal love wrote:

Gabysguitar wrote:

Good, but not explaining how to do lead guitar and scales with this tuning and rare chords.

This will come in following parts


Yay ^.^

POSTED: 01/11/2009 - 07:38 pm / quote |
sshbop :
alternate tunings are a great way to expand your creativity...can't wait to try this
POSTED: 01/14/2009 - 09:53 pm / quote |
hayan :
I have a question!
As I played these chords in drop D tuning, I think those sound a bit different to playing in standard.
Are those right chords?

POSTED: 01/17/2009 - 03:53 am / quote |
hayan :
Oh sorry I thought it was Drop D tuning(DADGBE)
POSTED: 01/17/2009 - 03:55 am / quote |
jasonmetal love :
hayan wrote:

Oh sorry I thought it was Drop D tuning(DADGBE)


Oh okay, no problem

POSTED: 01/17/2009 - 10:03 am / quote |
tsrts12 :
I think Ive fallen in love with this tuning..I'm sure I'll practice this a lot in the near future too. This tuning also reminds me of Middle Eastern/Northern African music too, which is quite a good thing for me! Can't wait for the next lesson! Oh, and thanks for sharing some of your knowledge with me and the others of this e-community!
POSTED: 01/20/2009 - 12:19 am / quote |
jakdaripr :
What's the Advantage of using this tuning? Why not just play standard?
POSTED: 01/26/2009 - 05:11 pm / quote |
Ratacr :
nice lesson!
POSTED: 01/28/2009 - 01:52 pm / quote |
Ratacr :
jakdaripr wrote:

What's the Advantage of using this tuning? Why not just play standard?


You can use different scales and sounds

POSTED: 01/28/2009 - 01:53 pm / quote |
heavyairship :
i used to improvise around white summer for hours and that was before i new any theory. i love this tuning and am looking forward to learning to use it properly.
POSTED: 02/05/2009 - 11:13 pm / quote |
andrewAnimosity :
sweet lesson keep um comin
POSTED: 02/09/2009 - 08:47 pm / quote |
Lotsagrapes :
Cool story bro!
POSTED: 02/09/2009 - 10:51 pm / quote |
Mister Wrenchey :
If you want an AMAZING view of the use of DADGAD at its best, check out Andy Mckee's song Drifting on youtube. His music is amazing.


POSTED: 03/02/2009 - 07:12 pm / quote |
whammyman13 :
Mister Wrenchey wrote:

If you want an AMAZING view of the use of DADGAD at its best, check out Andy Mckee's song Drifting on youtube. His music is amazing.



i watched the Andy Mckee video.....it was amazing
when's the second part of this lesson gonna be up?

POSTED: 03/08/2009 - 01:55 pm / quote |
Wiegenlied :
I use this tuning in around 3/4 of the music I compose, and it really opens the doors to many possiblities. However, you really didn't go in depth about the advantages of playing in this tuning, or what seperates it from standard or drop D. Also almost all of the chord you referred to have been mislabbled.

The chord your referred to as D major is not so, it is a D5 since there is no third. You could make it a D major by including the fourth fret on either of the higher D-strings. Your supposive a major chord is also simply an A5. The C chord you have listed actually a Cadd9 because of te open D, the Em chord you have is Emadd4 because of the open A, and the Bm chord is actually a Bm7.

If you're going to continue to write on this topic like you have said I suggest reviewing your theory beforehand or messaging myself for a hand. you'll be confusing more people then helping if you misinform them.

POSTED: 03/08/2009 - 06:26 pm / quote |
kellyt :
I agree with Wiegenlied or as an alternate simply list or explain the Chord Formulas for the Major & minor Key Signatures for all ...ie Major = 1,3,5 and minor = 1,b3,5 and they can easily find the notes.
POSTED: 03/09/2009 - 01:14 pm / quote |
jasonmetal love :
Wiegenlied:

Please read before you comment. This was clearly written in the lesson:

"Also note that technically most of these chords have added fifth and eleventh tones. For lack of complication though, I have called them Major or Minor to start with. In later parts of this lesson, I will get into more complicated chords."

And I'm working on part two, I'm just very busy right now. Thank you.

POSTED: 03/30/2009 - 11:10 am / quote |
Wiegenlied :
Simplicity doesn't merit false information. In no way is a power diad anything like a major chord. You are spreading false information to people who may try to learn from your lesson.
POSTED: 05/01/2009 - 11:08 am / quote |
mr7jd :
Wiegenlied :
Simplicity doesn't merit false information. In no way is a power diad anything like a major chord. You are spreading false information to people who may try to learn from your lesson.

if you know so much about it, then why dont you write a lesson.
This man has taken time to write something an idiot like me can understand and if it means calling 5ths and 11ths major and minor then so be it. i understnad what he means by it. so stop being a bitch and just play your guitar!!!!!

jasonmetal love: briliant first part, can't wait for part 2,

POSTED: 05/11/2009 - 01:09 pm / quote |
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