Why Scales Arent As Easy As You Might Think

author: chris flatley date: 01/19/2012 category: scales
rating: 4.9 / votes: 8 
I already touched on this in my Why Do My Scales Sound Boring lesson, but I'm going to go over it again because I want to boost my ranking. Only joking. I think it's important, and I think I can shed a bit of light on something that passes most of us by when we first pick up a guitar and start trying to play scales. It's just a scale. It's nothing difficult, so why isn't it sounding that good, and why isn't it as easy as we think it should be? Well, because scales only appear easy if viewed from the fret board perspective. Look at them from the picking hand point of view, and it's a whole other ball game. Scales can be quite demanding, and require a fair bit of skill to play well. Here's a C Major scale through 2 octaves that most of us will encounter pretty early on.
|------------------------5-7-8-7-5-------------------------|
|------------------5-6-8-----------8-6-5-------------------|
|----------2-4-5-7-----------------------7-5-4-2-----------|
|----2-3-5---------------------------------------5-3-2-----|
|3-5---------------------------------------------------5-3-|
|----------------------------------------------------------|
Pretty straight forward huh? Well not so if we turn the guitar into a six piece drum kit and look at what the picking hand (drummer) has to contend with.
|------------------------x-x-x-x-x-------------------------|
|------------------x-x-x-----------x-x-x-------------------|
|----------x-x-x-x-----------------------x-x-x-x-----------|
|----x-x-x---------------------------------------x-x-x-----|
|x-x---------------------------------------------------x-x-|
|----------------------------------------------------------|
You have 2 hits on one piece of your drum kit, then 3 on the next, then 4,3, 5, 3, 4, 3, and back to where you started with 2. That's a tricky old pattern. IN fact if you wanted to design a pattern especially to screw up a beginner's dynamic consistency, it's a pretty good one. So what tends to happen rhythmically/dynamically speaking is that the beginner plays the first2 hits with a heavy accent on the 1st, then there's a slight disruption to the timing while crossing to the next string, then a heavy accent is put on the 1st of the new group of 3 hits, and so on. If we tapped this out it would sound something like: TAP tap (pause) TAP tap tap (pause) TAP tap tap tap (pause) etc. What a horribly crappy rhythm that would be. So it turns out that scales aren't as easy to play as we thought. No wonder beginner's get a bit dejected over them. So we need to ask ourselves this: If we mute off the strings and just play in a percussive way, can we play that difficult pattern and make it sound groovy? If not then we need to simplify. Can we make a groovy pattern on just one string instead of five or six? How about crossing back and forth between 2 strings? And 3: Is our funky little rhythm starting to struggle a bit? As someone terrific once said, here's the crux of the biscuit: until you can maintain a dynamically interesting pattern across ALL strings without breaking stride, your scales won't sound great. So work on your drumming.
More chris flatley lessons:
+ Improving General Rhythmic Coordination For Beginners 12/04/2012
+ Relieving Fretting Hand Tension Correct Practice 08/01/2012
+ Useful Exercises For Chicago Blues And Old School Rock Soloing 07/30/2012
+ Picking And Fretting Fundamentals Correct Practice 07/17/2012
+ How Well Do You Know Your Stuff? Correct Practice 06/29/2012
+ A Simple Blues Lesson Soloing 05/04/2012
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