Release Date: Jul 22, 2008
Label: Sumerian
Genres: Metal
Number Of Tracks: 8
On "Rareform," After The Burial changed their sound, but kept the components that make them After The Burial.
Rareform
Reviewed by:
subj3ctt0chang3, on july 24, 2008 2 of 2 people found this review helpful
Sound: The self proclaimed Twin Cities Breakdown Architects are at it again with the release of Rareform. But don't let the tagline fool you, these guys write melodies and solos like you read about. This album has some true gems that will blow you away. "Cursing Akhenaten" is the song which I truly believe should have been the intro to the album, but I can let that go. This song starts off with an haunting egyptian melody, then bursts into a doom and gloom breakdown, which is perfect for that kid you see jumping up and down before a mosh pit begins. This song has more breakdowns than you can shake a stick at. My next favorite is "Aspiration." It starts with an intro reminiscent of "Fingers Like Daggers" from "Forging a Future Self." But don't expect this to be "Fingers Like Daggers Part II." The main riff is lighter than most of their others, but it doesn't lost it's heavy aspect. The breakdown at 2:30 is one that is sure to break your neck. The only problem I have with this song is the solo, it's good until the ending where it leaves you wanting more that just the ring outs. "Berzerker" has melodies galore and a real head bobber of a breakdown.
At first "The Fractal Effect" seemed way out of left feild, but you have to hold on for this one because it is a real rollercoaster of a song, especially the riff at 2:50. it's sort of a random/stupid/mind-boggling riff, but it's still amazing. I first heard this when I was driving through Downtown Chicago and it gave me a real WTF moment. "Ometh" is my favorite song solo-wise. And last but certainly not least is "A Vicious Reforming of Features." I know people are going to hate me for saying this, but if you like Meshuggah, then this is could be the song that get you into After the Burial, and the ending solo is reminiscent of a young Jason Becker (hate me for that one too). The only thing I really have a problem with sound wise is the low end on the guitars and the drums. The drums should have been recorded, instead of just a drum machine or triggers like it sounds. Everything about the drums just seems dull and faded into the background. The Snare is far too dull. I'm saying all of this and I'm a guitarist. // 9
Lyrics and Singing: I must admit, at first I found the singer's voice boring. But he really does have range. I simply think he could have used it better. Maybe it was the producer that held him back or maybe he just wasn't opening up on this record. But still, the vocals went very well with the each song, esp "Cursing Akhenaten." // 7
Impression: I truly love this album. It lets you know that technicality can mix with emotion in music (See Aspiration). The only thing I have against this album is the tone. I have a feeling that this is because of the record label (Sumerian Records). Don't get me wrong. It's a great label with great artists. But it seems like the used the same producer and engineer on this record as they did with The New Reign by Born of Osiris. Great artists that would sound incredible with a change in tone. Great guitar record. // 9
Rareform
Reviewed by:
unregistered, on june 22, 2009 1 of 1 people found this review helpful
Sound: When I first heard this record, I was unimpressed, appalled and more or less disappointed. I asked myself, "why would anybody ever consider listening to this?" Well, I listened to the album over and over, getting used to it, and I can seriously say this album is among the only few 'metal' CD's I can stand. The key to liking this album is having an open mind, and avoiding musical stereotypes. Their drummer is amazing, drum machine or not. Assuming you know what a poly rhythm is, this album is the mother, father, grandparents, aunt, uncle, and children of them. Please excuse my literary cheesiness. Although this album consists of plenty of breakdowns, I wouldn't even consider ranking over half of them as 'breakdowns'. In reality, they're simply interesting heavy parts. They utilize their eight string guitars by tuning to F-sharp, thus complementing the music with unique and interesting guitar tone. This album incorporates some seriously intriguing styles, such as the 'Egyptian' style of writing in 'cursing akenaten' all the way to their hardcore roots displayed in the title track 'Rareform'. I'm not sure how they did it, but they managed to merge several music cultures, keeping their own style within the mixture, and keep heavy music interesting. // 8
Lyrics and Singing: Grant in person (I've watched videos) seems like a hardcore beef head (haha). Despite his physical attributes, he is an amazing lyricist. Here's an example, taken from 'A Vicious Reforming Of Features":
"Creator as Observer
congruent systems collapsing mutating waveforms to become sight sound touch.
A sick perception is now my only link to reality sorched eternally blistering yet I prevail.
My merciless plan of creation etails seeing the unseen forge an abomination to annihilate with a cold hearted sense of compassion devastation.
Thy vicious modus operandi.
Observer as Creator
beguiling unstable electric forms.
These tools of judgment they thirst for impure.
Draining a carcass devour the contaminate and filth that roams amongst us sterilizing out human forms.
Shredding tissue fracturing bone.
Burning synapse rewiring conscious.
A brutal reforming of features a hideous cleansing of God.
Self Purification achieved when what's left behind is devoid of deformations."
The last line, is seriously genius in my view.
His lyrics always complement the music, along with his tasteful vocal placement. It's pretty hard to make it sound as good as he does. Now, most people who listen to this album get turned off immediately, due to Grants odd vocal technique. This is where your open mind comes into play. I absolutely hated this album because of him. Despite anybody's personal taste, Grant is an awesome vocalist, incorporating many vocal styles (listen to Cursing Akenaten). His vocals sound so weird, and so different, that it makes the album what it is. His low is punchy and completely 'in your face', and his high is just plain terrifying. // 9
Impression: Most people compare After The Burial with Veil Of Maya. Don't get me wrong, Veil Of Maya is a great band, but very much unlike After The Burial. Although they're really unique with this new album, there's definitely a ton of Meshuggah influence, especially on their last song (A Vicious Reforming Of Features). That song happens to be the most impressive on the album, as the drummer makes other drummers look stupid. When I say he's good, I don't mean super fast or anything. I mean he's very talented when it comes to poly rhythms and just being tasteful in general. I love this album in nearly every way. I'm just fairly sick of the album, as I've listened to it way too many times. There's plenty more to say about this album, but you get the gist. // 9
Rareform
Reviewed by:
Magero, on february 19, 2009 1 of 1 people found this review helpful
Sound: I was first linked to After The Burial a few years ago. At the time, I was in a very indifferent mood towards all things core, basically hating them for existing no-matter the actual merit of the band. I therefore hated the idea that these core kids were playing 8-string guitars, as I saw it as another gimmick. About 6 months ago, I actually went and listened to After the Burial and all my preconceptions vanished. After the Burial play a technical and almost progressive form of metal, their 8-string guitars actually being used for sonic diversity, not just added chug. One thing is for certain and that's that these guys can riff. Every song on this album contains some absolutely top notch riffs and the breakdowns are simply crushing. The intro to "Berzerker" is a prime example of what this band is all about. Technical shredding, still done tastefully, while retaining heaviness and groove. The odd time signature changes don't even feel forced and the off time Meshuggah-usque groove never feels like it was done simply to show off. // 8
Lyrics and Singing: The vocals are probably the weakest part of this band. While they aren't bad, they're too dry in a lot of sections. He has his moments, the ending breakdown to "Berzerker" comes to mind and most of "Aspiration", but overall the vocals sound too claustrophobic and cramped. As much as I'm loath to recommend it, more reverb in the studio would probably help. // 6
Impression: This is a huge step up from After the Burial's previous effort, "Forging a Future Self". The production is tighter, the riffs are stronger and the music itself has benefited from the extra time spent in the industry. After The Burial have really tried to step away from the metalcore mould that is becoming so stale in it's Autumn years and what the future holds for them will be interesting to say the least. The band's music is catchy, yet heavy. Frantic, yet melodic. Chaotic, yet constructed. Tracks like "Cursing Akenaten" and "Aspiration" really show off the band's variety of influences, from Meshuggah-usque chug patterns to melodies and harmonies that would make Muhammed Suiçmez sit up straight. Definitely a band to keep an eye on. // 8
Yeah is it just me or do all the Sumerian bands have the same tone?
The Faceless(on their new song)
Veil of Maya
Born of Osiris
and After The Burial all sound the same tone-wise
Good to see a Twin Cities band getting big. This band is great although the CD falls short in the production area (everything is so flat and non-dynamic sounding and the drums were Beat Detectived to sound like a robot) but the performances are great. Could have been a little longer (just bit over 30 minutes) but overall a good album.
yeah i just got the album, pretty damn good.
These guys are awesome musicians, but i agree, It is soo much better live.
I definitely like it more than FAFS
Yeah, when I first heard Veil of Maya, I was like OMG DID THE FACELESS RELEASE A NEW ALBUM??? Although i have to say that After the Burial is probably the farthest from sounding like the other 3
xMikeyxMetalx wrote:
Yeah is it just me or do all the Sumerian bands have the same tone?
The Faceless(on their new song)
Veil of Maya
Born of Osiris
and After The Burial all sound the same tone-wise
Yeah, when I first heard Veil of Maya, I was like OMG DID THE FACELESS RELEASE A NEW ALBUM??? Although i have to say that After the Burial is probably the farthest from sounding like the other 3xMikeyxMetalx wrote:
Yeah is it just me or do all the Sumerian bands have the same tone?
The Faceless(on their new song)
Veil of Maya
Born of Osiris
and After The Burial all sound the same tone-wise
The guy from The Faceless, Michael Keene, actually recorded both of Veil of Maya and Born of Osiris' albums, so that could be why they sound so similiar.
excellent album - takes some getting used to though... still not sure about the bass drum and snare tones(im not a drummer but i often listen for the tech aspects), but like the sound of the guitars and the often machine-like sounds in breakdowns.
Yeah is it just me or do all the Sumerian bands have the same tone?
The Faceless(on their new song)
Veil of Maya
Born of Osiris
and After The Burial all sound the same tone-wise
haha you mean A REALLY GOOD ONE? haha. i love this tone and also love all the *good* sumerian bands, my support goes to sumerian over any other name!!!
Yeah when I first heard most of these Sumerian Bands I couldn't tell much of a difference, but that was a while ago and now I'd like to think I could spot on each individual band just at first listen. The Faceless and VEIL do sound quite similar. All incredible musicians though, ATB and BOO being the most talented I think. I really wish BOO would get goin' on another album soon.
BTW 'Rareform' has expanded my mind. I've come to expect nothing but this kind of excellence from After the Burial. Their live show is also really really brutal. Really don't care for the title track or 'Vicious Reforming' but thats okay. Going to see them live again in 2 weeks!
I really was impressed with this album, I have the previous one, and damn have they gotten better. The 8 string guitars are so ****ing heavy, it's awesome to listen to in a car. It's like they all learned to play like damn steve vai over night. The only thing I can thing of improving this band is changing the vocalist. He really doesn't match the style in my opinion, they could be so much heavier with some nice lows ya know.
Bloran- I wish BOO would come out with a new cd soon too! I really do think they have a lot of talent, and need to hurry up and release somethign before the buzz dies.
Sumerian has some great bands on their label though, for sure.
Bloran- I wish BOO would come out with a new cd soon too! I really do think they have a lot of talent, and need to hurry up and release somethign before the buzz dies.
theyre in the studio dude, and aspirations intro, and a vicous reforming of feature's outro are amazinggggg.
Yeah is it just me or do all the Sumerian bands have the same tone?
The Faceless(on their new song)
Veil of Maya
Born of Osiris
and After The Burial all sound the same tone-wise
I know Michael Keene did all of The Faceless' stuff, Veil of Maya, and Born Of Osiris.
BOO and Veil both use the same kind of amps, Randall V2s, now.
The Faceless uses Line 6 Vetta 2 HD heads while I believe ATB used 5150/6505s live but I really couldn't see their stuff.
They're all incredible live though haha.
This album really suprised me. I really hate most metalcore and alot of Deathcore but this sounds pretty damn good. The riffs are pretty technical for a core band and the breakdowns sound Meshuggahesque, with out the 4/4. Lots of weird harmonies and sick solos. Seriously who harmonizes and inverted 3rd? Go Twin Cities.
Yeah is it just me or do all the Sumerian bands have the same tone?
The Faceless(on their new song)
NO! WTF are you talking about. I mean SOME of the breakdowns have a few similarities, but mostly, they're all different.
Veil of Maya
Born of Osiris
and After The Burial all sound the same tone-wise
Yeah is it just me or do all the Sumerian bands have the same tone?
The Faceless(on their new song)
Veil of Maya
Born of Osiris
and After The Burial all sound the same tone-wise
The guy from the Faceless produced Veil of Maya's The Common Man's Collapse, so of course they sound alike. And I dig the sound, so it's a good thing he did.
The drums on Born of Osiris, After the Burial, AND Veil of Maya's albums are programmed. They are fake studio drums, although ive seen all 3 bands live and they have incredible drummers who actually play the parts.
The guitarist from the faceless recored them, and sumerian bands (at least these 3) use programmed drums
This album is pretty ****in sick. I don't know if anyone noticed but the solos on this album are very freeform sounding which in my opinion is ****in sick sounding. Their breakdowns do remind me of meshuggah but meshuggah is a boring band and outside of the breakdowns ATB is nothing like them. I personally think the guitar tone on this album was quite superb. Also in the breakdowns and evident in other parts of their songs, is the presence of bass which is surprising because most bands either turn down the bass to where you can't hear it or they think it sounds cleaner without it so they mix it out of the final product. And I think bass is needed for that fuller sound. The guys vocals on this album are not bad at all. His highs and lows are pretty good but his mid-range is what seems to be lacking. But he does go well with the music. I would recommend this record to anyone who is a fan of deathcore with some progressiveness to it
If sumerian truly has all its band use a similar tone, then I'm sold. They may have similar tones to Veil and Faceless and Boo, but they all still retain their own individuality. Cant wait for the new shit to hit. Search for My Frailty on youtube to here the new song. Its beast.
Fender700 wrote:
The drums on Born of Osiris, After the Burial, AND Veil of Maya's albums are programmed. They are fake studio drums, although ive seen all 3 bands live and they have incredible drummers who actually play the parts.
Actually, I'm friends with Lee McKinney from Born of Osiris, and the drums on both albums were actually played in the studio, on an electronic kit, triggered with Superior 2.0 (they might have used a different sampler on The New Reign, but that's what was used on A Higher Place and the new album in recording). Periphery (also on Sumerian Records) records their drums in the same way. I think the drums on Veil of Maya's CDs were recorded in a similar way, but with very lackluster triggers, as opposed to Superior 2.0. No word on The Faceless or After The Burial, however, as I haven't asked Lee or Misha about Mike's production style, although I know the drums were rerecorded between the initial release and rerelease of this album.
both the chuggs and breakdowns are are a good balance to the melodic and harmonised riffs that are recording over the top giving this album depth but re-recording the album was a waste of time i would of liked new material, in saying this the improvement between the two albums was definitelt signifigant
We've detected that you are using Ad Blocking software.
If you hate ads, but love Ultimate Guitar, how about subscribing to Ultimate Guitar's Ad Free Service? If you subscribe to this service, you won't see annoying banner ads, pop-up ads, text-link ads or video ads and will be helping to support your favorite site at the same time.
As you know, we provide you with a lot of great, free content like news, reviews, interviews, tabs and chords, but you see, ads are the way we generate revenue to run UG and pay royalties to the songwriters and music publishers of the songs that are posted here.
Was this review helpful to you? 
