Released: Nov 22, 1988. Genre: Doom metal. Label: Active Records. Number Of Tracks: 9. Though I like Candlemass' Abstract period more than the early I have to say that this is their best album.

POSTED: 07/15/2010 - 04:17 am

Release Date: May 3, 2005. Label: Nuclear Blast America. Genres: Heavy Metal, Scandinavian Metal, Doom Metal. Number Of Tracks: 9. Given both the music herein and the human events that led to its unlikely creation, one's faith is restored: the power of Candlemass compels you!

POSTED: 03/09/2006 - 10:20 pm

Released: Feb 17, 1998. Genre: Doom Metal. Label: Music For Nations. Number Of Tracks: 9. Very strange and mesmerizing album by Candlemass, almost to the point of disturbing. However very heavy, dense and melodic at points.

POSTED: 11/03/2009 - 04:03 am

Released: Apr 3, 2009. Genre: Epic doom metal. Label: Nuclear Blast Records. Number Of Tracks: 8. n the big picture the album is good, but in the details it lacks a lot of things form the previous albums.

POSTED: 10/05/2009 - 09:26 am

Release Date: 1986. Label: Leviathan. Genres: Heavy Metal, Scandinavian Metal, Doom Metal. Number Of Tracks: 6. A pillar of classic '80s metal nonetheless, this album will satisfy all doomsters.

POSTED: 03/06/2006 - 05:37 am

Released: 1999. Genre: Doom metal. Label: Music for Nations. Number Of Tracks: 9. This is an album that every fan of doom metal must have, the singer wont be to everybody's liking and there are boring parts but overall it's a great album.

POSTED: 06/05/2010 - 08:03 am

Released: Oct 6, 2008. Genre: Doom metal, heavy metal. Label: Nuclear Blast. Number Of Tracks: 12. Ultimately oriented more towards fans than casual listeners Lucifer Rising brings us in total 9 minutes of new material, a re-record of a band classic and a mini live album all in one.

POSTED: 11/08/2010 - 05:26 am

Release Date: 1987. Label: Restless. Genres: Heavy Metal, Scandinavian Metal, Doom Metal. Number Of Tracks: 10. Nightfall managed to break even more new ground by introducing the operatic bellowing of new vocalist Messiah Marcolin, whose religious lyrics found the perfect match in the slow, grinding power chords written by bassist Leif Edling.

POSTED: 03/01/2006 - 03:06 am