Released: Feb 5, 2012
Genre: Progressive Rock, Alternative Rock, Post-Hardcore
Label: Hundred Handed, Everything Evil
Number Of Tracks: 9
This is the second album in the concept series "The Afterman", with the previous release, "The Afterman: Ascension" having come out just under 4 months ago.
The Afterman: DescensionFeatured review by: UG Team, on february 08, 2013 4 of 4 people found this review helpful
Sound: Having reviewed Coheed And Cambria's previous release just a few short months ago, I feel like I still have a fairly fresh perspective of the two albums side by side. Both albums are solid releases and tell the story of Sirius Amory, but of the two, "Descension" has a little more variety in sound and has really captured my interest. While I have been a casual fan of Coheed And Cambria for quite a while, these past two albums have really captured my imagination. They manage to blend genres seamlessly in many of the songs on the album and manage to sound both like a modern band and like a classic prog band at the same time – Claudio is a wizard when it comes to songwritng and composition. "The Afterman: Descension" has 9 tracks on the standard version of the album which I am reviewing, and has a runtime of just over 43 minutes. The iTunes Deluxe Edition has 12 tracks and clocks in at just under 60 minutes.
The songs on "Descension" are just a touch more out of familiar territory for Coheed And Cambria than their last album with some brief forays into horns, funk rhythms and some electronic music. The album is absolutely a 3 dimensional album – and by that I mean it is a nice change from most popular music today and doesn't follow any kind of standard formula. One song in particular, "Number City", seems to remind me at different points throughout the song of Kyuss, The Police, Lady Gaga, and Modest Mouse. At times throughout the album the guitars are heavily compressed, but this is for sections of the song and is done for the effect at the time and not the standard throughout the album. Having recently begun picking up on similarities between a lot of recently released albums, this is absolutely a breath of fresh air. I'm not going to do a song by song analysis of the album, especially as this is a concept album that is more about the album than individual songs. I love the fact that the album all works together even though some of the songs sound so drastically different than the others. // 9
Lyrics and Singing: I recently read somewhere that Claudio's vocals are "polarizing" and I have to absolutely agree with that statement. Originally, I wasn't a big fan of Coheed And Cambria but over time I got over Claudio's voice and began actually enjoying it. Earlier today I listened to "Descension" with a friend who somehow had never heard Coheed And Cambria before and after the first song they were saying how much they hated Claudio's voice, but around track 5 or 6 they said his voice was growing on them. I think that is probably a pretty common reaction to his voice. With that being said, Claudio's vocal performance on the album is solid and he goes outside of his comfort zone a few times and manages to pull it off. As I said in my review of the previous album, Claudio's vocals at times have some processing on top of them but it always serves the song and not used in excess.
Here are some lyrics from the track "Key Entity Extraction V: Sentry The Defiant": "Believer/ Your spotlight on the subject so incorrect/ and suggestion suggests that I'm someone you should not respect/ Oh you wear your facade so well/ covered up in a plastic shell/ you're a liar to everyone around you/ just don't forget/ face the honest truth/ you were never you/ now be defiant, the lion/ give them the fight that will open their eyes/ hangman hooded, softly swinging/ don't close the coffin yet/ I'm alive/ and it's homecoming/ and it's homecoming/ can you remember/ when there was no wrong in what I could do/ so young, biting off way more than I could chew/ and then one day I grew too old/ and my cares were now theirs to mold/ please accept this as my resignation/ it's time to go". // 9
Impression: I'm straight up impressed. I have a friend who would qualify as a Coheed And Cambria "fanboy" probably, and they constantly hassle me because I don't appreciate Coheed And Cambria to the same extent as them but the time has finally come that I have to give up the ghost on that argument – I am really loving this album. My favorite song on the album would have to be "Away We Go" or "Number City". There isn't a bad song on the album – they are one of the few bands releasing albums these days that still feel and sound like they're producing fresh ideas instead of rehashing things that have already been done. My only regret is that I didn't get the deluxe edition that comes with the coffee table book that goes more into the storyline. I'm gonna have to go get it now. I used to think of Coheed And Cambria as almost a "gimmick" band because of the comics and such, but now I realize that was my cynicism thinking for me – they are true musicians and artists. I'm ready to join their fan club.
The Afterman: Descension
Voodoochile711, on february 20, 2013 0 of 0 people found this review helpful
Sound: I've been a big fan of Coheed since they started, and I've always loved everything they've done. "The Afterman" is the group's first double album, "Descension" being the second half. Like the first half ("Ascension"), this album showcases the group's classic rock influences, particularly on the excellent "The Hard Sell" which has a funky, near-Zeppelin vibe, and "Away We Go" which, to my ear, channeled Thin Lizzy right down to the vocal style. This is a side of the band I've always wanted to see more of. But the classic rock sound isn't all there is here, as "Number City", a catchy upbeat tune, comes right after "Hard Sell" to give us a taste of Coheed's apparent love of the 80's. The overall sound production is almost flawless, and the group's usual complex, thoughtful instrumentation is in full force here. // 9
Lyrics and Singing: For any who don't know this band, all their albums are concept albums set in vocalist Claudio Sanchez's fictional "Amory Wars" universe, and this album keeps that tradition. I'm not too familiar with the story, but I know that this album focuses on the namesake of the Amory Wars, Sirius Amory. For the most part, however, the songs can be separated from that concept as deep down they are really about Claudio's personal experiences and feelings. The lyrics are sincere and poetic, conveying well emotions such as anger, regret, joy and resolve, as heard in "Sentry The Defiant"'s emotional chorus:
"Face the honest truth: you were never you, and I'll be defiant, the lion. Give them a fight that will open their eyes. Hangman hooded, softly swinging, don't close the coffin yet; I'm alive!"
Claudio's vocals have always been a subject of controversy, deemed by some to be too high-pitched and annoying. While that is a matter of opinion, you can't deny the emotion and dynamic range of his vocals; one minute he'll be screaming with unadulterated rage, the next he'll be softly and sadly crying out to any soul willing to listen. I personally enjoy his tone as well for it's uniqueness, and his pitch is always spot-on. Anyone willing to accept a high voice and some interesting pronunciation will find an excellent vocalist in Claudio. // 9
Impression: This may make me sound like a fanboy, but both parts one and two of "The Afterman" are, in my opinion, the best albums Coheed And Cambria have ever made, though "Descension" is the better of the two. You can hear the evolution of the band and all they've learned from past albums, as they've effectively taken the best parts of every previous album and meshed them together. Some standout tracks for me were "Key Entity Extraction V: Sentry The Defiant", "The Hard Sell", "Number City", "Away We Go", and "2's My Favorite 1", though every track is great, classic Coheed. Any fans of the band, prog rock, or good music in general would do well to pick up this album. // 9