A Flash Flood Of Colour Review

artist: enter shikari date: 02/27/2012 category: compact discs
enter shikari: A Flash Flood Of Colour
Released: Jan 16, 2012
Genre: Post-Hardcore, Electronica, Dubstep, Metalcore
Label: Hopeless Records/Ambush Reality
Number Of Tracks: 11
"A Flash Flood Of Colour" is an angrier record. There's transitions and post-hardcore elements but it's dominated by a focus of taking the integral the parts of alternative, dubstep, etc and slapping them together to watch a flow connect each opposite genre.
 Sound: 7
 Lyrics: 8
 Overall Impression: 8
 Overall rating:
 8 
 Reviewer rating:
 7.7 
 Users rating:
 8.3 
 Votes:
 77 
reviews (2) 31 comments vote for this album:
overall: 6.7
A Flash Flood Of Colour Reviewed by: UG Team, on january 20, 2012
0 of 2 people found this review helpful

Sound: In more than ways one, British metalcore quintet Enter Shikari have come to the decision to associate progression with an immense amount of experimentation. In their field - a battleground in the UK scene that makes it beyond difficult not to be black-and-white - they're not quite at the top. Their name isn't flashy. Their popularity on the west side of the world doesn't win contests. And even though their lyrics, much like their third release "A Flash Flood Of Colour", is constantly associated with boy-meets-girl who can't decide if love is real-lyrical content, they've dug their feet in the ground to create an album that's truly visual. "A Flash Flood Of Colour" is an angrier record; it's full of chugging guitars and vocal scrapes. There's transitions and post-hardcore elements but it's dominated by a focus of taking the integral the parts of alternative, dubstep, rave and even indie rock and slapping them together to watch a flow connect each opposite genre. And that's exactly what Enter Shikari achieve. With help from vocalist Rou Reynolds, who cannot help himself from switching from tearing a vocal chord or two to spoken word to invoking a pop croon. It's a trait that that adds a whole new dimension to music; "Sssnakepit" pushes boundaries with club electronica wrapping itself around the scales of post-hardcore while "Search Party" lets a pop hook gel with every style the band's capable of, producing a song similar to work of fellow Brits Architects' but holding more weight to be radio-ready. The group try to exhibit this throughout a series of distinctive sounds - the orchestral synth ("System..."), the dub shakedowns ("...Meltdown") and acoustic professions ("Stalemate") - but the projects seem more confusing than game-changing. Each song moves with a lot of tension, making their statement on being original almost far-fetched. // 6

Lyrics: Though Reynolds is caught in the illusion that spoken word is now in the "cool" column, the frontman is the artist behind "A Flash Flood Of Colour" and its integrity. Instead of falling into the routine of writing songs about girls who break hearts and make living worthwhile or worthless, he's hooked on engaging politically. Themes of global capitalism and the issues that riddle societies are more than apparent. It's just the way he does it, along with Liam Clewlow's charging riff or a steady pace from drummer Rob Rolfe, makes the album actually catch your attention without drowning you in songs that are bland and tasteless. A stand out from these recordings, "Warm Smiles Do Not Make You Welcome Here" is the dub step metalcore anthem other bands wish they wrote. Through the hook's riff and visual synth and percussion, Reynolds is able to make the pitch in his voice rise to different levels for more than four minutes while making each turn invigorating. It isn't clean-cut hardcore, but it holds more promise than the other recordings ("Arguing With Thermometers", "Hello Tyrannosaurus...") that are scattered about. // 7

Overall Impression: There will without a doubt be two sides of opinion to "A Flash Flood Of Colour". There will be those who think the release is just another sign of how the genre that stemmed from punk and its insecurity and reason to be heard as fallen to the idea of being a pop hit. While on the other side, there will be listeners who can appreciate Enter Shikari's brave attempt at tying the constant political issues to the constant change of music. Their third attempt is the most original one in their catalog, not because they've solely put time into incporating more dub step or straying away from the ugly tag "screamo", but due to how it stands alone when sized up to groups like Bring Me The Horizon, Asking Alexandria and Attack Attack!. Doing so is not an easy feat and while the strike isn't monumental, the literal flash flood of creativity and incorporation of genres will have you putting more than one hook on repeat. // 7


- Joshua Khan (c) 2012

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overall: 8.7
A Flash Flood Of Colour Reviewed by: lespaul1216, on february 27, 2012
0 of 1 people found this review helpful

Sound: It seems like everytime I turn around another metalcore band is trying to enfuse electronic music into their sound. At first glance, Enter Shikari may seem like just another one of these bands, however once give the chance, it becomes apparent that they are one of the few - if not the only - to do it successfully. The bands first two releases, "Take To The Skies" (2007) and "Common Dreads" (2009), incorporated synths and samples combined with a solid hardcore punk-style rock sound. On "A Flash Flood Of Colour" the band goes further in each direction fusing electronic elements from genres such as dubstep and drum and bass, with the heavy riffs and screaming of metalcore. The result is one of the most interesting sounds I've heard in many years. While I'll discuss the vocal elements more in-depth later, I've always felt this band's musical style was very symbolic of their lyrical message, in that they reject the conventional method of making music, just as they reject the conventional wisdom and politics and world order. The only downfall their style creates is that at times the electronics overshadow the presence of the band itself, with the guitars at times becoming unnoticeable. One of the stand out tracks on the album in terms of sound is "Arguing With Thermometers", an attack on the world's oil industry that goes in just about every stylistic direction the band has ever ventured into. It starts with arguable the heaviest section on the album, immediately followed by a Michael Jackson-style funky chorus, that switches gears into a dubstep break. "Stalemate" begins with a classical guitar and vocalist Rou Reynolds voice before becoming an anthemic rock track, concluding in a delicate piano ending. The album's closer, "Constellations" is an epic 5-minute track that may be the softest and most melodic song the band has ever created ending the most inspirational, heartfelt notes of the album. // 8

Lyrics: The lyrics on this album speak out against the current state of the world, promoting the positive message that we can overcome the current downward spiral vocalist Rou Reynolds believe we find ourselves in. The opening track "System..." starts off with the lines "There was a house in a field on the side of a cliff / And the waves crashing below were just said to be a myth / So they ignored the warnings from the ships in the docks / Now the house on the cliff is the wreckage on the rocks", with the house representing our societal structure which was doomed to collapse from its very inception. After proclaiming that the present is "such an exciting time to be alive", the album blasts into "...Meltdown", a lyrical continuation of the introductory track which chants "It's not too late, it's not too late", setting the optimistic tone for the rest of the album. The track that truly displays the bands views is "Constellations" in which Reynolds must decide whether to board one of two trains with the respective destinations of Disaster and Sustainability. He also promotes an anti-religious stance as he tells the listener "I'm more confused than ever but I don't beg or pray / 'Cause the sparkling light from the morning sun / Is all we should need to feel one" While the message is obvious and frankly stated, it remains powerful as he emotionally proclaims that one day "We'll start a world so equal and free / Every inch of this Earth is yours / All the land and all the sea". Obviously not every listener wants to be beaten over the head with such extreme political statements, which becomes tired at times, as the album loses a personal feel and takes on more of a war-protest vibe, that may appeal to some listeners, such as myself. The lyrics work well to work toward the band's goal that is clearly stated in the track "Pack Of Thieves" with the warning "Don't be fooled into thinking that a small group of friends couldn't change the world". // 9

Overall Impression: After listening to the album countless times over, it has set the bar high for music in 2012. Every piece of this album is executed to the best of the band's ability, should make musicians everywhere at least a little bit jealous. Overall, the most impressive songs on the album are "Arguing With Thermometers", "Pack Of Thieves", and "Gandhi Mate, Gandhi". I would recommend buying this to anyone who likes heavier music, as well to those who are fans of electronic music as both are done very well on "AFFOC". // 9

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More Enter Shikari reviews rating latest review
+ Take To The Skies 9.1 04/22/2011
+ Common Dreads 8.7 07/08/2009
+ The Zone 8.4 11/19/2007
+ Sorry You're Not A Winner/OK Time For Plan B [Single] 9.3 04/30/2007
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