Black Holes & Revelations Review

Release Date: Jul 11, 2006
Label: Warner Bros.
Genres: Rock
Number Of Tracks: 11
Black Holes & Revelations is a powerful, upbeat epic album that takes the band's music to a whole dimension.

Sound:	8.9
Lyrics:	8.7
Impression:	9
Overall rating:	8.9
Reviewer rating:	8.9
Users rating:	8.9
Votes:	625

Reviewed by: unregistered, on april 12, 2007

Sound: Muse. There has not been a day go past since Christmas day 2005 that I have not listened to this band. That was when I first heard Absolution and it blew me away. However, Muse have definitely changed their sound since then and I am still unsure whether it is for better or for worse. Gone in this album are the amazing piano based songs and wonderful bass lines that featured on the previous 3 albums. Although listening carefully there are some similarities between this and the last 3 albums.

01. Take A Bow - a truly amazing opening for an album. While some people find this track boring, it is my second favourite track on the album. The song starts with synthesized strings and is constantly cycling through major and minor keys which gives this song no definite key signature. We finish the first verse and in comes the pumping bass line and drum beat before building up through the chorus into the second verse. The song ends with heavy distortion, reminiscent of the end of Space Dementia on Origin Of Symmetry and leads us nicely into the next song.
02. Starlight - a true anthem if one was ever heard. Beginning straight away with an extremely recognisable bass line and distinctive drum beat before we hear the amazingly catchy piano riff that dominates the song. A change of sound for the chorus with typical Muse style guitars and the arpeggiated keyboards which we first heard on Bliss. Quietened right down for the breakdown before bringing us back to the verse and riff followed once again by, chorus breakdown and ending with the riff.
03. Supermassive Black Hole - the album seems to flow along and Supermassive Black Hole certainly follows well from Starlight. A heavy distorted bass line begins the song with another patented Matt Bellamy guitar riff and excellent drums from Dominic Howard. A lot more pop-like in style, this is definitely a side of Muse which we have not seen before. A good choice for a first single, apart from the name promoting the album, it appeals to more people with it's funky yet interesting style.
04. Map Of The Problematique - while many people seem to like this song a lot, this is definitely my least favourite song on the album. A very repetitive chord sequence, only roots notes on the bass, and an incredibly simple piano part that does not impress me coming from my biggest inspiration for piano playing. I usually skip this song because I simply can't be bothered to listen to it.
05. Soldier's Poem - based on a soldier's poem this is another shock to all Muse fans. Barbershop with tinges of waltz in there certainly was not expected. Yet this is a short but sweet song on the album that probably isn't appreciated enough by many people.
06. Invincible - a feel good song that can seem cheesy at first with the sound of a record player at the beginning. I do like this song but the beginning does drag on and the chord sequence is identical to Everybody's Changing by Keane. However, as we draw further into the song we hear a bass breakdown reminding us of Hysteria from Absolution or Futurism from Origin Of Symmetry. Following is a guitar solo from Matt which brings us momentarily back to the Muse we have heard before.
07. Assassin - the heaviest song on the album with amazing drum fills from Dom and eerie backing vocals. This is definitely a favourite amongst Muse fans and we hope to see much more of this live.
08. Exo-Politics - beginning with a drum beat followed by a riff that is very hard to get out of your head once it's in there. A lighter song compared to Assassin but nonetheless it's musicality makes it one of the best on the album.
09. City Of Delusion - the start of the experimental side of the album is this Spanish influenced song. With an acoustic beginning the song soon builds up as an amazing bass line comes in. With some interesting drums in the chorus and the amazing high range of Matt's vocals this song does not disappoint. After the first chorus we hear a bass solo from Chris and we are treated to a trumpet solo after the second chorus.
10. Hoodoo - continuing the Spanish theme with solo guitar before entering into a slow, quiet yet haunting song. Suddenly we are given the piano that we have been longing for on the album and we hear chords being played up the octave, not unlike those at the end of Apocalypse please before returning to the slow quiet guitar that ends the song.
11. Knight's Of Cydonia - finally we have reached the end of the album with the most climatic song heard in years. This is definitely my favourite on the album and consists of 6 minutes of pure unadulterated bliss. For anyone who doesn't know, Cydonia is a region on Mars where life is once believed to have existed. We begin with the sounds of running horses establishing the Knight part and soon we hear the spacey sounds of lasers and sirens bringing us to the futuristic sound of what might happen on Cydonia. Once stated in an interview as being put there for a laugh, the sound effects lead us into a truly stunning opening with harmonies and falsetto vocals galore. A guitar slide brings us into the ongoing, foot tapping motif that runs for the first half of the song. Guitar solos, falsetto melodies, trumpet fills, pumping bass, and ongoing yet fantastic drums: this song has it all. We are brought back to the opening section and then a breakdown occurs and we are treated to some truly fabulous harmonies and synthesized riffs from the band. Guitars, drums and bass come back in and we feel the song really build up. The harmonies come round once more and the song climaxes with a synth solo before ending, leaving us all breathless and wanting more. A perfect song to end an album or concert with and cannot be topped in my opinion.

I'm basing this on the English release so I therefore do not include Glorious in this review. I'm only going to rate the sound 8 in this review because I miss the bass lines and piano from the band and hope that it does come back in the next album. // 8

Lyrics and Singing: Now I'm more about the music then lyrics personally but I will give you my opinions on the songs.

01. Take A Bow - an obviously politically based song, calling on world leaders to make the right decisions. Quite graphic in places "Death, you bring death, and destruction to all that you touch. Burn you will burn, you will burn in hell for your sins." They certainly evoke strong images, perfect for an opening song on an album.
02. Starlight - bossibly about a relationship with someone "I just wanted to hold you in my armsm. I'll never let you go", but also possibly about being tired of people around him and wanting to get away and live his own life to do what he wants. "Far away, far away from the memories of the people who care if I live or die. Starlight, I will be chasing your starlight."
03. Supermassive Black Hole - continuing the theme of relationships in the song. Possibly about someone who drew him in and lied to him. "You caught me under false pretences... Superstar sucked into the supermassive." Could also possibly be about the government lying about things or covering up issues such as global warming. "You set my soul alight. Glaciers melting in the dead of night"
04. Map Of The Problematique - following the theme of relationships and failed relationships "I can't get it right since I met you", this also brings back the element of panic and chaos first visited in Take a Bow. "Fear and panic in the air, I want to be free from desolation and despair." There is also another reference to Mars with "Fear and panic in the air." Mars' moons are Phobos and Diemos, the Roman Gods of fear and panic.
05. Soldier's Poem - as is suggested in the title, this is an anti-war poem and is based on a poem called The Soldier by Rupert Brooke. Another anti-war poem about the injustices of war and being sent away to fight and even though the war is wrong they will still lay down their life. Maybe an attack at the Iraq war.
06. Invincible - a feel good song with lyrics about following your dreams and being your own person. Whilst being a bit on the cheesy side, these lyrics definitely make for a good arena song.
07. Assassin - exactly what the title states, this song is about an assassin who seems to be part of an anti-government group who want to declare war on their government. Possibly reminiscent of the anarchy revolution of the 70s or maybe and underground movement planning to strike against a dictator and free oppressed peoples "Whatever they say, these people are torn". A pun on the word democracy evokes a powerful image. “Oppose and disagree. Destroy demonocracy."
08. Exo-Politics - as the title suggests this is about politics and politicians. But this song also returns to Matt's area of interest; conspiracies and aliens. "Open the skies over me. When the zetas fill the skies" The song is about an articulated invasion of Earth by aliens but it can also be about our trust in our world leaders. "Will our leaders tell us why?" Leading to the idea that it may be a conspiracy by the government. "It's just our leaders in disguise."
09. City Of Delusion - a much more mellow song about maybe someone who hides away from others. "Stay away from me. I choose to hide from the all Seeing Eye." It also runs along the same theme of killing with Assassin" Destroy this city of delusion. I will avenge and justify my reasons with your blood."
10. Hoodoo - a different song to others on the album, with the theme being about hiding within your own world and not facing reality. "Come into my life, regress into a dream. We will hide and build a new reality". Then the song turns dark with anger and regret at not being what the wanted to be and slowly fading away. "Watch our souls fade away and our bodies crumbling missed the opportunity to be a better man."
11. Knights Of Cydonia - a complete change from the previous songs on the album. The others seem to be about telling the problems "How can we win, when fools can be kings?" but this has a feel about actually going out and doing something yourself. "Don't waste your time or time will waste you". It's also about standing up for what you believe in and doing the right thing. "No one's gonna take me alive. The time has come to make things right. You and I must fight for our rights. You and I must fight to survive."

I give the lyrics 10 because I think Matt Bellamy is so God damn brilliant at evoking images and singing about things such as relationships in a totally different way to other bands. // 10

Impression: Personally, this was not as good as the previous three albums from a musical point of view but lyrically this is probably the best. The best songs have to be, Knights of Cydonia, Take a Bow and Supermassive Black Hole. My least favourite is definitely Map of the Problematique. If it were stolen then I'd probably be out of pocket from a lot of things because my computer, guitar, and other CDs would be gone as well so I'd have bigger things to worry about. // 7

overall: 10

Reviewed by: A Modern Myth, on june 12, 2006

Sound: Well, it's been a long, long three years. What have Muse been upto in that time? A lot, surprisingly. Well, touring a lot. For the few of us at Earls Court, we've heard parts of Take A Bow. For the few of us in Italy recently, we've heard various songs, namely a lot of the new album. But what about the rest? Muse were playing a few songs in 2005, but with a much rawer, heavier sound than found on the album. Muse decided to take a step back, in terms of the darkness found on Absolution, and then a step right, and then another step, and so on. You get the idea. The result is a musical blend of songs. We have spanish guitar (Hoodoo, City Of Delusion, Knights Of Cydonia), we have piano ballads (Take A Bow, A Soldier's Poem and Starlight kinda), and we have unusual songs that might have fitted into other bands repertoire, (Map Of The Problematique, which seems to be Muse melded with Depeche Mode, and Supermassive Black Hole), and we seem to have classic Muse (Map again, KOC again, and Invincible). Taking just one track, Invincible, this seems to showcase what Muse do best. They use bass, drums, lyrics, vocals, synth and guitar to amazing effect. And, to use a pun, together, they're invincible. Yes, shoot me if you want to. I still say that the album is an awesome blend, and yes, even SMBH fits on nicely. And there's UFO noises on the album. How cool is that? // 10

Lyrics and Singing: The lyrics are a change from the first two Muse albums, but some of the lyrics could have come from Absolution. And some lyrics have changed. This album is more politically themed, "During the struggle, they will pull us down, but please, please let's use this chance to turn things around" as an example from Invincible. "There's no justice in this world and there never was." from A Soldier's Poem. Actually, the second half of the album, and I use second half to describe everything from ASP to describe the second half as politically themed. Assassin especially. Matt uses his normal range of voice, i.e. falsetto squawks, normal singing, and slightly higher pitched singing, throughout the entire album. Knights Of Cydonia showcases his talents especially when performed live as he uses his entire range of vocal talents in it. // 10

Impression: It's easily the best album of the year. All the songs are pretty damn awesome depending on your mood. Especially if you're feeling in a bit of a flamenco mood. If anyone stole this album, I would skin them alive and then chuck them through a jet engine and then reclaim the album. And then destroy their town. Just 'cause this album is that damn good. // 10

overall: 7

Reviewed by: Gerard Way Jr, on august 06, 2009

Sound: Ah, Muse. That Queenesque British band we all know and love. Unless we are the fans who AREN'T Twilight-absorbed little girls still finding out just what the hell PMS means, and have not only heard songs OTHER than "Supermassive Black Hole," but have also been fans since before Robert Pattinson was even in Harry Potter, let alone this new blob of mush called Twilight. Don't get me wrong, I was alright with the books, but the movie ruined "Supermassive" for me on SO many levels, it's hard to describe without throwing up all over that lovely shirt you're wearing.


Anyway, Muse. Like I said, Queenesque, less so in this record. In fact, compared to 'Absolution,' another one of Muse's hits, it's got a lot more...oh, I dunno how to describe it. Not techno, not synth, not hip rock. It's got more bass. More beat. Hence "Supermassive Black Hole."

No, that's not the only track on the record, but it's probably the most innovative--it's different from any Muse you've heard before, at least, to a degree, and it's actually really good.

That's almost the only track of its sort, however. Others have acoustic guitar a lot, piano, more guitar, okay vocals, etc etc. Basically, it's no different, other than "Supermassive," than any other Muse album. Not really, anyway. I guess I can say "Hoodoo," "Invincible," and "Soldier's Poem" are, but, other than that, it's still the great sound of Muse. It IS different from other albums, but, there again, it isn't. // 7

Lyrics and Singing: Lyrics? Lyrics? Ah...not a lot to say. I mean, they're charming for average, but that's almost all I can say. Nothing really unique, but, at the same time, they're good for average. The singer is pretty good, he's got nice control over his falsetto, nice emotion. I know I compare this band to Queen a lot, but he really doesn't sound anything like Freddie Mercury at all. He IS good, however. The lyrics and sound go together very nicely, much like crayons (that make music) all over a fresh stack of paper (making music) by your 3 year old son (who is singing). It just sounds...good. I really, really like this record, for an average record. This is the sort of innovative sound music needs these days; it really is. I guess this review is sort of abrupt, then. // 7

Impression: This is probably the best Muse album thus far, though 'Absolution' is still excellent, and, really, one of the great records of the year 2006. This is one of the records that was good BEFORE it was hyped up, unlike stuff like Green Day's 'American Idiot' (which was good for the genre, the genre being I Suck More Carpet Than A Broken Vacuum Cleaner) and My Chemical Romance's latest 'The Black Parade.' Those were called extremely average that weren't even great for average, the exception probably being the latter. There again, 'Black Parade' got away with ripping off older artists like Pink Floyd, Nirvana, and, yes, Queen. Muse, however, is completely original, and, therefore, gets my thumbs up. This record in particular, you should probably buy, because it's really incredible, even if not more so than it could be. Really, I think it should have been a bit longer. Best tracks are "Starlight," "Map of the Problematique," and "Invincible."

Nice job, boys--now show us even better. // 7

overall: 10

Reviewed by: BadPhysh, on june 30, 2006

Sound: When I first began to read hype around this new album, I was skeptical. The members of Muse continued to go on about how deeply their breathtaking concert at the 2004 Glastonbury (one of my favorite concerts to watch) had changed theme, both as people, and as a band. As soon as I heard the album however, I saw just how right they were. Gone are the sweeping romantic style piano solos, reminiscent of Rachmaninoff. Gone are the moments that leave you bowing to the floor in salute of any one of the highly skilled members of the band, and I miss those moments greatly. Istead they are replaced by something that may be even more awe-inspiring ovall though. This CD is filled with moments that will leave you agape at the sound of the whole band. They have matured greatly in the years since absolution, and are able to paint a rich soundscape as a full band, filling this new album with string parts that add a vivid spacey feel to the entire work. Their sound, though still stretching in every direction, is pulled together tighter than it has been on past albums, giving it a strong direction, but still allowing it freedom to stray off the beaten path, even for them, going far enough to incorporate a mariachi style guitar, and trumpet parts in the final two songs of the album. There is still plenty of diverity throughout the album, with moving ballads (Invincible and Starlight), a dance toon that you'll never get out of your head (Supermassive Black Hole), their new style of spacy-sounding string scored rock that they've moved up a step from Absolution, pools of cascading, preachy explosions (most notably Take A Bow), and most shockingly, Assasin, which takes songs like Stockholme Syndrome a step further, opening with a needling guitar riff that you half expect to be followed up by an impossibly fast synthesiser run, and the tortured screaming of Children of Bodom's Alexi "Wildchild" Laiho. Somehow, howeve, they manage to reign the sound in a bit, and make this album feeel like one solid, coherent peice of music.

One of the largest dissapointments here is, as mentioned earlier, the lack of moments that truly make any single member of the band shine. There are very few true guitar solos here. There are no piano parts that stretch out forever evoking any and every enotion and, most notably, the bass has been greatly scaled back. Chris Wolstenholme is an amazing bassist who can throw out speedy, precise riffs like those in Hysteria with both hands tied behind his back. You won't find mugh of that on Black Holes and Revalations though. Whenever there is anything vary exciting going on with the bass (my favortie is a well written decending line that comes in about halfway through Invincible) the volume is turned way down, making way for their new, spacy sound. The one exception to this rule is in Supermassive Black Hole, which is driven by a pumping bass, with the presence and distortion cranked up as far as it can go. But frankly, though I love this song, the bass part failed to impress me. Close inspection shows this to be a slightly juiced up version of the bass pert from Time is runing out in a different key. No problem there, it still sounds great, but other than invincible the bass didn't really jump out and grab me like it usually does with Muse. A fine new sound for a band that is begining to settle down a bit and get comfortable with what they do. They change it up a bit, and they really manage enrich there style on this album, sounding like way more than three people. I'm eager to see how they pull off this much sound live. // 10

Lyrics and Singing: Matthew Bellamy's voice soars over the music as triumphant as always, speaking of twisted conspiraicies, aliens coming down from the skies, and proclaiming undying love. The difference you can here in this album is an overall feeling of hope. No longer is it sung by an observer of life, but a man who is willing to be proactive, and sees that change is possible. Sometimes this is shown with frightening anger, and a willingness to throw off the chains of the old, espsecially in Assassin, a song which describes just exactly what the name would have you think. Bellamy preaches instead of warns, as if trying to give rise to a new world order of sorts, and he makes you want to follow him. The writing, as usual with Muse, is impeccable. He manages to evoke exactly the feelings he wants, when he wants, and he leeves you wishing you could write lyrics like he could. // 10

Impression: Black Holes and Revalations is a beutiful soundscape of spacey rock and Matthew Bellamy's high-pitched vocals soaring over the music. They change up their sound a lot, both within the album, and from earlier works, but there is obviously drive and direction behind this music. Bellamy urges us to take action and change the world for the better before it is too late. In ways, this CD even reminds me of Radiohead's Kid A. It took a few minutes for this concept to grow on me, but now that I've become acclimated to the CD, I just can't put it down, with track like Invincible haunting my thoughts for days at a time. Even with stiff competition from Keane, Thom Yorke, Andrew WK's anticipated comeback, and Queensryche, this could very well be the best album of the year. // 10

overall: 9

Reviewed by: jackh131, on september 18, 2006

Sound: Well here we are, 7 years after after their debut album Showbiz, and this band is still the best there is. This album, while it is more experimental than their other albums at points, it still has the same tenacity of other muse records. Muse's usual sound comprised of guitar, bass and drums, but with this album they have began to use synths more often than they used to, such as on tracks like Take A Bow and Map of the Problematique, but there are still some great guitar based tracks on here like Exo-Politics and Assassin. // 10

Lyrics and Singing: The lyrics on this album are, in my opinion, not as good as on the other albums, there is not much of a mixture of lyrics, they all seem to be following a political theme, which can be good, but not if it's used on every track on the album. Although there is no denying that Matt Bellamy is one of the most talented lyricists around today, both in terms of writing lyrics and singing. // 8

Impression: This is certaintly a great album, although I don't think it as good as Origin Of Symmetry or Showbiz, it is much better than Absolution, which was a bit of a let down for me. My personal favourite songs on the album are Knights of Cydonia, Take A Bow and Exo-Politics, although I'm not a huge fan of Starlight and Supermassive Black Hole, they are still good songs. I would certainly reccomend this to any music fan. It is a great introducion to muse, and would definitly have persuaded me to buy their other albums if I didn't already have them. // 9

Reviewed by: unregistered, on june 30, 2006

Sound: I'm not gonna say how much I have been waiting for this album! After 2001s origin of symmetry, people didn't think muse could follow up. However, they not only managed to match their previous effort, but beat it with 2003s Absolution. Once again, Muse have done the impossible and beaten themselves again. This album is superb for many reasons, but mainly because it fits together as a whole. Every song brings something new to the mix, and no song is poor (unlike their previous efforts which had some filler). The music is more subtle, there is less piano here than absolution, more guitar but less distortion, more vocals, thankfully the bass and drums are as good as ever but still some newcomers will be put off by the opener Take A Bow, which, despite being one of the best tracks on the album, is not easy listening. Parts of it sound like Space Dementia from OoS. However, let every track on the album grow on you and you will realise that muse are light years ahead of the opposition for the sheer basic fact that they are the best songwriters of the last 20 years. The guitar is better than before because Bellamy has learned how to use minimalistic riffs (such as invincible) and the odd break, but the song always comes first, and only solos where it suits. Of course, the solos are still as bizarre as ever, but only for the better. Doms drumming has gotten better again- he is brilliant on every song, particulary Starlight and Exo Politics. Chris and his bass really add the feel to each song, and his amazing riffs in Invincible and City of Delusion prove his talent. Some songs on the album have a dark groove that really gets you going, some are simple, short and sweet, and some, of course, are completely off the wall in concept and execution. Someone has to think of a rating system that goes above 10, but for now. // 10

Lyrics and Singing: Matts lyrics have changed a bit. Opener Take a Bow may shock some people with its clear political message with little else to interpret, but have no fear, that is not the case with the rest of the album. There are some references to global warming "Glaciers melting in the dead of night", and (as before), some references to breaking away "Stay away from me, make a fortress and shield your beliefs". Bellamy sings "I can't get it right since I met you", presumably talking about his girlfriend. The backing vocals really work and make you wonder why muse havent tried it before. The song where the lyrics really shine is Knights of Cydonia, the album closer. As the guitar subsides and Matt sings "No ones gonna take me alive, the time has come to make things right" and the guitar comes in, you realise his lyrical power and after hearing the album the only reaction you can make is to press the repeat button. Wow indeed. // 10

Impression: This kicks all other music you have heard out the window. July 3 (or July 11, if you live in the USA) should be marked out on your calendar as the day your life will change. // 10

Reviewed by: unregistered, on june 29, 2006

Sound: They kept us waiting three long years, and the wait got to some of us, but it is finally here. Muses long awaited follow up to their enormous album Absolution, and what a cracker it is. Another reviewer said that this album has structure in comparison to their previous releases, and I have to agree- while absolution peaks then drops then peaks then drops, and origin seems to be a collection of good songs, BHAR is almost like a concept album in its majestic vocals which follow the same theme. More on those vocals later. The album is shorter than absolution and is better for it- you can listen to the whole thing in one go, and yes, every song grows on you. whether its their opener Take a Bow, with its amazing guitar section, which somehow manages to beat their previous opener Apocalyspe please. The album features many different styles, such as Starlight (happy song), Assassin (heavy song), Hoodoo (majestic song), Soldiers Poem (amazing ballad), and Supermassive Black Hole (picture a robot dancing to depeche mode and prince singing. The 3 best tracks on the album: Map of the Problamatique, with great piano that we have come to expect from Bellamy, and a great riff as well; City of Delusion, a real muse masterpiece which I cannot believe, it is truly epic; Knights of Cydonia, which just about beats COD because of its amazing breakout section, solo and the best one liner on the album (no ones gonna take me alive, the time has come to make things right). Absolutely majestic. // 10

Lyrics and Singing: Bellamys lyrics have always been confusing, and though they are still odd in places, there is a reoccuring theme of destruction and no one doing anything about it. As usual, his vocal range is immense, with power and melody coming second nature to him. He sings beautifully in Soldiers Poem about a soldier not knowing what he is fighting for. The good thing is, not all of their songs are as obvious as say, System of a Down. You can take what you want from the lyrics, but you will be affected. As soon the final track Knights of Cydonia ends, you feel a call to arms to go and do something. And if a singer can make you feel that, then lyrics must be worth a 10. // 10

Impression: This is Muse's best album, because it is an album that you have to listen to start to finish to appreciate. Not one song requires you to press the skip button. If it were stolen, I'd appreciate the thiefs good taste in music, and hope he enjoys it as much as I have. I am still listening to this album now, and I will be this time next year. Do yourself a favour this Monday, run to the shops as early as you can, you won't regret it. // 10

overall: 10

Reviewed by: METSOAD, on june 28, 2006

Sound: Well all I can say after listening to this record is, wow. I don't I've heard anything on this level of harnessed insanity in any album I've ever heard. Muse are just the most insane, ambitious and just generally brilliant band in the entire UK at the moment. Matt Bellemy is one of those musicians that other, lesser beings stand in awe of, be it because of his piano playing, his singing or most of all, some of his now legendary and reveared guitar playing. The bass playing on this record (by Chris Wolstenholme) is just as good as ever. Typically complex when it needs to be and simple when it needs to be, just generally great. The Drumming is there to basically complete each song with extra garnish. Dominic Howard is one of the best around and also extremly versitile, able to confidently do great things at any volume and speed. // 10

Lyrics and Singing: Matthew Bellemy's lyrics are some of the most thought provoking around. If a band could ever make an album tell a story like Pink Floyd could back in '70s then this man can. "Map Of The Problematique," "Knights Of Cydonia" and "Take A Bow" are some peices of lyrical genius and are some of the best lyrics the band have ever produced. This album tells us alot about the woes of the world past and present and it right up to date and relevant as it will be for many years to come. // 10

Impression: The opening song Take A Bow is simply insane with great synthisier sounds and some excellent guitar and bass work in the second part of the song as well as the haunting chants of "you will go to hell for your sins". Classic. Starlight is the first "rocky" number on this album and it can be described as the title track. The bass guitaring and drumming on this song is absolutly ballistic. Everyone knows the dance hall filling, bum shaking, disco style Supermassive Black Hole and as I predicted this isn't the best song on this album by any means although the guitar solos is very cool indeed and the singing although just about unrecongisable is great. Map of the Problematique is crazy with an awesome intro and great keyboarding, it is the best non guitar song on the record. Soldier's Poem is a small but powerful and haunting acoustic ballad that sounds creepy if nothing else. The singing on this song is particularly great. Invicible is generally good but is really made a great bass riff in the middle of the song which is a peice of genius, the lyrics are rather good on this song too. Assasin is this albums "Citizen Erased" or "Hysteria", the metalish number with the crushing riff. One of the highlights of Muse's entire carrear. Loud, vicious and wonderfully mosh pit friendly, pay particular attention to Dominic Howard's blistering drum solo. Exo-Politics is even better with more riffs, an awesome guitar solo and unforgettable lyrics along with a great bass guitaring abd drumming, an all round future legend of a song. City of Delusion is a mix of an orchestra and muse at their most rocking, many great solos, riffs melodies, enough to please any major fan of music in any genre, just great, it could be a single though. Hoodoo is very sparse sounding and slighlty empty in the beginning but with the introduction of the jazz style drums and bass to the song it becomes like "Blackout" or "Butterflies and Hurricaines" from "Absolution". Then the distorted guitars as well as piano add to this slow but high impact song into another complex great. Knights of Cydonia is a proper Muse album ender, haunting, creepy and a different kind of heavy to other distorted Muse songs. The End riffs of the song are very Iron Maide esque and also quite genius. "No-ones going to take me alive, the time has come to make things right, the time has come to fight for our rights, you and I must fight to survive". That haunting refrain leaves a lasting memory of this truly great song.

Overall this is one of the great all time records. It has everything any true music fan could ever want, out of this world guitaring, amazing bass playing, great keyboards and spectacular drums. The Best songs overall are Starlight, Exo-Politics, Assasin, Knights of Cydonia, Map Of The Problematique and City of Delusion. These songs would deserve to go into any bands scrap book of greats but in fact it s overall a truly wonderful album with only one let down of a song. The first single "Supermassive Black Hole" dosen't quite fit the rest of the album and even though its good, it is definatly not the sound of this album or Muse as a band. Long live the crazy trio from Devon and long may this album rule on as a legend forever. // 10

Reviewed by: unregistered, on may 18, 2010

Sound: My musical interests used to be so dull and near non-existant, until I bought Guitar hero 5 and played Plug In Baby and realised that Muse were awesome. Since then I have heard everything there is too hear, and I love it all. Black Holes is very different from Absolution; Absolution having some classical influences but also hard rock tunes. Black Holes and Revelations drop the classical, but brings in a whole lot more:

01. Take a Bow: 8 - The synth intro works well, seems a bit soft to begin a Muse album, that is, until things really kick off. The guitar really adds to this track, and the ending is truly brilliant
02. Starlight: 9 - Starlight brings love to the album, with a catchy tune and the mix of guitar and piano, which works really well in blend with Matt's amazing vocals
03. Supermassive Black Hole: 10 - This is one of the songs that really shows Muse's ability to make a good song that will please even the R&B robots. The guitar is very catchy as are the beautiful vocals, and the drum beat. It remains my second favourite Muse song
04. Map of the Problematique: 9 - Another step into previously uncharted territory for Muse, but again a great success. The song is easy to dance to, having that feel, and is catchy and funky
05. Soldiers Poem: 7 - While it's not chart topper, it definitely has meaning with some acoustic guitar and referance to soldiers and wars.
06. Invincible: 9 - A sweet love song, about not letting "them" pull you down, but also provides a kick in the middle of the album with a guitar shredding solo (more uncharted territory).
07. Assassin: 7 - Like soldiers poem, it's not going to be topping charts, but it does convey one of the boldest messages Muse have written into a song so far: "Destroy Demonocracy". The drums are the standout in this song
08. Exo-Politics: 8 - Some nice guitar riffs, and epic solo. Contains thought-provoking lyrical themes, and would probably have been a single if the other songs hadn't have been so good
09. City of Delusion: 7 - With it's spaghetti western feel, it is a good song. The trumpet parts are also very good, which play over gutiar
10. Hoodoo: 7 - a random piece of music, but really sets you up for the behemoth approaching...
11. Knights of Cydonia: 10 - This is a proper good song like nothing I've heard before. The guitar riffs are amazing, the vocals are amazing, everything is amazing. With this song alone Muse return credibility to prog rock // 10

Lyrics and Singing: The lyrics, as always, are amazing. They really relate to the here and now and suit the songs perfectly. Matt is definitely on top of his game. From the political feels of Take a Bow, Assassin and Exo-politics, to the love themes of Starlight and Invincible, the songs are easily relatable to who you are and that intimacy makes Muse an amzing band. // 10

Impression: It really blows any other modern rock artist out of the water, because Muse are just so bold. They don't care about making mistakes, they just want to experiment and make amazing music (which they succeed in doing). Other bands play it safe and make good steady tunes, but Muse really raise the bar for other modern band.

The Most impressive songs are Supermassive Black Hole and Knights of Cydonia, just because they are so different and amazing in their own right. There isn't really anything to hate on this album, it's all good. If this album was stolen, I would buy another the next day. If it was stolen again, I would buy it again. If it was stolen everyday of the year, I would buy it again and again, because Muse are truly the best. // 10

overall: 8.7

Reviewed by: vagelier, on april 06, 2010

Sound: Black Holes & Revelations is Muse's 4th studio album. In my opinion, it is the best Muse album to date. I'll explain why. Though I cannot deny the genius of the preceding Absolution, the brilliant concept album, Black Holes may be less of a album and more of a collection of great songs written between the two, the latter is musically more well-written and beautiful.

Muse's style has become a whole lot more sophisticated since the debut in-your-face prog-rock album Showbiz (which I love). Instead of loud, sneering guitars and explosive drums they started writing songs with heavenly vocals and more thought-through structure. Some may call it a waste, I consider it a development. // 9

Lyrics and Singing: 01. Take A Bow: the techno, anxious intro to the album is an example of Muse's new sound: strings and keyboards playing fast riffs where the mood is important. A good, solid opener though not one of the best in my humble opinion. 3.5/5

02. Starlight: though it might be too "poppy" for the Muse purists out there, it's definitely a great song. The intro offers a slightly-too simple riff but when ready switches to the louder bridge. This song also has beautiful lyrics (Hold you here in my arms/I just wanted to hold) and is yet another example of Bellamy's amazing vocal qualities, comparable to Freddie Mercury and Robert Plant. 4/5

03. Supermassive Black Hole: this song is hated upon by Muse fans because of the Twilight "incident". Nevertheless, I consider the best muse song ever. It starts off with a catchy riff including a great drum beat, begging you to start jumping through your own house, but the choruses contain some of the best vocal harmonies I've ever heared by Muse, alike Queen's Bohemian Rhapsody. The solo is also great, not your average rock solo but an experimental keyboard solo. 5/5

04. Map of the Problematique: again one of Muse's greatest songs. The melody is just so beautiful. Again, the combination of the lovely lyrics (I can't get it right/Since I met you) and Bellamy's enormous capabilities this song is one of the pinnacles of Black Holes & Revelations - 4.5/5

05. Soldier's Poem: here Muse show they are capable of more than rocking out hard and making beautiful songs; a 3/4 jazz-song with again Queen-esque vocal harmonies. An emerging change in Muse's style and one of the long-awaited (at least by me, I loved unintended) acoustic pieces. Also the contradiction of the beautiful melodies to the spooky lyrics "And do you think you deserve your freedom/No, I don't think you do/There's no justice in the world/And there never was." is utterly breathtaking 4/5

06. Invincible: Invincible is slightly too sugary for me. Though the solo is amazing, the military drums and the "fight for your dreams and you will prevail"-lyrics lack depth. Too bad, but it's likely a filler. 2/5

07. Assassin: The System of a Down-ish riff and dynamics and conspiracy lyrics set the mood for this absolutely mad song. After Soldier's Poem and Invincible, we needed something more upbeat and dynamic. And I cannot say they've failed. This song is comparable to Showbiz songs but it also contains some of the harmonies that are the signature of this album. 3.5/5

08. Exo-Politics: the catchy drum and guitar intro suddenly changes into a more spacy mood when the vocals and keyboard kick in. Definetely another example of Back Holes' greatness. 4/5

09. City of Delusion: with the flamenco intro this song appears to be another alternative rock-piece, including the trumpet solo. Though the chorus is a bit too boring, this is still a solid song. 3/5

10. Hoodoo: again a very exciting intro. Hoodoo is probably the least poppy song of the album, together with Assassin and Take A Bow. Though it may be slightly too far-fetched for the average listener, it is a satisfaction for the old-school Muse-fan. 3.5/5

11. Knights of Cydonia: the progressive piece which is many a Muser's favorite. And I can't argue against that. KoC is an astonishing song in terms of structure, riffs, vocals and power. Dominic Howard's horse-like drums comparable to Child in Time and the great intro riff and vocals already make this song worth your while. But then there's the bridge, with utterly breathtaking vocals, both beautiful and exciting, a perfect build-up for the coming guitar riff and complete lose-your-mind outro. Especially live, this is epic. The lines "No one's gonna take me alive/Time will come to make things right/You and I must fight for our rights/You and I must fight to survive" would even get a 90-year old to jump up from their chair and dive into the mosh-pit like 200-pound wrestler. Bottom line is, this song is so darn awesome! 5/5 // 8

Impression: If the album was stolen, I'd most definitely buy another one. It's one of my favorite albums of all time. I understand that the superconservative hardcore Muse fans might not appreciate the musical genius that went into the creation of this album, but not only did Muse reach a far wider audience with the making of Black Holes but they also showed their capability and diversity. A terrific effort and a must-have to any Muse and non-muse fan. Get your ass to the music store and buy it, you will not be disappointed! // 9

Reviewed by: unregistered, on may 01, 2009

Sound: I'm going to make this plain and simple, this was a disapointing turn in the bands career. I did not like the electronic sound that they have taken a liking to. It seemes to me they were making an attempt to fuse rock with a new age main stream style of music and although that seems like a good idea in theroy, I'm not convinced that it was such a good idea in practise. I feel that they should have progessed on there prior sounds rather then attempting to take on a new style, Absolution and Origion of Symmetry were both fan-f--king-tastic! However like Showbiz, Black Holes and Revelations just seemed like it wasn't muse at all, if you get what I'm trying to say. // 1

Lyrics and Singing: Although this album was pretty bad it was not completely unbarable. I must admit that knights of cydonia, city of delusion, exo-polotics and hoodoo were ok I'd give all those songs accumatively 7/10 at best.

I think that these songs were the only to highlight from that album. This being because they actually seemed like they had some kind of structure to the, and by structure I mean they make sence and I have to highlight hoodoo from this album I actually thought that wasn't too bad, very strong powerfull lyrics and vocal techniquies. I really have to also point out that supermassive black hole has to be the worst song they have ever pulled out of there arse it was just 5 mins of random words and super high pitched whining. // 2

Impression: I was over all very dispointed in the effort that Muse had put into this album, If you're and Absolution and Origion of symettry fan I strongly advice you to never touch this album as it may make feel as if Muse are now tainted and you may never feel the same way about them again. I know that's how I certaintly feel about them.

I really hope to god with all my heart that the next album will blow me away and I will once again be proud to say I am a muse fan. // 3

overall: 9.3

Reviewed by: REvibe, on april 20, 2009

Sound: The sound re-defines music with all different styles used by Muse on their 2006 album. Their is an impressive use of synths (take a bow) and mind-boggling solos (Invincible) in which two handed fretting is required. Knights of Cydonia, the last track on the album, is an epic and defining rock song and is described by bassist, Chris Wolstenholme, as '40 years of rock history in 6 minutes'. The intro is influenced by The Tornados' hit, Telstar. Matt Bellamy, the vocalist, pianist, composer of the music and lead guitarist, is the son of George Bellamy who played rhythym guitar for the band. In the album there is an impressive use of guitars. This is showed in most songs but mostly Exo-Politics, Supermassive Black Hole and Knights Of Cydonia. Supermassive Black Hole sees Bellamy's voice become a falsetto, a new sound. Soldiers Poem was a very different song from the rest and the acoustic ballad also went off in a completely different direction. The band said that it was epic but was completely stripped down until a very simple arrangement was left. // 10

Lyrics and Singing: Matthew Bellamy is obviously a very talented singer and as he writes all the songs, is able to express his views in the songs. Bellamy is known to be a fan of sci-fi, and in the song Exo-Politics, he sings about 'zetas' filling the sky. Zeta is short for zeta reticuli which is an alien. Bellamy also sings about his political views in Take A Bow, Soldier's Poem, Assassin and Exo-Politics. He sings about the leaders of the world being corrupt and that they have done wrong. The lyrics work well with most songs and in my opinion, three of the best are Supermassive Black Hole, Knights of Cydonia and Exo-Politics. In all the lyrics fit the music and are sung by a more than capable singer. // 8

Impression: This is definitely my favourite album... I believed this band's previous releases to be good but this blew me away! I will buy a copy of this for all my favourite places and my favourite song on the album has to be Knights of Cydonia. I bought the guitar tablature book for this and don't regret it at all! This has 11 incredible tracks and if you don't own it, go out and buy it right now! // 10

overall: 8.7

Reviewed by: froggyman, on december 02, 2008

Sound: Muse has one of the most distinct and varied sounds I've heard, they go from almost techno dance/electronic(Supermassive Blackhole) to an also indie rockish sound(Soldier's Poem). The use of effects adds to the sound rather than just sounding like annoying squeals and the like. All of band members really contribute to the sound and Matt Bellamy's solos are good and they fit into the songs nicely without sounding like he's just showing off. The best show of the band's awesome sound hands down is Knights of cydonia, the galloping rhythm along with a seriously catchy synth riff and Bellamy's voice working almost like a instrument itself. // 9

Lyrics and Singing: One Word of Warning:Matt Bellamy's singing might annoy you, his high falsetto style of singing takes a little getting used to but it really fits with the music. The majority of the lyrics have some politics in them but the album never becomes preachy(probably because they are not targeting a specific offical or government). The Songs that best show his skill are:Take a Bow, Assasin, Hoodoo, and invincible. // 8

Impression: All of the songs are winners but the top five are definatly:

1.Knights of Cydonia
2.Assassin
3.Hodoo
4.Take a Bow
5.Invincible

The only songs I did not care for were Soldier's Poem(too soft) and Supermassive Blackhole (too clubby). I would seriously reccomend this to any Muse fan as well as fans of Coldplay as their sound is kinda simaler except there isnt as much emphasis on the piano in Muse. // 9

overall: 9.3

Reviewed by: mon_the_fraser, on november 27, 2007

Sound: Muse are back with their fifth studio album and this one again fails to disappoint. Matt Bellamy's focuses on this album are mainly political and love, nothing different there really but it still works. This album differs from the other Muse efforts as it many of the tracks lack the classical piano and the album has more synthesisers. This album is very experimental for even Muse's standards and features synths pianos and many other strange noises and effects as well. // 10

Lyrics and Singing: Matt Bellamy's are always good but never really intelligent and on Black Holes and Revelations this does not change. This is album as stated previously is very political and this is shown from the start."Take A Bow" a song they used ironically at the beginning of the album is very dancy and is very blatantly political. There is no clever lyrical trickery only meat and potatoes telling you how it is. Other good tracks lyrically are "Hoodoo" and "Invincible" the album is full of good lyrics but it is really the musicianship which makes such a good album. // 8

Impression: The highlight of this album is the thundering "Knights Of Cydonia" this was used as the opener at Wembley Stadium on June 16 and 17 at for good reason. It has only 64 words in it but is still the most powerful track on the album. It's jackhammer of a riff at the ends has ensured its place in history as one of the best riffs/solos of all time. This album is enjoyable from start to end and is something different providing a remedy to the large amount of generic rock music out there. // 10

overall: 9.7

Reviewed by: Bozjoarmstrong, on february 06, 2007

Sound: When I think of Muse I think of 'Plug In Baby' and 'Time is running out'and how they'd probably never do anything as good as those songs again. Bloody hell, how they've proved me wrong! 'Starlight' in my opinion may be the best song of 2006 and definately the best Muse have ever done. 'Supermassive Black Hole' is unbelieveably catchy and songs such as 'Invincible', 'Assasin' and 'Knights Of Cydonia' are way more than album fillers. There is a much different sound to Black Holes And Revelations than anything I've ever heard and my god I love it! // 10

Lyrics and Singing: Matthew Bellamys lyrics are pretty much the same as you'd expect, his voice can range from Beautifully melodic to slightly scary, but I wouldn't have it any other way with Muse. The overall theme of the lyrics is Space, War, Love and death. Personally I think the best lyrics are to be found in the final track 'Knights Of Cydonia' eg. 'I'll show you a god who falls asleep on the job, how can we win when fools can be kings' and 'No ones gonna take me alive, The time has come to make things right' Classic and believe me after listening to 'Supermassive Black Hole' you'll be singing about melting glaciers and superstars for some time! // 9

Impression: Overall this album is definately worth buying, I love almost everything about it and maybe it will be album of the year. I would definately buy it again if for some reason I stopped paying enough attention to it and it went missing! // 10

overall: 8.7

Reviewed by: unitedbyfate, on september 22, 2006

Sound: Muse continue to have their unique, experimental sound that hits you as soon as 'Take a bow' starts. 'Starlight' starts with a fuzzy bass line before the catchy piano tune kicks in. Mostly a calm song except for the chorus. 'Supermassive black hole', the first single of this album comes next with the same guitar genius that made the riffs for 'Hysteria'(Absolution) and Plug-in baby(Origin of symmetry). Matt Bellamy's high pitch vocals accompany it with Chris Wolstenholme singing the chorus whilst playing a ridiculously complicated bass line. This is followed by 'Map of the problematique', filled with strange synth and a fantastic drum beat. Next on the list is 'Soldier's poem', the lighter note on the album. It may be short but has impact as it describes a soldier fighting in a war thta's nothing to do with him. This is followed by 'Invincinble', not particularly a bad song, but doesn't seem to compare to the other songs of the album'. Any doubts about the rest of the album are thrown out the window as the quick-tempo of 'Assasin' instantly brings memories of 'Origin of symmetry'. 'Exo-Politics' slows the pace but not by much as Bellamy hit's us with yet another great fiff. 'City of Delusion' and 'Hoodoo' follow and fail to stand out, especially against the last track, 'Knights of Cydonia'. Possibly should have been the first song on the album, but maybe it wasn't because of 'Starlight' and 'Supermassive black hole' were already tracks 2 and 3. Also it leaves the album on a great high. // 8

Lyrics and Singing: Matt Bellamy does it again. After Absolution, I thought Muse could never have better lyrics but this album proved me wrong. 'Knights of Cydonia' alone blows you away. 'I'll show you a god, who falls asleep on the job. How can we win, when fools can be kings. Don't wastes your time or time will waste you.' The usually strange aura of Bellamy's lyrics continues with the theme of conspiracy, among others. // 9

Impression: It is a serious contender for album of 2006 with 'Starlight' and 'Supermassive black hole' already being great hits. Like other Muse albums it has a fantastic variation of sound, meaning they still have a unique sound. It is a definite 'must-have' for anyone in the sort-of experimental rock genre. // 9

overall: 9.3

Reviewed by: jesusjimmy, on august 14, 2006

Sound: The sound. The sound, the sound, the sound.Its hard to describe something as good as this. It isn't unstopablely brilliant like Absolution but it is great. I'll call it scarily good if it wasn't Muse. What I mean is we have too high expectations of Muse and this followed Absolution. So much preassure was on the band to produce something amazing, an album that every man woman and child would buy. They didn't. They made an album that everybody that isnt an Ibiza and dance music mad person would buy. Maybe I should review the album now. Amazing. Plenty of distortion and I like that. Assasin is an amazing song and so is Starlight. Neither are as good as Exo-Politics or Supermassive Black Hole, but to me Knight Of Cydonia is the best on the CD. // 9

Lyrics and Singing: Lyrics are brilliant again. This is where the album and Muse for that matter shine. "Glaciers melting in the dead of night and the superstars slipped into the supermassive". And that's ony the backing vocals." No one's gonna take me alive. The time has come to make things right. You and I must fight for our rights. You and I must fight to survive." Brilliant. // 10

Impression: Overall, great, love it but not there best, Absolution is. Most impressive song, Knights Of Cydonia. I love everything about this album but not as much as Absolution. I have to say I think that if this came out before Absolution it would be the other way round, and we would say Absolution wasn't as good as this. // 9

Reviewed by: unregistered, on july 27, 2006

Sound: forget the hype, forget the shock the first time you heard Supermassive Black Hole, only a fool would deny that muse have made the album of their career. As soon as the drums crash in 2 minutes into the opener Take a Bow, you know you're in for something special. Put simply, if in anyway you are interested in alt rock/indie/metal/pop/prog/techno/classical music, then there is something here for you. This album WILL sell, and you should be glad for it- there is nothing else like muse at the moment and there hasnt been since some english band decided to make OK Computer. Yes thats right, I just compared BHAR to OK Computer, for the variety of the songs is the same. Muse, thankfully, have less slow, sleepy songs on their album than their previous effort, Absolution. Unlike the aformentioned album, this album gets stronger as it goes along- the last 4 songs (Exo-Politics, City of Delusion, Hoodoo, Knights of Cydonia) are probably the best, delivering a four-pronged assault to the ears that is truly amazing. The instruments? despite a lack of piano, that question should not even be answered. Of course its top notch, with the guitar, bass and drums all reaching dizzying new heights. But what else would you expect from Muse? // 10

Lyrics and Singing: On first listen, the lyrics appear to be random and excessive in places. On second listen, you realise how completely and utterly wrong you are. Bellamy has beaten himself once again, especially on soldiers poem and invincible. the closing lines of Knights Of Cydonia "No ones gonna take me alive" are incredibly powerful, though not beating the best closing lyrics on the album - Hoodoo; "And I've had recurring nightmares that I was loved for who I am, and missed the opportunity to be a better man" which beats any line he has ever said before. And even supermassive black holes princy/justin timberlake vocals are no challenge to him. 29 later this year, this man shows no signs of stopping. // 10

Impression: A truly majestic album in every single way, buy this CD if you have any kind of interest in music. If you dont like this album, you don't like music. If you don't like music, I have to ask why you are on a site called Ultimate-Guitar. // 10

overall: 9.7

Reviewed by: MiniMusicMasta, on july 14, 2006

Sound: I love Muse because they're a British band along with another couple making good music, rather than crap hip-hop stuff. They sound kind of like a mix of modern effects and synthesizers combined with some of the most fantastic guitar, bass and drum abilities around. It was recorded in an old house in france and avatar studios in new york, where jimi hendrix often recorded. Great sound due to the fact they're British. // 9

Lyrics and Singing: Matt Bellamy. Talented guitarist. Maybe even better vocalist. He has such a great voice that can reach high notes very easily as shown in the song Supermassive Black Hole, Knights Of Cydonia and others throughout the album. The lyrics are mainly about alien theories and universal take overs and other weird stuff, but the talent of the vocalist makes it all up. // 10

Impression: Muse have taken their different ideas over their last 3 studio albums and picked out the best parts and made new material out of them. This is what I like about Muse. They are British! I hate to say it but there are not many bands of this genre around who are British so it is nice to see them around. They sound like a heavier version of Radiohead. I would most definetely buy this album if it were stolen. // 10

overall: 7.7

Reviewed by: martinhendryuk, on july 14, 2006

Sound: Well, I have to admit, I've never been a super massive fan of Muse, (if you'll excuse the pun), but on impulse buy I decided to give Black Holes and Revelations a shot; after a brief listen in the car on the way home I skipped through the tracks with an analytical eye and found nothing grabbed me like the classics 'Bliss' or 'Plug In Baby'. I was disapointed with Absolution and thought this might be the end of my interest in them. However, when I got the cd home and listened to it all the way through I realised that Muse have focused on a more pure direction in thier music. That of creating music that would be fitting of thier title of 'best live band 2005', designed specifically to blow the mind upon going to a Muse concert. The revival of the arena rock genre might just be here, and in the world of the NME 10 minute band it's a noble cause to be supporting. The sound of the CD itself harks back to the classic arena bands of old, such as the Queen influenced harmonies on 'Soldier's Poem' or the final song 'Kinghts Of Cydonia' which to me reminds me of Zeppelin's 'Achille's Last Stand' in both terms of urgency and the fact that MUSE's subject matter is nearly as diverse as Zep's referances to Greek mythology and Tolkien.

The album itself is much more cohesive in comparison to Absolution and is the obvious fruits of four years work. The MUSE trademarks are all present and correct in songs such as 'Starlight', 'Invincible' and 'Exo-Politics', with Matt's formiddable vocal, use of arpeggios and classical bombastic style and orchestration. Muse also have a few new tricks up thier sleeves; such as spanish style guitar in 'City Of Delusion', (which is reminiscient of 'Recess' off Hullabaloo Soundtrack', the rave style 'Map Of The Problematique', which is my personal favorite on the album, and of course the viceral funk groove of 'Supermassive Black Hole'. The only negative I can find with the album, is that although it is apparently cohesive, only half of the songs stand alone as exciting to listen to at this point in time, ('Starlight', 'Supermassive Black Hole', 'Map Of The Problematique', 'Assassin', 'Exo Politics' and 'Knights Of Cydonia'). This is probably due to the fact that I prefer thier heavier, more guitar based material. Overall sound is crafted to astound, and although the true force of the music is not apparent from just listening to the CD, it's a massive incentive for me to go see this band live. From armchair to activist it seems. // 7

Lyrics and Singing: The lyrics on the album are again very much in the vein of Absolution, based around the curious mind of Matt Bellemy, who's interest in conspiricy and science fiction fuels the band's indivdual approach. This again reminds me of Led Zeppelin's work, and that of the earlier arena rock bands, with an interest in fiction, as well as romantic content (Muse appear to generally focus on these as two tiers of thier writing style, exemplary of this is the differance in content of 'Exo-Politics' to 'Invincible'). Although due to the focus on technology, romance and politcal partisanship nature of the lyrics (notably the introduction 'Take A Bow'), it could be said that Muse limit thier audience, and alienate neutrals, (for example a lot of my friends find not only the lyrics, but Matt's singing style overly flamboyant and elaborate). Which is a shame, as Muse generally become overlooked by mainstream rock fans for these reasons. // 8

Impression: From listening to earlier matterial, I'm impressed by the way in which the band have varied and evolved thier style, from what was essentially a band that was seen as radiohead 2 into space rock pioneers. The innovations keep coming, and this is why I believe Muse have something much more exciting to offer the world of music than bands which come and go, because the best way to experiance music is to see the band live.

01. Take A Bow - essentially a more focused introduction than that of Absolution. Not really a song I would listen to on it's own merit, fits well into the structure of the album.
02. Starlight - magical, song which shows the MUSE can still write inspiration music, without being too over the top, works well in contrast to previous song, due to simple melodies.
03. Supermassive Black Hole - funky and fresh, I enjoy this song alot, as the chorus is catchy, and induces groove. Singing style is differant from 'Starlight' (higher up) and contrats well. So far so good.
04. Map Of The Problematique - another different style of song introduced. I can only imagine how awesome this would be live, inducing a rave in the stadium. Works well with Matt's vocal and is my favorite song on the album.
05. Soldier's Poem - reminscient of Queen style vocal, I essentially see this as an 'Interlude' which strengthens the structure of the album as a whole. Not too long and dragged out and allows a rest from the spectacle of the start of the album. Not one of my favorites though.
06. Invincible - classic romantic Muse. Not generally the style that I'm fond off, but is a song that I can see my self liking in the future. Use of organ is expressive, but not as emotive as 'Megalomania' from Origin Of Symmetry, which wouldnt have gone amiss on this album.
07. Assassin - quite a strong song, with a basis on riffs, but lacks the hook of the next track, and becomes forgettable. Possibly a track that I'll have to listen a few more times before appreciating fully.
08. Exo-Politics - a great track, with good structure throughout and would be a classic live. Quite funky, with a good chorus break. Best lyric of the album 'fully loaded satalites' sung with conviction. One of my favorites.
09. City Of Delusion - Spanish style guitar is effective, and suits the style. Again a song with a good chorus break, and would be good live, although possibly not in the vein of older material, as spanish guitar style seems to detract from the awe of live materials.
10. Hoodoo - again influence by spanish style guitar and heavy influence of classical romantic piano, another forgettable track on the album however as it falls between the void of undecided style, I essentially view this as an introduction to the next track.
11. Knights Of Cydonia - Muse's take on the rock epic, although not as epic as 'Citizen Erased' in my opinion. A strong track to end the album with and drives forward well, I can imagine this being amazing live and it has been noted as a classic.

Although the album is not perfect, I believe that Muse are moving in the right direction with thier music, and if focused utterly on providing the best material for a live show, could produce a album of groundbreaking proportions, hopefully resulting in Muse becoming one of the best bands in the world, in terms of inspirational material aswell as astounding live shows. Needless to say, from listening to this, I'm much more interested in what the bad have to offer the world of music, and in thier own words, would hate to see them 'fade away'. // 8

Reviewed by: unregistered, on june 14, 2006

Sound: Muse return with a brand new sound. Following up the number one album Absolution, they go one further once more. With new instruments in the mix such as trumpets and synths, they utilise these to great advantage. Each track is perfectly mastered but not to the point that it is totally computer generated. Stand out tracks include: Starlight, a U2-esque power ballad with beautiful vocals by Bellamy; Supermassive Black Hole, the dark dance floor sure fire hit, it features prince style vocals from Bellamy and a riff that sounds like franz ferdinand from Mars; Knights Of Cydonia - imagine a desert landscape, horses galloping and lasers, you're not even close. This track is truly epic. Bellamys vocals shine becoming an instrument itself, whereas the drumming on this track shows just how accomplished Dom Howard is; Map Of The Problematique sounds like a bond theme to start, with synthesizers, heavy pounding drums and a forceful bassline. This is my favourite track on the record, it's daring but it's perfect in everyway. Check out Hoodoo for some flamenco style riffery which finds Bellamy in reflection. // 10

Lyrics and Singing: Matt Bellamy once again has proved himself as a lyrical master. The CD is evidently politically themed. The opener Take A Bow finds Bellamy calling on World Leaders to take responsibilty. Almost ominously. // 10

Impression: This album is a sure fire number one. It's going to be a BIG seller. The most impressive songs to me, are the awe inspiring Knights Of Cydonia, Invincible, Starlight and Map Of The Problematique. There is such a range of styles on BHAR that it is impossible to call it samey, which I found of the latest RHCP offering. The only criticism for me, is that it seems very heavily produced. Which really I don't see as a bad thing. // 9

Reviewed by: unregistered, on june 13, 2006

Sound: Muse have taken another step in another direction this album, building on the sound of Absolution in a quite unpredictable way. I'd say by far this is the most 'deep'-sounding Muse album, with much more in the way of electronic keyboard sounds (sadly at the expense of much of the piano-style keys we're used to, but you get used to it) and layers of sound. There's some fascinating tracks on here, towards the end of the album particularly, tracks like Hoodoo and City Of Delusion feature Flamenco-influenced guitars and, in the latter, a trumpet solo. Essentially what we're getting from Muse here is a once again very different sound. Personally I wasn't encouraged by their choice of single, Supermassive Black Hole. So if you've been interested in the album simply to find out if this the (somewhat disappointing) style they've turned to then the answer is a resounding no. The rest of the album does indeed feature the heavily distorted bass, downright weird guitar and keyboard sounds and wailing vocals that this track does but, not to such a degree. SMBH is like an extreme example of their new sound and, for me, doesn't encapsulate the feel of the album the way, in my opinion, a first single should. It should be noted that, in the US, the first single will be Knights Of Cydonia, which I feel is a much better choice. Despite my dissatisfaction with the single, when listened to in the context of the rest of the album it genuinely works a lot better. When you hear it following Starlight and preceding Map Of The Problematique, you can see where they're coming from and see the logical connections it makes with the rest of the album. I suppose it's a matter of personal opinion on whether it works as a song on its own, but as part of the album it fits right in.

Another note is that the early stages of the album transition so quickly as to almost sync together. It's almost chaotic, which I think is probably intentional and more or less reflects the feel of the songs. Overal I'd say this was a more complex-sounding Muse which, at first listen, could easily be mistaken for being very pop-influenced. The more you listen to it the more you notice how much your first impression of it was wrong. At first listen, I would've given this album 6/10 for being solid but, in general, somewhat disappointing. After a few spins, my opinion has been utterly brought round and I'm giving it a 9 for a deceptively complex and inventive album, without a single really weak track and endless potential for spicing up their live set. // 9

Lyrics and Singing: The lyrics here are often working on similar levels to many of the Absolution themes, particularly ideas of space, discovery, and a degree of frustration, recalling tracks like Sing For Absolution or The Small Print. There's some new ideas too, with some much more politically-themed tracks like A Soldier's Poem, Ex-Politics or Assassin. But it's not done in the near-patronising oversimplified way a band like System Of A Down have expressed their political views - We have the same kind of interpretive and passionate lyrics that we really expect. All I can say is that the lyric-writing style and execution hasn't dipped in quality in any way. Matt's vocals are great still, on this album, but there's much more of the wailing, catatonic vocals that on Absolution and less of the raw, emotional singing from the heavier tracks like Stockholm Syndrome or Hysteria. But again it sounds more complex, some tracks feature dual vocal layers (which presumably Chris will have to provide in a live setting, which is welcome because we know he can hold a tune pretty well) and there's new levels of vocal effects which we've seen hints of before but never really utilised as the basis of a song's sound. Overall, impressive vocals once again, but the higher pitched wailing isn't my personally preferred style that Matt does. Despite that, I concede his remarkable talent in doing this, and the lyrics are as quality as on previous albums. // 7

Impression: This is difficult to compare to other albums I've heard. Some immediately made the comparison to the Scissor Sisters with the new single and, if anything, I was to dispell any anxiousness Muse fans have that they've turned towards this kind of poppy self-indulgence. Muse have, in my mind, always been a band who defy genre or classification, they do a lot of different things with each album and, simply, there are a few tracks with which they've tried to take their own view of pop music. But it's the way pop music should be done, it's musically interesting, lyrically provocative and utterly different to anything else in the charts. So that's fine. And the rest of the album is varied and fascinating, maybe not noticeably so on a first listen but enough to make you want to hear again. It's certainly an album that will grow on you, and it's got a lot of ideas which we've never heard from the band before. Overall it's a confusing but ultimately satisfying album. Standout tracks for me would be Map Of The Problematique, Assassin and Knights Of Cydonia but, genuinely, every single track has qualities to bring you round and really love the album if you're prepared to give it the time and attention it deserves. // 9

overall: 9

Reviewed by: VLVTRVOLVR13, on december 18, 2007

Sound: The album starts out with "Take a Bow." The song starts off rather empty with Bellamy playing a piano lick and singing. As the song gradually grows, it becomes more atmospheric as other instruments enter. Its climactic ending leaves a trail of decay and feedback as the CD moves into the heavy bass line of "Starlight," a slightly more romantic and pop-oriented track. The diversity of Muse on this album is consistent with their other works in the sense that every song has different and distinguishable aspects. The band sounds great on each track with different instruments taking the spotlight at different points. Bellamy's guitar work, as always, is enchanting, especially on tracks like "Assassin" and "Knights of Cydonia." As far as style, Muse is impossible to tag. Their songs themselves escape specifications. Black Holes and Revelations is a Science Fiction Romance. Spacey and Majestic, the sound in itself is the reason why I continue to listen to this album. // 9

Lyrics and Singing: Matt Bellamy's falseto singing is extremely impressive. His incredible range and cryptic lyrics of romance, conspiracy, and the supernatural are often compared to those of Thom Yorke(Radiohead). The lyrics fit comfortably overtop their respective songs and very much follow the movement of the music. At times it is hard to decode exactly what Bellamy is singing about, but then again, that is part of the fun in listening to music. To be honest, I looked up most of his songs, but then again, I'm not the most eclectic source of knowledge either. // 9

Impression: This certainly wasn't my favorit Muse album, but by no means does that degrade it's quaility. I think anyone who is a fan of Muse should deffinately check this album out becuase the band's continuous diversity will probably surprise you. I think Knights of Cydoina is certainly the "pedestal" track of the album(hey! It's on Guitar Hero 3). However you percieve it, Muse's Black Holes and Revelations is a great album, but not quite their finest. // 9

overall: 7.3

Reviewed by: RadioMuse, on november 28, 2007

Sound: After finally breaking into America the hard way (touring the wheels clean off their tour buses) Muse took some time to carefully consider their next endeavor into the dog-eat-dog world of pop rock music today. The result is simultaneously triumphant and unfortunate. See, despite the Radiohead copy accusations surrounding Muse for the first two albums they remained a creative tour de force of music. Sure Matt's lyrics and voice weren't fully developed yet but the band created uncompromising epics that fit into normal 'pop' song lengths. Each moment of each album was a feat of guitar, bass, drums, keyboard, vocals and piano. It's the complexity and power of classical, with the energy of heavy metal and the movement of punk. Absolution saw them perfect this sound on Hysteria and Stockholm Syndrome, while also concentrating on condensing into a more digestible form. Black Holes jumps out of this mold, and while the epic intentions remain their often intentionally held back at risk of seeming boundlessly bombastic. A new dance-rock Muse emerges at several points, and a new obsession with syths makes itself felt. This is Muse thrashing about, spreading the arch of their musical talents in an attempt to find new ground. The downside is sometime it doesn't work (Take A Bow is very eh, Supermassive Black Hole almost seems like a bad joke, Soldiers Poem goes nowhere), the upside is that it opens new doors; doors best represented by the lovely Starlight, punchyness of Map of the Problematique, or the Spanish-inspired City of Delusion and HooDoo. The band also manages to whip up one of their classic anthems here: Knights of Cydonia: six minutes and six seconds of absurdly overwhelming, exceptionally bombastic, bliss. // 7

Lyrics and Singing: Matt's vocal abilities have never been stronger and when he really chooses to think it over neither has his ability to stir up powerful words. Take a Bow, while musically a build up to nothing, is a lyrical punch in the gut; Starlight is touching and makes an excellent sing-along; Map Of The Problematique a feat of lyrical brilliance, and City of Delusion shoots successfully for the stars. Soldiers Poem too, is a touching in words, though the vocals are a little overdone considering the nature of the balled. The rest of the album alternates incredibly brilliant lines with pointless fluff like "together we're invincible". Sure it's all delivered with such powerful conviction but aren't such lines terribly adolescent for a band now moving into their late '20s? Of course this section's rating is balanced out by Matt being probably one of the ten greatest singers I've ever heard. // 7

Impression: As an album there's no doubt that Black Holes And Revelations is a great one; head and shoulders above most of it's competition in todays rather stagnant music scene; however, for a Muse album it's rather weak, perhaps their weakest. Don't fret over my saying so though, BH&R still has several Muse classics on it and it signals the first huge step off the path down which they originally charged. If they're willing to keep pushing their boundaries and return to ignoring anyone who's not a fan (critics often dissed on Origin of Symmetry but any true Muse fan will tell you it's their best) they'll push the 3-4 minute 'pop' rock song format so far beyond it's breaking point that they might well invent a new genre. That's what Black Holes And Revelations really is for Muse, it's a huge step in every direction at once, and such risking taking is going to cause some failures, but if the successes like Hoodoo, City Of Delusion and Map Of The Problematique are any indication they might well be on the edge of a huge breakthrough. // 8

overall: 10

Reviewed by: Stealthbass, on july 12, 2006

Sound: Muse combines soothing sounds, hard rock, fast, slow, and a new mystifying melodic sound into Black Holes & Revelations. The cover sounds such as hard rock, classic rock, hip-hop, and acoustic rock. This is a top notch CD. They share there pain and suffering and make you feel how good the songs really are. The soloing and blending of the music are perfect. This CD makes you sit on the edge of your chair to see what is next. // 10

Lyrics and Singing: The lyrics are so exhilarating and breathtaking. Matt yet again makes the music thrilling to his audience. He keeps you wanting more. He punches you with an original distinguished vioce. He covers all aspects of different musics in his fantasticly magnificent and capturing lyrics. // 10

Impression: Overall, Muse has done it again. Dominating the world of music. Throwing out new up beat hard rock and other twists into one CD. This is well above most other artists and groups in the world. The most impressive things are the capturing lyrics and the soloing and blending of many different types of music. // 10

Reviewed by: unregistered, on july 06, 2006

Sound: When you hear this album for the first, two things can happen to you: you love it or you hate it. The truth is that it depends on what you like about Muse. If at first you only liked heavy stuff like "Hysteria", "Stockohlm Syndrome", "Microcuts" or "Cave" you will probably hate this new album and for you the band has lost its charm. But if you like all of Muse's stuff, even their worst B-side, you'll love it and you can even consider Blackholes & Revelations as the best thing that Muse has done by now. The true point is that Muse have drastically changed their sound and we all could notice that when we first heard Supermassive Blackhole. Let's face it, which one of us didn't get stranged enough with it, and who didn't said "What the f--k!" out loud? Probably none of us. I mean, if you are a true Muse fan you'll find out that Muse is not a standar band that is limited to one specific kind of rock music. They can do anything they want and they have that right since Showbiz. What I'm trying to say is that all of Muse's albums are very different the one from the other. Showbiz is way too different from Origin of Symmetry and this one is very different from Absolution and the first cd of Hullabaloo. So you should not be surprised/angry/panicked with the changes made in Blackholes & Revelations. Even if it's the most radical change that the band has taken, it is the next logical step into Muse's career; you had to see it coming since you first put the Absolution CD in your player. And to say the truth, Muse have conserved most of what distinguished them from the other bands and even better, they've improved and they've become even more versatile, they've learned how to manage the intensity of the album (actually the energy in Blackholes & Revelations increases from song to song; it has a "soft" begining, it takes a rest with "A Soldier's Poem" and it ends with an epic chorus compained with a great riff in "Knights Of Cydonia"). But still throughout the whole album you can find "echoes" from the other albums; riffs like the ones in "Assassin" remind a lot of the ones used in "Stockohlm Syndrome", and that's only one example. // 10

Lyrics and Singing: In the lyrics matter, it's the same. They 're not that different, it's just that Matthew Bellamy seems to have left aside the personal topic and started to worry about politics and society. If you make a comparisson between all of Muse's lyrics, this is also "the next logical step". Absolution shyly showed the band's social and political worries, and songs like "Apocalypse Please", "The Small Print" and even older ones like "Citizen Erased", are a living proof of that. The thing is that on this record the political topic is more notorious, but nothing new! And, as usual, Muse has this great synchronicity between what their lyrics say and the music they play, even if now the massive chours is what sounds the most ("Supermassive Blackhole", "Invincible", "Assassin", "Exo-Politics", "City Of Delusion" and of course "Kinghts of Cydonia" are all songs with a chorus that seems to be done by more that only two persons (Chris and Matthew). // 9

Impression: If you want to give it the attention it deserves, Blackholes & Revelations can be your favorite Muse album, but if you prefer to be another one of those psychorigid persons that want it all "as it was always meant to be", you should not even listen to this album. We all Muse fans should comprehend that the band has been changing since they first rehearsed and this new album should not be a surprise 'cause it's not that different from the other ones. Muse has simply grown. // 10

Comments

[Wannabehippie]

Woo i'll be getting this next weekend

[tumples]

its pretty damn awesome, map of the problematique is the best track

[shaun_griffiths]

i've heard the album and i agree. Map is probably the best. And Knights is amazing.

Their best album to date, easily better than absolution


GO MUSE!

[Liamy]

Feck's sake, I'm exploding with excitement. I can't wait for the release, it's gonna RULE!

[IndieMetalhead]

12th july is it? can't remember the date. but im DEFINATELY buying it

[gallagher2006]

god dammit! every time a new CD comes out people allways give it 10/10 for everything!

[faqu]

Sounds very intresting.
Good job with the review. I'll check out the album being a preety big muse fan myself.

[Scrate]

thanks awesome i look forward to hearing this.

[fireball85]

This is a pretty damn good album. I liked the odd blend of styles and the fact that theyv experimented, not being afraid to try completely new things.

[rich_sg]

God wait till Nicky gets in here....

I'm looking forward to this album SOOOO much!

[turkey salad]

I've heard it.

I personally found it sorta dissapointing. But it was a huge step up from Absolution. No way near their best album to date, but still very good.

[Valamonde]

i agree with er... turkey salad? Anyway, just listened to the album through, few good tracks but in my opinion was the worst album they've done yet, highly dissapointing... though I do like Invincible KOC and Assassin

Bring back Showbiz and Origin and start again in my opinion

[tomwm1]

supermassive is the best

[chamb_dude]

does anyone know if muse have, or are going 2 release any official tour dates apart from reading/leeds etc.

[timpie]

they play on werchter thats what i know

[chamb_dude]

cos when they released absolution, they released tour dates straight away??

[chamb_dude]

exo-politics is an amazin song...it would b amazin anthem live!!

[A music fan]

this album is pretty awesome. Assassin/Exo-Politics/Take a Bow are awesome songs

[Supersonic^]

10 10 10.. man UG reviews are ****ing awful. It's a good album, but it doesn't come close to Origin of Symmetry or Absolution. I'd say it's on par with Showbiz.

[BrokenWingman]

I'm guessing the release date mentioned at the top is incorrect?

[Circus]

CAN'T. WAIT. NEED. ALBUM.

[jack_demo]

aint herd it yet, release date (for uk at elast) is 03/07/06. but its muse, they are class so it will be amazing

[barney18]

This is an amazing album, and people here aren't looking at it like an album. Everyone is just going song by song and not looking at it as a whole. The album, in itself, is so broad in influence while still retaining the Muse values. Of course we can see that Bellamy is attacking the hypocrisy of the world and the injustices that are abound in the lyrics, but with the mood of the music, we see a very apocalyptic vibe that is centralizing the thought that it can't get that much worse.....mainly, because its all going to end very soon! I can't get over how big the songs get and then how the tone will change ever so slightly and affect so much. This is an amazing album that really needs to be given a second (or at least a really good, non-casual) listen by everyone.

[barney18]

Oh, and I hear that they will be playing at Austin City Limits in September. You can bet your ass I'll be there.

[Riggy]

Yeah, I've heard the album, it is pretty fantastic, if nto a little... odd in places lol. Map Of The Problamatique is by far the best song in my opinion and KOC second. Also Supermassive Black Hole, which at first I thought was disasterous seems to fit in really well, though I'm still not sure if it's a good choice for a first single. You will go buy it on the 3rd.

[Riggy]

*QUOTE* but it doesn't come close to Origin of Symmetry or Absolution. I'd say it's on par with Showbiz.


Showbiz is THE best one man. lol.

[hothedgehog]

I read somewhere that there would be an America tour in the Autumn and then they would come back to Europe. I am getting me some muse tickets. What a great first concert that would be!

[Fozzie3000]

I personally prefer Absolution to either Showbiz or Origin simplely cos its got alot more listener friendly tracks. I love Origin and Showbiz but some of their earlier stuff is a little difficult to really get into. I really can't understand why people slate Supermassive Black Hole so much? Its cracking song!! All the songs I have heard have been good. Can't wait til it hits th shops. I'm sure I wont be disappointed.

[monkey_dancer]

AAArgh! I am fantastically excited about this, and now it is even more tantalising. Can I really wait until the 3rd of July? I guess, because sadly there is no other option.... And I second hothedgehog. Saw them on their last tour, and I MUST see them again...T'was amazing...

[The Demiurge]

prog rock at its best we love you muse
going to see them in augest at leeds
im going to expload yay!!

[Cliff_Hetfield]

It hasn't even been released yet, just been leaked. And it's being released 3rd of July in the U.K and then 11th July in America. Oh and in America, call or e-mail your local radio station and request Knights Of Cydonia.

[Cliff_Hetfield]

Also they're gonna do some festivals and then on July 18th (my Birthday) they'll do a little tour in the US starting off in san Francisco, then off to Europe and then back to the US for a proper tour during the fall and then back to Europe again. Not all of the Tour Dates have been announced but they will be soon. Oh and they're gonna be in the Austin City Limits Festival Sept. 15-17.

[Serigo]

Legendary band, only heard "Take A Bow" and "Supermassive Black Hole" stuido versions and they were pretty epic and catchy respectively...cant wait for the whole of the new album to be in the shops!

[TheNthDimension]

Sounds a little too like a dance remix of Absolution for my likings. Still better than most stuff out there though.

[KoRnFr33K7]

fireball85 wrote:

This is a pretty damn good album. I liked the odd blend of styles and the fact that theyv experimented, not being afraid to try completely new things.

exactly, usually when bands try very different things, they screw up the music and try to hard to be different. THis alb is still muse but has even more influences. It kinda sounds like the faint meets marsvolta, then raped by franz ferdinand and then controled and justified by muse.

[A Modern Myth]

For the people complaining about me giving it 10/10, well, theres one thing I gotta say. I really, really like this album and it actually blends together well, unlike Origin of Symmetry which has 7 good starting songs, two alright songs and then ends with two good songs. Absolution starts off epic, drops around Falling Away With You, picks things up in Hysteria and drops them in Endlessly and doesn't reclaim them. And Showbiz, whilst having good songs throughout, tends to blend into one giant song. BHAR tends to go through three different phases, and explores different styles throughout, which is why it got 10/10/10.

"You and I must fight to survive."

[l3xbi]

Riggy wrote:

*QUOTE* but it doesn't come close to Origin of Symmetry or Absolution. I'd say it's on par with Showbiz.


Showbiz is THE best one man. lol.

I Agree, but i think its on par with Origin of Symmetry, not all the songs are perfect like EVERY single track on showbiz/absolution.

to the guy that wanted the new muse album COFF"http://lee.bolger.googlepages.com/muse-b...
ions"

[RadioMuse]

I've heard parts of it was impressed with some and other parts are growing on me. I'll probably enjoy it, a lot, because Muse are one of my favorite bands that actually releases stuff still.

Will be d-ling from that link a couple posts up. After all I'll buy the CD anyway to show my support, get the artwork and have a hard copy.

[hthedinga]

map of the problematique is not close to being the best song on the album. is there actually a stereo version of the album out or are you guys talking about the mono one?

[Gin Joints 959]

im a huge muse fan and i dont find this album their best, but its still awsome

[japes]

absolution 'drops around falling away with you'?!?!?!?!

FAWY is by far one of their most underated songs

[vanceboy]

interesting...ill pick it up if i have enough cash.

and falling away with you is just...lovely. its so pure.

[seifer_alamasy]

I think this album is amazing. I have all their album's and this one appeals to me the most. I think Muse change enough with each album that they sometimes aliennate some fans, fair enough. It's still similiar enough to the sound muse have made there own though, so any muse fan "can" get into the album I think.

Map of the problematique, take a bow, and Starlight are my favorites right now. And I do love SMBH, pop or not.

[RadioMuse]

Just aquired this by "not so legal" means. I definelty would agree that this album could be mistaken for pop, mainly because nearly all of it dancible (blame Dom and his infectious beats).

Really it's fantastic stuff but I'm having a hard time getting into it yet. I guess this is kinda nice though, I've never had trough getting into anything Muse before and the challange to figure out what I might be missing will keep my coming back.

My favorite of the moment is "Starlight" because it's so... uplifting? I don't know what the word is but it's crystaline in it's level of perfection. God I hope I can come up with money to see these guys live...

[BlenderChild]

knights of cydonia is pretty much the coolest song ive ever heard. and i want exo politics to have my babies.

[kt_guitarist]

where do you all buy/ dowload this album i believe it wont be in stores here untill the 3rd of july i thought. For the record, i live in The Netherlands.

[Chable]

I love this album. My fav. songs are Starlight, Supermassive, Map of the problematique, Soldiers poem, Exo-politics and Knights of Cydonia. Its a great album and its also has a continuing theme running through most of it. Muse have tapped into another kinda music, which makes their new stuff sound kinda like ELO, especially starlight. But they still have the awesome lyrics and classy riffs. Give this album a chance, it will grow on you...

[marjofromfrance]

please!! can somebody send me a song !! in france we can't hear this album !! pleaaaaase !! help ...

[Phoenix_24Leas]

yeah initially I wasn't liking SBH but like just about every muse song it grows on you.I've only heard KoC, SBH,Map and Starlight but Starlight's the best in my opinion despite the nancy intro

[Phoenix_24Leas]

and did anyone notce how Absolution kept switching between soft songs to hard?i.e. absolution, stockholm, FAWY then Hysteria. thought that was pretty ingenious

[electr8r]

Knights of Cydonia sounds kinda like an early 60s song, "Telestar" by The Tornadoes, but with steroids and Queen vocals. AWESOME!!!

[shaun_griffiths]

wasn't bellamy's dad in them?

[METSOAD]

i heard the album on the myspace special, they run through new albums on the space from beginning to end

[judgeyourself]

very good album but not 10/10 a 8 origin is their best and will never get beaten by them again this is a good new sound but 10/10 is pathetic all reviews on here are awfull

[Muse-Citizen]

Pre-ordered my copy of it! 3rd July!!! wooooo yea i think Map is prob my fave track of the album1!!!!! Wooooo bring on July 3rd!

[Cliff_Hetfield]

The whole album is up on Muse's myspace. The whole album's great, some songs do have to grow on you though. That's why I wouldn't be in a rush to review the album, like some people did.

[ripplophone]

I wish people would write reviews c.1 month after their first listen. Of course if it's by your favourite band it's going to sound 10 10 10 at first. A record reveals its true strengths and weaknesses over time, which is what a review is all about. If people want to read a half decent review, there are some good ones written by members on amazon.com

[jackh131]

This is now one of my fave albums, it's not as good as Origin Of Symmetry, but it's better than Absolution, Hullabaloo and Showbiz. My fave songs are Knights Of Cydonia, Map Of The Problematique, Exo-Politics and Starlight.

[Noverion]

yeh, the albums on muses myspace at hte moment, i heard it

at 1st i was dissapointed, and then i realized how creative it was,

pretyt goosd album, though not there best i dont think, i think its too soft, not enough guitar in there, mi fave songs were,
take a bow
knights of cydonia
assassin
map of the problamatique, and the one after exo politics

[joshwhiterod]

i have heard some of the songs from it and all i have heard are awesome (especially supermassive blackhole) but i still think the oldere ones are slightly better... if you have never really heard and muse songs listen to NEW BORN and you will instantly like them lol

[GiantRaven]

I'm listening to it now on MySpace

Never herad any Muse before and i've already fallen in love with this album =P

[Dan The Poet]

Muse is going to explode with this new album. Can't wait.

[bassetrox]

Great album, if you want to hear it before buying it, visit

http://www.myspace.com/muse

BHAR is a myspace featured album (as already mentioned), for a limited period.

Sounds great, I loved SMBH when it came out, though i know other hardcore fans were 'disgusted'.

Basically, if you're an absolution (my personal fav) fan with fairly "big ears" you will probably love this album. Those who preferred Origin and showbiz may be dissapointed, though I'd have a listen

Experimentation with 'dancy'type synth sounds as well... I'm all for it!

[Muse_123]

just listened to the album and am struggling to pick myself off the floor! what an awesome record, totally over the top but in the best possible way.

[Cliff_Hetfield]

One of the largest dissapointments here is, as mentioned earlier, the lack of moments that truly make any single member of the band shine.

What about Dom in Assassin? That isn't him shining??? See that's why I say take your time listening to the album and writing your review, 'cause you can miss stuff pretty easily by doing it in one day..

[the loud one]

Epic...havnt heard the whole album yet but i cant wait for monday!!!
The riff at the end of Knights of Cydonia is absolutely amazing and testifies to matts ability to write incredible yet not especially complicated music.
agree anyone????

[METSOAD]

agreed

[InLimbo11]

I wish people would stop giving albums ten out of ten, no album is perfect, if you think of every album you had, theres always something they could have made better
Muse are good, but their new album isn't what they do best.

[hothedgehog]

Gotta say... play.com sent me my copy early. i got it yesterday (sat) and its ****ing amazing! It takes a few listens to get used to and you could be pardoned for not believing it was muse at the start. They really have changed direction but i think that's a good think - they have a massive base of knowledge and inspiration to draw on and i think that they have done this superbly! Gotta say though, 'map of the problematique' is not my cup of tea and i think the writing in 'take a bow' is rather badly written compared to the rest of the album (with the whole reoccuring start theme just moving up a note each time) - quite repetitive and not at all on par. Taking that into consideration this album is a 9 - still amazing thought!

[shmooty]

It's good, but it doesn't compare to origin, which is perhaps the best album ever made so far in this decade.
When I say good, I mean, its awesome. But not quite at the level of origin.

[Noverion]

bought it, was dissapointed on 1st listen, so i listend again, and since that 3rd july ive listend to the whoel ablum about 15 times, i love it, most of the songs are all brilliant

the best:
Map of the problematique
Exo-Politics
City of Delusion
Knights of Cydonia

[James_CFC]

The new album sounds great. I've only listened to it twice but I like what I hear...

[mattbellamy]

Its less accessible than their others, and is much more layered because they said they wanted to record and album without worrying about if they could replicate it live. However, just because a riff like hysteria or plug in baby doesnt jump out shouldnt mean disappointment. Im guessing that like me, muse devotees love the sheer...weirdness...and ability to jump outside the box, of this band, and BHAR is a perfect example. Map of the Problematique is a truly amazing song, so deep and unexpected, and - though it pains me to say - could not have achieved its atmosphere through a typical band set up, the heavily MIDId guitars give it an otherworldliness, a feeling which continues through the whole album. Dont be disappointed if you think muse have changed, the ethos stays the same - kick ass original tunes.

[Sephirangel]

better than absolution, but i think its different to all 3 of the previous oens. awesome album though

[jasonkan]

not as good as absolution. may take a while gettin into it, but not bad after a couple of listens

[azureXsmurF]

My favorite Muse album, closely followed by Absolution.

[METSOAD]

this and origin own the other two

[gregorisgod]

To be quite honest, I think it contains some of their best songs to date.

But seeing as Mure now have four fantastic albums, I'd find it hard to pick a favourite. This is up there though. Can't wait for the 24th of August now.=D

[nohandboy]

just got it, track number 6 "invincible" sounds awfully similar to the keane song "everybodys changing". Apart from that the first listen is pretty good.

[Mr.NakNak]

Is it just me or does the first 14 seconds of "Assasin" sound a lot like the "Knight Rider" theme tune?

[Al the grunger]

I thought that anything after asdolution would be a dissapointment, but this is easily the best album of the year so far and it will take something classic to beat this album as the best album of the year. some classic songs on it,like,Knights,Starlight
,Invincible,Map and supermassive and the rest of the album is just amazing. I liked muse before but now they are one of my favourite bands. and i get to see them in August in edinburgh. Can't waitXD XD

[kiwitabber]

Great album. I rate it second to Absolution. I would have loved to hear more of those raking guitar riffs like in Knights of Cydonia. What a song that is though. Gotta love that guitar. I thought Supermassive was a refreshing change for muse and one which they pulled off brilliantly. The first time I heard Supermassive I was skeptical but after a few listens I was enthralled. Soldier's Poem is great too. Who here thinks that it's reminiscent of Queen. It's a nice balancer between the distinctly different sides of the CD. Exo - Politics rates as my favourite song though. The synths (I hate admitting this) sound bloody brilliant on this track. I was almost converted to a synth lover - almost. I wonder how they'll go live. It would be an arse of a CD to perform live, but I reckon they'll pull it off as they always do.

[l3xbi]

turkey salad wrote:

I've heard it.

I personally found it sorta dissapointing. But it was a huge step up from Absolution. No way near their best album to date, but still very good.

Agreed, Absolution was easily the best imo. although its still ****ing wicked. and to the guy who said muse have been doing alot in the last 3 years. you lied. When Muse played earls court they did two shows with The Zutons supporting. Which were the only two gigs they had done for a year. and tickets sold out instantly GRR. and the next gig was BBC Radio Live Weekend thing.

[Mortigi Tempo]

hmm it seems good so far but I dont think theyve made an album better than origin of symmetry so far and its not as easy to listen to as showbiz and doesnt have the amazing single tracks like hysteria that absolution has... I'lll give it time though

[XmydyingheartX]

I really like this album, Muse have always been ****ing amazing, and they continue to get better.

I loved every song on this album

[McKillswitch]

Exo-Politics and Knights of Cydonia where cracking songs, the album isn't there best, O.F.S is, Then Absolution, then this, then Showbiz
Good job Matt,Dom,Chris, Another cracking album.

[KoRnFr33K7]

DO any of you find that the production on this album isnt as good as the others and the sound isnt as epic either?

[chillie pepper]

WOW!!

sounds good, but will they ever beat origin of symetery?

[gallagher2006]

i reeeeeaaaaallllly wish people wouldnt give all the options 10/10. so according to most of you, this album is on par with Ok Computer and Sgt. Pepper? I dont think so.

[elmolikepie]

No way absolution was ther masterpiece, sayin that all 3 of ther previous albums are pretty damn awsum. I like the new one but I dont half wish ther were a few more killer riffs in it.

[elmolikepie]

An dnt b stupid ppl may say muse sound like radiohead but they are a billion times better then yorke an co will ever be. Beatles = most over rated band of all time.

[BumOffBarney]

checked.

[apc--ibanez]

i cant believe these reviews, id give it a 5/10, SMBH is a good song and theres a few others but overall pretty average album

[VoyceZ]

single most amazing album in the world, they could have just released "Knights of Cydonia" and no other song is the album would still be amazing. The scale of this album is more then uncomprehensable in words.

[vanceboy]

I think it's almost as good as absolution, but I'm glad they do a lot less piano crap.

[hothedgehog]

vanceboy wrote:

I think it's almost as good as absolution, but I'm glad they do a lot less piano crap.

Actually... i want more 'piano crap' i think its great.

I love the way that they have really expanded on the vocals on this album.

Anyway, one last boast - i finally got my tickets. November 14th is gonna be the hardest wait ever!

[Problematique]

agreed. i really miss normal pianos in their new stuff. it is cool that chris and dom are singing more now.

[Cliff_Hetfield]

Problematique wrote:

agreed. i really miss normal pianos in their new stuff. it is cool that chris and dom are singing more now.

Dom can't sing at all, infact he's banned from doing it ever again. Morgan Nicholls does some background vocals.

[Cacaking]

not a single track i want to skip when im listening to this album. still not getting the critical and commercial attention they should be getting in the states.

[jen3113]

im not really too impressed with this album, i thought their previous albums were way better but i think "super massive black hole" is a great song

[Phoenix_24Leas]

Definitly not getting the attention it deserves in the states, all the radio stations are like "we play new music all the time!" when in reality everythings on the same god damn loop all the time with Panic! at the Disco, Fall Out Boy, Motion City Soundtrack and other crap(srry if you like those bands but still)

[METSOAD]

gallagher2006 wrote:

i reeeeeaaaaallllly wish people wouldnt give all the options 10/10. so according to most of you, this album is on par with Ok Computer and Sgt. Pepper? I dont think so.

Yes i do because it is a legendary album, as are ok computer and sgt pepper

[Geek_Aus]

Super Massive Blackhole is an awesome song. i hadn't really heard that much of Muse before, but i'm thinking of getting this album.

[axiom]

Muse are amazing. This album isn't so much. So sad.

[japes]

Fozzie3000 wrote:

"this album is on par with Ok Computer"

For **** sake, not the whole Radiohead shit again!! Can't anyone see their completely different, Muse are ****ing awesome, and Radiohead, well, they lack anything I would call half good. How the hell did Ok Computer get the best album of this century? Its a slap in the face, they might as well have given Busted to top price!! Muse rules, love the new record. Not as good as I was hoping, I wanted more riffage and awesome bass but I am happy all the same.

mate, im sorry, but that is the most noobish thing ive ever read. ok computer is an awesome awesome record, black holes and revelations is also brilliant, anyone who recognises good rock music can tell that. You cannot compare them though as they are DIFFERENT. argument over

[rangermetz241]

this album is a very good album but it can't hold absolutions jock! absolution is the best cd i have ever listened to. it defines the word album. i instantly fell in love with absolution. i was very dissapointed when i bought and listened to black holes and revelations. eventually it grew on me but still, i know for a fact i'll never like it as much as i love absolution

[InLimbo11]

OK computers overated, and dont call me noobish radiohead are my damn favourite band and only para andr matches anything such as like spinning plates, idioteque, and national anthem on Kid A and amnesiac, and i would rate muses new album as a 9, prob not a ten, its not perfect

[fluffylump2]

can somebody please explain this band to me? I have heard like two of their songs and they're regarded as like geniuses in magazines and sites such as this one. so what's up with these guys? what do they sound like?

[azureXsmurF]

fluffylump2 wrote:

can somebody please explain this band to me? I have heard like two of their songs and they're regarded as like geniuses in magazines and sites such as this one. so what's up with these guys? what do they sound like?

They sound like purple =]

[japes]

InLimbo11 wrote:

OK computers overated, and dont call me noobish radiohead are my damn favourite band and only para andr matches anything such as like spinning plates, idioteque, and national anthem on Kid A and amnesiac, and i would rate muses new album as a 9, prob not a ten, its not perfect

i wont call you noobish, but the dude i originally quoted was comparing radiohead to busted...

[RATM_Rocha]

electr8r wrote:

Knights of Cydonia sounds kinda like an early 60s song, "Telestar" by The Tornadoes, but with steroids and Queen vocals. AWESOME!!!

Matt's dad was in them, Read issue 1118 of kerrang and theres 20 things you didn't know about muse in it, it's great.

My fav tracks.

Maps.
Starlight.
KoC.
And Soliders Poem.
All of them are great songs, but there the best four, also, LALALA, Does the Supermassive scare anyone else, or is it just me?

[RATM_Rocha]

Does the supermassive black hole video scare anyone else???***

[Aussie Ghost]

MUSE will headline at the Big Day Out in Australia next year, cant wait!!! Chili Pepers and audioslave are goin to, **** yeah!

[theguitarist]

Checked/Deleted.

And cut out the bickering.

[SephirothRaiku]

You rock.

[Pundog]

Went from never (knowingly) hearing a Muse song to owning this album in 10 minutes, great album, 10/10. As for the whole Radiohead thing, Radiohead and Muse have a pretty similar sound, albeit Muse is a little heavier, so comparing this album to OK computer isn't a stretch. That said, OK Computer takes BHaR out back and beats it around for a good 10 minutes.

[PoizonIVY]

GAWD Dammit... all you folk who complain about the album always getting 10/10, should bloody well GET WITH THE PROGRAMME!
This album is SPECTACULAR!
Map is brilliant, and Knights. BEST Muse album by far...
LONG LIVE MUSE!!!!

[bassplayer496]

This is my second favorite muse after absolution.
~Love, Dallas~

[Svektaal]

Never heard of Muse until this album and enjoyed it enormously. Bought all of their albums since. Knights inspired me to go to their concert in Manchester just to watch that would be all worth while.

[SYH_Fan]

Yay muse.

[jimmy_h_]

This album is an innovation! I love it, been a fan of Muse since Showbiz.

Albeit this is almost a completely different sound to the likes of Showbiz and Origin, it's so original compared to other bands who have tried to take the 'experimental' root (Angels and Airwaves? eh?!)and just because it IS different to their previous albums doesn't make it a bad thing. It's good that they can change their sound, and still be amazingly competent at what they do best.

Bring on their next album, i'm betting on a return to roots :]

p.s. there is a bloody good reason why Radiohead have been critically acclaimed for their OK Computer, it's an AWESOME album. Also, Beatles=most overrated? get the hell out of here.

[Learn_to_fly]

Good, solid album. It flows well, Assassin is my favourite at the moment. I think they should have taken Hoodoo out, it feels too much like filler.

[Rob421]

Its a great album, i didn't like Hoodoo or soldiers poem that much until i saw them live and then i saw the songs in a different way. Not sure if it can stand up to their other albums,coz its lackin the heaviness. Can't reli complain tho still a great album.

[wangmaster]

starlight, map of the problematique, SBH and KOC are the best on the album. Its equal to absolution IMO. and Muse pwn radiohead. period.

[tbarrettl]

This is a great eclectic grouping created by a great band just being their self, they need no comparisons.

[Sappy Old Age]

Learn_to_fly wrote:

Good, solid album. It flows well, Assassin is my favourite at the moment. I think they should have taken Hoodoo out, it feels too much like filler.

Ok did i say that? lol cos that was exatly what i was thinkin

[lpgreatfan]

muse are a great, great band... black holes and revelations is for sure one of the best albuns of 2006!! great songs on there.

[Uber-rocker]

The whole album is great! Exo-politics or supermassive black hole would be my favourites..

[tbarrettl]

Period end the Sentence.
Muse is perhaps the best band of the 2000s.

[Cheezy]

I really love this album, though origin.. is still my fave. But this album is really really good because its so innovative, theres a good mix of sounds and influences...take a box is like philip glass, map of the problematique is JUST like depeche mode lol, and KOC sounds like something from a clint eastwood movie thats had a rocket stuck up its arse (thats good btw). I think the best song on the album is either KOC or assasin, cos all the others dont have the same sort of heavy riffs that i love origin of symmetry for

[Jord1235]

My favourite band of all time, love them! I saw them live at the BDO in Auckland, the whole stadium turned into a moshpit. Timeless and ****ing awesome

[aartisookniemiz]

Another Briliant Muse Album
Espaecially Knights of cydonia, Suppermassive Black hole and starlight

Ps. Math Bellamy For life

[Phoenix_24Leas]

I Wanted to start a riot after they played KoC in Denver but hoodoo and Soldiers Poem should've been taken out in place of Glorius and Easily those are definitly one of my favorites

[Babydave]

This in my opinion is the best album i own, followed by OoS, Showbiz and then some others with Absolution somewhere in the good-i like pile.I love MUSE, imho they are the best, most innnovative british band since Radiohead and unlike them have maintained a highly listenable standard of music.Where radiohead went obscure MUSE went supermassive.I saw them in Sheffield early in the BHaR tour and they were amazing.Best live act anywhere, no doubt.Ive seen RHCP who were shite and pale to comparision.My only problem is that Glorious isnt a hidden track or something.Would put the icing on the cake!!!!

[Draken]

great album

wangmaster wrote:

Muse pwn radiohead. period.

but this is wrong

[k*CMYK]

Indeed. Different bands, different genres. Although the fanboys are equaly stupid.

[Nirvana-Man]

great album, i love starlight, the piano piece is awesome

[proguitarist11]

wangmaster wrote:

starlight, map of the problematique, SBH and KOC are the best on the album. Its equal to absolution IMO. and Muse pwn radiohead. period.

you are a ****in prick for even thinking that. radiohead will be remembered and will be on classic rock stations in 20 years. Muse will be one of those $1.99 CD's you get at record stores..

[Babydave]

Muse will be one of those $1.99 CD's you get at record stores.

i severely doubt that my friend, being the biggest British band of the 00's, plus having worldwide exposure i would put money on them being revered in the same way radiohead are now, at the same point in their career.

[break-me-in]

Babydave wrote:

Muse will be one of those $1.99 CD's you get at record stores.


i severely doubt that my friend, being the biggest British band of the 00's, plus having worldwide exposure i would put money on them being revered in the same way radiohead are now, at the same point in their career.

I personally think they'll be bigger than Radiohead. I'm putting them down as the next Pink Floyd.

[Bozjoarmstrong]

Muse are miles better than radiohead after this album, before id have put them level

[Babydave]

I personally think they'll be bigger than Radiohead. I'm putting them down as the next Pink Floyd

Im not too sure you can get bigger then those bands, surely there just comes a point where bands ascend to a higher plain and jus are awesome, none better then the other just because they are all some awesome!

[kfong03]

muse is pro

[exilers]

extraordinary sound , electronic rock, and musically genius.....That is muse....

[Spiritweaver]

Man these guys need more exposure in the states, they only song that ever gets airplay over here is "Starlight" from one of their older albums, I'm the only person I know who gives this band as much reverence as they deserve... which is sad, given the level of talent these guys are at.

[blinkguitarist5]

dude, starlight is from this album and it's their latest release.

[blinkguitarist5]

i really really hate when muse and radiohead are compared. muse pwns them.

[scb]

i agree, muse are way better than radiohead!

[That-Funny-Guy]

i triple agree!
muse > radio head 4evr!

[That-Funny-Guy]

i triple agree!
muse > radiohead 4evr!

[MaxerJ]

well, That-Funny-Guy posted twice, so i'm gonna say...

I quintuple agree!

Muse > radiohead 4evr!

[Maclynd]

definetely, one of the best albums ever

[red157]

Muse aren't better than Radiohead, c'mon, get a clue.

[Ragnorak6000]

How the **** can people compare Muse to Radiohead only a fool could do such a thing CLASS album though

[jfsj123]

radiohead arnt dat gd muse kiks ass!! The time has come to make things right (folled by great riff) and a orgasmic finish amazing song

[rhcpfan118]

AMAZING album. better than absolution, not as great as origin of symmetry. and my god, do they sound amazing live, they put on one hell of a show. 9 or 9.5 out of 10 in my book. on a side note, muse and radiohead are completely different, there's no way to compare them. radiohead is good, but not great... they can be pretty repetitive. muse in my opinion is slightly better, but that's based on repetitiveness solely.

[MoonWise]

This is real good I mean, where else do you get THIS!?

[Frusciante30]

Meh. They're overrarted.

[Bloran]

haha overrated? thats flat out not true
i noticed your screen name, frusciante
want to talk about an overrated band? RHCP maybe?
nonetheless i think muse is one of the most brilliant rock trios of all time, ive got them right under rush and cream
this album is sick

[rancidryan]

best album of there s scince originsof symmetry

[Captain Cool]

Bloran wrote:

haha overrated? thats flat out not true
i noticed your screen name, frusciante
want to talk about an overrated band? RHCP maybe?
nonetheless i think muse is one of the most brilliant rock trios of all time, ive got them right under rush and cream
this album is sick

my thoughts exactly

[jerbal]

i hate to join the radiohead versus muse arguement , but didnt radiohead make o.k computer ? isnt that condidered one of the best music albums of the 1990'S ?
i bet my nuts it is . muse r great though .

[6Slay6tanic6]

Bellamy is a genius

[Scumbag1792]

Matt Bellamy > You

[verona_bassist]

mmmm!!!! exquisite album

[Paul Lambeth]

jfsj123 wrote:

radiohead arnt dat gd muse kiks ass!! The time has come to make things right (folled by great riff) and a orgasmic finish amazing song

Well, no, Radiohead are brilliant pioneers of innovation. Listen to anything past The Bends (that was just a defining album for the genre anyway) and you can hear tremendous innovation which more bands should attempt.

Like Muse are. That's the only comparison I make between them.

[ordinary_story]

Glorious is an amazing song aswell.

[Dinopaterno22]

judgeyourself wrote:

very good album but not 10/10 a 8 origin is their best and will never get beaten by them again this is a good new sound but 10/10 is pathetic all reviews on here are awfull

origin is the best album mate totally agreed!

[thExcomunicated]

luv dis album
muse are the best

[Ovenman]

I don't know who started off the argument, but Muse and Radiohead are two brilliant bands with completely different sounds.
Anyone who say's anything but the singing is alike are just joining the bandwagon.

[Rockinguitar]

Was it just me, or was the 1st review EXTREMELY long winded? And I ain't even gettin' into this debate between bands. People like what they like so why are Radiohead fans here arguing, and why are Muse fans arguing back?

[RockzKudaime]

It was a message for Mattew Bellamy. First I wanna say let's come to my country. My country is Indonesia.
One of Indonesian Best Young Wowan Guitaris and My Idol too was love you. Hope you can come here for her and may be play guitar with her. Her Name was CAMERIA HAPPY PRAMITA or Mita from Band "The Rock Indonesia", "The Virgin", and "V-MAIL". Almost EveryOne in Indonesia Knew about her. Or You can ask about Republik Cinta Management (RCM). She was an artist from there. Hope You can see her because she was really inspirate by you and very-very love you. Thanks before for Reading This Complicated Things.

[Bozjoarmstrong]

[quote]Frusciante30 :
Meh. They're overrarted/quote]
says someone who names themselves after a guitarist who is largely overshadowed by a bassist...
and I love the Chillis...
Muse are in a league of their own, as good as Radiohead are, nothing can compare to Muse at the moment, I honestly believe they are the best band on the planet.

[stokcton]

knights of cydonia- best song ever