Libertad Review

Release Date: Jul 3, 2007
Label: RCA Records
Genres: Hard Rock
Number Of Tracks: 12
The supergroup sticks with what they know on Libertad and delivers a set of single-worthy tracks in the process.

Sound:	7.9
Lyrics:	7.3
Impression:	7.9
Overall rating:	7.7
Users rating:	8.7
Comments:	124

overall: 8.3

Featured review by: UG Team, on july 03, 2007

Sound: While it seemed like Velvet Revolver and Guns N’ Roses (Axl’s “newest” version, at least) were in the throws of a competition to get their latest releases on the shelves for the past few months, it was evident that Slash and the boys still have about a 10-year handicap -- and would still win handily, of course. It wasn’t necessarily inner turmoil that really caused the delay in the Velvet Revolver album, but rather it had more to do with just getting everybody together with a reliable producer (Brendan O’Brien). Once that obstacle was overcome, the riff-machine that is Velvet Revolver was able to write a set of riff-heavy rock tracks that should satisfy anyone missing the blues-driven, ballsy rock that reigned in much of the '70s and '80s.

Libertad delivers much of what you’d expect from the supergroup, and that’s not such a bad thing in an age where bands thrive on tossing around words like “maturing” and “experimenting” when they go into the studio. Almost every song begins with Slash’s grinding guitar riffs and is rounded out by a solid rhythm section. While Libertad never reaches the songwriting level of an album like Appetite For Destruction, it still features some excellent rock tracks and many classic solos by the incomparable Slash. In fact, much in the vein of “November Rain,” one of the most memorable solos comes in the band’s cover of the E.L.O. ballad “Can’t Get It Out Of My Head.”

The band chose a fitting new single with “She Builds Quick Machines,” which starts off with a guitar-driven intro similar to “Slither,” which was not so coincidentally also the first single off the first record. That riff pretty much makes the song, and thankfully Slash doesn’t just jump to chords during the verses. You hear a pared-down version of that intro riff much of the way through and up until the breakdown, which is effectively slowed down to make way for a killer Slash solo. The album actually does, however, feature a few songs that get a bit chord-heavy and repetitive, and inevitably Slash always saves the day with his solos.

The rhythm section is exceptionally tight in Velvet Revolver, with “American Man” the best example of the talent. The song draws you in pretty quickly with an intro that doesn’t put the guitars in the spotlight. A grooving bass line from Duff McKagan and some beautifully mellow percussion from drummer Matt Sorum is at the forefront of “American Man,” with the song quickly building into a climactic chorus. While the chorus does get a bit monotonous (this lyrics trend happens in more than a few songs) with vocalist Scott Weiland singing, “Yes, I am the American Man” over and over again, there are enough highlights elsewhere that it can be overlooked. // 9

Lyrics and Singing: It’s hard not to get distracted by the repeating choruses supplied by Weiland, but the verses do usually feature quality lyrics along the way. The track “The Last Fight” seems like it could be easily inspired by the ups and downs of Weiland’s marriage, and that personal slant makes it an interesting listen. He sings, “Town heals all of the burned out bridges; Filled with nothing more than misery; I wear the mask of the embattled son; Trying to beg for something to believe.” It seems like Weiland is doing a little soul-searching in “The Last Fight,” and it’s a big change from most of the lyrics, which are your usual rock faire.

There are a few cringe-worthy lyrics on Libertad, with “Just Sixteen” being one of the main offenders. Weiland sings, “Standin' in the courthouse; In front of every child; She said "Your Honor I plead to the crime of being satisfied.” The line about “the crime of being satisfied” does seem a little bit much, but there have been lots and lots of rock songs that have tread similar ground. Of course, with a title like “Just Sixteen” it does seem like we’re asking for trouble anyway. // 8

Impression: Libertad won’t necessarily be placed on a pedestal like some of the releases in the bandmates' catalogues, but it’s still a worthwhile purchase. Slash is at the top of his game, and if you’re a fan of the curly-tressed guitarist then you’ll get giddy just hearing him pull out the wah. Weiland’s vocals are strong, but never do quite have the unique quality that -- dare I say -- Axl does, or at least did. Even so, Weiland is still able to deliver some beautiful harmonies along the way and can hold his own against the grinding guitars that fill pretty much every track.

Barring a couple tracks, most of the songs on Libertad could land themselves regular airplay -- which for a rock band with a dangerous image might be the kiss of death. But the bandmates in Velvet Revolver are likely way past having to endure peer pressure in the rock world and don’t mind reaping in a few more fans with the release of Libertad. While it would have been nice to hear a little bit more edginess at times, the band still has succeeded at writing tight rock songs that will appeal to a wide audience. // 8

Reviewed by: unregistered, on july 04, 2007

Sound: The sound and music of this band is just wow! I mean they have some great musicions in their midst. I'm talkin' Slash, the vocalist, drummer, bassist, pretty much just the whole band! I don't think there is a "story" behind the album but Velvet Revolver gave us a great preview. She Builds Quick Machines-Single was the album that gave us all a taste of what was coming. On the album artwork there is a picture of skeleton Slash, skeleton of another former Guns N' Roses artist, and the skeleton of an angel. These characters are uncovering a coin with an angel that says Libertad and Velvet Revolver on the top and bottom of the coin. In just the first song of the album, "Let it Roll" you can easily see how much the band has grown together after only two full albums. // 10

Lyrics and Singing: I really actually like the lyrics cause you know what cooler lyrics could you get than talking about how a girl tastes like candy? I mean seriously these guys know how to write good songs with awesome lyrics. If the lyrics tell about something sad, the music is slow and sad. If the lyrics tell about something awesome, the music is awesome (common in most of the songs)! But the lyrics would be nothing if the singer sucked horribly. But, the singer doesn't suck horribly and is actually very good. So I personally rate the lyrics just as high as I would rate the music, a perfect 10! // 10

Impression: Other albums wish they were good enough to compare to this one but they're not! My personal favorites on this album are She Builds Quick Machines, Let it Roll, and Just Sixteen. To sum it all up I love everything about the album with the exception of the slow songs. And yes if it were stolen or lost it is definitly worth buying again! // 10

overall: 8.3

Reviewed by: 4.7GB, on july 16, 2007

Sound: Libertad doesn't dissapoint in terms of sound, but, it isn't (in my opinion) as good an album as Contraband. I think the band work well together and seem able to bounce off each other. Slash certainly cut the mustard with guitar skills and Weiland sings well. The tracks from the album are as follows:

01. Let It Roll - is a perfect opener to start with. It sounds just like something you'd hear from the '80s during the glam rock era when bands like Motley Crue, Van Halen, and Poison reigned.Both Scott and Slash seem in their comfort zones here, especially with the Slash solo in this song. Though it be short, it's a good opener, and for once, Velvet Revolver sounds more like Velvet Revolver rather than GN'R with Scott Weiland.
02. She Mine - we go a little into a STP type song here with She Mine with lyrics like "I call it love insanity, I call it my reality". Still a good song though, although Slash's solo in this song is short. However, it still doesn't sound like GN'R w/ Scott still. It sounds more like STP with different members other than Scott.
03. Get Out The Door - nothing much to say here except this sounds like another '80s song, just more modern like Let It Roll, but this time it's the negative of Let It Roll. Kinda humorous when Scott says "Like Transformers girl, there's more than meets the eye", I must say.
04. She Builds Quick Machines - their first single from Libertad, She Builds Quick Machines, sounds more like the stuff that VR did in Contraband. But though it has a great Slash solo, the song reallys brings Libertad down. This sounds more like the sludge in Contraband with stupid lyrics that made no sense, like "Ice cold desert snow" and "I can feel it when you pull straight down, I can feel it when they stood their ground." Even the chorus makes no sense! Another problem with this is that it has a sort of how-now-brown-cow rhyme scheme in this song. Really this song is a filler and it really throws off the balance of the album.
05. The Last Fight - now we go to the first of 3 ballads in Libertad. The Last Fight makes a major progression from a ballad like Fall to Pieces. Instead of using hard, chugging riffs, it uses some backing vocals and has a mellow mood to it. A better song than that of SBQM.
06. Pills, Demons, & Etc. - you'd think this would be a darker song, but this is surprisingly up tempo, with a great Slash intro. This is one of the songs that was dedicated to the memory of Michael Weiland and Daniel Sorum. They died during the recording of this album from heroin, and this song talks of the demon drug that killed the brother. Again, it shows a musical progression from Contraband.
07. American Man - Scott takes some time to talk of the modern culture of today in American Man. Nothing much to say here, but an okay song. Kinda dull, but nothing noticiably crap about the song.
08. Mary Mary - it doesn't take a rocket scientist to figure out who wrote the song or even who it's about. Again, this is one of those songs like that reminds of an '80s glam rock song. Shows a major progression again from Contraband, and this song really shows off Scott's vocal ability. Also, impressive drum opening from Matt.
09. Just Sixteen - this song is like Van Halen's "Hot for Teacher". This song is surprisingly up tempo, and again sounds like another 80s style glam rock song like I've pointed out, like I don't know, a lot? Anyways, this is a very good song, and this is one of the stand out songs that succeeds where Contraband fails and shows signs of a major musical progression.
10. Can't Get It Out Of My Head - the best ballad of I have ever heard from the band, it's even better than You Got No Right in Contraband. I must applaud Slash in this song, this is the best solo I have heard and some of his greatest work ever. Great song.
11. For A Brother - this is the other song dedicated to Michael Weiland & Daniel Sorum. But this seems more heartfelt this time around. Good song, nothing much more to say about this.
12. Spay - again, this is one of the songs that sounds all too familiar to a song from Contraband, Spay sounds more like Dirty Little Thing, but it aims more at the modern Hollywood starlets rather than just at one person with lyrics like "You would rather spite your face than change your life" and it takes a shot at the rappers of today with "The singer sings of diamond things and all excesses". A wonderful song.
13. Gravedancer - a wonderful ending to Libertad. Scott's voice is perfect for this song, and Slash has a great closing solo for this song. But I must say: the country song at the end of this song is kinda humorous. Gravedancer ends like Kitchen Ware & Candy Bars does for STP's Purple. And does anyone know the name of the country song at the end of Gravedancer? Anyways, Gravedancer is a perfect ender. // 9

Lyrics and Singing: Although I am not a fan of Scott Weiland his vocal skills are not too shabby to say the least. He blends gruff and smooth vocals well, creating the moods for each song almost perfectly. The first and last songs on the album, Let It Roll & Grave Dancer, are definately Weilands best performances as he get deep into the heart of both songs. Also Pills, Demons, & Etc and For A Brother deserve a mention as these songs are both dedicated to the memory of Michael Weiland & Daniel Sorum, so needless to say Weiland puts his heart into these as well. // 8

Impression: Loaded rhythms, jaw-dropping guitar works, seasoned harmonies, but, I feel they just didn’t cut it well enough to blend it into a superb album. I think we all need to realise that we are not going to see these guys create an album anywhere close to Appetite for destruction, and need to stop comparing Velvet revolver to GN'R. Libertad has a sense of aimless purpose, though certain bits were good, it’s one of those album that you need time to warm up to. I would but the album again if lost/stolen, but, it is not in my favourites list. // 8

Reviewed by: unregistered, on july 04, 2007

Sound: VR mixes the explosive 80's excess with, Scott weilands "Voices" straight out of 94', and a little bit of 70's arena rock. This album is like taking a radio and hurtling it through some kind of time warp, it is different and I like it. It is good old fashioned fun loving rock like I've never heard it before. // 10

Lyrics and Singing: Scott really does a solid job of writing here even though he sticks to the classic rock template for subject matter. Still somtimes his lyrics don't make sense to me, but they do to him and fit the music so that is all that matters. Scott's voice is solid throughout the album and I still think he was a great choice for a singer. // 8

Impression: Don't listen to this album expecting Contraband or you will probably hate it. It isn't as balls to the wall hard rock as Contraband, but that is what Contraband a solid collection of hard rock, as an album Libertad is much better it has diversity and a classic sound that I really have fallen in love with. As for the songs being single worthy I say more power to it! This stuff is much better than today's typical radio fodder.

01. Let It Roll - good solid opener, a little short but Slash saves the day with great guitar work.
02. She Mine - singable chorus, great guitar, great song.
03. Get Out The Door - I really like this song, it just has that rock n' roll feel to it, Props to Brendan O' Brien for warping weiland's voice at the end, it freaks me out.
04. She Builds Quick Machines - this was a good choice for a single because it eases you into VR's new sound, it would fit on Contraband, but the new sound is there during the "What you give" part.
05. The Last Fight - this song rocks easily one of the best on the album lyrically. The heir apparent to "Fall To Pieces".
06. Pills Demons & Etc - another great singable song, it's about pills and demons, go figure. Solo is short but good.
07. American Man - this song's chorus reminds me of "The Who". All around solid song I love Slash's guitar work here.
08. Mary Mary - this is a classic anthem to a rock and roll vixen. The Ooh ooh oohs are awesome. It gets in your head and sticks.
09. Just Sixteen - I'm torn here I love the song, but the second verse is disturbingly dirty, still the chorus is great.
10. Can't Get It Out Of My Head - an ELO cover fits the whole feel of this album and VR nails it, Slash burns the place down with his guitar one of the bests.
11. For A Brother - probably about Scotts Bro, and I give him props he gives him a rock song instead of a ballad, and a good one at that. Another great song.
12. Spay - as much as I love this album for some reason I hate this song, easily the worst song here, sounds like a Contraband reject. It's not that bad but it it doesn't come close to the rest of the stuff.
13. Gravedancer - another good ballad, probably the softest and most emotional we will ever hear these guys, I really like it though, and stay tuned for a sweet folky country bonus track afterwards.

If you like rock buy this album immediately it is really good, different, but good. If it were lost or stolen, I would go buy it again and play it just as much. I have heard the whole thing close to four times now and it doesn't get old. Put this and Contraband in a playlist and you are ready for anything! // 10

overall: 9.3

Reviewed by: slowhand91, on july 25, 2007

Sound: Velvet Revolver's second album Libertad is the much needed kickstart to the modern music industry consisting of untalented, rap, pop, and crybaby emo artists. Libertad is good, hard rock and roll, something we lack nowadays. Slash pumps out solid riffs and solos, some of his best since Appetite, and Duff, Dave, and Matt hold down a tight and punchy rhythm section. Scott's vocals are strong like always, especially on the few slower songs. The sound is more polished than on Contraband, but not to the point of being overproduced. Libertad is the album which the boys start to come into there own sound and not just GN'R meets STP. It does lack some of the hard hitters Contraband had, but is in no way bad. // 10

Lyrics and Singing: Scott Wieland has never been Dylan or Lennon but his lyrics are sharp and fit the music well, especially on The Last Fight and Just Sixteen. Most of them are the typical rock fair, hedonism, but that's never a bad thing, especially now, where everybody just cries about losing their girlfriend. // 8

Impression: 01. Let It Roll - a nice strong opener, with some sweet, heavy riffing. Scott's performance stands out and Slash has a short but good solo.
02. She Mine - the song took time to hit me, but since it has it turned out to be pretty good, with a nice catchy chorus. Not one of my fav's but still a great track.
03. Get Out The Door - I really like this one. The guitars and bass have a nice, pulsing rhythm and the chorus is catchy as hell.
04. She Builds Quick Machines - the leadoff single for Libertad and a very strong track. The opening riff is awesome and the band lays back for the verses before blaring back for the antemic chorus and the very sweet breakdown. Also a cool solo by Slash. The lyrics are wierd, but the music more than makes up for it.
05. The Last Fight - the first slow song and it happens to be great. The snare/guitar opening is sweet with great lyrics. A very pretty song most anyone will like.
06. Pills, Demons, And Etc. - this is another short one but it is very cool (especially the backing vocals, Sympathy for the Devil anyone). It has a nice alternative sounding riff.
07. American Man - a good, hard, rock song with a catchy chorus. Not a fav but solid.
08. Mary Mary - this track flows right off American Man with some nice guitar Work from Slash and some cool lyrics.
09. Just Sixteen - I love this song. One of the fastest on the album, with some ripping guitar trade-offs from Slash and Dave. The vocals kick ass and the chorus is one of their best. Great solo too.
10. Cant Get It Out Of My Head - an ELO cover that fits surprising well with the other songs. Nice vocals.
11. For A Brother - this song never stood out to me for some reason. it's not bad and is pretty strong, just not a highlight.
12. Spay - this one is pretty cool. A lot of people don't like it, but I think it has a cool STP like sound.
13. Gravedancer - this one rocks, It's slower like The Last Fight, but has a real haunting sound and an amazing solo from Slash, great closer (not counting the country thing, which is hilarious).

Overall, Libertad is an awesome album, one of the best in a while, with no filler. I'd go buy another one even if it wasn't stolen. // 10

overall: 6

Reviewed by: priceless_twirp, on august 06, 2007

Sound: I have had a difficult time listening to this album. I found that as an overall record, sonically, it has taken a step backwards both in time and quiality from the truly amazing Contraband. The guitars sounds, riffs and explosivity of some of the songs on contraband were and aggressive punt in the gut, and by comparison Libertad feels more like a cheeky kick up the bum. Not that it doesn't have it's moments. The one song that truly grasps the sound we know and love from VR, "She Builds Quick Machines", is stomper of a rock tune. If only the rest of the album were so. Though songs like "Let It Roll" and "Spay" glimmer of the past tracks such as "Dirty Little Thing" and "Set Me Free" but compared, are sub par. Fortunatly Slash reedems somewhat with as ever superb guitar work on the solo side of things. // 5

Lyrics and Singing: Scott Weiland's lyrics are not without their effect, and he has taken much from his carreer and life as a rock star as influence ("Pills, Demons & Etc." being about the loss of his brother to an overdose etc). He also has no problem wailing out the hooks and really selling the song to us. Unfortunaly what he's selling is partially washed up rockers drifing between metal and blues creating a kind of irritaing ambivalence. In my opinion the lyrics in this band have always been secondary to their hard-ass riffs and "blow-your-teeth-out" energy which doesn't appear on this album much. The lyrics are therefore more apparent in this one, which is no bad, like the lyrics. // 7

Impression: It is a shame that VR couldnt carry on the brilliance of Contraband. It would appear that the "Sucker Train" is running out of steam, when it started so strong on the first album. If I were you I would download "She Builds Quick Machines", and not let it decieve me into thinking the rest of the album is like that because, though it has it's moments, it is a faded effort. // 6

Reviewed by: unregistered, on july 03, 2007

Sound: I have had the honor of getting an early copy of the album so I will post a review for those whom it may concern. This album was some what hard to judge compared to Contraband but here we go. There is defintly more musical influence's on this record. Some of the intro's like on the song, "She Builds Quick Machines" are stong. And in my opinion, a song has to have a strong intro. "Let It Roll" has a great intro to. I have rated the song to the best of my obility. Some of the songs on this album almost have a punky feel, or pop like feel to them. Which isn't a bad thing. But others like, "She Builds Quick Machines," "Just Sixteen," are great up beat rock songs with great intro's. there really isn't much of a story that I can see behind this album. It just seems like a group of guys trying, and completing to make a great rock album. // 7

Lyrics and Singing: The thing about Scott (frontman), is that you can't really tell what he is talking about. Like sometimes there videos are completly different than what sounds like there singing. It just doesn't fit sometimes. But on the song "The Last Fight" the lyrics are strong, and really emotionall sounding, he has a good gift for melody. I wish he would use his voice better. He is definitly albe to do more than he did I think. // 6

Impression: It almost sounds like some "Snakepit" stuff (Slash's band). But There really isn't any other album it sounds like. it's got it's own thing going on. In my opinion, the strongest songs are, "She Builds Quick Machines," "The Last Fight," "For A Brother," and "Just Sixteen." I love this album, cause it is really melodic. It's got great solos, and guitar work (bass to) drums are great, the vocal melody could be better on some songs, but over all is a great album. If I lost this album, I would go out that same day and get another copy. any music love sould get a copy. // 7

overall: 7.7

Reviewed by: reesy, on january 23, 2008

Sound: The overall album sound is a lot more cleaner and polished than contraband. The effect on some songs is great such as let it roll, a real punk/blues rock song reminiscent of g n r. Some other stand out moments include she builds quick machines, very much a song that could have been included on contraband and an obvious first single, for a brother, Weiland on top form here, and Spay a great alternative track. Where at times this album falls flat is on songs like get out the door, last fight and pill, demons & etc. Whereas on Contraband there were many layers of guitar here for the most part there is only three, add to the fact the mix is a lot cleaner with the majority of the bass end left to Duff and Dave kept firmly in the mid some of the songs do loose their impact. This isn't a bad thing and the majority of the songs do grow on you as you begin to listen to it more and forget any comparisons with contraband. The only song in my opinion that is completely out of place is the cover of ELO can't get you out of my head which seems fairly pointless. // 8

Lyrics and Singing: Weiland seems to have toned done since coming off drugs in my opinion. His previous work have been dominated by his addictions and have produced some really fantastic results. It's a good thing as a person he is clean but his lyrics have suffered. The majority of this album is based on female attention and the blatantly obvious Mary, Mary is completely about his wife. He has obviously been going through some bad times with her and chose this as a catharsis which at times works great, songs like just 16 and let it roll work well as the lyrics are simple and provide a good backing to the rock 'n' roll influences. His brother did recently pass away and was probably a sore spot for him but his lyrics in for a brother really hit home, his other personal experience of prison, shown in the last fight, really don't hit home but I feel that is mainly because of the rhythm of the dong rather than the lyrical content. American man again the verses are very well written but the chorus is really boring. Overall there are some really stand out moments, the bridge in she's mine springs to mind, but it's not his best work but enough there to keep you thinking. // 7

Impression: The problem this album has, and any sophomore album, is generally the debut album sets the bar. Contraband was a great album, hard rocking deep with some really beautiful melodic moments. Libertad at times you feel is up there songs like let it roll, she builds quick machines, just 16, spay and for a brother, deliver. The majority of the songs even have sections where you think to yourself, wow these guys really rock, for instant the previously mentioned bridge in she's mine and the funky main riff in pill, demons & etc. For me where they have gone wrong are the ballads, in contraband they had three great ballads in fall to pieces, you got no right and loving the alien. On libertad, gravedancer probably lives up to your expectations but the last fight and can't get you out of my head are, dare I say it, awful. Particularly the mix on can't get you out of my head where the drums stand out and sound massively out of place. But having said that there is enough material here to make it an enjoyable album and after 6 months of listening it has really grown on me. // 8

overall: 7.7

Reviewed by: Hammerzeit, on september 03, 2007

Sound: This album is modern classic rock. Simple as that. The sleazy Guns N Roses tone has almost gone and in it's place is a clean band intent on making a good rock n roll record. The sound I thought at first was a bit basic for a band of this calibre, and sounded way more stripped down than the previous release "Contraband". However after a few listens the album opens up and you can clearly hear new sounds that VR had never done before. The bassline in the solo of "Let It Roll" is different and sounds slapped or has a pedal going on for example, which duff rarely did previously. Slash's sig tone has gone but the new one blends beautifully into the album. His soloing is sublime yet nothing is quite as epic and soaring as anything off Appetite for Destruction. Dave's Rhythm guitar is tighter than ever, and riff's along a bit more. Matt's drumming has come to the front a bit more, and a lot of the albums tracks have drum led intros. However this band is now a unit, not just Guns and Roses, Weiland and some punk guitarist. The album shows this and sounds much more co ordinated and dare I say it, mature. // 9

Lyrics and Singing: Lyrics have never really been Weilands strongpoint. He does however bring his personal experiences to the lyrics. "Mary Mary" for example goes over his marriage problems with his wife Mary. For a Brothers title sums the song up, as it is written about his brothers struggle with addiction, as is "Pills, Demons Etc". Other times you find it hard to understand what the heck he's talking about such as in songs such as "She Builds Quick Machines". His lyrics can get repetative such as in "American Man" (freedom mentioned about 5 times and "yes I am the american man" repeated constantly) and "Let it roll". However no matter how ropey his lyrics are, no one can deny Weiland sounds immaculate on this album and shows he has a great voice which has great range. Songs he excels on are "Let it roll" and "The Last Fight". However for most VR fans, it is about the music rather than the lyrics. // 6

Impression: The album is definatly more classic rock than contraband, and the dirty cigarette smoking, Jack Daniels drinking hard rock is almost gone. I'd say it is more like Stone Temple Pilots than Guns N Roses, but to me the ballads reflect Pink floyd just a touch, and the whole album has more of a groove to it.

01. Let It Roll - excellent opener. Cool Riff leads you in straight from the start and the pace doesn't drop through a memorable slash solo and out of the other side again.
02. She Mine - catchy chorus, would make a good single but I think is a bit ordinary and the song would happily stand on it's own. I'm not a fan of this track.
03. Get Out The Door - again, catchy chorus. A bit slower than your average VR song and it typifies the new sound. Not one of my favourites but it won't dissappoint.
04. She Builds Quick Machines - lead single, I think it's excellent. It has a big riff, Memorable solo. Would fit on contraband and is an excellent bridge for the gap.
05. The Last Fight - lyrically the best song on the album, but I think even for a ballad it is a bit tame. It just chugs uninnovativly. Not a big fan of this track and it's not a patch on Fall to pieces. However, great lyrics.
06. Pills, Demons Etc - this is where VR enter new territory. The riff is a Wah driven funk fest, underpinned by a grooving bassline. The solo fits well and has a catchy chorus.
07. American Man - despite the simple lyrics I think this song is great. Duff's walking bassline is brilliant and works well with Matts drums. The solo in this song fits so well it's unreal.
08. Mary Mary - this for me sounds too similar to American man and pills demons. However the riff is big and the solo volatile. Not a bad song, just too similar.
09. Just Sixteen - the lyrics are dirty and the song has a more sleazy tone. Singable Chorus and great solo. Fits Well
10. Can't Get It Out Of My Head - I think is weaker than the last fight. Good cover but doesn't do anything for me.
11. For A Brother - this is filler, but like the others has a catchy singable chorus. Nothing more to say.
12. Spay - this could fit on contraband easily. I have a feeling that this could be the third single, as it could be played on the radio easily. Again not the best track on the album but good.
13. Gravedancer - best of the 3 Ballads, Slash solo's well and Weilands vocals are great. Would be a great end to the album but.
14. Don't Drop That Dime - a country track, which is done very well and is very catchy. I think slash solo's on a banjo and it's sounds brilliant. it's very funny, and shows diversity.

If I lost it, which I have, I wouldn't buy it again, but then it's on my PC and ipod so who needs to. If I only had a CD player I would. Overall this is step in the right direction for VR, and musically they are in top form. Here's to the next one. // 8

overall: 9.7

Reviewed by: haggard101, on july 11, 2007

Sound: Having just listened to Libertad I felt that I would like to share my insight on one of my favorite bands and there achievement. Yes, achievement I feel that critics have claimed that Libertad is nothing like Contraband. Yet when the critics reviewed 'She builds quick machines' they were stating that this album was going to be to much alike contraband. Now I for one feel that however it would sound critics would moan! So I for one have to say that as a fan and a critic per-say I feel VR have achieved something phenomenal and that is that.

01. Let It Roll - just like Sucker Train Blues was on Contraband, a great opening track! Typical Slash/Dave Riffing and licking. Defiantly my favorite track on the album.
02. She Mine - like many of the songs on the album she mine had a very STP feel about it. nice riffing again and solo is slash standards!
03. Get Out The Door - very Catchy, Has a nice tempo and structure.
04. She Builds Quick Machines - typical VR, nicely put together and a perfect winner of the first single slot.
05. The Last Fight - Libertad's 'Fall to Pieces' a very nice melody and structure giving the song a nice feel and sound.
06. American Man - very Punk rock, not the best VR could've done, but it is still got some good points one being the solo.
07. Mary Mary - very nicely put together, matt's drumming is very definitive, but in this song to me it sticks out and I love it!
08. Just Sixteen - probably a nice candidate for an upcoming single, nicely laid out and a very good song to show the album is hard-hitting all the way through.
09. Can't Get You Out Of My Head - Psycho Killer deserved this slot, I feel it was the better cover. I have a guilty admittance of skipping this track.
10. For A Brother - I am a fan of this song, it has a great hard hitting riff, typical of Velvet Revolver.
11. Spay - I only really like the chorus on this song, it's not a terrible song, but it is my least favorite.
12. Gravedancer - a nice close to the album, quite a relaxing song in my eyes. Also the nice country bonus track is a nice addition, goes to show Scott and the boys can do anything. // 9

Lyrics and Singing: Scott Weiland has always been criticized for his persona and his flamboyant actions, but his writing talents and singer abilities are second to none! He is a king of his art and one of the most original and creative front men alive or dead. He has a great way with his lyrical structure and some songs you can really delve into his thoughts and feelings including: 'Pills, Demons', 'Last Fight', 'Mary Mary' and 'Just Sixteen'. Scott is growing as a person as well as an artist and I feel he is becoming the great singer he was in early STP days yet again! I have also seen him live and I can say he is a great act and is one of few who has a better stage performance than album (even though the album performances are sublime). // 10

Impression: Stone Temple Pilots! Quite a handful of the songs have that STP vibe, whether it is because of the producer Brendan O’Brien (also produced STP) or whether it was due to more input from Scott. Either way the album gained some great attributes. Anything Slash does, you can tell it's him, whether it is a riff or a lick, you instantly spot it. This album is a very great addition to his C.V. The first 6 songs blow me away. A very strong first half of the album. The whole album impresses some songs not as much, but still has greats about them. I love everything about this album except the fact they never chose Psycho Killer to be on the final album cut and that is my only disappointment. If I lost it I have it on MP3 ha ha, but if that was gone it would be top of my list to buy. // 10

overall: 9.7

Reviewed by: demonsheep, on july 06, 2007

Sound: I Enjoyed this CD greatly, and although it is much more complicated than Contraband, it adds to the final effect of the songs. there are many styles used in this CD, ranging from fast tracks with heavy distortion and lots of soloing, Such as She Builds Quick Machines, to slower and quieter songs, like The Last Fight, which have a quieter guitar style. this album seems to take a few runs to become really good, and I reccomend listening to it 2-3 times before rating it. Slash's guitar soloing and riffs are much more noticable in this album, and they sound great! // 9

Lyrics and Singing: I like the lyrics provided by Scott a lot, they are much more deep and intriguing than from Contraband, and they fit very well into the music provided, which adds to the overall quality of the songs. the lyrics are very well written, and Scott has a cleaner voice than before, which makes it easier to tell what he is singing. I cannot find anything wrong with the lyrics of this album, and Scott has by far outperformed Contraband with this album. // 10

Impression: I believe this album is better than Contraband, as it is much more diverse and interesting. songs worth listening to are; She Builds Quick Machines, simply because it sounds Awesome, and every note on it fits perfectly; and Mary Mary, because it has a very nice vocal sound to it. I do not think any song on this album is bad, and I love the fact that every song has a solo, much like Contraband in that aspect. the only bad point is there are too few tracks! if this album was stolen/lost I would definitely buy another, maybe two just in case! // 10

overall: 0

Reviewed by: pawnshopguitars, on august 18, 2008

Sound: You can tell the guys have grown from the first record; the songs sound much tighter, and seem a lot more well written. I think this is why the album hasn't been as much of a hit for them as they had hoped; I think that it takes a while to get into the album and appreciate it for what it is. It is totally different to Contraband, in that it covers a greater variety of styles, and the song writing is of a higher level on // 

Lyrics and Singing: // 

Impression: // 

Comments

[jincasa]

YES! first comment
amazing album, its so bloody good

[defleppard87]

I didnt like it

[Leonheart]

I should be buying it soon.

[skankinallthewa]

I guess VR are kind of stuck in the 80's/ 90's, but people still like that stuff, so why not make it again, but im sure i'll get pretty fed up of repetitve rif's and chorus's that VR seem to give out, but as a guitarist i guess im just waiting for the solo, however, i can't help but be critical of slashes solo's, as they seem to be all the same double string bending and the odd run here and there....guns n roses were just way too good for there to be any side bands to come out of 'em

[i_am_ironman]

i ****ing love this album
much better than contraband imo

[Nhex (PT)]

nice album really

[Nidaros]

All I can say is, this album's gonna bring real rock back to the charts.

[clement1]

This album is the kinda rock i want to hear - too many indie bands these days.....This album rocks, plenty of catchy riffs and awesome solos from slash (as usual).

[Litmus]

cant say i was to impressed with this album. There is'nt really any song that stands out on it self, unlike the first album with Fall to pieces and Slither. Avrage album at best

[tpot06]

Good album...

[Ibzman]

Well.. I got to listen to at least half of the album and wasn't impressed at all honeslty. It's not ballsy rock n roll like Contraband, they look like they've gone mainstream sounding like The Killers. When they said that the new album would be more musical, I thought it would keep the bad ass rock thing they've done in Contraband. I must say that I like Contraband better.

[shugo449]

contraband beats the crap outa libertad

[electric7]

cant wait to get the album.

[mad_guitarist41]

good album but i was expecting a lot more from it. The riffs were catchy and the overall music had the good hard rock feeling but i was hoping for some more solos from slash

[Astaldo]

hm... first: SLASH4EVER and Velvet Revolver f*cking ROCKZ! but... this album.. i don't know.. maybe because atm i'm more interested in motley crue...but.. I like she builds quick mashines.. and that's it.. the rest is.. damn...i should hear it more often. for now, contraband is way better

[d00diseeyou]

Crap album.

[Pathogen]

I can't wait to get this ablum. Should be great!

[Steve The Plank]

This album sucks, with the exception of perhaps one or two tracks. Nowhere near as good as Contraband.

[velvet_hendrix]

This album isn't all that great. I bought it and listened to it over and over but never got into it. It is the kind that you listen to only one song every month or two.

[fruit lover]

I really liked this cd

[Teenager07]

Loved this album.. It truley brings classic rock to the 21st century...

[Stop Messin']

Great album! Awesome follow up to Contraband.

[Martin259]

clement1 wrote:

This album is the kinda rock i want to hear - too many indie bands these days.....This album rocks, plenty of catchy riffs and awesome solos from slash (as usual).

I agree

[sum1udunno]

damn i want this album so bad. its one of three albums this year that i have eagerly anticipated. the others were icky thump by the white stripes and zeitgeist by smashing pumpkins.

[Me@UGC]

I cant listen to this album... Most of the songs are boring and often anoying. And the fact that a lot of songs sound "pop-ish"...

Anyway, I listened to it 2 times. The first time I hated it, and the second time i almost couldnt finish.

And, execept for some riffs, I wouldnt consider this rock. It's more like Pop-Rock. It should fit teenagers needs, though.

[VertigoViking]

i love it. in fact i like it better than contraband. i was listening to 4 or 5 songs on contraband, but on libertad i love every track. the last fight has some influences from guns, and spay is totally nirvana/stp, weiland even sounds like kobain on some parts. and there is even a country song, that shows that these guys can do some thing else not only rock.

[Teenager07]

Great Album

[bostons leppard]

i like this album but i couldn't say it was better or worse then contraband i'd say they're both great works of music

[jamesy15]

Really good, could of done with being a bit more hard ass though!! She Builds Quick Machines is definetely the album's highlight.

[JB2500]

love the album, fantastic

[zackk]

im going to pick it up whenever i can. and scott is better than axl

[blacksabbath7]

its an awesome album.

[scarfacesuit]

jamesy15 wrote:

Really good, could of done with being a bit more hard ass though!! She Builds Quick Machines is definetely the album's highlight.

i didn't really like "She Builds Quick Machines" much... i was kind of hoping the rest of the album would be better. hm..

[viral_infection]

i got it 2day and it's good
duff's basslines rule

[viral_infection]

great and correct comment

Stop Messin' wrote:

Great album! Awesome follow up to Contraband.

[hardrocker64]

Yea, I agree with that. However I think it is more solid from start to finish.

Litmus wrote:

cant say i was to impressed with this album. There is'nt really any song that stands out on it self, unlike the first album with Fall to pieces and Slither. Avrage album at best

[SynisterSlash92]

Ok Guns N' Roses and contraband aside this is a great album of course comparing ibertad to the genious of GNR is outragous. But overall this is a great abum slash and the boys are at the top of their game!

[pfa]

just listened to a few tracks off the album and ive gotta say im slightly disspointed, when i saw them in manchester the new songs sounded ace. it comes across as having more of dancable feel to it and scotts chorus' seem really repetetive. maybe it will grow on me.

[bubbyw]

this album is awesome, good follow up to Controband

[ROCKST4R]

I like the new album, its a good solid rock album

[Warheart1188]

I got the 'special edition' album w/bonus track a few weeks ago and the first 4 songs are good but other than that, it's not anything great.

[jerbal]

it's nice but i rate contraband was better . Fall to pieces ftw

[Teh1337Hax0rz]

It's a really mediocre album to me, nothing really stands out

[zackk]

i just got it... i listened to it on the way home and its good

[molfe]

Stop Messin' wrote:

Great album! Awesome follow up to Contraband.

Perfectly Said!

[Waterboy799]

Teh1337Hax0rz wrote:

It's a really mediocre album to me, nothing really stands out

agreed, Contraband was such an awesome album, Libertad just doesn't hold a candle to it. i was disappointed to listen to this album to tell you the truth

[mygibsonrocks]

I LOVE THIS ALBUM!!!!!

[nzhead]

I really like this album, but I think I would like it more if it wasn't VR...I guess I was expecting some of that "mongrel" that was Contraband. If this was a debut album though, and had nothing before I think it would be ruling!!

[leSRVpaul1990]

like many people are saying, nothing on the album really stands out to me.
"Pills, Demons & Etc." has a nice little funky feel to it, and "The Last Fight" has a nice acoustic twinge to it. But save for these to songs the "grinding" rhytm sections just get a bit monotonous and blend together a bit. They sound a bit underdeveloped, one could say.

Velvet Revolver, in my opinion, are stuck in a groove that i just can't find depth in. They lack the freedom that Axl's vocal range afforded them.

The only track i'm still pleased with from Contraband is Fall to Pieces, and i have yet to find a track from Libertad that i'll be listening to a year or two from now

[grungeisdeaduk]

at first i wasnt too into it but i dunno after a few listens quite a few tracks have grown on me and its a decent album nothin special but it wont be with everyone expecting another "apatite for destruction" if you forget its VR and listen to it its quite a decent album

[grungeisdeaduk]

sorry meant "Appetite for Destruction"

[hippotato7]

the singer weiland or whatever is terrible, but the music makes this album way better then the first

[eurodude]

I really Like VR.. but i wasn't to impressed at first by Libertad.. but after listening it twice... it all changed.... !!

[olithebass]

pretty good album bought it today
prefer contraband
but thats maybe cos Ive had more time to listen to and appreciate all the songs
probably better than chinese democracy ambum still whenevr it comes out. I duno I wont be alive at the time it does so I supose Ill never find out

[FRDesign]

Me@UGC wrote:

I cant listen to this album... Most of the songs are boring and often anoying. And the fact that a lot of songs sound "pop-ish"...


Anyway, I listened to it 2 times. The first time I hated it, and the second time i almost couldnt finish.

And, execept for some riffs, I wouldnt consider this rock. It's more like Pop-Rock. It should fit teenagers needs, though.

Your kidding me.

[Herman-Ri]

hippotato7 wrote:

the singer weiland or whatever is terrible, but the music makes this album way better then the first

Scott Weiland is one of the best vocalists in modern rock, your comment shows you stupidity to the max.

[LynchMobster]

Herman-Ri wrote:

hippotato7 wrote:

the singer weiland or whatever is terrible, but the music makes this album way better then the first

Scott Weiland is one of the best vocalists in modern rock, your comment shows you stupidity to the max.

He was, but maybe not anymore. Well, actually he is still probably one of the best. But compared to his stuff with STP, hes not even close to what he was once able to do. Slash seems held back on this album too. He really didnt do too much fancy stuff, and the solos for the most part were unsatisfying. i know he could do some better stuff, he just didnt. I was listening to some of the tracks, and he sounded like he was about to take off and shred, but then he didnt and the solo was over. I was hoping for more harder stuff though. There were a couple moments that brought back memories of Appetite, but quickly faded. I liked the album, but not as much as Contraband.

[Southern_Voodoo]

Anybody like the country-ish hidden track? I enjoyed it as well as the rest of the album.

[grayfox1001]

if you ask me, contraband was better. this sounds like stone temple pilots without sweet guitar solos, instead of it's own sound, like how contraband was...it's still a good album though

[Herman-Ri]

LynchMobster wrote:

Herman-Ri wrote:

hippotato7 wrote:

the singer weiland or whatever is terrible, but the music makes this album way better then the first

Scott Weiland is one of the best vocalists in modern rock, your comment shows you stupidity to the max.
He was, but maybe not anymore. Well, actually he is still probably one of the best. But compared to his stuff with STP, hes not even close to what he was once able to do. Slash seems held back on this album too. He really didnt do too much fancy stuff, and the solos for the most part were unsatisfying. i know he could do some better stuff, he just didnt. I was listening to some of the tracks, and he sounded like he was about to take off and shred, but then he didnt and the solo was over. I was hoping for more harder stuff though. There were a couple moments that brought back memories of Appetite, but quickly faded. I liked the album, but not as much as Contraband.

I know he wasn't as good as his STP days but too say he was terrible? He may not be as good as he was before but he is still pretty damn good.

[TooFast]

Pretty good reviews, people seem to love it or hate it

[guns4ever]

i actually think she builds quick machines was the albums weakest song, but i like the album as a whole better than contraband...wierd view i guess but there ya go

[Mynewerusername]

Today I bought both this album and contraband.
I listened to each of them twice; so my comparison was fair, seeing as I hadn't listened to either album previously. Contraband wins. Way sleezier and ballsier and all of that great stuff.

[mr_sinistah]

Mynewerusername wrote:

Today I bought both this album and contraband.
I listened to each of them twice; so my comparison was fair, seeing as I hadn't listened to either album previously. Contraband wins. Way sleezier and ballsier and all of that great stuff.

Contraband WAAAAAY better

Libertad is not heavier at all, Slash and Dave just took distortion from 7 to 9, that's all, sounds crap. Slash's sig tone isn't there, nor are all maaaaad solos. American Man solo is good though. Nothing Special....disappointed.

[mr_sinistah]

Waterboy799 wrote:

Teh1337Hax0rz wrote:

It's a really mediocre album to me, nothing really stands out

agreed, Contraband was such an awesome album, Libertad just doesn't hold a candle to it. i was disappointed to listen to this album to tell you the truth

Too true so sad....Hope Slash isn't on a downfall and VR for that matter.

[pfa]

if u want some ballsy sleeze rock check out steven adlers band "adlers appetite" they sound ace.

[Teenager07]

As far as slash is concerned on this album he truley is at his peek.. the guitar is amazing.. i do think its a shame weiland dosnt inject as much energy in an album as axl did but what can you do... but the guitar drums and bass are all awesome and show a real progression in all there playing.

[Kobrakai]

Just bought it on my lunch, I'll be blasting that out on the way home .

[sp0ckr0cks]

i just think Slash kicks ass and VR is better than GnR ever will be again (although Appetite is probably the greatest album ever made).

[simonjw87]

Disappointing, i loved contraband and expected similar. Lots of repetitive riffs in libertad. I heard she builds quick machines and found it OK but hoped the rest of the album would be better, but i dont think it was. My favourite song was probably the last fight and i dont mind the cover can't get you out of my head. (off topic but i recommend checking out Megadeth - United Abominations) Im obssessed with it atm.

[scra9iron125]

kinda disappointed with the last fight, expected a real november rain-type wailing solo, but the rest of the albums is good

[jfsj123]

cant wait to buy it new single rips

[nico_vr]

this guys are so ****ing great, i love this record, and i wont get tired of listening never, thanks for that reviews

[mitch311]

Best album out in years!

[molfe]

Those of you who are Think this album sucks...something is seriously wrong with you! and for those of you who like this CD...ROCK ON! VR fans!!!! im with you!!

[slobby]

great album, more of a classic rock album reminds me of pink floyd

[MonsterOfRock]

Dare I say, If Axl was the singer behind these tracks, mark my words, this woulda been "Appetite for Destruction II". Nonetheless, great album, worth my $25 Australian Dollars.

[Sudifice]

Libertad, to me, is better than Contraband. I loved Contraband but you have to admit that it gets repetitive.

[tpot06]

went through a recent phase of dislike for this album but its slowly growing on me...

[Skadge_101]

i just got it 2day

its awesome


great album

[currymonster]

I love the album and the songs on it vevelt is way better than GNR they have had 2 albums out before chinse decroraiy comes out and probably more

[owned and out]

Great album, its true what people are saying about listening to it 2-3 times, i didn't really like it the first time i heard it but now i think its great.

Great album, well worth buying.

[MarshallMadness]

Stop complaining! This is a solid rock album, and thats exactly what we need these days. GnR saved us from the repetitive horror that was glam metal, now VR is going to save us from little emo boys who cry and the scene kids.

[DustNBones1987]

Its a more than a solid rock album...actually its pretty damn good. At least they're not whining like the emos. I've realized I can always count on Slas for amazing riffs and solos. Great album, comparing it to Contraband is a bad idea. First of because they are musically different and they are written at different emotional and musical places in the band's and it's members lives.

ps. MarshallMadness
Why did you have to knock glam metal?...and they like to be called hair bands.

[Walternativo]

I got this album yesterday, couldnt choose between this and Zeitgeist (Pumpkins album) so I got em both.

I must say I had my doubts. Could they keep it up? Was it still pure rock n roll? Were the balls still there?

this album really delivers. Awesome record. Really worth buying.

[I Walk Alone]

Sudifice wrote:

Libertad, to me, is better than Contraband. I loved Contraband but you have to admit that it gets repetitive.

Same here. Libertad owns.

[this and that]

As a long time admirer of both Slash and Scott, it was hard for me to admit that I thought "Contraband" was a let down -- but in my opinion, it was. However, Velvet Revolver truly brings the pain on "Libertad." I'm so pleased with the way this album pans out, lyrically and musically. With the exception of "Spay," every song more than delivers. It seems that some people have qualms with the lyrical content of "Just Sixteen," but that track is hands-down the hardest hitting, most kick-ass song on the record, followed closely by the lead-off single and "For a Brother." I think what impresses me most about this album is how the group showcases its ability to not sound like Guns or STP. Sure, Scott's lyrics are still as obscure as always, and Slash's Les Paul still rips the speakers apart -- but I think VR has finally developed a true sense of self, and I'll venture to say that this album will be nominated for Rock Album of the Year. Kudos to the boys; they're breathing fresh air into a genre of music that seems to be falling victim to pretty boys and power chords.

[cheesesoda]

I can understand why people would be disappointed by this album. Most were hoping for VR to keep their edgier sound as they had on Contraband. Contraband was pretty much an experiment for the band to find their sound.

With Libertad, VR found their sound, and I like it. There's plenty of rock to it, but it's not over-the-top. They continue to keep real rock in the mainstream with Libertad.

[defleppardrox]

it rocks and it's currently #5 on the billboard top 200 list. right behind bon jovi's lost highway.

[Spiritweaver]

This is easily my current favorite album right now. Shash and the boys really know how to put it down, I love how it sounds.

[Hanrahan]

Libertad rocks. Each song flows great into the next, and it's got a good groove. Being a longtime fan of both GnR and STP, the mix of the artists really works well for this one. Contraband was good, but never kept my attention. Libertad gets played every day. Sometimes twice.

[kmchipower]

i have no idea why people seem to love Contraband so much...from what Slash says, i don't think he even liked it that much. To me, Contraband sounds like a bunch of tracks that were created quickly on the fly by a bunch of rockers who just wanted to jam. Slash even said, they were considering going out on tour without even releasing a record. Sounds like guys who were just itching to rock out, and just needed an album as an excuse to do so. Libertad definitely sounds like more care went into making it. It now sounds like a band, rather than a jam session. Good album.

VR however will never match GNR without GNR's two best songwriters, Axl and Izzy.

[Shredder Guitar]

defleppardrox wrote:

it rocks and it's currently #5 on the billboard top 200 list. right behind bon jovi's lost highway.

it should be higher than lost highway, i hate what bon jovi did with their sound. "country style" and i HATE it. but libertad owns

[Polish guy]

sounds different than Contraband, but if you listen songs a few times, you're gonna love it Libertad is awesome !

[bls4life8]

i like this cd but i think contraband is a lil better and i cant wait to see these guys in concert with alice in chains it should rock

[mrbiscuits315]

I dunno if im going to get this album... it sounds pretty cool but it sounds like theres better cds out there to buy.

[Chevelle454]

i want someone to tab out can't get it out of my head, with the exception of a few singles from the last contraband, i like libertad more.

[MetalliRage]

at first i know ppl didnt like libertad over contraband but after u really listen to it like the 2nd time or so u really realize this was so much superior and more rockin then contraband. im not dissing contraand cause its one of my favorite albums, but vr has so much to deliver to rock it really reviving hard rock,

[Mahoru]

Now that I've listened to all tracks so many times since I have the album, I can state that for me, Libertad is even better than Contraband. It sounds much more like a whole thing, and in general I prefer the job all the members have made on this one. All the songs are awesome for me, except Spay, which is just average, I agree with that. "She Mine", "The Last Fight", "Mary Mary", "For a Brother" and "Gravedancer" (with the country extra, too) are my favourite tracks on this great album.
Again, VR have made an awesome work.

[Skadge_101]

its a gd, solid album

but i still feel like its a step backwards from contraband

[maiden_rule!]

Contraband was an incredible first album but Libertad is even better. Slash is still at his best and Weiland's lyrics, though sometimes repetitive, are really heart-felt and strong. Sorum has probably never had as good an album. Kushner has improved hugely from Contraband and Duff is still dishing out cool riffs (e.g American Man Intro). With the two deaths between Weiland's Family and Sorum's, I thought that they would not release the album so quickly. at this pace, VR will have another two albums out by the time Chinese Democracy hits the shelves. "She Builds....", "The Last Fight" and "Pills, Demons etc." are the best songs of the album. and besides for the second half of gravedancer, the album is brilliant from start to finish.

[Hammerzeit]

Libertad is solid, and i think the band explore their influences a bit more.

Slash's solo's on this album are second to none. Each solo fits the song perfectly and they show great diversity. They range from the funky groove of Pills Demons to the visceral crescendo in Mary Mary, to the typical hammeron pullof solos he uses in she builds and older guns stuff like Mr Brownstone and Sweet child o mine. No other guitarist is close these days. He has not lost form, and his bluesy influences show here.

Duff's basslines also more noticeable. Instead of pounding the root note too much like on some songs on contraband, he uses a lot of 70's/80's walking basslines, as evident in Mary Mary and American man. It adds a new dimension to their sound, taking them away from ballsy hard rock onto a more classic rock level.

As an album this is definitly VR not guns with Scott Weiland. New ground is breached and it's a massive step in a different direction. Some of the hard rock remains in tracks like spay and let it roll, but its mainly classics that dominate this excellent work, that just grows and grows on you

[kfong03]

this album doesn't compare to contraband, it's still a good album but hell i was disappointed when i heard this album, they sound so pop in this album, except for let it roll and maybe get out the door, the last fight was awesome but from this album i expected the same head-banging kind of rock like in contraband. come on VR, make osme more rock n roll with ur next release

[rokknrollldude]

this band plays big classic rock with balls.....bring good rock back into the mainstream!

[johnny-rock]

Love it! i can never get enough of listening to slash! the country bit on gravedancer is a bit random but still cool. its a bit different to contraband but still an awesome album. VR RULE!!!!

[j-walk]

Never heard the album yet. There are alot of mixed reviews here but im gonna get it anyway and i'm sure Ill like it. Vr is good but wouldn't it be amazing if stp and gnr got back together.

[HAVEN_Guitar]

I agree, this albam is a great album. I really bleive she builds quick machins is the best song on there with last fight and let it role comming very close. She builds quick machings is even fun song to play. i have played it over and over again and its still fun and sounds good. the lyrics do make sense and if u dont think that they do watch the video. Im not much of a country person but even the last hidden track was a great song. i give 10 and if i could give it more i would

[wilmearz]

it is more of a complete album. but it just lacks the amazing songs like slither and fall to pieces of contraband.

[GN'R Dude]

SOOO much better than Contraband.

[KingSquall802]

no contraband is better. libertad has a handful of good songs. in contraband almost every song rocks.

[garthunkle]

Contraband IS better... Their is no doubt about it. Contraband has so many excellent songs almost to the extent that every song on the album is good. Libertad is lacking in that aspect but the fact that its VR means that imo its good anyway

[stiff-upper-lip]

I was really disappointed with this album. Maybe I was expecting to much after Contraband, but it lacks in something, I don't know what, but its a disappointment.

[Perpetual Burn]

I'd say Contraband and Libertad are equals...differs in musical taste I guess.

[jfsj123]

really gd but conraband is more raw and agressive whilst libertad is also gd because it has a lot of textures in all the tracks

[whiteandblack]

I loved the album
I listened to it like 20 times in one week
great!!!!!

[the_lil_rocker]

i love this album! definatly worth buying!
she builds quick machines is a great song, and so is last fight...and the country part at the end of grave dancer is weird but kinda catchy....4 nd a half stars

[linkrevolver]

y the hell this album is so overrated???
it sux, and slashs performance is horriable
you cant even notice that he is playin
even on the heil talk box (that sonds so great) he sounds like he was goin to sleep after play that
im so dissapointment, slash now plays for money

the only good songs are let li roll and spay

boring cd

[hew-jass]

i thought that contraband was a way better beacuse of the contrasts on most of the songs. e.g SUPERHUMAN and SLITHER raw and fully energetic. and then YOU GOT NO RIGHT and FALL TO PEICES slow stars then getting into the rock with face melting solos. other songs like THE ILLEGAL SONG kicked so much ass also.

Meanwhile, Libertad is a good album because it shows a whole different sound to the band. the highlights of that album are definetley AMERICAN MAN and GRAVE DANCER.

Also i like THE LAST FIGHT because it harmonises with the type of stuff they did with LOVING THE ALIEN from contraband.

to conclude they've produced two amazing albums and they dont stick to doing the same thing. Contraband was still better though.

[git-airman]

quick machines and just sixteen are awesome but the others tone down a little bit, still a good album, not to be missed.

[DeLongeFan182]

Personally i thought Libertad was a great album. My Favourite songs are probably Gravedancer and Get Out the Door. I can't wait until they anounce their new singer and get back on track again.

[SlashWannabe1]

It kicks the crap out of Chinese Democracy!

[05McDonaldT]

the country song at the end of gravedancer is called "don't drop that dime"

[05McDonaldT]

This is ten times as good as contraband

[Mainer]

defleppard87 wrote:

I didnt like it

I liked a couple songs, I didn't think the vocals matched up with the guitar riff in some songs though