An individual on/off switch for each pickup and a subtle high-pass filter switch round out the Jag's tonal versatility. Maple neck on alder body with rosewood fretboard and vintage-style floating trem.
Featured review by:
unregistered, on july 02, 2004 11 of 12 people found this review helpful
Price paid: $ 1330
Purchased from: musicians friend
Features: This is an American Vintage series 62' Jaguar reissue. I replaced the single coils with d'marzio evolution humbuckers. It's a 3-color sunburst finish with a Vintage floating trem tail piece and a removable mute bar. Sorry, no picture provided. It has master volume and tone controls, three 2-position on/off phase swithches (two for lead circuit, one for rhythm circuit). On the top left side of the guitar, there's two sliding volume controls for the rhythm circuit, and a 2-position rhythm/lead circuit selector Switch. It's unusually shaped alder body gives full access to the upper frets. Made in japan, 22 frets, 24" scale.It looks like the Jag-Stang without the cutaway and with a thicker body. Weighs 8 pounds. // 10
Sound: This guitar was made for surf and rock, but the pickups didn't work well, so I replaced with humbuckers, like the Jaguar (not Jag-Stang) Kurt Cobain used. I play mostly metal, hard rock, and grunge. This suits my style perfectly. On the lead circuit the guitar functions normally, the knobs are active and so are both pickups. The rhythm circuit gives you just the neck pickup so you have a brighter tone and the sliding controls are active for the neck pickup. The lead circuit is good and all, but where it really shines is the rhythm circuit. This guitar suits most styles of music (I haven't anything but what I normally play). // 10
Action, Fit & Finish: The guitar was set up perfectly at the factory. Even though I replaced the pickups, the guitar performs prefectly. The did not need any adjustment. I don't often use the trem bar because to much usage will really put the guitar out of tune fast. The finsh is perfect. Enough said. I play through a Fender Twin Reverb amp With a DigiTech Grunge distortion pedal. It is just amazing. // 10
Reliability & Durability: I replaced the strap buttons with strap locks, just because I like the locks better, I didn't really need to. I've bumped it a few times and not a single scratch. I would definetly gig without a backup. The hardware is made to last. I totally trust it. // 10
Impression: I've been playing for a little more than a year. I got the money to buy it, along with the amp, from a slot machine. Lucky, huh? I also own a standard tele, a Jag-Stang, and an Ibanez jetking. I picked this one because of my Jag-Stang. My favorite feature is the rhythm circuit, it's amazing. If it was stolen, I'd definetly get a new one, particulary black finsh. The other amp I have is a Fender Princeton 65 DSP. It definetly sounds better through my twin reverb. What can I say, this is some of Fender's greatest work. // 10
Reviewed by:
unregistered, on july 15, 2004 4 of 4 people found this review helpful
Price paid: $ 732
Purchased from: peter cooks
Features: This is a Japanese made Fender Jaguar. It has a rosewood fingerboard on a maple neck and alder body (I think). It has a floating trem style bridge and two Jaguar single coil pickups. The pickups are arranged for rhythm and lead circuits. The lead circuit can utilise both of the pickups whereas the rhythm only uses the neck pickup. Both circuits have a volume and tone control, whether it be two wheels or knobs. The lead circuit has two switches to turn on or off the pickups, and a Switch to bring the two pickups out of phase. Lots of stuff. // 10
Sound: This is certainly one of the most versatile guitars I've played. It provides anything from a 60's twangy rock sound to a relatively mellow sound. The lead and rhythm circuits provide many different combinations of sound. The trem-bar is also very good, you can get some great surf sounds from it. The phase Switch can provide a subtle difference to tone too. I use this with a chorus, phaser, overdrive and an equalizer. I have a crate gx-65 amp for practice and a vox amp for stage use. It works excellent for both transistor and valve amps. // 10
Action, Fit & Finish: This was set-up at the shop perfectly. The action was mid, good for lead and rhythm work. The strings jumped out of the saddles during postage-no biggy. Everything worked, and still works fine. // 10
Reliability & Durability: This guitar would definitely suit live playing, both for sound and playability. The strap buttons seem to work well for my strap, but I got strap locks just in case. I doubt I would need a backup, it's strong, solid and very dependable. The finish is excellent too. The only minor concern is the bridge. If you are a hard player, really hit the strings, the strings are occasionally liable to slip off the saddle grooves. This can change the tuning of the guitar slightly and the strings are in odd positions. This is notorious only on the jags. So what I intend to do is to replace the bridge with a Mustang bridge which resolves the problem nicely. This is a problem only if you play hard. // 10
Impression: I know you supposedly dont show glowing reviews but honestly, I spent ages looking to flaw this guitar and all I came up with is the slight bridge problem. I played several guitars before purchasing and in the end it was a toss up between the jag, and a jazzmaster (similar but with humbuckers). If this were stolen I would slaughter the thief(lol) or just buy another. This is truly an awesome axe, so versatile even for passive electronics. Once I get the Mustang bridge it would be completely flawless. Its purely a matter of personal taste of the colour, but I like surf green, especially with a matching coloured headstock. It's like marmite, 'you either love it or you hate it'! // 10
Reviewed by:
unregistered, on december 19, 2006 1 of 1 people found this review helpful
Purchased from: Guitar Center
Features: // 10
Sound: I usually play alternative/pop/punk rock (a lot of U2 and Muse, some Franz Ferdinand) with the occasional metal indulgence (Metallica), and I usually use Line 6/Vox amps. The guitar really isn't a feedback machine like a lot of Fenders, if you're really going for the heavy stuff, it's not going to screech at you the second you kick in distortion (like the usual, run-of-the-mill Strat or Tele). It does still sound pretty typically Fender in the lead circuit, so the more intense metal-heads will probably want to change out the pickups or stick with the rhythm circuit.This Jag can pull off some pretty mean, gritty sounds in the rhythm circuit and it really wails in the lead circuit, so you can go for the dark, background kind of bassy verse/chorus stuff and then kick in the lead circuit for your crazy-ass solos. The versatility of this guitar is really one of the coolest things about it. You can cut between Gibson-style and Strat-style sounds with the flick of a switch. // 10
Action, Fit & Finish: The guitar required absolutely no work out of the factory. I literally plugged it in and jammed away (well, to be fair, I did tune it first). My dad, Who has been playing guitar for fifteen or twenty years, Who was very skeptical about the quality of a Japanese guitar that was "messing with a classic design," was very impressed by the out-of-the-factory quality. The whole thing was really pretty picture perfect from the get-go. It is at least on par with my American-made Stratocaster, maybe a little better. // 10
Reliability & Durability: The pickguard, with it's mirror-like finish, is really prone to little cosmetic scratches. You certainly won't be putting any horrific dings in this thing if you treat it pretty nicely, but I can see the little scratches from my pick when I look at the guitar in direct light. I've pretty harshly (and accidentally) bumped my Jaguar into a chair or two and the occasional cabinet/desk (I know, I'm just terrible) and the thing still looks just about like new, so the body finish is pretty durable. Also, in light of the very mirror-like finish of the black and the chrome hardware, it's prone to getting very finger-printy and dirty looking without some upkeep. Those very minor cosmetic flaws aside, the biggest problem (and by that I mean the only problem) I've ever had playing Live with this thing is that sometimes, if you're not careful, your hand can bump the pickup switches when you're playing in lead circuit, which will turn off the pickups, which means that your guitar will, embarrassingly, stop making noise. I've done this twice so far, and it's primarily because my left arm just really gets moving when I'm plowing away in the chorus of the song. Just keep your picking hand towards the bridge (or under control) and this guitar will never lead you astray on stage. I did change out the strap buttons for locking ones, but that's just personal preference. // 9
Impression: I've been playing guitar for a good three years. I've got an '88 American Standard Stratocaster and a "rat-rod" Telecaster that we built in addition to this guitar, but I reach for this one first every time. I was torn between this Jaguar and the U.S. '62 Reissue, but this one finally won out because of the humbuckers, the killer looks, and the price! It's a lighter, maybe slightly less quality version of the '62 for half the price, and minus all of the '62's problematic features. // 10
Reviewed by:
Haemoglobin, on december 15, 2008 0 of 0 people found this review helpful
Price paid: € 700
Purchased from: Thomann.de
Features: It's a Made In Japan version, BUT it's made around 2007-2008. I guess the Japanese Fender has started to put "MIJ" on their necks once again. It has 7.25 neck radius and 24" scale, which is great to play, as I have quite small fingers, BUT the neck itself is thicker than my Ibanez so reaching some notes in wider range gets tricky when playing standing up. It's got sunburst finish, which is beautiful, however the wood grain doesn't match in some places, but it's barely noticeable. Still annoying though. I guess you all know about the switches and stuff. It really isn't too complicated as it may seem at first. And they are quite useful. Except the bass-cut Switch, but Jaguar was designed to wear flatwound strings, which are much more mellower and bassy, so the bass-cut in that case does make sense. And you all know about the bridge - it sucks. Some people may say that it needs to be set up properly, but it isn't worth it. The design is just bad and you need to replace it. Either the Mustang saddles or the whole bridge or some tune-o-matic (but tune-o-matics doesn't match with Jaguar's 7.25 radius) so I recommend Schaller STM roller bridges, which are fully adjustable, with the radius and everything. // 7
Sound: I play Placebo, Sonic Youth and stuff like that and mostly with the neck pickup. When on clean channel I use the normal neck position, but with distortion (DigiTech Grunge. It just owns with this guitar) I use the rhythm circuit, which is basically neck pickup, but the sound is more.. well.. duller WHEN on clean, but with distortion it makes sense. It also owns with EHX Big Muff. My amp is Vox Pathfinder 10 (which is also worth checking out) and the cleans rock. The guitar is quite noisy, because as I've read the Japanese ones aren't shielded. It may also be a grounding problem, I have to check it out. But generally all SS configuration guitars are a BIT noisy, so it doesn't bother me at all. It's not unbearable or anything. Lot's of variety with the sounds. Surf, alt-rock, jazz, even metal (but certainly not mainstream metal, get your LP or sth for that). Oh and I'm also planning to change the stock pickups to Seymour Duncan AntiquityII's, because the Japanese Jaguar stock pickups are with quite low output and simply just the worst of all the Jag pickups. But not worst of all the pickups. It still sounds good, but it could be better. It's way too thin. Check out some Seymour Duncans to suit your taste. // 9
Action, Fit & Finish: It was really bad when I got it (it was shipped) but I don't mind setting a guitar up on my own. 30minutes or sth and it was ready to go. Had to do some adjustments to the bridge, but everything you do to the bridge will only be temporary. The screws start to fall apart, etc, etc. It's not worth all the hassle, so get a better one. The pickups, umm.. need a bit adjusting to be honest, but it hasn't bothered me so far. When it's time to change the pups and pop her open, then I'll fix it along with the shielding and grounding issues. And no flaws in finish, just as I said before, the only problem was the mismatching wood. Oh, and the offset body is reeaaally comfortable. // 6
Reliability & Durability: Get a new bridge and it will withstand Live playing. Other hardware seems to be OK. And yes, I can depend on it. And I don't gig without the backup, but the logical backup guitar for this would be Squier Jagmaster, hah. The Japanese ones have poly finish, so it will last. // 8
Impression: If it were stolen, I'd hunt the bastard down, but I doubt someone would steal it, because Jags seem to have quite low reputation. Who knows tho. The thing that I love about this guitar is that it's an outcast. Strats and Teles are the most famous of Fenders and Jaguar was never well received. It makes it somehow special. It sounds weird too. It's all good. As for the flaws.. I don't see them as flaws. It's the "character" thing. // 10
Reviewed by:
lithium26, on july 25, 2007 0 of 0 people found this review helpful
Price paid: $ 1100
Purchased from: Singapore
Features: American Vintage '62 series, American made. Ocean turquiose finish. 22 Vintage style frets. C-shaped neck, nitrocellulose lacquer finish. Alder body. The bridge is a Vintage style floating trem, and it has a button to lock your trem. The controls were quite confusing to me at the begining when I first acquired my Jaguar. On the top left side, there is a Switch so you can Switch from the rythm and lead. There are 2 sliding-control-thingys to adjust volume and tone. On the top right side, there are 3 switches, which will work only when the lead circuit is used. One to turn on the neck pickup and one to turn on the bridge pickup.The third Switch is a lead tone modifying Switch. On the bottom right side, there is a volume and tone knob for the lead circuit. The tremelo arm is floating, and very easy to use. The guitar comes with a brown hardshell case with a few cleaning accessories, a guitar strap which I don't need and an extra set of Jaguar strings. // 10
Sound: I play a lot of different kinds of music. Mainly hard rock, rock, alternative rock, metal, blues. This guitar is extremely versatile. I rely a lot on it's cleans. With my Laney LC15R, the cleans sound really good. This guitar can get into metal territory too, though I use an EHX Metal Muff. My favourite band is the Red Hot Chili Peppers and I can roughly get John Frusciante's great tone. I still have to experiment a bit. It is quite trebly, but that's expected of a single coil Jaguar. I kinda expected it to be really noisy, but to my suprise, hardly any noise can be heard from the Jaguar. I rely a lot on my rythm pickup. // 10
Action, Fit & Finish: When I got it, it was setup badly. There was newspapers stuffed into the body. However, the fault was not the guitar's but the store's. The colour coat feels great.The neck also feels really great. The power of nitro cellulose. People complain about the Jaguar bridge, but the guitar sting will only slip out of the bridge's grooves if it's poorly set up. I experienced that problem too, but after I sent it to a setup, I didn't experience that problem again. // 9
Reliability & Durability: The Jaguar dosen't go out of tune when I use the trem. Once I decided to try out it's tuning stability. I abused the trem, and it still was in tune. I was really suprised. However, once, before a gig, my strap (now I use a locking strap) gave way, and my Jaguar fell. Ouch. No dents or scratches or anything. My guitar went horribly out of tune. Luckily I went to do a triple-check on my tuning right before the show, so I saved myself from horrible humiliation. Other than that, it is very reliable. I dropped it a couple times, banged it against corners, walls accidentally, etc, but no dents at all. // 9
Impression: The Jaguar is my second electric guitar, my Mexican Strat being the first. The Jaguar sounds and feels lot better than the Strat. After I got the Jaguar, every other guitar I've tried sounded inferior to the Jaguar. Including a Gibson Les Paul Custom that belongs to a friend and a custom American Fender Telecaster that my singer/rythm guitarist uses. If it were stolen or lost, I would definitely get the Jaguar again. A second choice would be to get a Mustang. // 10
Reviewed by:
StuLovesMusic, on january 09, 2007 0 of 0 people found this review helpful
Price paid: $ 1400
Purchased from: Guitar Center
Features: This is a gorgeous American made guitar. The body is made of Alder and it has a "C" shaped Maple neck. It has a rosewood fingerboard with dot inlays, and 22 Vintage style frets. It has unique '60s styling, and chrome hardware. It is equipped with 2 Special design American Vintage Jaguar single-coil pickups in the neck and the bridge. It also has 2 on/off slide switches for each pickup, and Fender/Gotoh Vintage style tuning machines. For the bridge it has a Vintage style “Floating” tremolo with tremolo lock button. it's scale length is 24". And it comes with a great Deluxe Brown hardshell case. And also a strap, cable, and meguiar’s mist and wipe kit. // 10
Sound: This guitar sounds great. I play anywhere from blues, jazz, indie, rock, and hard rock, and even some worship. Each sound I've tried to get I have achieved. This guitar's many options for different, yet solid and great sounding tones are a main reason why I bought it. I play through a spider 212 and it sounds good, also when my band plays through the Mackie speakers it sounds great. But when plugged into a Fender or Marshall Tube amp, you get the one of the greatest sounding guitars I have heard. I have had no problems so far with excess noise. // 10
Action, Fit & Finish: This guitar had to be special ordered for me from my good friends at Guitar Center. It came all the way from Massachusetts. When it arrived it was set up just right, I could not believe how well the action was set coming straight from the factory. There were absolutely no flaws on this guitar. // 10
Reliability & Durability: I’ve played this guitar Live numerous times and it's traveled in the back of a packed bus, a small Sante Fe, my Jeep, and others, and it still looks and sounds great. I have used this guitar in gigs with and without backups, I haven’t ever doubted this guitar, and I still don’t. The finish is beautiful (I have the Olympic White) and strong. The strap buttons are sturdy and fit all of the straps I have used. Including my Fender seatbelt strap. The hardware seems like it will last, but it smudges easily (like the back of a new iPod), this seems to be the only problem. // 9
Impression: This guitar is incredible I greatly recommend this guitar! I have been playing for about 2 years and I have played Epiphone Les Pauls, Silvertones, and Gibson SG's live but I prefer the Jaguar over all of them, it has the best overall tone and the most versatile tone. Also this guitar is the perfect weight and just straight up looks awesome. If I lost this guitar, I would definitely buy another one, once I got the money. // 10
Reviewed by:
unregistered, on september 29, 2006 0 of 0 people found this review helpful
Purchased from: eBay!
Features: This particular guitar is a 97' Jap-made Jag, making it an alder body, as opposed to earlier-model basswood, or 'kitchen table' wood, lovely 3-colour sunburst, making the guitar look like a smoker's index finger. Features are the same as stated in other reviews, separate lead and rhythm circuits with volume and tone selectors for each, pick-selector, and what is essentially a bass-cut switch. Floating tremolo system. Two single coils with shielding claws. Front of body input jack. And one very dodgy bridge. // 10
Sound: The sounds from this guitar are as nice as they are varied. With ease, the guitar can flick from scag-head Babyshambles to Television (Tom Verlaine used them) most punk, '70s rock, and a very nice funk, is perfect for RHCPs, Frusciante used one extensively. Of course, the guitar does a sheer perfect surf sound, being designed primarily to be Fender's top model to the players of the '60s, thus surfy jangle. Any reverb on this guitar, any at all, and before you know it you will be wearing naff '60s cardigans and saying 'Cowabunga', 'Surf's up' and many other obnoxious phrases. Due to the seperate circuits with their own volume and tone, the guitar can flick between preset rhythm (through the neck pickup, the Switch for which lies on the upper horn, along with volume and tone rollers), lead (through the bridge, or bridge and neck pickups, selected through switch under neck pickup, with volume and tone knobs in bottom right corner of body next to jack), or simply both pickups neutral 1 (switch next to lead circuit switch up, lead and rhythm off). The final switch feature is the bass-cut Switch.
The sound of this guitar is inclined to be rather cutting, due to single coils, and a 1 meg potentiator. Personally, I love this sound, the guitar is very distinct, and ideal for overshadowing a fellow guitarist's noise at a gig heh. With appropriate adjustment, the sound is perfect for near any style, except shredding and high-gain thrash, though this is true for most single-coils. Each circuit gives a quite individual sound to any other circuit's noise. The rhythm is, to be honest, the weakest sound feature on this guitar in my experience. Depending on what you are playing of course. To me, it seems a little too indistinct. Clean, it is alright, very '60s/early '70s. Distorted, The murky sound it provides can be nice, but difficult to do much with, though I wouldn't dismiss it entirely. Lead, though produces one of the best sounds I have produced in any guitar. Clean, it really shines through other instrument noises in a good way, an inexplicably happy noise. Distorted though, it really shines. This sound can do anything, Hendrix noodling to Marilyn Manson pounding. Very cutting, with enough fuzz to make it versatile.
The guitar played through no particular circuit, just through pickups is my particular favorite at the moment. It's a noise very much like a lot of recent fashionable bands, Bloc Party, Razorlight, Franz Ferdinand, wiry guitared dance-Indie stuff, but with more bite. Works very well for Libertines and Babyshambles. Another fab feature is the bass-cut Switch. This Switch, when on, minimises the lower end frequencies, and creates a much more substantial sounding high. This doesn't mean it kills bass off, it doesn't ruin heavy chugging at all, just changes it. I have this thing on all the time, it sounds wonderful. Adds great definition to palm muting, another surf-tastic throwback. Now onto one of the Jaguar's flaws. In an effort to reduce feedback from the single-coils, Fender placed them in little metal claw contraptions. This kills the sustain significantly, while not doing an amazing amount to kill feedback. Enough, but not much. This isn't necessarily too bad, you just learn to facillitate this in your playing, forces you to add flourishing trills and twiddling in the gaps where a Les Paul player would hold the note till their fingers hurt. It is just a change in style. The overall tone on the guitar is improved over many others by it's slightly shorter scale neck. While significantly shorter than Fender standard 25.5, it is barely more shorter than most Gibsons. This is an excuse to use higher gauge strings, thus improved tone without sacrifice in playing. Shielding is also improved by plates inside the body, though these are missing in more recent models. All in all, sound is fine, dandy and flexible. // 10
Action, Fit & Finish: I bought this second-hand, so no idea of initial set-up. The colour and coating is nice, fairly durable. The turning pegs I find a bit awkward, though it is not much of a problem. Now onto the worst part of the guitar, and one which managed to get the guitar's production run scuppered after something like 8 years; the infamous Jaguar bridge. Basically, it is useless after half an hour's playing. It cause bass strings to buzz without constant attention to it, the grub screws fall out of the guitar, and the threaded barrels mean the strings slip constantly, and it can be difficult to get intonation perfect. It can be tolerated while playing, in the same sense that it is possible to play guitar with diarhoea; you are not going to be able to play comfortably, it is only a matter of time before you are going to have to do something about it, and it will end up messy if you dare to play live with it. Slotting in a Mustang bridge fixes all these troubles, and it's only about £20 from eBay, worth it to get the guitar working. It is all fine with this guitar except for that pesky bridge. // 6
Reliability & Durability: Guitar is very comfortable, a pleasure to play live. Playing live with this guitar, as with all single-coil guitars, can be problematic, but with practise the feedback can be helped, especially with this guitar's claws and plates. Finish slightly more durable than most. No problems really, as long as the stock bridge is out of it and a Mustang or Tune-O-Matic is in. Mustang is easiest option, same as stock in shape and measurement, but not poop. // 8
Impression: When I first started shopping around and noticed this, I was afraid the circuit swithing and shape were all gimmicks to sell an average guitar, but further education on it shown me it isn't. That was the only thing stopping me buying one sooner. Overall, the sound is amazing and very flexible, if the sound had to be compared to something more mainstream, then slightly like a Telecaster, but capable of more. Neck is fairly thick, but with the scale is not noticeable, feels more natural than most stratocasters. Lovely sound, looks, and extremely comfortable. Sounds and looks both stand out at a gig. The bad; some won't like the single-coils, not too old-style metal suited, though fine for hard punk and hardcore, a bit of a challenge to rewire due to sheer amount of electicky bits in it, and the bridge is unnacceptable. I can't see a metal player buying this anyway. Well worth it, a lot of fun, highly recommended. A 10 ONLY after bridge change. // 10
super7am
: thanks for the great reveiws i am currently tossing up between a strat, cyclone or jaguar as my new axe (currently i own a squier bullet strat) POSTED: 08/18/2006 - 09:59 pm / quote|
Strongbow
: I love these guitars, great reviews but what do the phase switches do? what sound is given? sorry if its a stupid question. POSTED: 09/14/2006 - 05:13 pm / quote|
Mild Vibe
: I'm saving up for a Jag, and can not ****ing wait 'til I get the money! It will be a happy day indeed. POSTED: 11/10/2006 - 07:48 pm / quote|
joshsatt
: i play classic rock, especially zeppelin, and blues. What should i get, this or a standard strat w/ heavy upgrades. POSTED: 03/17/2007 - 11:05 pm / quote|
i play classic rock, especially zeppelin, and blues. What should i get, this or a standard strat w/ heavy upgrades.
The Standard Strat would be better but don't get me wrong this is an awesome guitar, I want it so much!! POSTED: 04/06/2007 - 01:49 pm / quote|
samisabig1
: i think theyr ugly. but meh POSTED: 07/16/2007 - 05:02 am / quote|
piratemetalhead
: I'm so getting one of these for my birthday. But like, 3 years later, soo...
Anyways, I dont get why so many people think they're ugly. Imo, they look pretty cool. POSTED: 08/28/2007 - 11:20 pm / quote|
fenderdude0071
: i have the one with the humbuckers plays like a dreams and much suits my style that and i have a cyclone with three jag picups POSTED: 08/30/2007 - 11:08 pm / quote|
deeph9
: im bout to start savin up 4 1, they r so awesome!!! POSTED: 09/16/2007 - 12:53 pm / quote|
getts182
: I picked one of the Japanese Jags up at Guitar Center, and it sounded killer, I can't wait to get one of them for myself. I'd buy it off of Musician's Friend, though, it's like $70 less for the same guitar. POSTED: 09/27/2007 - 02:12 pm / quote|
ich-komme
: I've played the Squier Jagmaster, and that is a killer guitar. I think this one will be just as good tho play, but with the abscence of humbuckers that might affect the sound quality. Still a brilliant guitar though. POSTED: 10/02/2007 - 12:23 pm / quote|
nirvanapwns
: i wish i was a rich person that way i could buy it (the world would be a happier place if fenders were cheaper)
i wish i was a rich person that way i could buy it (the world would be a happier place if fenders were cheaper)
If they were cheaper they would be crappy quality and they wouldnt mean as much to some people and it gives you something to aim for
yeah i guess you´re right POSTED: 01/25/2008 - 05:52 pm / quote|
ikarian-pride
: now i really wnt this guitar
i just bought my first electric so im out of cash i guess by the time i get bored of my guitar ill have enough money to by this one(hopefully) POSTED: 01/31/2008 - 07:45 pm / quote|
The_Pretender95
: i still prefer the olmpic white mustang...but i played a jaguar once @ a friends house andit was ok POSTED: 02/28/2008 - 03:17 pm / quote|
J.J.G.
: great sound,but this guitar is just.....ugly ( srry fender lovers) POSTED: 04/02/2008 - 04:15 pm / quote|
Thrash_fire666
: I have to agree fenders are pretty ugly im a B.C rich guy myself POSTED: 12/15/2008 - 11:01 am / quote|
Kierans239
: most b.c rich's are shit though... you have to spen a good £1000 or so to get a half decent one... fenders are awesome... don't really like tele's that much in looks but my strat is awesome even though its a mexican... POSTED: 12/15/2008 - 12:46 pm / quote|
vegetassj4
: Fenders are pretty nice. I have to agree the Jaguar is kinda ugly though... POSTED: 12/15/2008 - 12:48 pm / quote|
hamsta_hobo
: to keirans239, you ill or something? i have a bc rich ironbird trem (got it for sod all cash) and its ****ing awesome! ive had it for three years and im only just getting around to having a pickup upgrade as the stocks are so good! POSTED: 12/15/2008 - 02:03 pm / quote|
<APOV>
: I'm getting a custom shop jag made for myself at the moment. It's the only way I could get a lefty since they're not generally made for my kind and it's only costing AU$6k. I think Jaguar's are the greatest (: POSTED: 12/15/2008 - 04:40 pm / quote|
I have to agree fenders are pretty ugly im a B.C rich guy myself
I think Fenders are the best looking guitars and BC Rich's are the worst, but I'm not really into metal, and thats what they're made for. POSTED: 02/03/2009 - 05:38 am / quote|
poipoi
: I'm looking around for a guitar atm, and (for now) it's between this and a Jazzmaster. Just one question, I'm not a really agressive player, but I'm not soft either, would the detuning of the strings be that annoying, or is it ok? POSTED: 08/13/2009 - 03:24 pm / quote|
'93
: they are not ugly...like the mustang they ave to grow on you POSTED: 10/10/2009 - 01:07 pm / quote|
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