Vypyr VIP 2
fragydig529, on may 26, 2014 2 of 2 people found this review helpful
Features: The Peavey VIP series has A LOT to offer at a GREAT price, I recently purchased this VIP 2 from Guitar Center because I was so pleased with the VIP 1, and wanted the upgrade. The VIP 2 offers a ton of extra features that aren't on the VIP 1, for not a lot of extra money!
The Peavey Vypyr VIP 2 has 10 Instrument Models, of the 10 different instruments, these are what's included.
2 Different Acoustic Guitars (One seems to be a thin-line sound, and the second one, more of your traditional, non-cut-away dread naught style.), A 12 String Guitar, A 7 String Guitar (Manipulates your tuning by 5 half-steps down), A Resonator Guitar, A Sitar, An Electric Violin, A Synthesizer, A Baritone Guitar (Manipulates your low E to low A), And Bass.
It also includes 12 "Stomp Boxes,", which are; "TSC" (Tube Screamer like overdrive), "Fuzz," "Comp," "Boost," "Analog Flanger," "Analog Phaser," "Auto-Wah," "Slice," "Analog Chorus," "UVB," "Ring Modulator," and "Slap."
As an addition to the Stomp-Boxes, the VIP 2 also offers 11 Effects, which are essential Effects you'd place in an Effects Rack, such as an effects loop, after the initial amp input. They include "Chorus," Envelope Filter," "Compression Boost," "Flanger," "Monophonic Octave Generator," "Pitch Shifter," "Reverse," "Rotary Speaker," "Phaser," "Octaver," & "Tremolo."
All of the Instrument Models, Effects, and Stomp Boxes have 2 settings as well, allowing you to get WHATEVER tone you want. // 10
Sound: The sound is great! I haven't seen anything different than the VIP 1 in terms of tone other than the fact the VIP 2 is a 40 watt. It models 8 electric guitar amps, 2 Acoustic Amps, and 2 Bass amps. All with 3 different channels; Clean, Overdriven, & Distorted. Totaling 39 Amp Models. The electric amps are marked as "Twin," "Budda," "6505," "6534," "XXX," "Classic," "Butcher," & "British." The 2 acoustic are "Trace" & "Ecous." The 2 bass are "Trace" & "Peavey." Again each having a Green (Clean), Orange (Overdriven), & Red (Distorted) channel. This thing can pull whatever you want, You want some crazy alien sound? Fine. Want tear jerking leads? No problem! What about the whimper of a violin? It's got you covered! // 10
Reliability & Durability: This amp feels extremely light for it's size, it does feel very durable however, as does the Sanpera foot switch. I don't think I'd ever use this live however, it works GREAT to get the tone and sound you want, as well as to inspire creativity without having to spend hundreds of dollars on effects pedals. When it comes down to it, this thing is built by Peavey, we all know it will stand the test of time! I'm a bit confused though, it's advertised as a 40-Watt amp, but the 12" speaker says "8 Ohms - 60 Watts." Did I mention this has a built in tuner? That's very helpful as well! // 8
Overall Impression: This is an amazing amp for home use, and possibly even small venues or just small get togethers. I think it shines most in the aspect of versatility. I can pretty much make my guitar sound like 10 different instruments, use 12 different stomp boxes, and 11 effects. Perfect for getting that extra little push you need to make your song sound the way you hear it in your head.
I don't like the fact that if I'm using an Instrument Modeler, I can't use a Stomp-Box, but the "Effects" makes up for that a bit. I also wish the layout was a bit different, for example, when editing Effects or stomps, you have a "P1" & "P2" knob. Not that it takes forever to figure it out, even without looking at the manual, it just would be nice if they were replaced with little LED screens that changed according to what you were editing. Overall, I love this amp. I don't see myself getting rid of it anytime soon unless I'm upgrading to the VIP 3. // 9
Vypyr VIP 2
tmr4891, on june 02, 2014 1 of 2 people found this review helpful
Price paid: $ 127
Purchased from: Musiciansfriend.com
Features: - Patented TransTube technology - Acoustically ported semi-closed back - 10 instrument models including Acoustic simulators, 12 String, Mandolin, Seven String, Baritone, Resonator, Electric Violin and Bass - 16 presets - 12 amp accessible stompbox models plus delay reverb and wah - 36 onboard amp models - Six bass models - Six acoustic models - On-board looper - WYSIWYG (What You See Is What You Get) controls - Amp accessible real time dual parameter controls - Amp accessible global reverb and delay - 26 Total onboard effects - Bi-directional US - Data - MIDI - Audio record out - Studio quality headphone out - AUX/MP3/CD input - Up to five effects simultaneously - One 12" custom voiced speaker
Credit to musiciansfriend.com for the list.
All in all I find the control scheme to be very easy to navigate. There's really about zero need for a manual because everything is clearly labeled and edited. I find the eq to be adequately responsive, and it really just is a souped up version of the previously released Vypyr series.
Here's a mighty fine gripe for you; by and large, the USB recording feature is not usable. You can record with it, sure, but the playback will skip and pop more than it's worth to try. If you're looking for something to use in that capacity, you're going to have to expect working around it. I'm going to be using the headphone out through a mixer for recording. You will need a similar solution. Fortunately for the amp all of the modeling features make up for the poor USB support. // 8
Sound: I haven't had trouble getting what I want out of this amp. I will say for sure that if you are a one dimensional player, there are going to be things better suited for the areas this amp covers (metal player wants a metal amp, blues players want a blues amp) but for me and how all over the place my style can be, this works out great.
I've been tinkering with this amp for a few months now, and the speaker is moderately usable. I tend to use headphones (Sony MDR V6 or something like that) to monitor the sound and I really haven't been disappointed. If you have a background in manipulating controls on an effects processor or any of these modeling amps of recent years, this one isn't going to disappoint you. I can get vivid approximations of anything I'm after from Floyd to Metallica and if you know how to tinker with the sound on it you're just plain not going to be disappointed.
The cleans are great, and messing with gain settings you can coax a nice overdrive out of it. Selecting the crunchy and lead settings on the amp leads to the heavy distortions. I personally find them a bit treble heavy by default, so I usually have to modify them to my liking, but there's no reason you couldn't craft the sound you want out of these channels. The biggest issue might just be being overwhelmed by the number of options you have with the amp models. My advice is to take the time to learn each of the amps you've got at your disposal. They each suit a different need.
BASS PLAYING. I've read a lot of negative statements about using this amp for bass, and my conclusion on this is they're probably not using it right. You are going to have to eq this amp, and often. If that's a problem for you get something for your niche. I've used this with a bass guitar with great success. Use the effects, use the eq, and do your thing. If you're only playing bass, you should go elsewhere. If you're liking the idea of this guitar amp with the add on of bass support, grab it and learn it. Really doesn't take much. // 9
Reliability & Durability: This thing is solid, but the plastic clips they used for the corners are absolute garbage. If you buy one of these, buy it in person, and check the corners. The processor itself is solid, and the box seems as solid as any other amp I've used. The clips, though, really take a quality build and make it look like crap. That's just cosmetics though, and I'm not insanely concerned with cosmetics on an amplifier. The knobs feel solid to me, and the buttons are fine. I don't think I'd use any amp live without a backup, but I'd use this to the same capacity as any other amp this size. That said these days I'm more likely to just use this amp for home recording projects, and for that I definitely believe it to be able to last a long time. I have a Peavey 15 from years ago that's still up and running, if anything, this one seems like an upgrade. // 8
Overall Impression: I play whatever comes to mind. This amp has some inspiring sounds that should work out well for players with a diverse style. I've been playing for 11 years, and have a few guitars and a bass to my name and I've found this amp to be useful and appropriate for all of them. I do wish I had known about the shoddy USB recording before I'd gotten it, but I doubt it would've made a difference in the end. If it were stolen I'd probably replace it with the same model. I love the diversity this amp has, and the effects it offers. I've had no trouble getting what I want out of it. I don't really hate anything about it, but my biggest issue with it is the problem with the USB, followed by the cheap corner clips. On the flip side I really like everything else about it.
I compared this to Line 6, Roland, Fender, Marshall, etc. Big draw for this one was the ability to use it with a bass guitar, and it has delivered on every level besides the USB issue. If I could pick one thing this amp could've had, it would've been better support for that feature. After having this amp for a few months, I've really got to say I'm pretty satisfied with it. At this price point there's really not much chance you're going to beat this amp on versatility and if you've got a clue about modeling parameters, this amp is going to be a good friend to you for sure. // 9