Turn your electric guitar into an acoustic using four distinct modes: standard, jumbo, enhance, and piezo. Two individual outputs permit instant switching between different amps (one for electric sounds; one of acoustic).

POSTED: 12/29/2006 - 03:49 am

For musicians who travel light, hauling an extra guitar isn't practical. The AC-3 gives electric guitarists an acoustic effect with a tap of the pedal.

POSTED: 01/07/2008 - 01:41 am

The BOSS AD-8 is a powerful acoustic processor in a special floor unit format that uses advanced COSM Acoustic Guitar Modeling to transform the typically thin, brittle sound of standard piezo acoustic pickups into the rich, warm, studio-miked sound of six of the greatest acoustic guitars in the world.

POSTED: 11/16/2005 - 02:46 am

The Boss Auto Wah AW-2 delivers a wide variety of wah effects including a dynamics-sensitive wah that changes with the signal strength going into the pedal and a modulation wah for automatic wah over a cycle of modulation. There's also an extra powerful wah that combines the two effects. With the manual control, you can set the frequency point of the wah effect to get exactly the sound you want.

POSTED: 07/31/2006 - 07:28 am

The AW-3 Dynamic Wah is the first compact wah pedal to incorporate human voice-type sounds through a new "Humanizer" Mode. It offers a variety of classic wah effects, including dynamic sounds for guitar or bass where the amount of wah is dependent upon picking dynamics?perfect for funk music.

POSTED: 02/28/2005 - 01:11 am

The BD-2 delivers the creamy, slightly crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.

POSTED: 06/23/2005 - 03:05 am

If you live in a country where the Customs don't overprice any purchases from E-bay, you could safely try buying BF-2, specially if it's MIJ.

POSTED: 09/20/2010 - 03:34 am

Building on the 20-year legacy of the famous Boss BF-2, the new BF-3 Flanger pedal gives guitarists and bassists an updated version of the classic Boss flanger with the thickest stereo flanging sounds ever. Two new modes (ultra and gate/pan) create flanging with incredible depth-even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.

POSTED: 09/29/2005 - 01:53 am

The latest arrival in the BOSS recording line, the BR-600, is bound to raise BOSS’s recording profile even higher. Meet the most physically streamlined, feature-rich eight-track studio on the market.

POSTED: 08/17/2007 - 07:34 am

2 dials (rate and depth), easy to use.

POSTED: 09/11/2003 - 10:33 am

The CE-20 Chorus Ensemble is the culmination of over 25 years of Boss chorus experience. This programmable chorus pedal not only models classics like the CE-1 and SDD-320, but creates entirely new effects including chorus for bass and acoustic guitar.

POSTED: 08/13/2008 - 02:23 am

This is a Boss CE-3 chorus pedal made in japan. It is very easy to get a good sound out of it only has 3 knobs.

POSTED: 04/12/2011 - 06:24 am

The CE5 chorus covers a wide frequency range and features high- and low-cut filters. This lets you create any kind of chorus effect from a mild, natural chorus to the clear and penetrating stereo chorus effect popular in contemporary music.

POSTED: 08/20/2004 - 02:36 am

This unique stereo chorus delivers a clean chorus sound with crystal-clear highs and a unique stereo effect, variable between the left and right speakers. An EQ function adjusts the tonality of the chorus sound.

POSTED: 04/29/2008 - 01:00 am

9-volt battery or AC adapter gets it started and standard 1/4 inch inputs(mono only) gets you connected. 3 knobs, one each for Level, Attack and Sustain makes for ease of use.

POSTED: 03/16/2009 - 08:19 am

The CS-3 compresses high-input signals while boosting low-input signals, giving you smooth sustain without degrading the quality of the original sound.

POSTED: 01/28/2005 - 02:27 am

The DD-20 Giga Delay is not just another simple stompbox delay; it is a much more complex and versatile unit that is a part of Boss line of "next-generation" double pedals.

POSTED: 02/24/2006 - 01:53 am

This compact pedal provides a digital delay effect with outstanding quality equivalent to that of a dedicated rack-mount delay unit. In addition to 3 delay time modes, a Delay Time control is furnished, giving you speedy, precise adjustment of delay time continuously within a range of 12.5ms to 800ms. The hold function repeats the delay indefinitely.

POSTED: 12/21/2005 - 12:12 am

The DD-6 Digital Delay is the first BOSS delay pedal to offer true stereo delay and panning effects. Features include built-in tap tempo capability and a delay/hold time of over 5 seconds (5,200ms).

POSTED: 01/05/2005 - 12:42 am

This pedal seems to be an upgrade of the Boss DD-6, which has been extensively reviewed on this site. It shares a lot of similarities (number and function of the knobs) with this previous model, and adds longer delays and a couple of new features.

POSTED: 12/10/2008 - 03:53 am

This Lo-Fi effect allows you to capture everything from droney feedback to synth-like string sounds.

POSTED: 03/16/2005 - 08:19 am

The DN-2 Dyna Drive pedal from BOSS is a compact guitar overdrive pedal that reacts to your performance. Acclaimed Dyna Amp technology derived from the Roland CUBE-60 lets you create tone transitions according to picking dynamics.

POSTED: 06/03/2008 - 04:49 am

The classic DS-1 Distortion pedal provides a harder distortion effect for guitar and keyboard sounds. Instead of toneless, fuzzy distortion, the DS-1 faithfully reproduces all the subtle nuances of playing dynamics - at any volume.

POSTED: 09/18/2003 - 06:28 am

The DS-2 features twin Turbo modes. Turbo Mode I produces warm and mellow distortion with flat frequency response. Turbo Mode II provides biting distortion with a mid-range boost that's great for leads.

POSTED: 04/26/2004 - 07:54 am

It's a delay pedal, so it's really easy to get a good sound out of it. This pedal isn't noisy, it does have an internal compression chip which helps even out the sound but no hiss which is handy. This is good for everything so music style doesn't matter.

POSTED: 01/19/2012 - 04:22 am

3 controls (Mix, Frequency and Sens)

POSTED: 09/01/2003 - 07:31 am

This pedal is totally cool, it works with your amp, no matter what type, and/or other effects quite well. Total control over your feedback, and it will give you all the F. B. you need to color your compositions, even on a clean sounding amp, and AT ANY VOLUME.

POSTED: 02/29/2012 - 03:44 am

Thanks to Boss’ technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal.

POSTED: 03/21/2007 - 08:33 am

The second in the new Legend Series is the FDR-1, based on the Fender 1965-era Deluxe Reverb, a coveted tube amp known for its natural touch-responsive and distinctive snappy overdriven sound.

POSTED: 03/23/2007 - 07:42 am

This pedal is one of those "easy-to-use" pedals. It's as simple as it gets when coming to a volume pedal.

POSTED: 08/05/2009 - 03:15 am

It is a relatively harder to use fuzz pedal in comparison to other 3-knobbed fuzz pedals around the globe, since it has 3 different modes, and each knob reacts differently depending on the mode you're on. (Them being Fuzz 1, Fuzz 2 and Gain Boost). I just love how it unleashes pure dirt, sludge, horrifying filth the moment you step on it.

POSTED: 07/06/2012 - 03:58 am

The FZ-5 is a modern pedal built for the modern guitarist, but its sounds are pure retro. The FZ-5 recreates vintage fuzz tones from the '60s and '70s through BOSS's state-of-the-art COSM technology.

POSTED: 06/01/2008 - 01:32 pm

This pedal is basically the same as any other equaliser pedal but with 10 bands instead of 6 or 7, so it offers the user a little more tonal control. The sliders cover 31, 62, 125, 250, 500, 1k, 2k, 4k, 8k, 16k (Hz) respectively and give you a +/-12dB range plus you can drop or boost the output volume buy 12dB.

POSTED: 09/30/2008 - 04:29 am

The GE-7 has seven bands ranging from 100Hz to 6.4kHz, ideal for tweaking guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

POSTED: 05/08/2006 - 06:36 am

The GP-20 Amp Factory offers a variety of incredible COSM Guitar Amp models designed for live performance or recording -- 22 in all. Thanks to its simple knob-based controls and ability to model the best amps ever made, the brilliant GP-20 is a tonal monster for live or studio applications.

POSTED: 06/29/2006 - 05:55 am

The GS-10 Guitar Effects System has everything guitar and bass players need for incredible tone?like all-new amp models, overdrive/distortion modeling, independent compression and more.

POSTED: 05/04/2004 - 09:29 am

The GT-10, driven by BOSS' latest custom-made DSP and proprietary sound-modeling COSMÂ engine, is a floorboard powerhouse that offers natural and musical response as well as a marked improvement in sound quality from previous generations.

POSTED: 05/07/2008 - 04:59 am

It has a wide variety of cool effects, they just sound revolting.

POSTED: 11/29/2012 - 03:43 am

The Boss GT-3 Guitar Effects Processor takes the professional-quality guitar effects and killer Cosm-based preamp of the flagship GT-5 and places them in a sturdy, compact pedalboard with a surprisingly low price.

POSTED: 04/15/2005 - 02:17 am

The Boss GT-5 is the first pedal board style Guitar Multi Effects Processor to incorporate Composite Object Sound Modeling (COSM).This technology allows the GT-5 to emulate several of the world¼s most popular guitar amps and speaker cabinets.

POSTED: 05/21/2007 - 02:27 pm

The most advanced COSM modeling engine ever created-complete with 30 amp models, plus all-new COSM Distortion/Overdrive Pedal Modeling and Wah Modeling.

POSTED: 01/15/2004 - 06:19 am

Double your power with Boss' new GT-8 floor-based mega processor. Loaded with twin Cosm modeling engines, it brings unprecedented performance and tonal control to the stage and studio.

POSTED: 04/13/2005 - 02:45 am

POSTED: 10/22/2003 - 09:17 am

This pedal is very easy to use, it has only 4 controls, and standard input - outputs.

POSTED: 08/04/2003 - 12:00 am

The HM-3 is designed for greater gain and a more accurate dynamic response to produce a powerful, hard-edged sound with powerful sustain.

POSTED: 05/23/2006 - 02:49 am

If you are a guitarist or bassist who runs multiple effect stomp boxes and you want to cut back on the frustrations of the pedal dance, the LS-2 is worth a quick look. The LS-2 offers two individual loops with level controls, six modes of operation and a line through straight to amp.

POSTED: 07/14/2011 - 04:23 am

Produces extreme, low-end distortion for modern metal and hard rock. Gain Boost circuit creates huge distortion and sustain regardless of level. New Bottom control for bottom-heavy distortion matched to 7-string guitars.

POSTED: 01/15/2004 - 06:12 am

Boss expands its famous ME series multi-effects family with the ME-20, a powerful multi-effects unit optimized for live performance.

POSTED: 12/24/2007 - 01:57 am

This thing is efficient and extremely easy to use, especially since you can organize all of your sound library on the computer as well.

POSTED: 05/21/2010 - 02:50 am

16 stereo multi-effects; Built-in assignable Expression Pedal controls Wah, Volume, Whammy Bar and Ring Modulation Effects; Onboard Amp Simulator.

POSTED: 08/04/2003 - 12:00 am

The ME-5 also allows you to attach a midi controller, an expression pedal, and an FS-5U footswitch.

POSTED: 07/29/2009 - 03:46 am

The ME-50 Guitar Multiple Effects is a floor-based multi-effects processor built with the ruggedness and simplicity of a stompbox.

POSTED: 01/19/2004 - 08:13 am

The Boss ME-70 is exactly what it claims to be: Intuitive. It takes a bit to find how to get the kind of sound you want, but with a very small amount of practice, it comes naturally.

POSTED: 05/20/2009 - 10:46 pm

This is a totally reliable pedalboard/multi-effects board, come on, it's a Boss.

POSTED: 07/27/2009 - 02:41 am

The MICRO BR BR-80 is an all-new portable recorder that fits inside your guitar case. Check it out!

POSTED: 11/14/2012 - 08:36 am

Meet the ultimate palmtop recording studio. Only slightly larger than an iPod, the tiny-yet-powerful Micro Br is dream for musicians on the go. The Micro Br offers four simultaneous playback tracks (plus 32 V-Tracks), an SD Card slot, onboard multi-effects, built-in rhythm patterns, a tuner, MP3 compatibility, USB, and more. No guitar case or gig bag should be without one!

POSTED: 12/27/2006 - 04:10 am

With its extreme gain, the ML-2 is the most potent and heavy distortion pedal ever created by Boss. It easily delivers massive distortion and gain with heavy lows for playing Nu Metal, Grind core, industrial, hard core, or any genre that requires crushing sound.

POSTED: 07/20/2007 - 11:11 am

MT-2 distortion pedal MT2 for guitar. Equipped with a dual gain circuit, provides super-long sustain and heavy mids and lows like a stack of overdriven amps. Three-band EQ, wide range of distortion textures.

POSTED: 08/01/2003 - 12:00 am

Eliminate unwanted noise and hum without altering your tone. A unique noise detection circuit preserves the natural attack and envelope, leaving your playing and dynamics intact.

POSTED: 06/06/2005 - 05:41 am

This pedal is super easy to use. It comes with 3 control knobs; Octave 1, Octave 2 and the direct level.

POSTED: 03/02/2011 - 03:50 am

The BOSS OC-3 Super Octave gives guitarists high-quality octave effects with a single stomp. Three modes are provided, including a new Polyphonic Octave mode, a Drive mode with distortion, and the original OC-2 mode. The versatile OC-3 also works with bass!

POSTED: 03/20/2006 - 07:10 am

The Od-20 Drive Zone uses advanced COSM technology to model the sound of classic overdrive/distortion pedals, as well as creating new sounds of its own.

POSTED: 02/04/2004 - 09:51 am

Built in the tradition of the legendary Boss overdrives, the OD-3 OverDrive pedal gives guitarists a greatly expanded range of smooth overdrive tones and improved response while staying true to the original.

POSTED: 01/16/2004 - 06:52 am

A flexible pedal capable of producing overdrive, distortion, or a combination of both. Get "in your face" distortion while maintaining the subtle nuances of single-coil guitar pickups.

POSTED: 08/01/2003 - 12:00 am

It has controls for speed (how fast it phases), resonance (for added depth of phase) and depth (adjusts the phasing intensity).

POSTED: 09/29/2008 - 02:13 am

The PH-2 adds an effect similar to that of a rotary speaker, with a phase shift circuit that provides twelve stages of adjustment for smooth, professional-sounding phasing. Two modes give you completely different tonal characteristics.

POSTED: 10/28/2003 - 05:10 am

Compact pedal with versitile vintage and modern Boss phasing effects. New "Rise" and "Fall" modes create unidirectional phasing sounds.

POSTED: 09/18/2003 - 06:21 am

It is a next-generation intelligent pitch shifting pedal with killer sounds and Boss first features. It provides pitch shifting, harmonies, detuning, and wild tremolo arm/flutter effects? All with simple, knob-based control.

POSTED: 04/05/2004 - 08:11 am

This pedal is useful for all the styles and genres; I play Metal and the Harmonist is always on with melodic songs.

POSTED: 02/11/2011 - 02:36 am

This first-of-its-kind programmable modeling wah gives you instant access to six classic and modern wah pedal sounds.

POSTED: 12/23/2003 - 09:08 am

This is a standard Boss single pedal with 4 controls. The level control is simply a volume knob which is quite sensitive. There are two controls to alter the type of distortion.

POSTED: 07/05/2004 - 04:49 am

House in a compact-pedal case, the RC-2 puts a surprising amount of features in a small stompbox.

POSTED: 01/18/2007 - 04:33 am

Whether for use onstage or at home, the new RC-20XL will add depth and excitement to your performances by allowing you to layer phrases in real time - as many stacks as you like until you fill up the 16 minutes of ample recording space on the RC-20XL. Explore the expressive options of sound-on-sound performance by layering your own phrases to create a massive 'one-person band' experience. Build the ultimate solo, and do it all live in real time.

POSTED: 01/31/2006 - 10:15 pm

No delay, whatsoever. No on-board effects. The best looper for its price - I use it everywhere for everything.

POSTED: 05/16/2012 - 03:42 am

I play a lot of styles of music but I think it does very well with rap music. The sliders let you cut elements out of the beat and the effects help to keep interest in the song.

POSTED: 10/21/2011 - 05:34 am

For those awaiting the arrival of a new industry-leading looper, the wait is finally over. Introducing the RC-50 -- the most feature-laden Loop Station Boss has ever built. It’s the best live looping tool ever built for that matter. Housed in a spacious seven-footswitch floor unit, the RC-50 lets you manipulate three stereo phrase tracks simultaneously, with each track supporting multiple overdubs. In other words, you can record phrase upon phrase, one by one, on each track, resulting in a monstrous stack!

POSTED: 08/27/2007 - 08:12 am

One of the most beloved echo effects ever made, the Roland RE-201 Space Echo, has been reborn as the Boss RE-20 Twin Pedal! Roland and Boss have recreated every sonic detail and nuance of the original. Experience the legendary tape-echo sound of the RE-201, and get “lost in space� with this retro-modern marvel.

POSTED: 09/05/2007 - 05:38 am

his is one of Boss's twin pedals. It has controls for mode (the type of effect), ramp rate, wet level, dry level, tone (between the horn and bass), slow speed, fast speed, and an Overdrive level.

POSTED: 10/27/2010 - 02:50 am

The RV-5 Digital Reverb offers six of Boss best reverbs in an all-new stereo effects pedal. New reverbs include convincing spring reverb emulation and a high-quality gate reverb, plus an all-new Modulate mode for spacious detuned reverb sounds.

POSTED: 04/27/2005 - 03:40 am

The SD-1 produces the warm, smooth distortion of an overdriven tube amplifier while maintaining the subtle nuances of your picking technique. Used by countless professionals.

POSTED: 07/30/2005 - 01:55 am

If you have a nice tube amp, and want a nice distortion to complement it, this is your pedal.

POSTED: 01/27/2011 - 04:37 am

Reproduces the classic tremolo effects of vintage '60s amps using a low frequency oscillator (LFO). LFO waveform variable from triangle to square for producing a variety of classic tones.

POSTED: 01/22/2005 - 06:15 am

The TU-2 Chromatic Tuner incorporates Boss' world renowned TU-Series tuner technology into an ultra-convenient stompbox design. For the first time ever, guitarists and bassists can now tune their instruments with Boss accuracy with just a single stomp.

POSTED: 01/29/2007 - 07:22 am

Boss have improved on the most important and basic features of a tuner while adding some minor additional features for those who like extra bonuses.

POSTED: 11/22/2010 - 04:04 am

The BOSS TU-80 brings super-accurate LCD tuning to a very affordable price, while adding unique features like a built-in metronome and Accu-Pitch. The pocket-sized TU-80 runs on batteries and can tune almost any instrument, thanks to a chromatic tuning mode. It even tunes 7-string guitars and 6-string basses—putting the TU-80 in a class all its own.

POSTED: 01/05/2008 - 04:23 am

This is extremely easy to use. It comes with 30 factory presets, 30 user-editable epatches, and 20 empty user-editable patches.

POSTED: 11/14/2011 - 03:46 am

The Boss XT-2 Xtortion pedal provides a truly original distortion sound for the cutting-edge guitarists of the '90s.

POSTED: 11/27/2006 - 06:44 am