The Paul Gilbert Signature AF2 Airplane Flanger is two fantastic pedals in one rugged package.

POSTED: 01/13/2010 - 03:20 am

The AD9 Analog Delay uses a compander with pre- and de-emphasis for an exceptionally clean delay. The quality and features of the AD9 Analog Delay make it the professional?s choice.

POSTED: 07/07/2006 - 06:02 am

Highly versatile, capable of producing vintage chorus, flange, and modern modulation effects, everything from shimmering soundscapes to jet plane whooshes. A Krazy switch lets you choose between 'normal" and 'whack'd" modes.

POSTED: 02/09/2004 - 06:37 am

The CP9 also uses a new VCA configuration for low noise operation even at the longest sustain. It's an unusual value for guitar, keyboard or bass.

POSTED: 02/23/2007 - 04:30 am

There are two knobs, Speed and Width, so the Pedal itself is very straight forward. A Manual isn't really necessary, mostly due the lack of complexity there is to fiddling with it.

POSTED: 09/10/2009 - 08:17 am

3 modes of operation (short, long and hold), short is 28-224ms, long is 224-1800ms, controls include, delay time, delay level, mode and repeat, 1/4" input, delay out and dry out 1/4" outputs, light green finish, made in Japan.

POSTED: 01/02/2006 - 11:42 pm

Delivers both high-tech or vintage tape echo sounds (switch selectable). Capable of 30 ms. to 2.6 seconds of delay time. Time, repeat, level, and a Range Switch allow for quick, precise control.

POSTED: 01/15/2004 - 05:34 am

The Ibanez DFL is the first flanger to use digital processing. The exclusive IDPC (Ibanez Digital Processing Conversion) system permits wideband, brighter flanging effects previously available only with rackmount digital processors.The DFL also features an extra wide 8:1 sweep ratio for deeper, wide-ranging flanging effects.

POSTED: 09/08/2008 - 04:23 am

This long discontinued gem from the Ibanez 10 "Power Series" was made between 1986-1989. Aside from the occasional sticky switch, these are wonderful units with a flavorful echo and very rich and pronounced repeats.

POSTED: 01/21/2008 - 02:12 am

The most versatile Ibanez distortion pedal ever, the DS7 is capable of producing a wide range of smooth, dynamic overdrive tones.

POSTED: 04/20/2004 - 04:16 am

Do yourself a favor and indulge in the creamy, spacious and sexy tone that this pedal can offer you.

POSTED: 07/07/2010 - 02:41 am

With the FZ7's tone, drive, and level controls, it's never been easier to get the right retro tones.

POSTED: 07/19/2004 - 04:39 am

The signature Steve Vai distortion pedal. It's basically two seperate distortion pedals in one housing. Three knobs per unit - Drive, Tone, Level. The knobs are responsive and it's easy to dial in that sound that you want.

POSTED: 11/13/2008 - 03:29 am

The first dedicated filter pedal for the guitar, the LF7's voltage controlled analog high and low pass filters allow you to emulate transistor radio and megaphone type sounds. Best used at the end of a signal chain in combination with other pedals, this ticking time bomb creates wide soundscapes of far out tones that previously required a massive rack of analog electronics. The Lo-Fi also performs equally well with vocals, drum machines or in any "mix-down" context.

POSTED: 03/01/2006 - 01:33 am

The sound of this pedal all depends on your gear, because there aren't any controls to adjust tone.

POSTED: 08/20/2007 - 07:31 am

It's all easy to use and there will be no misunderstanding. There are three controls for DC, tone and gain.

POSTED: 09/07/2005 - 02:16 am

It has just three knobs (distotion, tone, level). Easy to operate, changing the battery is really easy and simple (or you can use an AC adapter).

POSTED: 08/14/2006 - 06:17 am

Designed specifically for 7-string guitars with the input from some of Ibanez hottest 7-string players, the SH7 7th Heaven distortion pedal accentuates the low-end girth of the 7-string while reducing unwanted string noise.

POSTED: 11/17/2004 - 03:12 am

The Smash Box is the most aggressive weapon in the Tone-Lok distortion arsenal. Armed with obscene amounts of gain, tight low end, and searing highs, the Smash Box is The heavy rock sound for the contemporary guitarist.

POSTED: 12/25/2003 - 05:48 am

Fantastic Stompbox! It was very easy to use and the manual explains everything well. Not a very long manual but it has a few sample settings in there. It also comes ready to plat with the AC adapter.

POSTED: 02/03/2009 - 10:38 am

The Ibanez ToneLok DE7 Delay/Echo can provide just a touch of delay or echo, or can provide unreal delay with settings for anywhere between 30 milliseconds to 2600 milliseconds. The ToneLok feature lets you save your settings by depressing the knobs level with the surface of the pedal.

POSTED: 04/04/2011 - 03:45 am

Often imitated but never duplicated is the popular Ibanez Tubescreamer. This piece isn't just another stompbox, it's an institution. With its classic subtle-but-smooth overdrive, the Tubescreamer expands the expressiveness of your guitar while maintaining its tonal integrity.

POSTED: 11/13/2003 - 05:17 am

It's back - the incomparable overdrive pedal that's been described as "the Holy Grail of Tube Screamers." The TS808 reissue features the same famous large square footswitch and the even more famous warm tones of the JRC4558 chip used in most of the original TS808's. For players who feel their tone is suffering from a lack of real warmth, the TS808 is the Real prescription.

POSTED: 12/19/2005 - 04:13 am

Over all if you want the best "overdrive" pedal than this is it. I play everything you can think of and it covers it all, from brutal death metal to jazz and the tone is right there for me.

POSTED: 01/12/2012 - 03:17 am

The TS9 was reissued all the way back in 1993. Eleven years after its reissue the TS9 Tube Screamer is still going strong.

POSTED: 01/28/2005 - 02:21 am

The TS9 reissue features the same careful hand wiring and analog circuitry as the original classic. Like almost all of the original TS9's, our reissue features the TA75558 IC chip. The TS9DX Turbo Tubescreamer adds three new settings for increased low end crunch: +, Hot, and Turbo.

POSTED: 04/03/2006 - 06:00 am

The most variable and controllable guitar wah you can get. The Weeping Demon's shrieks, cries, wails and seductive siren songs will have your audience screaming for more. The Weeping Demon features spring and normal footboard action, selectable wah range, fine tuning controls and more.

POSTED: 07/18/2005 - 05:45 am

The WF10 wah pedal is very easy to get into. Being a fuzz wah it has a knob on the side to control how much fuzz is on it.

POSTED: 06/23/2008 - 02:14 am

The first thing you will notice about the WH-10v2 is that Ibanez has decided to make this out of a very sturdy die-cast metal casing.

POSTED: 12/17/2009 - 02:44 am

It's very easy pedal to use. It has one knob, "depth" which controls the depth of the wah and it also adds a lot of volume boost.

POSTED: 06/27/2008 - 07:05 pm