Featured review by:
Gibsun_Rider, on june 09, 2005 3 of 3 people found this review helpful
Purchased from: Bel Aire Music
Ease of Use: I have to admit it was very hard to get use to at first, but after about an hour I was getting the hang of it, I have had it for almost three months and I still have troubles making my own patches. The sound is the most versatile I have ever heard, from low melodies and bassy cleans to bad ass distortions and screaming cleans. Using the five hundred plus page manual helped alot. You can use www.customtone.com to get pre-edited patches for virtually anything you want. Using Line 6 Edit is simple too (this is the web-based firmware to control and edit custom tone's patches and patches already on the POD. // 8
Sound: Currently I'm using a Washburn WI 65 with Dimarzio pickups and a Crate GLX 212 Live Effects Combo Amp. Some patches make the guitar hum and feedback can be a bad issue, I don't know how to but you can set how much feedback is produced and also hum. It is really loud! it increases the volume of my amp 100%, some effects are weak and some are not, the ones that are weak are meant to be, you can edit them so they aren't weak and vice versa for the not so weak ones. I play alot of Steve Vai, Ozzy and the virtuosos such as Satch, EVH etc. anything is possible, through customtone. com I somply enter "Eddie Van Halen" in the search bar and it comes up with alot of particular song tones and some that just say "Eddie Van Halen Lead." One effect I like alot is the "Tube Screamer" a distortion based on the Ibanez Tube Screamer Pedal. // 10
Reliability & Durability: I would depend on this thing anywhere anytime I wont break it is like rock! I would definetly use it in a gig, depending if I had the optional floorboard such as the FBV and FBVSB because you can't switch patches without it. // 10
Impression: I play everything, but mostly hard rock and slow acoustics, its an amazing match for anyone, this thing is so versatile! I have been playing for almost three years, I own a Seagull S6 CW+Cedar acoustic, FBV Shortboard and that is about it, I really dont need anymore than that. There is absolutly nothing I should have asked before buying this. I would feel helpless without this thing although I love the distortion on my crate, I love everything about it. I often hear people telling me to get the Boss G8 or the DigiTech GNX4 but I think ill stick with my POD, I wish it came with the foot pedal! // 10
Reviewed by:
unregistered, on may 10, 2007 1 of 1 people found this review helpful
Price paid: $ 279
Purchased from: Herried's Music, Chico, CA
Ease of Use: First off, I have owned my PODXT for three years now, so it's a little difficult to remember how long it took for me to learn the ins and outs of the PODXT, but it didn't take too long to get it down, and now that I do, I move through it with ease. I highly recommend taking the time to read the thorough manual that comes with it in order to get it down (it is fairly large, but you can skip some stuff to get the basics down). I also own the FBV Shortboard (a must). All you have to do with that thing is plug it in and go. // 9
Sound: I am an apartment musician (which means I use it with headphones almost exclusively for practice and recording), and I don't get to use it with an amp very often, however in a jam setting, I was able to find a decent tone rather quickly, and a few minor tweaks in between songs got some great tone out of my Peavy Bandit 112 (something I thought would never be possible). I use a Fender Strat with EMG pickups for rock and blues and a Samick Custom Strat copy with a Seymour Duncan JB in the bridge for the heavier stuff, and the PODXT makes both guitars sing wonderfully. // 10
Reliability & Durability: I have never gigged with it, so I wouldn't really know how durable it is, but I have never ever had a problem with it whatsoever. Although I admit I'm very careful when handling it (I own the gig bag that holds both the PODXT and the FBV Shortboard), I have dropped it a couple of times, and the metal chassis held up without a problem. I bought the dang thing used, and there's hardly a scratch on it! // 10
Impression: I play all sorts of music, and it handles them all beautifully. I have been playing for 12+ years, and it's the best piece of gear (outside of my guitars) I own. It is a great value (even though I find it completely necessary to buy the FBV Shortboard) and you get an amazing bang for your buck. The best thing about the PODXT and Line 6 as a whole is that they constantly update and upgrade their products with easily downloaded patches available on their website. I waited for three years to write a review of the PODXT so I could write an objective review, and this is it. If I were to lose my PODXT, or God forbid, it should stop working at any point, I would go right out and buy another one. I give this product my full backing. On a scale of 1 to 10, in the immortal words of Nigel Tufnel, this one goes to eleven. // 10
Reviewed by:
-Blue-, on may 27, 2009 0 of 0 people found this review helpful
Price paid: $ 200
Purchased from: Friend
Ease of Use: If this is your first multieffects unit, you're going to be spending a while with the software just figuring out how to make the sounds you want. After a little bit of messing around, though, I was able to get some fairly good tones. The GearBox software that you can download makes everything so much easier, as you can search for premade tones for certain artists/songs and have an easier way to edit the sonds you already have. It also includes many more presets than are stored on the PODXT from he start. // 9
Sound: The guitar I use this with is a Schecter C-1+ with a D-Sonic and a Humbucker from Hell (both DiMarzio) in it. When I run it through an amp, it's my Crate V33-212, but most of the time it's hooked up into my computer sound system. The effects normally sound very good, although some obviously sound better than others. The big plus side here is that if you don't lke something about a tone, you can change every dimension of it until you do. If you use too much distortion, there is a lot of feedback and noise, but that's to be exected with distortion. I've been able to get sounds from artists like Foo Fighters and Metallica with ease. // 10
Reliability & Durability: This unit is very dependable. It's always worked when I've needed it to and it does work for Live play, however, I need to get the footswitch for it to use its full potential. The casing is bulletproof (or so it says on the box, I haven't actually shot the thing to test that), and it has survived a few drops with no damage at all. // 10
Impression: I normally play anything from blues to hard rock, and this unit can get tones to match everything I want to play. The only thing I wish I had asked before buying this was how to set it up with the computer, since I spent a while attempting to figure that out. If this were stolen, I would probably buy another one. My favorite feature on the PODXT has to be that you can get any tone you want out of it, and that it works so well with the computer. The only other multieffects unit I've seen was my guitar teacher's Line 6 POD X3 Live, and this seems to do effects just as well as that did, though the convenience of the X3 Live being a floorboard is certainly a good feature. The only thing I wish the PODXT had is that it needs to come with a footswitch. Channel switching during a Live performance can be a pain, and changing sounds mid-song isn't even an option. Overall, though, it's a good buy. // 9
Reviewed by:
nutinpwnsgibson, on november 19, 2008 0 of 0 people found this review helpful
Price paid: $ 300
Purchased from: amazon.com
Ease of Use: If this is your first multi FX, you are probably going to have trouble figuring everything out, and getting a good sound. I had already used several that I borrowed from friends, so I had some experience. I've had it for two weeks, and I've gotten a great sound, even though I still tweak it every day in search for the promised land of tone. I do a lot of the patch editing on the computer with the edit software. It'll take you a bit of frustration to get the POD to work perfectly with the computer, but it'll be worth it. The manual for it is pretty good, much easier to read than the Korg processor I borrowed once. There's stuff you can buy to bring out the best in the POD. One of those is a footswitch for it, and most of the Line 6 footswitches work with the XT, or you could get the model packs online, which give you even more amp and effects models. // 8
Sound: My guitar is a Squier affinity HSS strat. It sounds decent, and plays great. For monitoring, I'm running the left output into an Ibanez practice amp and the right output into a Peavey bass amp, but I plan on getting some nice computer speakers soon to monitor it into, because the way I have it set up, all the sounds from the computer go into the POD. anyways, the noise from the POD is nothing that can't be fixed by it's noise gate, unless maybe you have the Line 6 insane model with the gain over 50% and crappy guitar pickups. I don't really try to get my favorite bands sounds, I try to get my sound, which is kind of all of them mixed together. some of my favorite artists as far as tone-influencing goes though are bulb from periphery (Who uses a POD as a matter of fact), john petrucci, lightning-puppets aged Metallica, SOAD, Megadeth, mastodon, the list goes on forever. It can hit those tones great. I also have some blues/classic rock patches that aim torwards SRV, AC/DC, and led zeppelin kind of stuff. I can hit those nicely too. If your having trouble making a tone for a certain song or artist, you can search for a certain tone online at customtone dot com and download patches that people have put up. The effects on this are great, except the wah which I haven't tried since I don't have a pedal and I don't like parked wah effects, and the pitch-shifter, which is very inresponsive. One thing that's really great is that you can mix and match distortion pedals with amp models. So, do you wanna use a Fuzz Face with a Fender Twin? wanna hook up a rat distortion to a blackface? want to tighten up a rectifier with a tube Screamer? You get the point... another thing you might wanna note, is that you have to adjust the "what are you connected to" setting or else you might sound muddy. It took me a few days to realize that this was what was keeping me from getting better sounds. // 9
Reliability & Durability: I've never gigged with it, but it seems pretty solid, and I haven't had any problems with it. I probably would take a backup though. If I was gigging I might have the rackmount version. // 8
Impression: I play metal, and this thing can get great metal tones. I've been playing for a year and a few months. I don't own any other effects or preamps. there isn't anything I regret about buying this, except for possibly saving up and getting the X3. If I lost this thing, I'd work my ass of to get it back. I really love how you can set it up as your computer's soundcard if you use the USB. A few effects are kind of meh, but those are the effects that I never/rarely use. I was going to get a tube amp, but I decided that I wouldn't get many chances to crank the amp, and it was way too heavy for me to carry around to places, so I looked at effects processors, and I'm glad that I took the POD over everything else. // 10
Why do you need 12? POSTED: 05/10/2007 - 03:59 pm / quote|
proguitarist11
: this thing works wonders. and btw, i think Nickelback1192 was trying to say 1, but he just doesn't know how to type. ah well. Personally, i love the Mesa Boogie tones on this bad boy. Makes my sound a lot bigger than it really is. POSTED: 05/11/2007 - 01:50 am / quote|
Silky Smooth
: I slightly regret returning the pod but I could never get a "clear" sound out of the thing. It always had the blanket over the amp kinda sound. If it was just a little crisper I woulda kept it for sure. POSTED: 05/11/2007 - 03:43 am / quote|
I slightly regret returning the pod but I could never get a "clear" sound out of the thing. It always had the blanket over the amp kinda sound. If it was just a little crisper I woulda kept it for sure.
did you press tune, then change the 'what are you connecting to?' settings?
it sound's like shit if you don't sort it, but loads of people miss it out. POSTED: 12/09/2007 - 08:28 pm / quote|
maverick_137
: is the dumble clean channel a good head in the POD XT and does it truly become heavy when the Tubescreamer is used in it POSTED: 03/01/2008 - 09:54 pm / quote|
WyroSBP90
: i myself prefer the FBV2 for switching through patches... its smaller, its a hell of a lot cheaper than a shortboard, and it gets the job done POSTED: 05/28/2008 - 02:20 am / quote|
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